Mostrando postagens com marcador Humble Pie. Mostrar todas as postagens
Mostrando postagens com marcador Humble Pie. Mostrar todas as postagens

sábado, 6 de junho de 2020

Humble Pie - Official Bootleg Box Set Volume 3



Humble Pie - Official Bootleg Box Set Volume 3 - 2019

Humble Pie’s “Up Our Sleeve: Official Bootleg Box Set Vol 3” is latest recorded testament to what this band did best; playing bluesy, gutsy, soulful hard rock, live on stage. Drawn from a variety of audience recordings that have previously only been available as “under the counter” pirate releases, this is an honest and raw tribute to a classic and much missed super-group on the 1970s, released in conjunction with Pie founder member and drummer, Jerry Shirley.

Originally emerging from the remnants of 1960s beat heroes The Small Faces, Humble Pie formed in 1969 when mercurial guitarist and vocalist Steve Marriott joined forces with The Herd’s Peter Frampton, joined by drummer Jerry Shirley and bassist Greg Ridley.

After two albums for Andrew Loog Oldham’s Immediate label, Humble Pie switched to A&M records, and began their ascent to conquering the theatres and then arenas of North America, culminating in 1972’s double live “Performance: Rockin’ The Filmore”. Peter Frampton left shortly after to pursue a successful solo career, replaced by Clem Clempson. It was this line-up that is captured across these 5 discs.

Spread across CDs 1 & 2, The Pie were promoting their latest studio record “Smokin'” when they hit Gaelic Park, in Riverdale, NY on 22nd August 1972, from which ‘Hot ‘N’ Nasty’, ‘I Wonder’ and their cover of Eddie Cochran’s ‘C’mon Everybody’ were taken. Also featured are ‘Hallelujah (I Love Her So)’, ‘I Don’t Need No Doctor’, ‘Four Day Creep’ and ‘Rollin’ Stone’ from the previous year’s “Performance: Rockin’ The Filmore”.


Recorded three days later, CD 3 features a similar set, as well as their take on the Stones ‘Honky Tonk Women’ plus ‘Up Our Sleeve’, both of which would feature on 1973’s “Eat It”.


By the time they hit Boston’s Music Hall on 10th April 1973 featured on CD 4, Humble Pie had been joined by the Blackberries, Venetta Fields, Clydie King & Billie Barnum. Promoting the new double LP “Eat It”, the set includes band original ‘Up Our Sleeve’ as well as Pie’s take on Ray Charles’ ‘I Believe to My Soul’. The set is rounded off with ‘Twist And Shout’.



This collection is completed on CD 5 with their 25th May 1973 gig at Philadelphia’s Spectrum. Again joined by the Blackberries, the set includes a cover of John Lee Hooker’s ‘Boogie Chillun’ and Sly & The Family Stone’s ‘I Want to Take You Higher’.




CD 1 - Gaelic Park, Riverdale, Ny, USA 22nd August 1972
01. (I'm A) Road Runner
02. Hot 'N' Nasty
03. Up Our Sleeve
04. C'mon Everybody
05. Honky Tonk Women
06. Blues Interlude
07. I Wonder



CD 2 - Gaelic Park 1972 (Continued)
01. Hallelujah (I Love Her So)
02. I Don't Need No Doctor
03. Hot 'N' Nasty
04. Four Day Creep
05. Rollin' Stone

CD 3 - Assembly Center, Tulsa, Ok, Usa 25th August 1972
01. Up Our Sleeve
02. C' Mon Everybody
03. Honky Tonk Women
04. I Wonder / Hallelujah (I Love Her So)
05. I Don't Need No Doctor
06. Hot 'N' Nasty
07. Four Day Creep
   
    
CD 4 - Music Hall Boston, Ma, Usa 10th April 1973
01. Up Our Sleeve
02. Four Day Creep
03. C'mon Everybody
04. Honky Tonk Women
05. I Believe To My Soul
06. I Want To Take You Higher / 30 Days In The Hole
07. (I'm A) Road Runner
08. Blues Interlude
09. I Wonder
10. Hallelujah (I Love Her So)
11. I Don't Need No Doctor
12. Hot 'N' Nasty
13. Twist And Shout



CD 5 - The Spectrum, Philadelphia, Pa, Usa 25th May 1973
01. Up Our Sleeve
02. Four Day Creep
03. C'mon Everybody
04. Boogie Chillun
05. Honky Tonk Women
06. The Blues
07. I Believe To My Soul
08. I Want To Take You Higher
09. 30 Days In The Hole
10. (I'm A) Road Runner
11. Hallelujah (I Love Her So)
12. I Don't Need No Doctor


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sexta-feira, 15 de maio de 2020

Humble Pie - Official Bootleg Box Set - Volume 2


Humble Pie - Official Bootleg Box Set - Volume 2 - 2018

Originally emerging from the remnants of The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and began their ascent to conquering the theatres and then arenas of North America, culminating in 1972’s double live Performance: Rockin’ The Filmore. Frampton left in 1971 for a highly successful solo career, replaced by Colosseum’s Clem Clempson, and it was this line-up that was captured in New York in 1971 at one of Clem’s first shows with the Pie. The extemporisations of Performance: Rockin’ The Filmore became the basis for much of Humble Pie’s live repertoire for the remainder of the ’70s, but this 1971 New York show does include their unique take of Eddie Cochran’s ‘C’mon Everybody’ and ‘I Wonder’ from the soon to be released Smokin’ LP.

Their March 1972 set from Boston also includes ‘The Fixer’ and ‘(I’m A) Road Runner’ (also from their Smokin’ opus, as well as ‘Four Day Creep’, and Ray Charles’ classics ‘Hallelujah (I Love Her So)’ and ‘I Don’t Need No Doctor’ from their Fillmore set.

Humble Pie would split in 1975 following their Street Rats record, but not before their Philadelphia show on March 15, 1975, captured on Disc 3. Disc 3 is completed by three tracks featuringBlackberries, including ‘Oh La-De-Da’ from Thunderbox.



The Pie would reform for 1980’s On To Victory comeback, this time with a line-up featuring Bobby Tench from the Jeff Beck Group on guitar and vocals and bassist Anthony “Sooty” Jones. Disc 4 from Privates Club, N.Y.C., March 25, 1981 features ‘Infatuation’ and ‘Fool For A Pretty Face’ from the latest On To Victory, plus their take on Elvis’s classic ‘All Shook Up’ and their reworking of Small Faces’ classic ‘Tin Soldier’ from their soon to be released Go For The Throat.

Recorded a month later, their show from the Country Club, Reseda, Los Angeles on May 17, 1981, completes this collection on Disc 5 with a mixture of Pie classics as well as new numbers from On To Victory and Go For The Throat.




CD 1 - Academy Of Music N.Y.C.: December 3, 1971

01. Four Day Creep
02. C' Mon Everybody
03. The Fixer
04. I Wonder
05. Sweet Peace And Time
06. Hallelujah (I Love Her So)
07. Rollin' Stone
08. I Don't Need No Doctor


CD 2 -     Boston Music Hall: March 16, 1972

01. Intro / Four Day Creep
02. C' Mon Everybody
03. The Fixer
04. Clem's Solo Intro / I Wonder
05. Hallelujah (I Love Her So)
06. Sweet Peace And Time
07. Rollin' Stone
08. I Don't Need No Doctor
09. (I'm A) Road Runner    


CD 3 - Philadelphia: March 15, 1975

01. Four Day Creep
02. Stone Cold Fever
03. C' Mon Everybody
04. I Don't Need No Doctor

CD 3 - Midnight Special, London, Biba With The Blackberries: November 30, 1973

05. Oh La-De-Da
06. I Don't Need No Doctor
07. 30 Days In The Hole


CD 4 - Privates Club, N.Y.C.: March 25, 1981

01. Intro / I Don't Need No Doctor
02. Infatuation
03. All Shook Up
04. Drum Solo
05. 30 Days In The Hole / I Walk On Gilded Splinters
06. Tin Soldier
07. Fool For A Pretty Face
08. Route 66 / Tulsa Time / Be-Bop-A-Lula



CD 5 - Country Club, Reseda, La: May 17, 1981

01. I Don't Need No Doctor
02. Infatuation
03. 30 Days In The Hole
04. Tin Soldier
05. Fool For A Pretty Face
06. Route 66
07. Be-Bop-A-Lula
08. Tulsa Time




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quarta-feira, 8 de janeiro de 2020

Humble Pie - The Official Bootleg Box Set Volume 4


















Humble Pie - The Official Bootleg Box Set Volume 4 - 2019

from www.psychedelicbabymag.com
Drummer Jerry Shirley continues the series of live releases by Humble Pie with this four disc release including two shows from 1974, one in Germany, the other in the United States, and two later shows from 1980 and 1981, both recorded in the US.

The earlier gigs feature Clem Clempson on guitar and include extended versions of classics such as ‘30 Days In The Hole’ while the latter concerts include Bob Tench on guitar and vocals replacing Clempson and Anthony Jones on bass and vocals with original member Greg Ridley having departed the band, and the music industry, in 1975, returning only briefly for a 2002 album and a few performances to back the ‘Back On Track’ release.

Discs one and two were recorded while the band was touring supporting its ‘Thunderbox’ LP and both include spirited takes on that album’s title track. However, the shows are centered around 1972’s ‘Smokin’’ more than any other tour the band undertook, with four tracks, a full half of the tune’s from the German concert, and three played at the Boston, MA show. In addition, both gigs showcase Greg Ridley’s bass and vocal efforts on two tunes, ‘Sweet Peace And Time’ and ‘Let Me Be Your Lovemaker’ making it obvious to the listener that Humble Pie was not just a vehicle for the group’s guitarist/vocalist Steve Marriott and his fellow front man, originally Peter Frampton, then later Clem Clempson. More than any other releases these gigs make it apparent that the former Art then Spooky Tooth bassist/vocalist could easily have fronted a band on his own, had Ridley been so inclined.

The first disc, taken from a 27 September 1974 Eppelheim, Germany concert includes seven tracks, running sixty minutes, the band stretching out on nearly every song and spotlighting the group’s instrumental abilities, opening with a nearly ten minute take on ‘Thunderbox’ with Clempson’s guitar and Marriott’s guttural bluesy vocals to the fore, while Ridley and Shirley give the tune its heavy, driving beat. Clempson’s lead line and solos take the song away mid tune drive this rocker throughout. ‘Sweet Peace And Time’ opens with Clempson’s slide guitar, but it is Ridley’s vocals that shine on this relatively short, under six minute, number, while Clempson’s lead guitar teams with Marriott’s to give the tune some real punch, with six strings’ swirling all about. ‘The Fixer’ has Marriott’s bluesy vocals to the fore, with the twin guitar attack of he and Clempson forcing the tempo, the band again showing it could rock with the best before mellowing out mid-tune, momentarily, just to keep the listener on their feet. The eleven minute version of ‘Thirty Days In The Whole’ opens with a Shirley drum solo, Clempson and Marriott entering guitars aflame before Marriott’s familiar vocals join in. Roaring guitars are much more prevalent with Clempson’s lead line deceptively heavy and his solo rather restrained, Marriott’s harmonica taking center stage mid-tune giving way to call and response vocals with the audience before Clempson’s lead guitar drives the song home. ‘Let Me Be Your Lovemaker’ is the set’s shortest tracks at five and a half minutes. Once again Greg Ridley’s melodic lead vocals are on display as Marriott and Clempson’s guitars give the bluesy number its heavy groove, reminiscent of Spooky Tooth. The show closes with two Humble Pie live staples, the Eddie Cochran/Jerry Capehart classic ‘C’mon Everybody’ and the familiar Ashford/Simpson ‘I Don’t Need No Doctor’ both stretched out to over eleven minutes with the instrumental abilities of the band and Marriott’s bluesy vocals reminding everyone this is a Humble Pie gig. The driving beat of Ridley and Shirley is joined by the dual guitar attack of Marriott and Simpson while the group’s vocal harmony abilities are ever present, the crowd showing its appreciation in both cases as the disc and show come to an end, reminding all that this was a finely tuned blues rock band at the top of their game, with Marriott and Clempson’s guitars making that point unavoidable.

01. Thunderbox
02. Sweet Peace And Time
03. The Fixer
04. 30 Days In The Hole
05. Let Me Be Your Lovemaker
06. C'mon Everybody
07. I Don't Need No Doctor

Disc two is from an 11 March 1974 concert in Boston, MA. The set list is much the same as the German gig, but there are differences worth mentioning. The opener ‘Thunderbox’ is presented in a considerably shorter, seven minute, version, although the energy of the tune remains the same. ‘Sweet Peace And Time’ is again five and a half minutes long, but is more melodic and takes on a Deep Purple feel, with Ridley’s vocals and the guitars of Clempson and Marriott again on display. ‘Thirty Days In The Hole’ is stretched out even more, to nearly fourteen minutes, with a Shirley drum solo once again introducing the tune. Marriott makes a change to his presentation by intimating, in his ‘Smokin’’ rap, that getting busted in public or in his car is understandable and part of the risk he assumed with his lifestyle, but being arrested in his home while minding his own business and doing his own drugs is something he finds unacceptable. Musically, his guitar, joined by that of Clempson gives the tune its muscle, with Clempson’s solos especially standing out. In a nod to the earlier days of the band when Peter Frampton was a member, ‘Four Day Creep’ from ‘Performance Rockin’ The Fillmore’ is included. A four minute gem, the band delivers a raucous version with vocal harmonies and a driving rhythm pushed by Shirley and Ridley joining the ringing guitars of Marriott and Clempson, a nice trip down memory lane to say the least. Next on the agenda is a seventeen minute plus medley which runs the gamut from Willie Dixon’s ‘I Just Want To Make Love To You’ to Chuck Berry’s ‘No Money Down’ before ending with Howlin’ Wolf’s ‘Rollin’ Stone’ with the emphasis on the band’s blues roots, as the tempo slows but the music’s intensity does not. Marriott’s love of the blues and identification with American blues icons is obvious throughout. Clempson’s guitar work is stellar, as is the locked down rhythm section performance of Ridley and Shirley. This medley may, more than any of the other performances, present the vision Mariott had for Humble Pie, as he mixes conversations with the audience with the instrumental performances of band members. The mood changes as the band shifts into ‘Let Me Be Your Lovemaker’ with its raw guitar work mixed with the gorgeous, evocative vocals of Greg Ridley. Clempson’s guitar solo and Ridley’s voice turn this into a just under six minute showstopper. The days of Ridley’s acoustic numbers may have been gone, but his ability to front a top flight band were not. The gig closes out with the same two numbers as usual, although this time ‘C’mon Everybody’ is shortened to ten minutes while ‘I Don’t Need No Doctor’ is stretched out to sixteen. Regardless, the band shines, as always, on both tunes, and the crowd roars with appreciation as the disc and the show close, yet another representation of Humble Pie being among the finest live rock acts of the day.

01. Thunderbox
02. Sweet Peace And Time
03. 30 Days In The Hole
04. Four Day Creep
05. Medley: I Just Want To Make Love To You / No Money Down / RollinÆ Stone
06. Let Me Be Your Lovemaker
07. C'mon Everybody
08. I Don't Need No Doctor

Disc three is from a 12 March 1980 show in Albany, New York while the band was touring their new album ‘On To Victory’ and the non-LP single ‘Fool For A Pretty Face’, a rather bitter, sarcastic number written by Jerry Shirley and Steve Marriott. Much had changed with the band and their concerts. The show opens with a fifteen and a half minute take on ‘I Don’t Need No Doctor’ which had traditionally been their show closer. The take has a much more relaxed musical feel than previously, but Marriott gets very real about not needing “needles in his arms” during his mid-tune banter, the years of cocaine abuse being a topic brought up often during shows and becoming apparent to fans of the band. The tune sounds quite different without Ridley and Clempson, but bassist Anthony Jones and guitarist Bobby Tench definitely hold their own. A Marriott original ‘Infatuation’ taken from the new LP is a nice rocker with commercial possibilities due to its hook, vocal harmonies and Tench’s lead guitar work. A sixteen and a half minute take on ‘Hallelujah (I Love Her So)’ which was a standard of the band’s live set for years seems to find Marriott in a rather foul mood, but the band’s performance more than makes up for it as everyone shows off their chops. Tench’s guitar dominates, and he trades vocals with Marriott who contributes an excellent mouth harp solo, while Jones’ bass and Shirley’s drum solos are also top drawer. ‘30 Days In The Hole’ is given a more traditional five minute take, with a more stripped down sound than on the 1974 tour. The song is much closer to the studio version from ‘Smokin’’ while featuring a hot solo by Tench. The non-LP single ‘Fool For A Pretty Face’ is Marriott and Shirley’s tale of love gone bad, with rather sarcastic lyrics: “So why don’t you keep your big mouth shut, why don’t you let your love light shine? I don’t wanna hurt ya But you can, I’m just a fool for a pretty face.” Regardless, the straight ahead rocker features another staunch solo from Tench, although Marriott seems to be in a rather foul mood referring to the “fat fucking bitch” the tune is written about. The disc and show close with a thirteen minute medley on which Marriott returns to his R&B roots consisting of ‘Route 66’, ’Be Bop A Lula’, ’Little Queenie’, and ’Whole Lotta Shakin’ Goin’ On.’ Marriott seems at home and Tench’s guitar shines as the band seems at home, taking full advantage of the jam opportunities and vocal harmonies.

01. I Don't Need No Doctor
02. Infatuation
03. Hallelujah (I Love Her So)
04. 30 Days In The Hole
05. Fool For A Pretty Face
06. Medley: Route 66 / Be Bop A Lula / Little Queenie / Whole Lotta ShakinÆ GoinÆ On


Disc four is taken from a 19 April 1981 gig, with the band touring their ‘Go For The Throat’ LP. The performance is a mix of classic and reformed Humble Pie tunes, including the Small Faces classic ‘Tin Soldier’ which was re-recorded for the album. The disc begins with a two minute snippet of ‘I Don’t Need No Doctor.’ A seven and a half minute take of ‘Infatuation’ from ‘On To Victory’ is a highlight of the gig as the band is in fine form. The band’s cover of ‘All Shook Up’ shines with Marriott in his R&B element and Tench’s guitar rocking. ‘Jerry’s Drum Solo’ is three minutes of Shirley at his best. The most interesting, and telling, part of the concert is the nearly twenty five minute medley of ‘30 Days In The Hole’, ‘Hallelujah (I Love Her So)’ and I Walk On Gilded Splinters.’ Shirley’s short drums solo introduces the first tune which the band turns into a jam, somewhere between the 1974 and 1980 performances in length. As the band is segueing into ‘Hallelujah (I Love Her So)’ Marriott begins conversing with the audience, telling them that when he wrote ‘30 Days’ he snorted cocaine, smoked weed and drank Jack Daniels. That would seem fine except he continues by saying “I’m a lot older now, I’m a lot wiser now, I snort even more cocaine, I smoke even more good grass and I drink even more fucking Jack Daniels. Before I came on stage this is how I got my kicks.’ At the least, more information than necessary, in reality probably Marriott’s way of justifying the excesses of his behavior during the gig, and without question an explanation of his uneven performance. While the band does a credible job in covering Ray Charles’ “Hallelujah (I Love Her So)’ Marriott rambles on about “my baby’s got itty bitty titties but it’s alright by me, you don’t know what that woman’s done for me.” The remarks seem unnecessary and the audience, even in those pre-PC days of the early 1980’s seems a bit taken aback. Luckily, Marriott goes into a harmonica solo and around the 17:30 mark the band picks up the pace considerably and rocks hard as it goes into Dr. John’s classic ‘She Walks On Gilded Splinters, their playing truly inspired, with Tench’s guitar seemingly everywhere. Sadly Marriott isn’t done yet,, making a remark to the effect that “this is my ex-wife on bass, what’s your name again?” As the band repeats “30 Days” over and over, Marriott, obviously out of it, can’t help but add “in a fucking hole” as Tench solos the song out. There is a three minute ‘Tune Up’ and one wonders what was going on before the band returns for a seven minute take on ‘Fool For A Pretty Face.’ The band rocks with Tench’s guitar shining, but Marriott can’t help but blurt out “why don’t you keep your mouth shut bitch” as the band finishes off the song and the lead vocalist can’t resist one last sarcastic remark “thanks for spending your hard earned money to come and see us mother fuckers.” The band returns for two encores, first a nine minute medley of ‘Route 66’ and ‘Tulsa Time’ which feature the group in their comfort zone, returning to an R&B standard and then the number made famous by Don Williams and later covered by Eric Clapton, which the group handles with a quick, but interesting run through before giving it a Who like finish. The show and disc close with a five minute take on the Small Faces classic ‘Tin Soldier’ which they included on the ‘Go For The Throat’ LP. Marriott’s vocals aren’t as strong, but the band gives a spirited, rocked up performance on the tune, marred only by Marriott’s final “Good night, I’m fucked” remark. A sad commentary on the state of affairs of an amazing musician and incredible band, but even with Marriott’s behavior the band’s performance is quite acceptable, and the recording is an important document of the effects of rocks excesses on even the most talented musicians, certainly does not nullify all the incredible music found on ‘Tourin’” The Official Bootleg Box Set Volume 4; and if anything serves as an important reason to include it in the collection of Steve Marriott, Small Faces and Humble Pie fans alike.

01. I Don't Need No Doctor
02. Infatuation
03. All Shook Up
04. Jerry's Drum Solo
05. 30 Days In The Hole / Hallelujah (I Love Her So) / I Walk On Gilded Splinters
06. Tune Up
07. Fool For A Pretty Face
08. Route 66 / Tulsa Time
09. Tin Soldier

*************************

DISC 1:
01. Thunderbox
02. Sweet Peace And Time
03. The Fixer
04. 30 Days In The Hole
05. Let Me Be Your Lovemaker
06. C'mon Everybody
07. I Don't Need No Doctor

DISC 2:
01. Thunderbox
02. Sweet Peace And Time
03. 30 Days In The Hole
04. Four Day Creep
05. Medley: I Just Want To Make Love To You / No Money Down / RollinÆ Stone
06. Let Me Be Your Lovemaker
07. C'mon Everybody
08. I Don't Need No Doctor

DISC 3:
01. I Don't Need No Doctor
02. Infatuation
03. Hallelujah (I Love Her So)
04. 30 Days In The Hole
05. Fool For A Pretty Face
06. Medley: Route 66 / Be Bop A Lula / Little Queenie / Whole Lotta ShakinÆ GoinÆ On

DISC 4:
01. I Don't Need No Doctor
02. Infatuation
03. All Shook Up
04. Jerry's Drum Solo
05. 30 Days In The Hole / Hallelujah (I Love Her So) / I Walk On Gilded Splinters
06. Tune Up
07. Fool For A Pretty Face
08. Route 66 / Tulsa Time
09. Tin Soldier



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sábado, 27 de abril de 2019

Humble Pie - Joint Effort


















Humble Pie - Joint Effort - 2019

By Mark Rockpit
As someone who has always been a huge fan of Humble Pie and all things Steve Marriott the news that a new album that had “remained in the vaults since 1975 will finally be released next month” was like several Christmases coming all at once. ‘Joint Effort’ duly arrived for review and as I tend to do when I review, I read nothing about it and did not research anything until I’d had a few spins and got my initial thoughts down.

Recorded in their own Clear Sounds Studio between 1974 and 1975, the album we have here contains the music put together by Steve Marriott and Greg Ridley as a side project before Pie gained momentum again due to the classic albums ‘Eat It’ and ‘Smokin” taking hold in the U.S. As a result Pie regrouped with Dave ‘Clem’ Clempson and Jerry Shirley and the recordings were ultimately rejected by A&M.

Sounded great, but even glancing at the tracklisting that first time made me wonder if maybe this collection of “never-before-heard originals, (and) covers of songs recorded by the Beatles (“Rain”), Betty Wright (“Let Me Be Your Lovemaker”) and James Brown (“Think”)” was indeed something new.

I mean re=recorded versions of ‘Rain’ and “Let Me Be Your Lovemaker’ were both on the bands 1975 album ‘Street Rats’ then as soon as the metaphorical ‘needle hit the groove’ I realised that this album hasn’t exactly languished in the vaults since 1975 – I already had a copy of it titled ‘Running With the Pack’ which saw release on Alchemy Entertainment a mere 20 years ago in 1999! Not only that the Alchemy release also contained four live tracks from what was then at the time Humble Pie’s last show in the States in 1973.

Of course if you’re a ‘Pie’ fan then you’ll still be interested if you haven’t picked up that prior release (or the limited edition reissue on the same label in 2003). The sessions (or demos as Alchemy perhaps more correctly called them) feature the line-up of Steve Marriott, Greg Ridley, Dave ‘Clem’ Clempson, and Jerry Shirley, and do see the band focussing more on the Rhythm and Blues and Soul aspects of their sound than the harder edged Rock.

Notwithstanding the fact that these sessions are 50% covers (and you have to remember that Pie were the masters of taking a song and twisting it to make it their own), there is some great material here.

After the blazin’ funk of ‘Think’ which to me just reconfirms that Marriott had one of the best soul voices out there come the soulful  ‘This Ol’ World’ and ‘Midnight Of My Life’ which do suggest a more soulful future for the Pie. But it’s  Betty Wright’s ‘Let Me Be Your Lovemaker’ that really outshines here – all blues fueled hard rocking bluster that sees Ridley take lead vocal (‘Street Rats’ sees and even heavier version of the song).

The Beatles ‘Rain’ gets the party treatment and the best original here – ‘Snakes & Ladders’ returns to the hard rock, and ‘Good Thing’ adds more blues, before the emotion, piano and blues of the again Ridley sung ‘A Minute Of Your Time.’ We close with a funky rocker from Marriott ‘Charlene’ and an instrumental take on the song that kicked us off in ‘Think 2.’

Oddly despite the line-up at the time the cover shot of this ‘re-issue’ prominently features Peter Frampton (who left the band four years before this album was recorded) rather than ‘Clem’ Clempson who replaced him in the band, it’s rather poor form from the label.

The big mystery of course is why this album was shelved in the first place as it’s just as good as the albums that followed it.

01. Think
02. This Ol' World
03. Midnight of My Life
04. Let Me Be Your Lovemaker
05. Rain
06. Snakes & Ladders
07. Good Thing
08. A Minute of Your Time
09. Charlene
10. Think 2



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segunda-feira, 1 de outubro de 2018

Greg Ridley - Anthology - All I Ever Needed (Re-Post)


















 Greg Ridley - Anthology - All I Ever Needed - 2005

"Então Steve Marriott disse: 'A propósito, já tenho um baixista que está a fim de me acompanhar nessa, é Greg Ridley, do Spooky Tooth.' Aquilo bastou para mim. Não que a simples  presença de Steve não bastasse, mas na época Greg era o baixista mais respeitado da Inglaterra'
Jerry Shirley


If hearing Steve Marriott's voice at the helm of Humble Pie was the  defining moment in my musical education - then next up, along with Frampton's guitar, was the big blonde guy who played bass, with the big booming voice and the rock star looks...or maybe he just seemed big at the time compared to the other three, who are all pretty small?                          
                                                                         
Then further investigation reveals that he is a top bass guitarist, the coolest bass player on the planet when he joined Humble Pie ! In fact an important part of the "supergroup" story around Humble Pie's beginnings.
                                                                         
"Steve rang me up early on New Year's morning" said drummer Jerry Shirley "and told me he was joining me and Peter in Peter's band." Somewhat tongue in cheek he added, "but what clinched it for me was that he was bringing Greg Ridley into the band - and he was THE bass player on the underground scene". Greg and Jerry would go on to quickly become the driving rhythm machine behind Marriott.                                                      
                                                                         
Greg Ridley could himslef put together a very decent "Best Of" from Humble Pie tracks....from Big George, to Sucking on the Sweet Vine, to Let Me Be Your Lovemaker, Drift Away, Send Me Your Loving, You're so Good to Me, Sweet Peace and Time and so on....and that's without his contribution to 
songs like Four Day Creep and Hallelujah I Love Her So.                 
                                                                         
It was brilliant seeing Greg again at the 2001 Steve Marriott Memorial Concert...stage centre, legs astride in his famous pose, still wearing those trademark leather trousers.          
                                                                         
A far cry from the early sixties in Carlisle, only a few miles from the Scottish border, as Dino from Dino and the Danubes.

In quick succession he led the Dakotas and the Ramrods, before teaming up with school friend Mick Harrison in the VIP's in 1964. In talking to Greg, this is a group he obviously remembers with great relish. In fact he was tickled pink when a fan on the recent Humble Pie German tour brought some VIP records to sign. Don't know if many people know, but Keith Emerson was also a member for a short time.  Anyway, the VIP's evolved to Art, with Luther Grosvenor and Mike Kellie, and then into Spooky Tooth with American Gary Wright.                      
                                                                         
After Humble Pie, Greg worked on a still unreleased duo album with Steve  Marriott, and joined the ill-fated All Stars on their short US tour. He tried out for Mike Patto's new band Boxer, and with Clempson/Powell in  Strange Brew before retiring from the music industry at the ripe old age of 30.

Greg Ridley re-entered the music scene in  1991 with the reunion of Pie members Jerry Shirley, Peter Frampton, and Dave Clempson at the Steve Marriott Memorial Concert in London.  Following that historic event, he and Shirley teamed with Humble Pie MkIII member Bobby Tench, Bucket Colwell, and Zoot Money in the studio for “Back on Track”.  and a limited tour of Europe.


01. Trouble (Ridley)
02. All I Ever Needed (Colwell)
03. Gangster of Love (Watson)
04. Don't Let Me Be Misunderstood (Benjamin, Caldwell, Marcus)
05. Four Day Creep (Marriott)
06. Natural Born Woman (Marriott)
07. L.O.V.E Love (Ridley)
08. Live to Learn (Colwell, Reese, Ridley)
09. Desperation (Kay)
10. The Light of Love (Ridley)
11. Heartbeat (Montgomery, Petty)
12. Wrist Job (Marriott)
13. Home and Away (Frampton, Ridley)
14. Greg's Song (Ridley)
15. Natural Born Boogie (Marriott)
16. Big George (Ridley)
17. Send Me Your Loving (Lennon, McCartney)
18. Drive My Car (Lennon, McCartney)

Greg Ridley - Vocal, Bass, Guitar
Steve Marriott - Vocals, Guitar
Peter Frampton - Guitar, Vocal
Rick Wills - Bass
Joe Cooper,  Dave Colwell, Adrian Smith - Guitar
Jerry Shirley, Geoff Britton - Drums







+@192

domingo, 15 de outubro de 2017

Humble Pie - Official Bootleg Box Set Volume 1


















Humble Pie - Official Bootleg Box Set  Volume 1 - 2017

Humble Pie’s “Official Bootleg Box Set Volume 1” is a raw testament to what this band did best; playing bluesy, gutsy, soulful and often hard rock, live on stage to an adoring audience. Drawn from a variety of mainly audience recordings that have previously only been available as “under the counter” pirate releases, this is an honest, and often unforgiving, tribute to a classic and much missed 70s supergroup.

Originally emerging from the remnants of 60s beat heroes, The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and signed to Andrew Loog Oldham’s Immediate label.

After two albums for Immediate, Humble Pie switched to A&M Records, and began their ascent to conquering the theatres, then arenas of North America, culminating in 1972’s double live “Performance: Rockin’ The Filmore”. Frampton would leave to pursue a highly successful solo career, to be replaced by Clem Clempson, and it was this line-up that was captured at the Arie Crown Theatre, Chicago on 22nd September 1972, whilst touring to promote that year’s “Smokin’” opus, from which ‘Hot ‘n’ Nasty’ and ‘C’mon Everybody’ were taken.

With the band’s growing worldwide reputation, the band toured Japan, playing the Shibuya Kokaido in Tokyo on 16th May 1973, whilst promoting their “Eat It” album, from which Ray Charles’ ‘I Believe To My Soul’ was featured, and with a set that ended with a rip-roaring take of the Staple Singers’ ‘Oh La-De-Da’.

There’s no doubting that the 70s saw some unmissable bills, and the show held at Charlton Athletic Football Ground on 18th May 1974 was no exception, where Humble Pie guested alongside Lou Reed and Bad Company at a concert headlined by The Who. Kicking off with the Small Faces’ debut classic ‘Whatcha Gonna Do About It’, Humble Pie were at the peak of their live powers before a capacity crowd, including ‘Thunderbox’, the title track from that year’s new LP, in their set. CD Three ends with four songs recorded at Finbury Park’s legendary Rainbow Theatre, on 6th June 1974.

As well as plenty of rare memorabilia, the booklet features an essay from Malcolm Dome based on new interviews with Pie drummer, Jerry Shirley.

Whilst every effort has been made to produce the best possible audio, limitations in the material drawn from various, non-standard, and unoffical sources means that the quality may not be up to the standard usually expected. All tracks have been included for their historical importance, and to present an alternative anthology of Humble Pie live on stage from 1972-1974.





CD 1 - Arie Crown Theatre, Chicago 22nd September 1972

01. Introduction    
02. Up Our Sleeve    
03. C'Mon Everybody    
04. Honky Tonk Women    

05. I Wonder    
06. Hallelujah (I Love Her So)    
07. I Don't Need No Doctor    
08. Hot 'N' Nasty    
09. Four Day Creep    

CD 1 - Shibuya Kokaido, Tokyo 16th May 1973

10. Up Our Sleeve    
11. Tokyo Jam    
12. C'Mon Everybody    





CD 2 - Shibuya Kokaido, Tokyo 16th May 1973

01. Honkey Tonk Women    
02. Steve's Little Jam    
03. I Believe To My Soul    
04. 30 Days In The Hole    
05. Road Runner    
06. Hallelujah (I Love Her So)    
07. I Don't Need No Doctor    
08. Hot 'N' Nasty    
09. Oh La-De-Da    


  
CD 3 - Charlton Athletic Footbal Ground 18th May 1974

01. Introduction    
02. Whatcha Gonna Do About It    
03. Thunderbox    
04. Sweet Peace And Time    
05. 30 Days In The Hole    
06. Let Me Be Your Lovemaker    
07. C'Mon Everybody - I Want A Little Girl    
08. I Don't Need No Doctor

CD 3 - Rainbow Theatre, London 6th June 1974    

09. Thunderbox    
10. 30 Days In The Hole    
11. Sweet Peace And Time    
12. C'Mon Everybody    





+@320 with Complet Art-Cover

quinta-feira, 7 de agosto de 2014

Humble Pie - The Atlanta Years (re-re-post)


















Humble Pie - The Atlanta Years - 2006
 
review from classicrockmusicblog
Humble Pie’s The Atlanta Years could just as well be called Steve Marriott, The Atlanta Years, as he is the driving force behind these recordings. The singer/songwriter/guitarist had relocated to the Peach State in the 1980s and re-formed Humble Pie once again after the lineup (Marriott, guitarist Bobby Tench, bassist Anthony Jones and drummer Jerry Shirley) from an earlier re-formed Pie called it quits in 1981.

That said, The Atlanta Years is worth investigating. Nine studio cuts are appended with seven live performances from Marriott’s Atlanta days. The studio sides find Marriott still capable of delivering the bluesy rock that he built his name on. His voice is still full of raspy splendor on  “Heartbreaker,” a funky organ-driven R&B shuffle, and laced with whiskey on “Ain’t You Glad (New York Can’t Talk).” The Cockney swagger of “Poor Man’s Rich Man” is classic Marriott, and a bridge between his time with the Small Faces and Humble Pie. The songs have a work-in-progress feel, but are still developed enough to stand on their own. The live cuts are sweaty slices of Marriott in his element. Listen as he takes the crowd through the 15-minute assault of “I Don’t Need No Doctor” or the cranky “Hallelujah I Love Her So,” full of tight guitar licks and double entendres.

Though Marriott lived the rock star life, he was virtually destitute for years. A very personal interview with ex-wife Pam Stephens reveals the couple’s daily struggles of just having enough to eat, all the while being holed up in a Southern mansion. Marriott was a challenging but engaging personality, enough so to keep fans and hangers-on coming back for more until the larger-than-life musician’s life was cut down by a house fire in 1991. Just as talk of a reunion with original Humble Pie mate Peter Frampton was surfacing, Marriott was taken away. In Atlanta, Marriott sang “Trouble You Can’t Fool Me,” and he was singing from experience.

CD 01 - Chattanooga Tennessee 1982 (In the studio)

01. Heartbreaker
02. Ain't You Glad (New York Can't Talk)
03. Sweet Nuthins
04. Trouble You Can't Fool Me
05. Poor Mans Rich Man
06. Middle Age Anxiety
07. Lonely No More
08. I Need a Love
09. Happy Birthday, Birthday Girl
10. John Hellier interviews Steve's ex wife, Pam Stephens

CD 02 - Annie’s Club Cincinatti Ohio 1983 (Live in concert)

01. Whatcha Gonna do About It
02. Fool For a Pretty Face
03. Hallelujah, I Love Her So
04. Five Long Years
05. A Rude Little Ditty / Drums Solo / 30 Days In The Hole
06. I Don't Need No Doctor
07. Big Train Stops At Memphis /  Walking The Dog

N.B - Reforçando: Embora o título possa supor tratar-se de uma coletânea do Humble Pie, esse disco é na verdade um álbum de Steve Marriott lançado pela wappingwharf, com material inédito em estúdio e um show completo.  A qualidade do áudio do disco ao vivo assemelha-se à de um excelente soundboard. 


+@192

quinta-feira, 17 de julho de 2014

Humble Pie - Live '81


















Humble Pie - Live '81- 2012

"Live '81"  contém oito faixas gravadas "ao vivo" pelo Humble Pie reformado por Steve Marriot junto com Jerry Shirley, o guitarrista Bobby Tench e o baixista Anthony 'Sooty' Jones. Originalmente fora lançado como bônus (somente na versão em LP e com o nome  CALIFORNIA '81) no pacote que reunia os relançamentos dos discos "On The Victory" e "Go For The Throat". Agora, em formato digital, pode ser encontrado fácil numa infinidade de sites.

01. I Don't Need No Doctor
02. Infatuation
03. 30 Days In The Hole
04. Tin Soldier
05. Fool For A Pretty Face
06. Route 66
07. Be Bop A Lula
08. Tulsa Time






+@192

segunda-feira, 3 de fevereiro de 2014

Humble Pie - Private´s (New York, NY)













Humble Pie - Private´s (New York, NY) - 1981


The final lineup of Humble Pie, featuring ex-Jeff Beck Group singer Bob Tench on second guitar and bassist Sooty Jones ably augmenting founding members Steve Marriott and Jerry Shirley. Using borrowed equipment (the bands equipment was stolen earlier that day), the group takes to the club stage of the short lived Private's in New York City (March,25,1981). Recorded for the King Biscuit Flower Hour, here the performance is presented in it's unedited, profanity filled entirety.

This all too brief tour was essentially Humble Pie's last hurrah before calling it quits for good. Regardless, this is a high energy performance showcasing material from their soon-to-be-released "Go For The Throat" album, in addition to several classics from the bands' 1970s repertoire. Highlights include a seering "I Don't Need No Doctor" to open the set, the debut live Pie performance of the Small Faces classic, "Tin Soldier," and a highly extended jam on "30 Days In The Hole." The latter excursion clocks in at nearly 23 minutes and includes a brief diversion into Dr. John's "I Walk On Guilded Splinters."

Steve Marriott - Guitar, Vocals
Jerry Shirley - Drums
Bob Tench - Guitar, Vocals
Anthony "Sooty" Jones - Bass, Vocals









+@192

sexta-feira, 6 de abril de 2012

Greg Ridley - Anthology - All I Ever Needed


















 Greg Ridley - Anthology - All I Ever Needed - 2005

"Então Steve Marriott disse: 'A propósito, já tenho um baixista que está a fim de me acompanhar nessa, é Greg Ridley, do Spooky Tooth.' Aquilo bastou para mim. Não que a simples  presença de Steve não bastasse, mas na época Greg era o baixista mais respeitado da Inglaterra'
Jerry Shirley




 If hearing Steve Marriott's voice at the helm of Humble Pie was the  defining moment in my musical education - then next up, along with Frampton's guitar, was the big blonde guy who played bass, with the big booming voice and the rock star looks...or maybe he just seemed big at the time compared to the other three, who are all pretty small?                          
                                                                         
Then further investigation reveals that he is a top bass guitarist, the coolest bass player on the planet when he joined Humble Pie ! In fact an important part of the "supergroup" story around Humble Pie's beginnings.
                                                                         
"Steve rang me up early on New Year's morning" said drummer Jerry Shirley "and told me he was joining me and Peter in Peter's band." Somewhat tongue in cheek he added, "but what clinched it for me was that he was bringing Greg Ridley into the band - and he was THE bass player on the underground scene". Greg and Jerry would go on to quickly become the driving rhythm machine behind Marriott.                                                      
                                                                         
Greg Ridley could himslef put together a very decent "Best Of" from Humble Pie tracks....from Big George, to Sucking on the Sweet Vine, to Let Me Be Your Lovemaker, Drift Away, Send Me Your Loving, You're so Good to Me, Sweet Peace and Time and so on....and that's without his contribution to 
songs like Four Day Creep and Hallelujah I Love Her So.                 
                                                                         
It was brilliant seeing Greg again at the 2001 Steve Marriott Memorial Concert...stage centre, legs astride in his famous pose, still wearing those trademark leather trousers.          
                                                                         
A far cry from the early sixties in Carlisle, only a few miles from the Scottish border, as Dino from Dino and the Danubes.

In quick succession he led the Dakotas and the Ramrods, before teaming up with school friend Mick Harrison in the VIP's in 1964. In talking to Greg, this is a group he obviously remembers with great relish. In fact he was tickled pink when a fan on the recent Humble Pie German tour brought some VIP records to sign. Don't know if many people know, but Keith Emerson was also a member for a short time.  Anyway, the VIP's evolved to Art, with Luther Grosvenor and Mike Kellie, and then into Spooky Tooth with American Gary Wright.                      
                                                                         
After Humble Pie, Greg worked on a still unreleased duo album with Steve  Marriott, and joined the ill-fated All Stars on their short US tour. He tried out for Mike Patto's new band Boxer, and with Clempson/Powell in  Strange Brew before retiring from the music industry at the ripe old age of 30.

Greg Ridley re-entered the music scene in  1991 with the reunion of Pie members Jerry Shirley, Peter Frampton, and Dave Clempson at the Steve Marriott Memorial Concert in London.  Following that historic event, he and Shirley teamed with Humble Pie MkIII member Bobby Tench, Bucket Colwell, and Zoot Money in the studio for “Back on Track”.  and a limited tour of Europe.

01. Trouble (Ridley)

02. All I Ever Needed (Colwell)
03. Gangster of Love (Watson)
04. Don't Let Me Be Misunderstood (Benjamin, Caldwell, Marcus)
05. Four Day Creep (Marriott)
06. Natural Born Woman (Marriott)
07. L.O.V.E Love (Ridley)
08. Live to Learn (Colwell, Reese, Ridley)
09. Desperation (Kay)
10. The Light of Love (Ridley)
11. Heartbeat (Montgomery, Petty)
12. Wrist Job (Marriott)
13. Home and Away (Frampton, Ridley)
14. Greg's Song (Ridley)
15. Natural Born Boogie (Marriott)
16. Big George (Ridley)
17. Send Me Your Loving (Lennon, McCartney)
18. Drive My Car (Lennon, McCartney)

Greg Ridley - Vocal, Bass, Guitar
Steve Marriott - Vocals, Guitar
Peter Frampton - Guitar, Vocal
Rick Wills - Bass
Joe Cooper,  Dave Colwell, Adrian Smith - Guitar
Jerry Shirley, Geoff Britton - Drums



+@192

segunda-feira, 20 de fevereiro de 2012

Humble Pie - The Atlanta Year (repost)



















Humble Pie - The Atlanta Years - 2006
 
review from classicrockmusicblog
Humble Pie’s The Atlanta Years could just as well be called Steve Marriott, The Atlanta Years, as he is the driving force behind these recordings. The singer/songwriter/guitarist had relocated to the Peach State in the 1980s and re-formed Humble Pie once again after the lineup (Marriott, guitarist Bobby Tench, bassist Anthony Jones and drummer Jerry Shirley) from an earlier re-formed Pie called it quits in 1981.

That said, The Atlanta Years is worth investigating. Nine studio cuts are appended with seven live performances from Marriott’s Atlanta days. The studio sides find Marriott still capable of delivering the bluesy rock that he built his name on. His voice is still full of raspy splendor on  “Heartbreaker,” a funky organ-driven R&B shuffle, and laced with whiskey on “Ain’t You Glad (New York Can’t Talk).” The Cockney swagger of “Poor Man’s Rich Man” is classic Marriott, and a bridge between his time with the Small Faces and Humble Pie. The songs have a work-in-progress feel, but are still developed enough to stand on their own. The live cuts are sweaty slices of Marriott in his element. Listen as he takes the crowd through the 15-minute assault of “I Don’t Need No Doctor” or the cranky “Hallelujah I Love Her So,” full of tight guitar licks and double entendres.

Though Marriott lived the rock star life, he was virtually destitute for years. A very personal interview with ex-wife Pam Stephens reveals the couple’s daily struggles of just having enough to eat, all the while being holed up in a Southern mansion. Marriott was a challenging but engaging personality, enough so to keep fans and hangers-on coming back for more until the larger-than-life musician’s life was cut down by a house fire in 1991. Just as talk of a reunion with original Humble Pie mate Peter Frampton was surfacing, Marriott was taken away. In Atlanta, Marriott sang “Trouble You Can’t Fool Me,” and he was singing from experience.

CD 01 - Chattanooga Tennessee 1982 (In the studio)

01. Heartbreaker
02. Ain't You Glad (New York Can't Talk)
03. Sweet Nuthins
04. Trouble You Can't Fool Me
05. Poor Mans Rich Man
06. Middle Age Anxiety
07. Lonely No More
08. I Need a Love
09. Happy Birthday, Birthday Girl
10. John Hellier interviews Steve's ex wife, Pam Stephens

CD 02 - Annie’s Club Cincinatti Ohio 1983 (Live in concert)

01. Whatcha Gonna do About It
02. Fool For a Pretty Face
03. Hallelujah, I Love Her So
04. Five Long Years
05. A Rude Little Ditty / Drums Solo / 30 Days In The Hole
06. I Don't Need No Doctor
07. Big Train Stops At Memphis /  Walking The Dog

N.B - Reforçando: Embora o título possa supor tratar-se de uma coletânea do Humble Pie, esse disco é na verdade um álbum de Steve Marriott lançado pela wappingwharf, com material inédito em estúdio e um show completo.  A qualidade do áudio do disco ao vivo assemelha-se à de um excelente soundboard. 


+@192

segunda-feira, 1 de agosto de 2011

Humble Pie - The Atlanta Years



















Humble Pie - The Atlanta Years - 2006
 
review from classicrockmusicblog
Humble Pie’s The Atlanta Years could just as well be called Steve Marriott, The Atlanta Years, as he is the driving force behind these recordings. The singer/songwriter/guitarist had relocated to the Peach State in the 1980s and re-formed Humble Pie once again after the lineup (Marriott, guitarist Bobby Tench, bassist Anthony Jones and drummer Jerry Shirley) from an earlier re-formed Pie called it quits in 1981.

That said, The Atlanta Years is worth investigating. Nine studio cuts are appended with seven live performances from Marriott’s Atlanta days. The studio sides find Marriott still capable of delivering the bluesy rock that he built his name on. His voice is still full of raspy splendor on  “Heartbreaker,” a funky organ-driven R&B shuffle, and laced with whiskey on “Ain’t You Glad (New York Can’t Talk).” The Cockney swagger of “Poor Man’s Rich Man” is classic Marriott, and a bridge between his time with the Small Faces and Humble Pie. The songs have a work-in-progress feel, but are still developed enough to stand on their own. The live cuts are sweaty slices of Marriott in his element. Listen as he takes the crowd through the 15-minute assault of “I Don’t Need No Doctor” or the cranky “Hallelujah I Love Her So,” full of tight guitar licks and double entendres.

Though Marriott lived the rock star life, he was virtually destitute for years. A very personal interview with ex-wife Pam Stephens reveals the couple’s daily struggles of just having enough to eat, all the while being holed up in a Southern mansion. Marriott was a challenging but engaging personality, enough so to keep fans and hangers-on coming back for more until the larger-than-life musician’s life was cut down by a house fire in 1991. Just as talk of a reunion with original Humble Pie mate Peter Frampton was surfacing, Marriott was taken away. In Atlanta, Marriott sang “Trouble You Can’t Fool Me,” and he was singing from experience.

CD 01 - Chattanooga Tennessee 1982 (In the studio)

01. Heartbreaker
02. Ain't You Glad (New York Can't Talk)
03. Sweet Nuthins
04. Trouble You Can't Fool Me
05. Poor Mans Rich Man
06. Middle Age Anxiety

07. Lonely No More
08. I Need a Love
09. Happy Birthday, Birthday Girl
10. John Hellier interviews Steve's ex wife, Pam Stephens

CD 02 - Annie’s Club Cincinatti Ohio 1983 (Live in concert)

01. Whatcha Gonna do About It
02. Fool For a Pretty Face

03. Hallelujah, I Love Her So
04. Five Long Years
05. A Rude Little Ditty / Drums Solo / 30 Days In The Hole
06. I Don't Need No Doctor
07. Big Train Stops At Memphis /  Walking The Dog

N.B - Reforçando: Embora o título possa supor tratar-se de uma coletânea do Humble Pie, esse disco é na verdade um álbum de Steve Marriott lançado pela wappingwharf, com material inédito em estúdio e um show completo.  A qualidade do áudio do disco ao vivo assemelha-se à de um excelente soundboard. 


+@192

domingo, 1 de maio de 2011

Dean Rees - Sweet Felicity Arkwright



















Dean Rees - Sweet Felicity Arkwright - 2006

Dean Rees is best known for his Hammond work with classic British rockers Humble Pie, as well as Stray, Del Bromham and the Devils and 17Black. Before that, dues were paid in the usual list of local groupings, most notably Colour Sargeant and Grand Society with Toby Marriott. As a featured artist at all annual installments of the Small Faces convention in London, Rees has shared the stage with Glen Matlock, Clem Clempson, Chris Farlow and Steve Ellis.

He's also become known as a "go-to guy" for several other high-profile special events. One of those was a most memorable stop at London's historic Royal Albert Hall for the Ronnie Lane memorial concert (featuring Pete Townshend and Ronnie Wood). Dean was also honored to play at the Steve Marriott memorial concert (feat Noel Gallagher, Humble Pie, Kenney Jones, Ian McLagen, Bobby Tench, Johnny Warman, Peter Frampton, et al). His contribution to the ModAid CD and video was added to those of Ronnie Wood, Mark Joseph and many other popular mod-influenced musos.

In 2003 Dean rejoined his good friend and mentor Greg Ridley, bassist, vocalist, and founding member of Humble Pie. First billed as Greg Ridley's Humble Pie, the new five piece was enthusiastically received by fans and critics alike at debut gigs in London. The US was then targeted with a club tour of the south & west, but sadly it wasn't to be as in early November Greg suddenly fell ill and then passed away later that month. Dean soon jumped into two projects that would be fitting and lasting tributes to Greg Ridley. A collaboration with Bad Company guitarist Dave "Bucket" Colwell on an unfinished song, co-written by Greg, yielded a track that was added to the Greg Ridley Anthology (2004 AngelAir Records). "Learn to Live" also featured vocals by Adrian Smith (Iron Maiden) and Todd Sucherman (Styx) on drums.

A memorial concert in 2004 saw Dean reform Greg Ridley's short-lived band from the year before. The Greg Ridley Band payed a rollicking, butt-kicking tribute to their fallen friend at "The Party For Greg" in London. The event also featured great performances by Spooky Tooth's Mike Kellie and Luther Grosvenor (aka Arial Bender of Mott The Hoople), Bucket Colwell (Bad Company, Humble Pie), Paul Geurin (The Quireboys), Mollie Marriott and many others.

In May of 2006 Dean Rees released his first solo CD "Sweet Felicity Arkwright", an offering that not only rocks, but rhythms, blues and rolls with funkn' soul. You'll hear Dean's heaviest influences, which are rooted in the beginnings of Classic Brit Rock, yet throughout Arkwright are pepperings of American soul, blues and gospel.

Ten new Dean Rees Songs co-produced by Dean and his long-time collaborator and friend Karl Randall.

Dean is joined on Sweet Felicity Arkwright by DR Band members Karl Randall (drums), Del Bromham (guitars), Stu Uren (bass), Mollie Marriott (vocals) and Lee Devine (vocals). Two of those names will be familiar to classic rock fans as Del Bromham is the founder and frontman of the veteran British rock band Stray and Mollie Marriott is the daughter of the legendary leader of Humble Pie, Steve Marriott. Also featured on Arkwright are special guest artists and friends Bernie Marsden (Whitesnake, etc), Tony Rolfe, Stefan John, Toby Marriott (Steve's son), James Coello, Ian Page, Clive Hewsen and Stuart Ikin

01. Slide Rider

02. Smilin' Joe
03. Taken a Hold On Me
04. The Blacksmith
05. Soul Patch
06. I Got You
07. The Grain Train (Get On Board)
08. What's Goin Down
09. Heavy Rain
10. Heavy Rain (reprise)

+@192