John Hartford, Joni Mitchell & Pete Seeger - Gentle on Your Mind, KCOP-TV Studios, Los Angeles, CA, 10-18-1970

Here's a really nice find I luckily stumbled across recently. It's the audio from a 1970 musical T.V. special that featured John Hartford, Joni Mitchell, and Pete Seeger in roughly equal amounts. (Technically, the special was called "John Hartford, Joni Mitchell & Pete Seeger - Gentle on Your Mind," but I cut it down to just "Gentle on Your Mind" because really long album titles can cause problems for PC users.)

I wish I knew more about this T.V. show, but I could find very little about it other than this audio recording, plus one photo. And even that photo, which I used for the cover art, was taken from a newspaper clipping. So apparently none of the film footage survives, at least not in the public domain. 

The official Joni Mitchell website is normally extremely comprehensive about anything relating to her. But even that site has very little about this show. However, if you go to this link, you cansee the one photo I'm talking about (before I colorized it and used Krea AI to fill in some detail):

Joni Mitchell - 1970.10.18 | Gentle On My Mind KCOP-TV | Los Angeles

There are some nice surprises in this special. One is having Mitchell sing two songs with Seeger and one song with Hartford. "The Water Is Wide" was mostly Seeger, with Mitchell generally singing wordless backing vocals. But "Both Sides Now" was a proper duet. Seeger even wrote some nice new lyrics and sang those. And it was also great to hear Mitchell sing "Mr. Tambourine Man" with Hartford, especially since it's a Bob Dylan song that she very rarely sang.

Another nice surprise is that Mitchell performed "A Case of You" from her 1971 classic album "Blue" nearly a year before that album was released. So this was an early version, and it turned out a lot of the lyrics were changed by the time the album version came out. I actually prefer some of these lyrics (though some other changes were clear improvements). I particularly like "I'm frightened by the devil, and I'm scared to death by saints." (It was later changed to "I'm frightened by the devil, and I'm drawn to those ones that ain't afraid.")

Hartford also sang an original song he didn't release at the time, "Sunshine Lady, You Really Know How to Slow a Man Down." It eventually came out on an archival release, "Radio John," in 2002. 

This recording sounds pretty good considering how long it's been since the broadcast, though I couldn't call it "excellent." But there was one big problem with the recording: the applause for many of the songs were cut off. Probably, that's how it was in the original broadcast, due to the usual practice of quickly cutting to commercial breaks. I fixed that by patching in extra cheering that I took from the ends of other songs. 

Also, there's no banter included whatsoever. I'm sure there was some in the original broadcast. In fact, there were a few words said by Seeger before one of the songs, but I cut that out because it was literally just a few words, a mere sentence fragment. It would have been great to hear Hartford, Mitchell, and Seeger all talking to each other. But hey, at least we have the music.

The music is unreleased.  

This album is 48 minutes long. 

01 Frustrated Bird (John Hartford)
02 In Tall Buildings (John Hartford)
03 A Case of You (Joni Mitchell)
04 Bring Me Little Water (Pete Seeger)
05 Orange Blossom Special [Instrumental Version] (John Hartford)
06 Both Sides Now (Joni Mitchell & Pete Seeger)
07 Willy (Joni Mitchell)
08 [He Played Real Good] For Free (Joni Mitchell)
09 A Simple Thing as Love (John Hartford)
10 Sunshine Lady, You Really Know How to Slow a Man Down (John Hartford)
11 The Water Is Wide (Joni Mitchell with Pete Seeger)
12 Mr. Tambourine Man (Joni Mitchell & John Hartford)
13 Letter to Eve [Edit] (Pete Seeger) 

https://pixeldrain.com/u/jjUYyFhP

alternate:

https://bestfile.io/LImWqWn09DQyBVQ/file

As mentioned above, the image is the sole picture I could find that is actually from this exact performance. It's too bad Pete Seeger isn't shown as well. And, also as I mentioned above, I colorized it (using the Kolorize program) as well, and then increased the detail with the Krea AI program. 

Various Artists - Playboy After Dark (CBS Television City, Los Angeles, CA), Volume 8: December 1969 to February 1970

Here's the seventh volume of the episodes I compiled of the "Playboy After Dark" TV show. It's the third volume of the show's second season.

I'll only mention some things about a couple of the performances. The rest should be evident just by listening. 

This episode features a previously unknown chapter of Lesley Gore's music career. She'd had a string of hits from 1963 to 1967, but her music went out of style. She continued to release some singles, but they all flopped. In 1972, she put out an album for the first time since 1967, "Someplace Else Now," that recast her in a singer-songwriter mode, similar to Carole King and her seminal 1971 album "Tapestry." In her Playboy TV appearance, she sang two songs that were moving into that mode. Neither of them were officially released by her anywhere, as far as I could tell. One of them, "Didn't We," is a Jimmy Webb song that was covered by many musical artists in this time period. 

Another bit of lost history are the two songs by Joanne Vent and Muscatel. Vent was an attractive White woman with a soulful, bluesy voice, who seemed to have potential for a big music career, a la Janis Joplin. She put out a solo album in 1969, called, "The Black and White of It Is Blues." Unfortunately, as one review I read put it, "Great voice, but not such a great album." At the time of this show, she was getting ready to release a second album with a new backing band, called Muscatel. I found a web link of someone selling a test pressing of it on eBay. But somehow that album never came out. The two songs she sang here suggest what her second album could have sounded like. She also was part of a duet in Volume 5, and shows up again in Volumes 10 and 11.

It's great that Fleetwood Mac is included here. But unfortunately, their performance was badly edited down. Their one song, "Rattlesnake Shake," is only two and a half minutes long. It's clear the performance was longer, since the song both fades in and fades out. They also did a second song, "Coming Your Way," but it only showed up for half a minute at the very end of that particular episode, under an overdubbed advertisement for T.W.A. Airlines. So I didn't bother to include that.

I've mentioned that each episode ended with talking over the music. But, by chance, that only impacted one song in this volume,  "The Category Stomp by John Hartford. That's why that one has "[Edit]" in its title.

This album is an hour and eight minutes long. 

01 Something (Dolores Hall)
02 Just Because of You (Dolores Hall)
03 A Simple Thing as Love (John Hartford)
04 Natural to Be Gone (John Hartford)
05 The Category Stomp [Edit] (John Hartford)
06 Let's Get Together (Jack Jones)
07 If You Want Me To (Chambers Brothers)
08 Love, Love, Love (Chambers Brothers)
09 Georgia on My Mind (James Brown)
10 Yesterday (Vicki Anderson)
11 By the Time I Get to Phoenix (James Brown)
12 God Bless the Child (Jack Jones)
13 The More I See You (Jack Jones)
14 Rattlesnake Shake (Fleetwood Mac)
15 Hello Young Lovers (Lesley Gore)
16 Didn't We (Lesley Gore)
17 High Sheriff of Calhoun Parrish (Tony Joe White)
18 Groupy Girl (Tony Joe White)
19 Slow Train (Joanne Vent & Muscatel)
20 Long Walk to D.C. (Joanne Vent & Muscatel)

https://pixeldrain.com/u/JdGHbzj8

alternate:

https://bestfile.io/HAcJNqwRYyI9p09/file

The cover image shows Peter Green of Fleetwood Mac. It's a screenshot I took from one of these episodes.

Various Artists - Playboy After Dark (CBS Television City, Los Angeles, CA), Volume 3: October to November 1968

Here's the third volume compiling episodes of the "Playboy After Dark" TV show. 

I said most of what I wanted to say about this weird TV show in general in my write-ups for the first and second volumes. So this time I'll concentrate more on the music.

I'm especially psyched that this has Jackie DeShannon performing two songs. I've been looking for a concert recording from her for ages. I found one she did in 1963, and I've posted that at this music blog, but that's about all I've found. (There are a few YouTube videos of her performing, but most of them are from decades later.) So this is a real find, in my opinion.

As I keep posting these volumes, you'll probably notice a mix of famous musical acts and total obscurities. MC Squared is an example of an obscurity. They were a band many compared to Jefferson Airplane. But they only ever managed to release four singles, none of which dented the charts. 

However, I noticed that many of the obscurities "just happened" to be very attractive women. Cathy Carlson and Lynn Kellogg are examples of that on this volume. Both of them only had one single released under their own names at the time of this show, and neither of them went on to release even a single album. (Although Kellogg did have some minor success later in movie and Broadway play roles.) I surmise that Playboy head Hugh Hefner figured many people would watch his show as much for the many beautiful women shown in the crowd scenes as for the music, comedy, and other performances, so he probably preferred musical acts featuring beautiful women as well. Even MC Squared fits this pattern, since that band had an attractive female lead singer.

Also, unfortunately, as I mentioned in more detail in the write-up for Volume 2, Hefner was an expert in sexual manipulation and grooming. It's highly likely that he often tried to tempt women to have sex with him by dangling the prospect of them performing on this show (or even just being an extra in the party crowds), though it's impossible to say if he was successful with that in any specific instance. In some later episodes, there are cases of female singers on the show who posed nude for Playboy Magazine as well. Though I'll mention again that I didn't include all the musical performances in these compilations. There were the occasional few who just weren't very good, in my opinion, or I had other issues with them, so they were left out.

Something else just came to my mind about Hefner. One reason he got away with his sexual exploitation for so long was because people assumed he was an enlightened person due to his progressive social and political views. For instance, he was ahead of the curve promoting minorities and women in his business empire, as well as giving them opportunities in his magazines and T.V. shows and such. We can see examples of that enlightened reputation in this volume. Not only does it include liberal folk singers Pete Seeger and Joan Baez, but he gave them ample time to talk about their progressive causes, in addition to just singing songs. For instance, before singing, Baez led a discussion that lasted several minutes, arguing there was a moral imperative to oppose the Vietnam War. I highly doubt there were other T.V. shows in that era with a national audience that allowed that sort of discussion. But we now know Hefner could have both been progressive in some of his attitudes in public while also sexually exploiting many women in private. 

This album is an hour and one minute long. 

01 I Know You [Your Nature Is like Mine] (MC Squared)
02 Everybody's Talkin' (MC Squared)
03 The Pill (Pete Seeger)
04 I Got It Bad [And That Ain't Good] (Carmen McRae)
05 Come Live with Me (Carmen McRae)
06 I Got the Reason (Jackie DeShannon)
07 Holly Would (Jackie DeShannon)
08 Everybody's Got to Change Sometime (Taj Mahal)
09 E Z Rider (Taj Mahal)
10 You Could End the World (Cathy Carlson)
11 Hurt So Bad (Cathy Carlson)
12 And the Address [Instrumental] [Edit] (Deep Purple)
13 Hush (Deep Purple)
14 Ol' Man River (Lynn Kellogg)
15 It's Just a Game Love (Brenton Wood)
16 Gimme Little Sign (Brenton Wood)
17 California Earthquake (John Hartford)
18 Natural to Be Gone (John Hartford)
19 Hickory Wind (Joan Baez)
20 Tears of Rage (Joan Baez)

https://pixeldrain.com/u/n4say7Ry

alternate: 

https://bestfile.io/en/rOgqrK3kEfKZ9SF/file

The cover image is a screenshot I took from one of the videos of these episodes of Jackie DeShannon. Do you see the mostly bald-headed man standing right behind her? That's Barry White, who would become a big soul music star in the 1970s. At this time, he was a relative unknown, working mostly as a producer and backing vocalist. He was heavily involved in DeShannon's career around 1968. In fact, the first song she sang here, "I Got the Reason," was written by White.