Original released on LP A&M AMLS 68121
(UK 1972, November 17)
Encased in a classy sleeve painted by Scottish playwright John "Patrick" Byrne, the first LP from the tumultuous Stealers Wheel is a debonair affair comprised of the kind of accomplished and polished pub pop for which impetus Gerry Rafferty would become known as he subsequently rode out the decade on the sublime radio single "Baker Street ." Rafferty released his first solo slab, "Can I Have My Money Back?" (the title already showing signs of unrest) in 1971, and brought amigo Joe Egan from those sessions to the princely proceeding here. Worthy musical moments abound, all forever overshadowed by the clever corporate-snub "Stuck in the Middle With You" which branded the duo a one-hit wonder when the track took on a life of its own. Sadly, the song also foreshadowed the premature end of Stealers Wheel, and Rafferty and Egan continued to document the personal and professional turmoil of their short time together throughout their respective solo careers, even re-recording some of these early jewels. And though only Rafferty's star continued to rise, Egan harbors considerable talent as well, shining brightly on his Rubber Soul-influenced tapestry "Another Meaning"; however, he keeps bland company with Bad Company with the dumb thud of "I Get By." Meanwhile, Rafferty creates one of those oh-so-cosmic '70s grooves for "Outside Looking In," before being unfortunately caught in one of those oh-so-abrupt '70s fades at the end of side one. This vibe wouldn't be broken so drastically on CD, but for now, and seemingly forever, the platter must be flipped for the unique "Johnny's Song" wherein mountain-rock breaks surround Rafferty's wry life observations. Hidden nugget "Next to Me" extols mellow melancholy meditations exclusive to the West Coast and the Have a Nice Day Decade. Closing pastorale "You Put Something Better Inside of Me" inspired renditions by Ted Neeley and Raphael Ravenscroft. Ultimately, this very solid outing casts a somber shadow because of unfulfilled expectations. And any record this carefully crafted doesn't deserve to languish in the bins of obscurity, but such seems to be the fate of Stealers Wheel. At least the band will always be remembered through the cinematic revival of that supreme FM staple "Stuck in the Middle With You." (Whitney Z. Gomes in AllMusic)
Original released on LP A&M AMLH 68209
(UK, November 1973)
"Ferguslie Park" was recorded after a dizzying string of changes in Stealers Wheel - co-founder Gerry Rafferty's exit soon after finishing the group's first LP, his replacement by Luther Grosvenor and the delayed climb of "Stuck in the Middle with You," Rafferty's return, and the firing of all involved and the reduction of the group to its founding duo of Rafferty and Joe Egan. The resulting album, recorded with some nine support players (including ex-Herd members Gary Taylor and Andrew Steele, plus guitarists Joe Jammer and Bernie Holland), conductor/arranger Richard Hewson in support, and Jerry Leiber and Mike Stoller producing, is an upbeat if somewhat less focused work than its predecessor - the mix of hard rock ("What More Could You Want") and lean, melodic songs ("Good Businessman") highlighted by lush choruses, and augmented with occasional spacy digressions such as the shimmering percussion-based interlude between "Wheelin'" and "Waltz (You Know It Makes Sense)," makes this a surprisingly diverse body of music. There wasn't a hit single to be found here, however, which meant that listeners had to find the album on their own; there are moments that anticipate (albeit distantly) Rafferty's solo work, including some well-placed sax breaks, and also jagged, bluesy guitar in all sorts of unexpected places, such as behind the tuneful organ on "Blind Faith" (and the "Shakin' All Over" riff even makes a veiled appearance on "Good Businessman"). (Bruce Eder in AllMusic)
Original released on LP A&M AMLH 68293
(UK, February 1975)
By far the best Stealers Wheel album from beginning to end. Only exception might be the slightly cheesy "Monday Morning." Beyond that, the record is flawless, including two lyrical highlights about the plight of heavy drinking: "Home from Home" and "Right or Wrong." Finally available on CD and well worth the wait. Released by Cherry Red's Lemon Recordings label, the remastering adds a new crispness to the sound. The album is almost a blue-rint for Gerry Rafferty's "City to City" except that this is funkier and less polished (ie better!). Featuring the talents of Geraldine and Josephine, American producer Mentor Williams drafts in his sidekick David Briggs alongside a bunch of British session aces and they come up with the best Stealers Wheel album. Ironically, Rafferty and Egan had acrimoniously split even before the album's release! (in RateYourMusic)