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Showing posts with the label Split 7"

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THE FLYING EYES vs. LAZLO LEE AND THE MOTHERLESS CHILDREN Split-7" out Now

August 04, 2017

ain't acting right h42 records lazlo lee and the motherless children nowhere to run Rock 'n' Roll Split 7" stell azurea The Flying Eyes vinyl

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Odd Couple / Suns Of Thyme Split-7" announced - coming Nov 24 over H42 Records

November 09, 2015

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5th Anniversary Edition of the classic KARMA TO BURN/SONS OF ALPHA CENTAURI Split 7” –Fourteen/65- from 2010!

5th anniversary 65 fourteen h42 records Karma to burn kitchen dwellers sons of alpha centauri Split 7"

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H42 Records Announces New Split 7” Cooperation between Blackwolfgoat & Larman Clamor

Blackwolfgoat Darryl Shepard Dragonwizardsleeve Drone Maintenance fo h42 records Larman Clamor Split 7" straphanger

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Sludgy Erna Bastard – New split 7" with Eggnogg

borracho eggnogg king's disease oculus palaver records sludgy erna bastard Split 7" the obelisk

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CHIEFS: The Obelisk Streams "Vovi" From Debut Album Tomorrow's Over

Battleground Records buffalo roam Chiefs Fuzz Evil Split 7" Stone Bull the obelisk Tomorrow's Over vovi

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NEW MOS GENERATOR/DAILY THOMPSON SPLIT-7“ Vinyl Vol. IV/Spit out the Crap

February 10, 2015

Black Sabbath daily thompson fuzz rock h42 records Mos Generator ripple Music slow/moody Split 7" vol. iv

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I've Got Your 7 Inches Right Here #2 - Putrid Yell/Eaten Alive Split and Unaussprechlichen Kulten/Godless Split

February 06, 2014

Eaten Alive Godless Putrid Yell split Split 7" Unaussprechlichen Kulten

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The Single Life - 7" of Fun; featuring Mikey and the Drags, Heavy Glow, Black Tusk/Fight Amp, and Monarch Project

August 12, 2013

7" single bandcamp black tusk Doom Fight Amp Heavy Glow Mikey and the Drags Monarch Project Pop psychedelic ripple music free album music review download free mp3 sludge Split 7" stoner vinyl

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Tracks from upcoming CARDIAC ARREST / MUTANT SUPREMACY Split 7" streaming now at Invisible Oranges!

CARDIAC ARREST Doom heavy metal Invisible Oranges music review download free mp3 music reviews MUTANT SUPREMACY ripple Music sludge Split 7" stoner stoner rock reviews streaming Tracks from upcoming

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
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