Showing posts with label 1954. Show all posts
Showing posts with label 1954. Show all posts

Monday, September 8, 2025

Various Artists - Covered: Hank Williams, Volume 1: 1954-1995

It's time for more from my "Covered" series, highlighting widely covered songwriters. This one celebrates the music of Hank Williams, who has been called "the father of country music." I've found enough for two albums. Here's the first one.

There's no doubt that Williams was a pivotal musical figure. Rolling Stone Magazine ranked him number 74 on its list of the 100 Greatest Artists of All Time, which is saying a lot, considering that magazine doesn't pay much attention to country music. Encyclopedia Britannica called him "country music's first superstar" and an "immensely talented songwriter and an impassioned vocalist." AllMusic.com said that he "established the rules for all the country performers who followed him and, in the process, much of popular music."

So far with this "Covered" series, I've generally selected songwriters from the rock and roll era, meaning 1955 and after. But Williams was from earlier. His recording lasted from 1947 to 1953. He died in 1953 at only the age of 29. His cause of death is controversial, but it seems he died of a heart attack caused by misuse of drugs and alcohol. 

I eventually want to go back and make "Covered" albums of songwriter greats like him from earlier eras. However, in Williams' case, his music often doesn't appeal to those who don't like country music. So instead of just going with the big hit versions of his songs, I made a concerted effort to pick covers that I liked but also often weren't country versions, or at least weren't hard-core country versions. So if you're not a big country music fan, you might still want to give this a try. There are some country versions early on, but less so as this album goes on, and even less so on the second volume. 

This album starts in 1954 and proceeds chronologically after that, so everything from here is after his death. In fact, Williams had a lot of success with people covering his songs during his life, but those generally are the hard core country type songs I've tried to avoid here. A pivotal cover was "Cold, Cold Heart" by Tony Bennett in 1951. Bennett was reluctantly convinced to cover it, doing it in a pop style. It was a Number One hit on the U.S. singles chart. This caused people in the music business to start to realize that Williams' songs could be popular outside of just the country music charts, and many covers followed. However, I didn't include Bennett's version or many other hit cover versions from that time period because I don't think they've dated well. But some songs from the time, including "Cold, Cold Heart," will appear on the second volume, done in more modern styles.

By the way, I have to say that I was surprised to find out that Williams co-wrote "Jambalaya (On the Bayou)." I had assumed that was a traditional New Orleans / Cajun song going way back. But Williams wrote it with Moon Mulligan, another country star, in 1952, basing the melody on a little-known traditional love song called "Grand Texas." His version was a massive hit, spending 14 weeks at Number One on the U.S. country singles chart. It also is his most covered song, with at least 500 recorded versions. Good luck going to New Orleans and not hearing it played a bunch of times!

Here's the Wikipedia entry about Williams, if you want to know more:

Hank Williams - Wikipedia 

This album is 49 minutes long. 

01 There'll Be No Teardrops Tonight (Tony Bennett)
02 Long Gone Lonesome Blues (Marty Robbins)
03 Jambalaya [On the Bayou] (Brenda Lee)
04 Moanin' the Blues (Marty Robbins)
05 Hey, Good Lookin' (Ray Charles)
06 Weary Blues from Waitin' (Vince Martin & Fred Neil)
07 Your Cheatin' Heart (Ray Charles)
08 Kaw-Liga (Charley Pride)
09 Settin' the Woods on Fire (Little Richard)
10 I'm So Lonesome I Could Cry (Al Green)
11 Move It on Over (George Thorogood)
12 You Win Again (Rolling Stones)
13 Why Don't You Love Me like You Used to Do (Elvis Costello & the Attractions)
14 I Saw the Light (Etta James)
15 Honky Tonk Blues (Huey Lewis & the News)
16 Mind Your Own Business (Saffire, the Uppity Blues Women)
17 Honky Tonkin' (The The)

https://pixeldrain.com/u/RT8yKdAE

alternate:

https://bestfile.io/en/g8fif4AWmUqA88p/file

I don't know what year the photo is from. The original was in black and white, but I colorized it with the help of the Kolorize program.

Wednesday, May 21, 2025

Various Artists - Covered: Jesse Stone: 1942-1985

Until a few days ago (writing this in May 2025), I had never heard of Jesse Stone. But I found out about him while research possible additional subjects for my "Covered" series on well-covered songwriters. What really caught my eye was that he was the one who wrote the song "Shake, Rattle and Roll." That was one of the most pivotal songs that launched the popularity of rock and roll music. Rolling Stone Magazine has rated it as 127 on their list of the 500 greatest songs of all time.

But while Stone is best known for that song, he wasn't a songwriting one-hit wonder. Ahmet Ertegun, the head of Atlantic Records, the most important R&B record company in that era, once stated that "Jesse Stone did more to develop the basic rock and roll sound than anybody else."

Stone's music career went way back. He actually came from a family who put on minstrel shows, and began performing at the age of four! His first big success as a songwriter came with the song "Idaho," which sold over a million copies in 1942. That's not really a style of song I like, but I've included it since it was a pivotal song in his career. Things got more interesting as the rock and rock era dawned in the early 1950s. Another big success for him was "Money Honey" by the Drifters, which Rolling Stone Magazine also put on their list of the top 500 greatest songs of all time. "Flip, Flop and Fly" by Big Joe Turner and "Don't Let Go" by Roy Hamilton were also especially big hits.

Stone had his own career as a singer, as well as a producer and arranger. He had a fine voice, but never had any hits of his own. He certainly stood out for being a successful Black songwriter in the 1950s when there were very few others. (Although Otis Blackwell comes to mind as another key exception.) His success as a songwriter petered out in the early 1960s as musical styles change. Most of these songs are the original versions, except for the last three, which came significantly later. He died in 1999 at the age of 97.

Here's the Wikipedia entry on him:

Jesse Stone (musician) - Wikipedia

This album is 47 minutes long. 

01 Idaho (Benny Goodman with Dick Haymes)
02 Cole Slaw [Sorghum Switch] (Louis Jordan)
03 Losing Hand (Ray Charles)
04 Money Honey (Drifters)
05 Shake, Rattle and Roll (Bill Haley & His Comets)
06 As Long as I'm Moving (Ruth Brown)
07 Razzle-Dazzle (Bill Haley & His Comets)
08 Flip, Flop and Fly (Big Joe Turner)
09 Crazy, Crazy Party (Cues)
10 Don't Let Go (Roy Hamilton)
11 Love Is A-Breakin' Out (Roberta Sherwood)
12 Red Hot Love (Billy Williams)
13 Private Eye (Buddy Wilkins)
14 Like a Baby (Elvis Presley)
15 Smack Dab in the Middle (Ray Charles)
16 Your Cash Ain't Nothing but Trash (Steve Miller Band)
17 Lipstick, Powder and Paint (Shakin' Stevens)

https://pixeldrain.com/u/8ndetrSq

alternate:

https://bestfile.io/oVOghCZORLncBUR/file

I don't know much about the cover photo except that it looks to be a promotional photo from the 1950s. It was originally in black and white, but I colorized it using the Krea AI program.

Saturday, April 24, 2021

Various Artists - Covered: Willie Dixon, Volume 1: 1954-1966

Next up for the "Covered" series is Willie Dixon. You may not be familiar with him unless you're a blues fan, but he's a musical legend. I would guess that maybe half of all classic blues songs were written by him. And since blues has had such a massive impact on rock and soul music, he's a towering figure for those genres too. Chuck Berry has said of him, "He made me what I am, so far as the basics of my music." And Keith Richards of the Rolling Stones has said, "He is the backbone of post-war blues writing... the absolute." His nickname is "the poet laureate of the blues."

But despite his influence, he isn't as well known as he should be because he wasn't much of a performer. He did play bass on a lot of records, but he didn't sing much, or put out many albums under his own names. Instead, he was mainly content to write for others, most especially blues legends Muddy Waters and Howlin' Wolf.

If you want to know more about him, here's the link to his Wikipedia entry:

Willie Dixon - Wikipedia

I've found enough great songs from him for three albums. I could fill those albums mostly with performances by Muddy Waters, Howlin' Wolf, and other blues greats. But since I want to introduce people to his musical legacy who aren't already big blues fans, I've tried to pick versions done by rock artists. In order to help with that, I'm limited myself to only one song for each musical artist for all three of his albums in this series. You'll still find some blues artists on this volume, but less so on the other two. The songs are sorted chronologically, and rock artists began covering him around 1964, which is in the later half of this album, when the Rolling Stones took his "Little Red Rooster" all the way to number one on the British charts.

This album is slightly longer than 45 minutes, and the other two volumes have similar lengths.

01 I'm Ready (Muddy Waters)
02 My Babe (Little Walter)
03 Pretty Thing (Bo Diddley)
04 I Don't Care Who Knows (Harrold Burrage)
05 I Cry and Sing the Blues (Buddy Guy)
06 Lovin' Up a Storm (Jerry Lee Lewis)
07 I Can't Hold Out (Elmore James)
08 For My Baby (Brook Benton)
09 Three Hundred Pounds of Joy (Howlin' Wolf)
10 Little Red Rooster (Rolling Stones)
11 Just like I Treat You (Rod Stewart & Long John Baldry & the Hoochie Coochie Men)
12 Meet Me in the Bottom (Everly Brothers)
13 Seventh Son (Johnny Rivers)
14 You Need Love [You Need Loving] (Small Faces)
15 Spoonful (Cream)

https://pixeldrain.com/u/bTrMTB8u

alternate link:

https://bestfile.io/en/yDS6Hs3sOaAwQVe/file

I have no idea what year this photo of Willie Dixon is from. But pretty much all of the other photos I've found him show him at least partially bald, so I figure he's fairly young here. The original of this photo was in black and white, but I colorized it. His skin is fairly dark in the (actual color) photo I've chosen for the third volume in this series, so I darkened his skin some on this one to better match that one. 

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.

Saturday, October 5, 2019

Various Artists - Covered: Jerry Leiber & Mike Stoller, Volume 1: 1952-1958

So far with this blog, I'm been prioritizing posting stray tracks compilation albums for individual artists, since those usually can't be found elsewhere. But there are other things I want to post, and one major category is various artists compilations. So far, I've posted a little bit of that, especially my series of "Nuggets" compilations sorted by country. I still plan on posting the US and Britain compilations in that series, but I have to figure out how to organize it into manageable pieces. In the meantime, I'm going to start this new series, which I call "Covered."

In my opinion, songwriters are drastically underappreciated. I believe that, in the long run, the quality of the song matters more than the performance. But of course the performer gets nearly all the fame and glory, in the same way that movie stars are usually much better known than directors, producers, or screenwriters. In this series, I want to highlight some of the greatest songwriters, or songwriting teams, of all time. Some in this series, such as Carole King or Smokey Robinson, have been major performing stars as well, but I plan on looking exclusively at songs performed by others.

Sometimes, there have been various artists collections along these lines. For instance, there have been a couple of pretty good box sets dealing with the music of Burt Bacharach and Hal David. But even with the best official efforts, there are licensing problems that mean key songs are left out. On the flip side, there usually are many songs included that aren't that good. I'm making exactly what pleases me. I'm trying to include all the big hits, but if there's one I don't like, I'll probably resort to using a version of that song by someone else, or maybe not include it at all. And there usually are rarities that I do like and weren't hits at all.

The first in this series is the team of Jerry Leiber and Mike Stoller, because their success goes way back to the early 1950s. I'm not going to recount their story. If you don't know who they are, check out their Wikipedia entry as a starting point to learn more:

https://en.wikipedia.org/wiki/Jerry_Leiber_and_Mike_Stoller

In short, they wrote over 70 hits, mostly in the 1950s and 1960s, and are undoubtedly one of the best songwriting teams of all time. They produced a great number of hits as well, and ran their own record company. They especially fed a lot of hits to the Coasters and to Elvis Presley. I've usually selected the original hit, but sometimes I went with an alternate, especially because I didn't want to overload this with Coasters and Elvis performances. So, for instance, I went with Big Mama Thornton's version of "Hound Dog" instead of Presley's. Also, my rule is to only include one version of a particular song, even if two or more artists had big hits with it.

As I mentioned above, I try to include the hits, but not if I don't like them. For this album, probably the only controversial choice is that I don't like "Loving You" by Presley. I find it slow, it a boring and overdone manner. But it was a huge hit. So I found a rare fast version that I like much better, and I've included that instead.

I've broken up this collection into three albums of about 50 minutes of music each. This is the first. For all albums in this "Covered" series, the songs are ordered chronologically by year. But I don't go into enough detail to figure out the release order within each year.

01 Hard Times (Charles Brown)
02 Nosey Joe (Bull Moose Jackson)
03 Hound Dog (Big Mama Thornton)
04 Riot in Cell Block No. 9 (Robins)
05 I Smell a Rat (Big Mama Thornton)
06 Black Denim Trousers and Motorcycle Boots (Cheers)
07 Down in Mexico (Coasters)
08 Love Me (Elvis Presley)
09 Jailhouse Rock (Elvis Presley)
10 Fools Fall in Love (Drifters)
11 [You're So Square] Baby I Don't Care (Elvis Presley)
12 Lucky Lips (Ruth Brown)
13 Loving You [Fast Version] (Elvis Presley)
14 Santa Claus Is Back in Town (Elvis Presley)
15 Young Blood (Coasters)
16 Treat Me Nice (Elvis Presley)
17 Framed (Ritchie Valens)
18 Trouble (Elvis Presley)
19 King Creole (Elvis Presley)
20 Yakety Yak (Coasters)
21 Don't (Elvis Presley)

https://pixeldrain.com/u/n4AurRn8

alternate:

https://bestfile.io/en/kHOyhCGjJ3lYClc/file

As usual, I don't like using black and white photos for the cover art. But I couldn't find any color photos of Leiber and Stoller from the 1950s, so I colorized this one. I believe it dates from 1959. Leiber is on the left.

UPDATE: On September 29, 2024, I upgraded the photo with the use of the Krea AI program.