Showing posts with label song edit. Show all posts
Showing posts with label song edit. Show all posts

Friday, January 30, 2026

Bruce Springsteen - Streets of Minneapolis (Live Acoustic Version)

Here's a song that was actually created earlier today, January 30, 2026. I don't think I've ever posted anything this fast at this blog before. Just two days earlier, Bruce Springsteen released a new song called "Streets of Minneapolis," which he had written only a couple of days before that. That released version was performed with a full band. But today, he was in Minneapolis, and he was a guest at a Tom Morello concert held at a small club. While there, he performed two songs, and one of them was "Streets of Minneapolis," done in solo acoustic mode. I thought this version is different enough, and interesting enough, to merit being posted here.

The recording of this song was just done by someone on their cell phone, so there were some sound quality issues. Another reason I'm posting this is because I figured I could make this version more listenable with some audio editing improvements. I used the MVSEP program to reduce the crowd noise during the song. I kept in some roars of the crowd where they were warranted, but I got rid of a lot of ambient noise, as well as random loud screams and woo-hoos. I also used the Adobe vocal enhancer program to add some clarity to Springsteen's comments before the song began.

In case you haven't figured it out from the song title, or from hearing about it already, the song is about the current crisis with I.C.E. misbehaving in Minneapolis. While I'm a political progressive, I usually try to avoid talking about politics on this music blog. But I have to say I'm glad that Springsteen has written a song to express what a majority of people in the U.S. are feeling right now: that I.C.E. is going too far, and they're harassing, hurting, and sometimes even killing people they don't like instead of properly doing their jobs. Democracy is in danger of being replaced by a de facto dictatorship. I hope other musicians follow Springsteen's example and lend their talents to help push back against this power grab.  

Springsteen's performance of this song was newsworthy enough to result in some articles. Here one, from the Daily Beast: 

Bruce Springsteen Kicks Trump ‘In the Teeth’ at Rage-Fueled Show

And here's all of Springsteen's participation in the concert: 

Bruce Springsteen at First Avenue 1/30/26  

After playing his new song, he was joined by a full band, including Tom Morello, and they performed "The Ghost of Tom Joad." Morello played some blistering lead guitar on that one. Then the concert ended with John Lennon's "Power to the People," though really it was just the chorus repeated a few times along with some shouting to get the crowd worked up.

Here's the link to the cleaned-up live acoustic version: 

https://pixeldrain.com/u/yo8eER1S

alternate:

https://bestfile.io/en/krciqmn65DBSKGU/file

Normally, I post album covers. But this isn't an album. Besides, I'm having problems running Photoshop on my computer in the past few days. So if anyone wants a cover for this, it will have to wait. 

Oh, one final note. The "Brucebase" Bruce Springsteen Wiki has a lot of good links and information relating to this performance, including a bunch of photos. You can find that here:

2026-01-30 First Avenue, Minneapolis, MN - Brucebase Wiki 

Tuesday, June 17, 2025

The Beatles - The Beatles Uncovered, Volume 13: Mike's Mixes (1963-1969) (A Mike Solof Guest Post)

It's time again for another volume of Beatles remixes by guest poster Mike Solof. 

This one is different than all the previous ones. Basically, Mike decided to use the "unlucky 13" volume to include all the mixes that he was less than totally psyched about. If you read the PDF Mike always includes with these albums, he is surprisingly harsh about his own album. But I listened to this, and it's perfectly fine. Beauty is in the eye of the beholder, and it's hard to go wrong with any mix of any Beatles song, in my opinion. But because this is like the outtakes from earlier albums he made, it's shorter than usual. Also, he didn't include song-by-song explanations in his PDF.

This album is 41 minutes long.

01 Because [Mike's Mix 4 2025] (Beatles)
02 Baby's in Black [Mike's Mix 2025] (Beatles)
03 Can You Take Me Back [Mike's Mix 2025] (Beatles)
04 Good Night, Take 10 [Mike's Mix 2025] (Beatles)
05 Got to Get You into My Life [Mike's Mix 2 2025] (Beatles)
06 Birthday [Mike's Mix 2024] (Beatles)
07 Hey Bulldog [Mike's Mix 2025] (Beatles)
08 I Don't Want to Spoil the Party [Mike's Mix 2024] (Beatles)
09 Dig It [Mike's Mix 2025] (Beatles)
10 Dizzy Miss Lizzy [Mike's Mix 2024] (Beatles)
11 Eleanor Rigby [Mike's Mix 2024] (Beatles)
12 For No One [Mike's Mix 2025] (Beatles)
13 I'll Cry Instead [Mike's Mix 2024] (Beatles)
14 Roll Over Beethoven [Mike's Mix 2025] (Beatles)
15 Rock and Roll Music [Mike's Mix 2025] (Beatles)
16 With a Little Help from My Friends, Take 10 [Mike's Mix 2025] (Beatles)
17 Things We Said Today [Mike's Mix 2024] (Beatles)
18 Please, Please Me [Mike's Mix 2025] (Beatles)

https://pixeldrain.com/u/6785v1eV 

alternate: 

https://bestfile.io/en/8DjvSgMg1Z5Q0jV/file

The cover is an image Mike creating using AI. It plays off the whole "Paul is dead" rumor.

Monday, November 25, 2024

The Beatles - The Beatles Uncovered, Volume 8: Mike's Mixes - The Acoustic Abbey Road (1969) (A Mike Solof Guest Post)

It's time for another guest post by Mike Solof. This one came out of a recent discussion I had with him. I told him that it's always been a wish of mine to have all acoustic versions of all the Beatles albums, much like the acoustic demos to Beatles made for the "White Album." Mike basically responded "Say no more!" and whipped up an acoustic version of the Beatles' classic 1969 album "Abbey Road." If you like this as much as I do, please encourage him to do others.

To make this, Mike used only the exact versions of the songs on the official album, no alternate versions. But interesting things are brought to light by stripping instruments away. If you want to know more, I suggest you read the PDF Mike included in the download file. He gives an explanation for what he did to every song. 

This album is 43 minutes long. Note the original "Abbey Road" is 47 minutes long. This is shorter mostly because several minutes at the end of "I Want You" weren't included, since there was nothing really acoustic about them.

01 Come Together (Beatles)
02 Something (Beatles)
03 Maxwell's Silver Hammer (Beatles)
04 Oh, Darling (Beatles)
05 Octopus's Garden (Beatles)
06 I Want You (Beatles)
07 Here Come the Sun (Beatles)
08 Because (Beatles)
09 You Never Give Me Your Money (Beatles)
10 Sun King - Mean Mr. Mustard (Beatles)
11 Polythene Pam - She Came In through the Bathroom Window (Beatles)
12 Golden Slumbers - Carry That Weight (Beatles)
13 The End (Beatles)
14 Her Majesty (Beatles)

https://spaces.hightail.com/receive/SZDdBte1ee

I came up with the idea of the album cover. Since this is an acoustic version of "Abbey Road," I thought it would be fun to change the iconic cover of the album to have the Beatles carrying acoustic guitars. Before, that just would have been a fun thought, but with the advances in AI art, it's actually doable. I used the free program Krea AI to make a bunch of variants of the cover, then picked the best bits. Then I used Photoshop to add in just those bits to the original cover.

And by the way, speaking of covers, if you open Mike's PDF, you'll see an alternate version of this with McCartney wearing giant sneakers. I made this as a joke after Mike jokingly complained about McCartney having bare feet. Mike liked the image so much that he wanted to use it for the actual cover, but cooler heads prevailed.

Tuesday, February 27, 2024

Various Artists - Mike’s Mixes - Uncovered Classics, Volume 1 (1964-2006) (A Mike Solof Guest Post)

Here's another collection of unique mixes by guest poster Mike Solof. I'll let him describe what it's about.

---

It’s Mike. You might know me from my series of Uncovered Beatles tracks. I’m back and starting a whole new series of non-Beatles cuts that I’m calling Uncovered Classics. The series will feature some of my remixes of classic tracks that I know and love and grew up listening to on my old FM radio. I own a broad spectrum of music that I have collected over the past 40 years. This new series will focus on some of my favorite songs, mostly well-known classics, but also a few you might not be familiar with.

As with my Beatles series, the thing I enjoy most is using modern tech to rip apart the commercially released tracks you know by heart… and find all the cool stuff that is hiding in the cracks and crevices deep, deep within. The buried gems, the treasures you never usually get a chance to hear because they had been buried deep in the mix under all those other “bothersome” instruments and vocals... until now!

Below is a brief track by track summary of what I've included in my intro into this new series. Please read the PDF file included in the download zip for more information, including song by song details.

This album is an hour and one minute long.

01 Long Train Runnin' [2024 Mike’s Mix] (Doobie Brothers)
02 Exposure [2020 Mike’s Mix] (Robert Fripp)
03 Bedspring Kiss [2024 Mike’s Mix] (Jellyfish)
04 Fly Me to the Moon [2024 Mike’s Mix] (Frank Sinatra)
05 Borderline [2024 Mike’s Mix] (Madonna)
06 Ramble On [2024 Mike’s Mix] (Led Zeppelin)
07 Slip Kid [2024 Mike’s Mix] (Who)
08 Lone Jack [2024 Mike’s Mix] (Pat Metheny Group)
09 Once in a Lifetime [2024 Mike’s Mix] (Talking Heads)
10 Thick as a Brick [2024 Mike’s Mix] (Jethro Tull)
11 Seven Bridges Road [2024 Mike’s Mix] (Eagles)
12 You Know My Name [2024 Mike’s Mix] (Chris Cornell)
13 Relax [2024 Mike’s Mix] (Frankie Goes to Hollywood)
14 Bohemian Rhapsody [2024 Mike’s Mix] (Queen)

https://www.upload.ee/files/16329866/VA-MikesMixsUncverdClsscsVlum1_atse.zip.html

Paul here again. I don't know what's going on with the cover art. A Mike self portrait, maybe?! Perhaps he can explain.

Sunday, February 4, 2024

The Beatles - The Beatles Uncovered, Volume 7: Mike's Mixes (1962-1987) (A Mike Solof Guest Post)

Here we go again, with another Beatles Uncovered album by guest poster Mike Solof.

Once again, by now, hopefully you should know the drill, if you're familiar with the previous volumes in this series. So I don't see the need to say much more. Mike has extensive comments in the PDF file that's included in the download zip. I encourage you to check that out.

However, I will comment that, this time, there's a particular focus on early Beatles songs, with almost half of the songs from 1962 to 1964. And Mike put in a truly remarkable amount of time making a special version of "Hey Jude," which draws on three takes the Beatles did for a 1968 TV, which resulted in lots of little differences compared to the version everyone is familiar with.

This album is 58 minutes long.

01 Hey Jude [Mike's Mix 3] (Beatles)
02 Love Me Do [Mike's Mix] (Beatles)
03 Nobody Told Me [Mike's Mix] (John Lennon)
04 This Is Love [Mike's Mix] (George Harrison)
05 If I Fell [Mike's Mix] (Beatles)
06 All Things Must Pass [Mike's Piano Mix 2] (George Harrison)
07 You Can't Do That [Mike's Mix] (Beatles)
08 Tell Me Why [Mike's Mix] (Beatles)
09 Dear Yoko [Mike's Mix] (John Lennon)
10 Breath Away from Heaven [Mike's Mix] (George Harrison)
11 There's a Place [Mike's Mix] (Beatles)
12 Twist and Shout [Mike's Mix] (Beatles)
13 Isn't It a Pity, Version 1 [Mike's Mix] (George Harrison)
14 If Not for You [Mike's Piano Mix 2] (George Harrison)
15 Can't Buy Me Love, Take 2 [Mike's Mix] (Beatles)
16 I'd Have You Any Time [Mike's Mix] (George Harrison)
17 P.S. I Love You - Besame Mucho [Mike's Mix] (Beatles)

https://pixeldrain.com/u/EcRPE2K1

alternate:

https://bestfile.io/en/JNBYfORDKJZ6teG/file

Once again, the cover art comes from some interesting Beatles artwork Mike found on the Internet. This one bears a close resemblance to the "Keep On Truckin'" guy from the 1970s. (If you don't know what I mean, look it up.) In March 2025, I upgraded the cover image with the use of the Krea AI program.

Wednesday, November 29, 2023

The Beatles - The Beatles Uncovered, Volume 6: Mike's Mixes (1964-2013) (A Mike Solof Guest Post)

It's time for another one of guest poster Mike Solof's collections of his unique edits of Beatles songs. 

By now, hopefully you should know the drill, if you're familiar with the previous volumes in this series. So I don't see the need to say much more. Mike has extensive comments in the PDF file that's included in the download zip. I encourage you to check that out.

However, I will say one more thing. I can personally attest to the struggles Mike went through to make the Ringo Starr and George Harrison duet of "It Don't Come Easy" included here, since he kept me abreast of changes as he made them. He probably pulled out most of his hair on that one. Luckily, he gets paid the big bucks for making these edits... Not! So drop him a thanks if you like the album, 'cos it takes a lot of work to make these versions.

This album is one hour long.

01 Save Us [Mike's Mix] (Paul McCartney)
02 If I Needed Someone [Mike's Mix] (Beatles)
03 I'm Stepping Out [Mike's Mix] (John Lennon)
04 It Don't Come Easy [Mike's Mix] (Ringo Starr & George Harrison)
05 Hello Goodbye [Mike's Mix] (Beatles)
06 Devil's Radio [Mike's Mix] (George Harrison)
07 Baby, You're a Rich Man [Mike's Mix] (Beatles)
08 House of Wax [Mike's Mix] (Paul McCartney)
09 Maxine [Mike's Mix 2] (Traveling Wilburys)
10 Oh Yoko [Mike's Mix] (John Lennon)
11 Because [Mike's Mix - Paul Left, John Center, George Right] (Beatles)
12 Someplace Else [Mike's Mix] (George Harrison)
13 You're Mother Should Know [Mike's Mix] (Beatles)
14 Only Mama Knows [Mike's Mix] (Paul McCartney)
15 When We Was Fab [Mike's Mix] (George Harrison)
16 Run for Your Life [Mike's Mix] (Beatles)
17 Slow Down [Mike's Mix] (Beatles)
18 New [Mike's Mix] (Paul McCartney & AI John Lennon)

https://pixeldrain.com/u/KEyKZBYE

alternate:

https://bestfile.io/en/AnBwQGkvLQZoDIY/file

I don't know the details of the cover photo of the Beatles, since Mike picked it. But just going off the styles and haircuts and such, I'd guess it's from 1966. In March 2025, I upgraded the cover image with the use of the Krea AI program.

Monday, November 13, 2023

The Beatles - The Beatles Uncovered, Volume 5: Mike's Mixes (1963-1987) (A Mike Solof Guest Post)

Guest poster Mike Solof strikes again, with another volume of his unique mixes of Beatles (and solo careers) songs.

This time around, there's a wide range of music, dating from the early Beatles back in 1963 all the way to solo career songs from the 1980s. If you want to know more, check out the PDF file included with the download, as usual for Mike, with explanations about the edits for all the songs.

This album is 59 minutes long.

01 That's What It Takes [Mike's Mix] (George Harrison)
02 Uncle Albert-Admiral Halsey [Mike's Mix] (Paul McCartney)
03 Watching the Wheels [Mike's Mix] (John Lennon)
04 Beware of Darkness [Mike's Mix 2] [Instrumental] (George Harrison)
05 Michelle [Mike's Mix] (Beatles)
06 You Won't See Me [Mike's Mix] (Beatles)
07 Magical Mystery Tour [Mike's Mix] (Beatles)
08 The Inner Light [Mike's Mix] (Beatles)
09 Beautiful Boy [Mike's Mix] (John Lennon)
10 I Want to Hold Your Hand [Mike's Mix] (Beatles)
11 All You Need Is Love [Mike's Mix] (Beatles)
12 Wreck of the Hesperus [Mike's Mix] (George Harrison)
13 Think for Yourself [Mike's Mix] (Beatles)
14 With a Little Help from My Friends [Mike's Mix] (Beatles)
15 Woman [Mike's Mix] (John Lennon)
16 The Fool on the Hill [Mike's Mix] (Beatles)
17 Across the Universe [Mike's Mix] (Beatles)

https://pixeldrain.com/u/B7RTEqED

alternate:

https://bestfile.io/en/YShiu3Xy8wi1XrM/file

The cover photo looks to show Paul McCartney and John Lennon in the late 1970s. However, is not real, meaning it's a mash-up of two photos created by someone and posted on the Internet. Originally, there was a photo of Lennon with his wife, Yoko Ono, from the late 1970s. But someone pasted over McCartney from a different photo also taken in that time period. I had some issues with this version, most especially that the lighting on their hair didn't match, so I made some edits in Photoshop to at least make the fake look more plausible.

In March 2025, I improved the image quality with the use of the Krea AI program.

That said, it is known that McCartney and Lennon did hang out together from time to time in the late 1970s, especially whenever McCartney was passing through New York City, where Lennon lived. So this photo could have happened.

Tuesday, November 7, 2023

The Beatles - The Beatles Uncovered, Volume 4: Mike's Mixes (1963-2023) (A Mike Solof Guest Post)

A few days ago (as I write this in early November 2023), the Beatles released a "new" song called "Now and Then." It's a long story, but the short version is that it's based on a demo John Lennon recorded in the late 1970s, before he died in 1980. The three surviving Beatles worked on it some around 1995, but they weren't satisfied, and never finished. Finally, thanks to advances in technology, the two surviving Beatles Paul McCartney and Ringo Starr finished it recently. So it's a fitting time to post another guest post by Mike Solof, featuring more of his unique mixes of Beatles songs.

I'll let Mike do most of the explaining via his notes contained in a PDF file that's included in the download zip. But I just want to make two more comments. One, I noted to him that his earlier volumes didn't include any early Beatles songs, and I wanted to hear some of those. Happily, he obliged, and there are a bunch of songs from 1963 to 1965 here. Second, speaking of the "new" song "Now and Then," Mike has included a mix of that song that's different from the released version in interesting ways.

This album is exactly an hour long.

01 Long Tall Sally [Mike's Mix] (Beatles)
02 Bad Boy [Mike's Mix] (Beatles)
03 I Call Your Name [Mike's Mix] (Beatles)
04 Yes It Is [Mike's Mix] (Beatles)
05 Now and Then [Mike's Mix] (Beatles)
06 I Am the Walrus [Mike's Mix] (Beatles)
07 I'm Down [Mike's Mix] (Beatles)
08 Matchbox [Mike's Mix] (Beatles)
09 This Boy [Mike's Mix] (Beatles)
10 Watching the Wheels [Mike's Mix Version 2] (John Lennon)
11 Hear Me Lord [Mike's Mix] (George Harrison)
12 Hey Bulldog [Mike's Mix] (Beatles)
13 You're Sixteen [Mike's Mix] (Ringo Starr)
14 I Saw Her Standing There [Mike's Mix] (Beatles)
15 I Feel Fine [Mike's Mix] (Beatles)
16 Lady Madonna [Mike's Mix] (Beatles)
17 Because [Mike's Mix] (Beatles)
18 A Day in the Life - Inner Groove [Mike's Mix] (Beatles)

https://pixeldrain.com/u/YqmSM6YN

alternate:

https://bestfile.io/en/Zht9DnokJps5uob/file

For the album cover, Mike found another artistic representation of the Beatles. I have no idea what the original source is. In March 2025, I improved the picture quality with the use of the Krea AI program.

Friday, September 15, 2023

The Beatles - The Beatles Uncovered, Volume 3: Mike's Mixes (1967-1989) (A Mike Solof Guest Post)

It's time for another Mike Solof guest post. Before I hand over the reins to him, so to speak, note that if you're enjoying his Beatles mixes, he's been posting more of that at the "Albums I Wish Existed" website, which you can find here:

https://albumsiwishexisted2.blogspot.com/

Also, in addition to Mike's below write-up, read the PDF file included in the download for explanations behind each song.

---

Hey kids,

It’s Mike here, back for Round 3 of some of my coolest remixes of Beatle tracks culled from over 300 shows I produced for a now defunct Internet station called Beatles-a-rama.

The thing always found most fun (and still do) in working with Beatles tracks, is using the most modern equipment out there to rip the commercially released tracks apart… and then finding out what is hiding in the cracks and crevices of the music. The stuff buried beneath. The stuff you never usually get a chance to hear. Until now!

That’s what this collection is all about.

I’m hoping that the hour of music in volume three will allow you to appreciate the greatest band in the world in a whole new way. There’s a lot more where this came from…

Enjoy!!

01 I'm Losing You [Mike's Mix] (John Lennon)
02 Cloud Nine [Mike's Mix] (George Harrison)
03 Every Man Has a Woman Who Loves Him [Mike's Mix] (John Lennon)
04 Martha My Dear [No Strings or Brass] (Beatles)
05 In My Car [Mike's Mix] (Ringo Starr)
06 Cheer Down [Mike's Mix] (George Harrison)
07 Cleanup Time [Mike's Mix] (John Lennon)
08 Picture Show Life [Mike's Mix] (Ringo Starr)
09 Baby's Request [Mike's Mix] (Paul McCartney)
10 [Just Like] Starting Over [12' Promo] [Mike's Mix] (John Lennon)
11 Got My Mind Set on You [Mike's Mix] (George Harrison)
12 Lovely Rita [Mike's Mix] (Beatles)
13 Oh My Love [Acoustic Instrumental Version] [Mike's Mix] (John Lennon)
14 Photograph [Mike's Mix] (Ringo Starr)
15 Just for Today [Mike's Mix] (George Harrison)
16 Three Legs [Instrumental Version] [Mike's Mix] (Paul McCartney)
17 That's What It Takes [Mike's Mix] (George Harrison)

https://pixeldrain.com/u/99awH3Ry

alternate:

https://bestfile.io/en/mhG6NbZxIO7UhKL/file

The cover is another imagining of what the Beatles would look like if all four of them were alive today. Ask Mike where he finds these things, 'cos I don't know. In March 2025, I made some improvements with the help of Photoshop and Krea AI.

Sunday, July 16, 2023

The Beatles - The Beatles Uncovered, Volume 2: Mike's Mixes (1967-1972) (A Mike Solof Guest Post)

Here's Mike with another Beatles compilation. Take it away, Mike.

Hey Kids, Michael Solof here and I’m back with Volume Two of some of my coolest remixes of Beatle tracks culled from over 300 shows I produced for a now defunct internet station called Beatles-a-rama. The thing I always found most fun (and still do) in working with Beatles tracks is using the most modern equipment out there to rip the commercially released tracks apart... and then finding out what is hiding in the cracks and crevices of the music. The stuff buried beneath. The stuff you never usually get a chance to hear. Until now! That’s what this collection is all about. I’m hoping that the hour of music in Volume Two will allow you to appreciate the greatest band in the world in a whole new way. 

There’s a lot more where this came from... but ready the PDF file that's included with the download for a brief track by track summary of what I’ve included in this batch. Enjoy!

This album is 59 minutes long.

01 Maybe I'm Amazed [Mike's Mix] (Paul McCartney)
02 Oh Darling [Mike's Mix] (Beatles)
03 Apple Scruffs [Mike's Mix] (George Harrison)
04 Hear Me Lord [Mike's Mix] (George Harrison)
05 It's So Hard [Mike's Mix] (John Lennon)
06 I Want You [She's So Heavy] [Mike's Mix] (Beatles)
07 Wah Wah [Mike's Mix] (George Harrison)
08 Dear Boy [Mike's Mix] (Paul McCartney)
09 Being for the Benefit of Mr. Kite [Mike's Mix] (Beatles)
10 Rock of All Ages [Mike's Mix] (Badfinger & Paul McCartney)
11 My Sweet Lord [Mike's Mix] (George Harrison)
12 All Things Must Pass [Mike's Mix] (George Harrison)
13 The Back Seat of My Car [Mike's Mix] (Paul McCartney)
14 Sgt. Pepper's Lonely Hearts Club Band [Mike's Mix] (Beatles)
15 You Never Give Me Your Money [Mike's Mix] (Beatles)
16 Happy Xmas [War Is Over] [Mike's Mix] (John Lennon)
17 Imagine [Mike's Mix] (John & Julian Lennon)

https://pixeldrain.com/u/mMTFFMaa

alternate:

https://bestfile.io/en/0Tl2lddrSyfFQhK/file

As with Volume 1, I don't know where Mike got the cover art or who made it. Perhaps he can explain in more detail. In March 2025, I improved the image quality with the use of the Krea AI program.

Saturday, July 8, 2023

The Beatles - The Beatles Uncovered, Volume 1: Mike's Mixes (1967-1973) (A Mike Solof Guest Post)

If you've been following this blog, you may recall that I’ve posted a couple of albums over the past year by a musical friend of mine named Mike Solof. 

It turns out Mike has even more music that he'd like to post here. And today he brings us his specialty: a Beatles related album. Mike worked for a now defunct internet radio station called Beatles-A-Rama for 11 years. His program focused on Beatle rarities... and he has a ton of them! He was allowed free rein to do whatever type of programs he wanted to do each week, and that led to him creating hundreds of his own personal mixes. 

You may notice that I often use various programs to help me bring up the vocals on many of the albums I present. Mike has been using similar programs for years to not only isolate vocals, but to also reduce each track to it’s basic tacks (usually bass, guitars, keyboards, drums and any other instruments that the band might be using). Then he remixes them to isolate and highlight the fun things that are usually buried deep and unheard in the tracks your used to hearing on the released album. 

So that is what he is presenting us with today. Most of the songs here are by the Beatles, but there are a couple by Paul McCartney and John Lennon from their early solo careers. If you want more details about what he did with each song, check out the PDF file included in the download.

01 Helen Wheels [Mike's Mix Remix] (Paul McCartney)
02 Here Comes the Sun [Mike's Mix Remix with Solo] (Beatles)
03 Crippled Inside [Acoustic Mike's Mix Remix] (John Lennon)
04 While My Guitar Gently Weeps [Mike's Mix] (Beatles)
05 Band on the Run [Semi-acoustic Mike's Mix Remix] (Paul McCartney)
06 A Day in the Life [Mike's Mix 2 Remix] (Beatles)
07 Martha My Dear [Mike's Mix Remix without Brass & Strings] (Beatles)
08 Lucy in the Sky with Diamonds [Mike's Mix Stereo Remix] (Beatles)
09 Octopus's Garden [Mike's Piano Only Mix] (Beatles)
10 When I'm 64 [Mike's Take 4 Clarinet Remix] (Beatles)
11 Monkberry Moon Delight [Stripped] (Paul McCartney)
12 Penny Lane [Mike's Mix Remix with Discussion] (Beatles)
13 Within You, Without You [Mike's Mix Remix] (Beatles)
14 Abbey Road Medley with Hidden Track [Mike's Mix] (Beatles)

https://pixeldrain.com/u/2RrxXUzq

alternate: 

https://bestfile.io/en/l5FZUstUEfti36p/file

The cover was put together by Mike. Maybe he can explain where the images come from. Since Paul McCartney and Ringo Starr are still alive, I'm assuming those are based on recent images of them. But since John Lennon and George Harrison have been deceased for some time now, I'm assuming AI or some other artistic tool was used to show what they may have looked like if they were still alive today.

In March 2025, I updated the cover image. I used the Krea AI program to improve things a bit. I repositioned the bodies some, and added a lot of grey to McCartney's hair.

Tuesday, April 19, 2022

Julian Lennon & John Lennon - Imagine (1971 & 2022) (SONG MASH-UP) A Mike Solof Guest Post)

I'm going to let Mike have the floor on this. But I want to quickly say that this mash-up Mike made of Julian Lennon singing "Imagine" with his father John Lennon sounds great. You should give it a listen (the download link is at the very bottom of this post), and help share it, because it really is something special. - Paul.

Now, take it away, Mike:

Michael Solof here again. A few days ago (in mid-April 2022), I was blown away by Julian Lennonʼs new release of the track "Imagine" by his dad. After reading the accompanying note from his Twitter post (see below), I knew I just had to see if I could create a version that I wish existed, and try to
make Julianʼs version even more special. With that in mind, I decided to turn it into a duet with his dad. 

No easy feat I must say. I started out by tracking down every version of John singing "Imagine" that I could find. During my search I found many home demos, studio outtakes, live cuts, and TV appearances. My main concern was to find a version where the vocals acoustically matched, as closely as possible, those of the Julianʼs performance. It would sound unnatural to use a big echoing reverb drenched John vocal when Julianʼs recording had a beautiful, dry and intimate vocal. I finally found one that was darn close… but the music was completely different and clashed with Julianʼs sparse and haunting solo acoustic version. A few years ago that would have been a hugely insurmountable problem, but now a days there are websites that use really cool tech to separate the vocals from the instruments. What's left is just crystal clear, beautiful sounding vocals!

Using those same sites, I then separated out all the different parts of both versions so I was left with 4 tracks:
1. Julianʼs Lead Vocals
2. Johnʼs Lead Vocals
3. Nunoʼs guitar track
4. Nunoʼs Background Harmony Vocals

I knew I had to use Julianʼs vocal track as my base, and that I would need to edit Johnʼs vocals to match those as closely as possible. My next problem was Johnʼs phrasings were very different from Julianʼs. It wasn't a simple matter of playing both tracks, as is, at the same time. That sounded horrible and I wanted to make this sound as much like father and son sitting down face to face in a small intimate candlelit studio setting… and singing a beautiful song together for the first time. Now I began the hours and hours I needed to accomplish this. I often had to break up Johnʼs phrases between words, and sometimes syllables, to match the timings and structure of Julianʼs song . Occasionally, when that didn't work, I would even change the speed of the recording of Johnʼs vocal to extend the length of certain phrases slightly, for a better fit. It still didn't sound right. My original attempt had them both singing the entire song together. But then I watched a lot of different duets on YouTube and felt that if I switched back and forth between the verses and the choruses, that would be cool. So I did a version like that… but even that was missing the spark of these two guys just singing together.

So I started again. And this time, I had them trading off lines (starting with Julian since it is his release after all) and then having them both sing together on the chorusʼs. That did it… that gave me tingles! 6 more hours of editing…matching up every word and every syllable of the choruses until I was finally done. But I was still missing one last piece.

I let some friends listen to my mix and one comment I got completely transformed the song. I canʼt believe I didn't think of it first. My mix had both vocals centered, but a friend suggested I pan Julianʼs vocals to the left and Johnʼs to the right. First I tried hard pans all the way to the left and right, but this sounded weird. I wanted them to sound like they were sitting side by side, not across the room from each other. So I switched to a softer pan of each vocal just a bit to the left and right. That was MAGIC!

After a lot of internal debate, I also decided to include at the end of the song the extra harmony vocals provided by Julianʼs friend and co-guitarist Nuno Bettencourt. It really makes for a much fuller and powerful ending. So now hereʼs my version of the duet I wish, more than anything, could have existed. Being a huge and lifelong John Lennon fan, I was always touched by the fact that Julian has spent much of his life following in his dadʼs massive footsteps, fighting against the many injustices occurring around the world. Itʼs just downright inspiring to me. Julian was moved enough by the current situation in Ukraine to record this song. I thought the least I could do was let John join in the protest too!
I think he would have liked that.

In a first for both of us, Peter at https://albumsiwishexisted2.blogspot.com and this site are posting Mike's superb effort on the same day, not only to get the song out to as many people as possible, but also to highlight the reason that Julian released it in the first place, which is to show support for Ukraine in their current struggle.

The War on Ukraine is an unimaginable tragedy... As a human, and as an artist, I felt compelled to respond in the most significant way I could. So today, for the first time ever, I publicly performed my Dad’s song, 'IMAGINE'. Why now, after all these years? I had always said that the only time I would ever consider singing ‘IMAGINE' would be if it was the ‘End of the World’…But also because his lyrics reflect our collective desire for peace worldwide. Because within this song, we’re transported to a space, where love and togetherness become our reality, if but for a moment in time…The song reflects the light at the end of the tunnel, that we are all hoping for...As a result of the ongoing murderous violence, millions of innocent families have been forced to leave the comfort of their homes, to seek asylum elsewhere. I’m calling on world leaders and everyone who believes in the sentiment of 'IMAGINE', to stand up for refugees everywhere! 

Please advocate and donate from the heart. #StandUpForUkraine @glbltczn @nunobettencourtofficial 

— Julian Lennon
 
Here's the mp3 of the duet mash-up:

Sunday, October 31, 2021

Pink Floyd - Tomorrow's World (Song Edit) (1967)

Early Pink Floyd has some recordings that are marred in significant ways. Some songs have vocals that can't be heard due to poor recording techniques. Others are marred by narration talking all over the music. Thanks to my recent discovery of the sound editing programs Spleeter and X-Minus, I'm working on fixing many of these problems.

The two songs here are a good example of what I mean. In 1967, some Pink Floyd instrumental music was used in the background of a BBC science documentary called "Tomorrow's World." One original instrumental doesn't have a known name, so I'm calling it "Tomorrow's World." The other is a cover of the classic soul instrumental "Green Onions." The problem with both of these is the BBC narrator talked all over the music. "Tomorrow's World" wasn't so bad, with the narrator just talking in a few places, but "Green Onions" was basically ruined, with talking over the vast majority of it.

To show you what I mean, I'm including a screenshot of "Green Onions" from the sound editing program Audacity. I took the screenshot after I split the vocals from the music using the X-Minus program. I don't think you need to know much about sound editing to understand the picture. The top half shows the two stereo channels of just the music. The lower half shows the two stereo channels of just the BBC narrator talking. As you can see, not only did the guy talk over all but a few short snippets of the song, but the music volume was turned way down so you could barely hear anything behind his voice!

Given all that, I think it's pretty remarkable what I was able to do, thanks to the X-Minus program in this case. It does a great job of separating the vocals from the music. (Better than Spleeter, in fact, at that task, though Spleeter does other things better too.) So once I had the vocals removed, then I had to carefully boost the volume of the quiet parts to match the loud parts. This took dozens of minor volume changes, for both songs, until I had the volume level more or less the same across the two songs.

The end result sounds much better on "Tomorrow's World," I think. For one thing, the amount of narration wasn't as bad on that song. But also, it's a really nice original instrumental. Whereas with "Green Onions," you can hear more of the sound degradation due the narration. But also, it's not that captivating of a cover version. For instance, you don't really get soloing. However, we don't have many recordings of Pink Floyd with Syd Barrett on lead guitar, so both songs are worth hearing for that alone.

If you want to hear these edits, I've updated the Pink Floyd "BBC Sessions, Volume 2" album and put these versions of that (since the documentary was for the BBC).

The link to that album is here:

https://albumsthatshouldexist.blogspot.com/2019/05/pink-floyd-bbc-sessions-1968.html

Friday, January 22, 2021

The Kinks - Never Say Yes (Song Edit) (1965)

Today happens to be my birthday, and I'm a huge Kinks fan. They're my second favorite band behind only the Beatles. So I was very psyched today when a musical friend of mine, MZ, sent me a Kinks song from 1965 that apparently has never been bootlegged before and I'd never even heard of! It must have been played on a radio show recently, because a DJ talked over the start and end of the song. Luckily, the talking was only over some instrumental bits that were repeated elsewhere in the song, so I was able to edit the talking out. The song quality is excellent, and it's a wonderful lost gem of a song. If you're a Kinks fan, you need to hear this!

I was able to dig up some information about this demo. Incredibly, it was meant for Elvis Presley to sing in one of his many movies, but that never came to be. I found a mention of it in a book called "The Kinks: All Day and All of the Night, Day by Day Concerts, Recordings, and Broadcasts, 1961-1996," by Doug Hinman. Here's the relevant excerpt, after the book mentioned that Ray Davies recorded a demo of the song "All Night Stand" in December 1965:

"It's possible but unconfirmed that Ray recorded a second demo, "Never Say Yes." Elvis Presley's UK publisher had asked him to submit one or two songs for the next Presley film "Spinout," which was first intended to be titled "Never Say Yes."  Ray submitted "Never Say Yes" and possibly one other. Although the song(s) were never used, film producer Joe Pasternak apparently did express an interest in it/them."

So we can definitely confirm that factoid now, since the recording exists. ;) Although it's just a demo, it's a full band demo. I assume the Kinks were the backing band, since Davies wasn't known to play with other bands at the time.

I've also updated my stray tracks album for the time period, "Kwyet Kinks," and I've included the song in that as well. Here's the link to the album with the song in it:

https://albumsthatshouldexist.blogspot.com/2018/04/the-kinks-kwyet-kinks-1965.html

Saturday, September 12, 2020

U2 - Summer of Love (Acoustic Version) (Song Edit) (2018)

Here's a song edit I worked up today. I figure it's interesting and significant enough to merit a post on its own. I plan on putting this on a U2 album I'll post here eventually. But I'm slowly working my way through their career chronologically, so it'll be a while before I get to it. 

Some months ago, I came across a very nice acoustic version U2 did of their song "Summer of Love." It comes from a bootleg recording of their rehearsals for the 2018 tour. (I don't know the date or the location of the recording - if you do, please let me know.) 

Personally, I think this version is much better than the one that appeared on their 2017 album "Songs of Experience." I think this is an example of how the problems with U2's music in the last decade or so has more to do with production issues than a lack of quality material. If one strips a song all the way down to its acoustic base, there's no way to screw that up with bad production.

However, there was a very big problem with this recording that made it unusable for me. Because they were only rehearsing the song and didn't know it very well, some person shouted out the timing at key points in the song to make sure they'd stay on track. For instance, before each verse, a voice could be heard shouting, "Verse! Two, three, four." These instructions happened at other points in the song, including instrumental sections. The voice even counted out the ending. 

On top of that, the band screwed up at a couple of different points. For instance, they only played the main riff once in an instrumental section in the middle, and then lead singer Bono talked over more music, reminding the others that they should play that twice. Bono also flubbed the vocals at the beginning of the first verse, and had to try the first words a second time. These problems were too frequent and annoying for me to be able to enjoy the song. And there wasn't any clean material I could use to patch them over. 

Or so I thought. Today, I came across another acoustic version of the song on YouTube. This was played on someone's porch for a small audience in 2018. Unfortunately, it was recorded poorly, causing the vocals to be distorted, and one could hear people in the audience talking all through it. 

But I figured I could use little instrumental snippets of just three or four seconds each to patch over the problems with the rehearsal version. That's exactly what I did, and I think it worked out very well. I'll bet you won't be able to tell at which points the fixes were made. Once I had a better version without all the talking voices, I then was able to fix other problems with the instrumental sections and the intro, extending them as they intended. I even fixed some bum notes.

I dare say the end result is the best version of the song out there, in excellent sound quality. I hope you'll agree.

https://www.upload.ee/files/15239446/UTwo_SummrofLve_SongEdit.zip.html

Monday, August 17, 2020

Sheryl Crow - Leaning in a New Direction (Edited Song) (2013)

Sometimes, things come together so nicely that it's downright uncanny. This is one of those times. ;)

Today, a song on my SoulseekQT "wish list" appeared and I was able to download it. It's a Sheryl Crow song from 2013 called "Leaning in a New Direction." It's a very good, poppy song, and I'm guessing it's one she wrote. I could even see it being a hit. But unfortunately, it was never released at all. It was shown in the comedy movie "The Hot Flashes." The file I found on SoulseekQT was simply an audio recording of that scene from the movie.

Unfortunately, as sometimes happens, the song playing was just one thing happening in the movie scene. I haven't seen the video myself, but there were all sorts of other sounds going on in the audio, especially different people talking. At more than one point in the song, the music volume dropped way down so the talking could be the main focus. Upon first listen, I thought the audio might be unsalvageable.

But I got lucky, very, very lucky. It turns out nearly all the talking parts took place during the chorus, which was repeated three times. All three choruses had lots of talking over them. But by combining the best bits from the three different choruses, I was able to make one good one. Then I replaced all three of them with the better version. There were some other parts of the song with talking or other annoying noises. But, amazingly, virtually all of them were in instrumental parts or vocal lines that were repeated elsewhere. Some more audio cutting and pasting took care of those.

So here's the fixed version. Is it perfect? Definitely not. You can still hear some stray noises and talking here and there. But I'm downright shocked at how well it turned out, considering how bad it sounded at first. I plan on posting this in one of the future Sheryl Crow stray tracks albums I'll be posting here, but it'll be a while before I get that far chronologically into her career, so I thought I'd post it here today.

https://www.upload.ee/files/15239463/SherylC_LeannginNewDirctionSongEdit.zip.html

Thursday, December 5, 2019

Kirsty MacColl - Moving Out (Edited Song) (1994)

Today, while searching YouTube for something else, I happened upon a Kirsty MacColl song that I'd never heard of before. It's a good song that appears to be an original, and given that she died in 2001, those are rarer than hen's teeth.

But I've also created this post about it so more people can know about it, and also to explain the edits I did, since they were significant.

The song was the theme song for a short-lived 1994 British TV show called "Moving Stories." The YouTube video I found was really two clips put together: a 45-second long section of the song played at the start of the show, and then another 45-second long section of the song played at the end credits. Both parts had a verse and a chorus, with the verses being different.

So my first task was to merge the two parts together to make one seamless whole, which I did easily, since the first part ended with the same riff that the second part began with. The second part faded out in a non-ideal manner, while the first part let a final chord ring out and fade away. So I took the ending for the first part and added it to the very end. The song also faded in in a non-ideal manner, so I patched in part of the opening riff from when it was repeated later in the song to have a better beginning.

That riff only played once each time. But I decided it would sound better if it played twice each time, especially since the song was so short. So I did more editing to repeat the riff at the beginning, in the middle, and then again at the end.

After all that, the song grew from a minute and a half to exactly two minutes, mostly due to repeating the riff three times, since it lasts about ten seconds each time. The song is still on the short side, and I could have repeated the chorus or something like that, but I think I did enough tinkering already.

I've added the song to the most fitting stray tracks collection, called "Perfect Day," which you can find here:

https://albumsthatshouldexist.blogspot.com/2019/01/kirsty-maccoll-perfect-day-various.html

Saturday, September 21, 2019

The Allman Brothers Band - One More Ride (Edited Song) (1970)

Here's something I'm pretty psyched about. I feel like I've created a "new classic Allman Brothers Band song from their heyday! Maybe not, but I'd be curious what you think.

I don't know anything about this song except that it was co-written in 1970 by band members Gregg Allman and Dickey Betts. It first appeared as an instrumental just under three minutes long on the 1988 box set "Dreams." Then an instrumental "remix" just under four minutes long appeared as a bonus track on a "super deluxe" edition of the "Idlewild South" album in 2015.

Yet there's another version of the song available only as a bootleg that's seven minutes long, and it has vocals by Gregg Allman, with perfectly good lyrics! So it's not really meant to be an instrumental after all. If you listen to the instrumental versions, there are long stretches where not much is happening, for instance no soloing. Clearly, those are the parts where the vocals were supposed to go.

Normally, I would just put the superior version with vocals on one of my stray tracks compilations. But unfortunately, the sound quality for that version sucks. It sounds really muddy and muffled. That's probably why that version is hard to find even on bootleg. So I decided to try to merge the two versions together.

First, I used a sound editing program to try to reduce the muddiness of the vocal version. I only had limited success, since I'm far from an expert in this kind of thing, and there's usually only so much even experts can do. But I think it helped some. Then I patched the vocal parts into the longer of the two instrumental versions. I had a hard time getting the timing just right, because there were slight changes in the speed of the song as it went along, in both versions, since they were recorded by fallible human beings many years before most recordings became computerized and the variability of drumming was lost in favor of metronome-like consistency (and soullessness). Still, after a lot of tinkering, I think I got pretty close on the timing.

I also had to put an instrumental version of the verse at the start of the song, because otherwise the vocals came in when the intro drumming bit was still going on, and it didn't sound good. I think this change works out fine, because there's a little guitar riff going on that keeps the instrumental version of the song interesting.

The end result doesn't sound perfect by any means, but hopefully it's close enough for horseshoes. One can clearly hear the change in sound quality each time the vocals come in. But I feel it's better to have it like that than have the whole song in poor sound quality.

By the way, the unreleased version is longer than the others in part because it has a drum solo in the middle that lasts for about two minutes. I don't think it's a big loss missing that, since most people aren't fans of drum solos (including myself). In fact, I think the song works a lot better here at four minutes long. It could and should have been played on the radio.

I've put the song on a stray tracks album for the band. Here's the link:

https://albumsthatshouldexist.blogspot.com/2019/09/the-allman-brothers-band-stormy-monday.html

I really like the vocal version of this song. I could totally imagine it being a regular concert staple for the band. I am baffled why the vocal version has been left officially unreleased until now. Surely the professionals could do a good job (better than mine!) improving the sound quality of that version, if there's a problem with it. But I think it's much more likely that there's no problem if one works from the master recordings, and it's the usual bootleg copy-of-a-copy-of-a-copy problem that created the poor sound. So I don't see any excuse.

As mentioned above, a "super deluxe" version of "Idlewild South" has been released in recent years and the vocal version wasn't included on that, A box set of Duane Allman's guitar playing, "Skydog," was also released in recent years, and it wasn't included on that either, even though it features a very nice Duane Allman guitar solo. So I think the odds are low that that version will ever be officially released.

It's very baffling that this song slipped through the cracks, especially since the Allman Brothers Band were not prolific songwriters. It's not like the lyrics are objectionable, or it sounds too much like some other song, or it's a poor performance, etc... And I don't think the song was ever played live, either with vocals or as an instrumental. But at least there's this.

I put this together while I was working on posting another album of Allman Brothers Band stray tracks soon. I imagine I'll include this edit on that once I have that ready, unless I get feedback that I screwed this up somehow.

Thursday, March 7, 2019

Velvet Underground - I'll Keep It with Mine (1966) (MASH-UP)

Here's something that's pretty weird, and I'm curious if anyone has feedback on it.

Today, I was going to post a Velvet Underground (VU) stray tracks album, but first I went poking around the Internet to see if I'd missed anything. I came across a 1966 live recording of the VU doing the Bob Dylan song "I'll Keep It with Mine," with vocals by Nico. This really surprised me. I knew Nico recorded that song on her first solo album, 1967's "Chelsea Girls." But while about half of the songs from that album had backing by most of the VU, that song was not one of them.

So this would have been a really nice find, except that while the bootleg recording had decent sound, Nico's vocals were so low in the mix as to be nearly inaudible. No doubt that's why it hasn't appeared on any of the VU's archival releases, because hearing faint vocals is much worse than no vocals at all. But then I had a crazy idea: what if I took Nico's vocals from her performance of that song on "Chelsea Girls" and add them to the recording?

There was a big problem with this, in that VU performed the song totally differently. On the "Chelsea Girls" album, Nico does a folky version of the song, with strings and flutes as pretty much the only musical backing. But the live VU version, while lacking drums, has a slow but driving rock and roll rhythmic guitar backing. It's a really unusual version of the song in general, and some of the chord structure had to be changed to get the rhythmic pattern to work. Plus, there were differences in pitch and tempo. It turned out the two versions were in totally different keys,and I had to try to sync them up. I also had to try to isolate just the vocals from the "Chelsea Girls" version, and I'm very inexperienced in doing that.

But I gave it a go anyway just as an experiment, and much to my surprise, it kind of works! Since Nico's vocals can be faintly heard on the VU version, one can tell that it turns out she sings the song nearly exactly the same way in both versions, despite the totally different backing.

I made a lot of changes to tempo and pitch and so on, and the final result is far from perfect. Sometimes, some of the strings from the "Chelsea Girls" version can be heard, and sometimes the faint Nico vocals from the VU version can be heard, and sometimes the timing of the vocals doesn't quite match up with the musical backing. But, all in all, I'm pretty happy at how this turned out, given that it was a Hail Mary that it would even come close to working. Hopefully, this is close to how the song actually would have sounded if one had been there in person.

Like I said, I'd be really curious to see what other people think. Is this a travesty or kind of a long-lost VU and Nico song? And I just made a rough guesstimate to match the keys from the two versions - does that sound okay? I can change it if you think it's a bit flat or sharp.

I must admit that I have next to no knowledge in how to properly do this sort of thing - I'm just winging it. Perhaps someone with real musical editing skills can take the two original versions and mash them up in a better way. I'd love to hear an improvement.

I have included this edit as a bonus track for a Velvet Underground stray tracks album. You can find that here:

https://albumsthatshouldexist.blogspot.com/2019/09/the-velvet-underground-wrap-your.html

Thursday, January 31, 2019

George Harrison - Doing the Bonzo Dog - Song Edit (1996)

I'm a huge fan of anything Beatles related, so I was surprised today to stumble across a mention of a George Harrison solo song I'd never heard of, called "Doing the Bonzo Dog." It turns out to be a really nice song in my opinion, but the only available (bootlegged) version contains just the first minute and a half of it. So I've edited it to make it sound like a complete song.

Harrison was a very big fan of the Bonzo Dog Doo-Dah Band, a zany late 1960s musical group best known for their hit song "I'm the Urban Spaceman." It turns out that there was going to be a reunion/tribute album for this band to be released around 1998 called "It Was a Great Party until Somebody Found a Hammer," but for some reason it never came out. In 1996, Harrison recorded an original song for this project called "Doing the Bonzo Dog."

I don't know why the only bootlegged version is only a minute and a half long, but it clearly is incomplete. After two verses, with a chorus after each one, it fades out right as the song is moving into a bridge section. There's no way to do anything with that bridge, since there's only a couple of seconds of it fading out. So instead I edited the song to repeat the first verse and chorus. Then I repeated the chorus twice more to allow the song to fade out.

Certainly this is not how the rest of the song would have gone, but at least it allows one to appreciate this wonderful lost gem until the full version hopefully becomes available someday. The edited version is a full minute longer, at two and a half minutes.

I've made a compilation of all of Harrison's stray tracks from the 1990s, and I've added this song to that. You can download that here:

https://albumsthatshouldexist.blogspot.com/2018/05/george-harrison-portrait-of-leg-end.html