Mostrar mensagens com a etiqueta tom jones. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta tom jones. Mostrar todas as mensagens

sábado, 3 de abril de 2021

TOM JONES: "The First Years" (1965-1967)

Sir Thomas Jones Woodward is a Welsh singer known by his stage name Tom Jones. He was born in 1940, June 7, at 57 Kingsland Terrace, Treforest, Pontypridd, in Glamorgan, South Wales and became one of the most popular vocalists to emerge from the mid-1960s. Since then, he has sung many forms of popular music – pop, rock, R&B, show tunes, country, dance, soul music and gospel – and sold over 100 million records. Jones has had thirty-six Top 40 hits in the United Kingdom and nineteen in the United States. He began singing at an early age, at family gatherings, weddings and in his school choir. Jones did not like school or sports, but gained confidence through his singing talent. At 12 he was diagnosed with tuberculosis. Many years later he said: «I spent two years in bed recovering. It was the worst time of my life.» During convalescence he could do little else but listen to music and draw.


Jones's bluesy singing style developed out of the sound of American soul music. His early influences included blues and R&B singers Little Richard, Solomon Burke, Jackie Wilson and Brook Benton, as well as Elvis Presley. In March 1957 Jones married his high school girlfriend, Linda Trenchard when they were expecting a child together, both aged 16. The couple's son, Mark, was born in the month following their wedding. To support his young family Jones took a job working in a glove factory and was later employed in construction. Jones's voice has been described as a "full-throated, robust baritone". He became the frontman in 1963 for Tommy Scott and the Senators, a Welsh beat group. They soon gained a local following and reputation in South Wales. 



The group recorded several solo tracks in 1964 with producer Joe Meek, who took them to various labels, but they had little success. Later that year, Decca producer Peter Sullivan saw Tommy Scott and the Senators performing in a club and directed them to manager Phil Solomon, but the partnership was short-lived. The group continued to play gigs at dance halls and working men's clubs in South Wales. One night at the Top Hat in Cwmtillery, Wales, Jones was spotted by Gordon Mills, a London-based manager who also originally hailed from South Wales. Mills became Jones's manager and took the young singer to London, and also renamed him Tom Jones, to exploit the popularity of the Academy Award winning 1963 film.



Eventually, Mills got Jones a recording contract with Decca. His first single, "Chills and Fever", was released in late 1964. It did not chart, but the follow-up, "It's Not Unusual", became an international hit after offshore pirate radio station Radio Caroline promoted it. The following year was the most prominent of Jones's career, making him one of the most popular vocalists of the British Invasion. In early 1965, "It's Not Unusual" reached No. 1 in the United Kingdom and the top ten in the United States. During 1965, Mills secured a number of film themes for Jones to record, including the themes for the film “What's New Pussycat?” (written by Burt Bacharach and Hal David) and for the James Bond film “Thunderball”. Jones was also awarded the Grammy Award for Best New Artist for 1966. In Hollywood, he met Elvis Presley for the first time who he recalls singing his song as he walked towards him on set.


In 1966, Jones's popularity began to slip somewhat, causing Mills to reshape the singer's image into that of a crooner. Jones also began to sing material that appealed to a wider audience, such as the big country hit "Green, Green Grass of Home". The strategy worked, and Jones returned to the top of the charts in the UK and began hitting the Top 40 again in the US. For the remainder of the decade, he scored a string of hits on both sides of the Atlantic, including "I'll Never Fall in Love Again", "I'm Coming Home", and "Delilah" which all reached No. 2 in the UK chart.

Melody Maker Awards, 1966 - With Paul McCartney, Dusty Springfield and Ringo Starr



Jones performed in Las Vegas for the first time at the Flamingo, in 1967. His performances and style of dress became part of his stage act, and increasingly featured his open, half-unbuttoned shirts and tight trousers. He soon chose to record less, instead concentrating on his lucrative club performances. His shows at Caesars Palace were a knicker-hurling frenzy of sexually charged adulation and good-time entertainment. Women started throwing hotel room keys onto the stage. Jones and his idol Elvis Presley met in 1965 at the Paramount film stage, when Elvis was filming Paradise, Hawaiian Style. They became good friends, spending more and more time together in Las Vegas and duetting until the early hours at Presley's private Las Vegas suite. The friendship endured until Presley's death in 1977.



This double CD set collects the very best of Tom Jones’s songs, released in his first years of fame and success, between 1964 and 1967.


quinta-feira, 18 de outubro de 2018

LIVE AT THE FLAMINGO, LAS VEGAS

Original Released as LP Decca SKL 5032
(UK, October 1969)

Tom Jones' greatest strength is as a showman, making "Tom Jones Live in Las Vegas" one of his strongest records. As he tears through his well-constructed show, the vocalist works the reserved crowd into a near-frenzy, which makes him sing stronger and more dramatically. However, Tom Jones is at his best when he is at his most melodramatic, so this isn't a flaw. Jones' impassioned performance and the absence of weak material make "Live in Las Vegas" one of his most consistent records. Not surprisingly, it was also his biggest hit, peaking at number three on the American album charts. (Stephen Thomas Erlewine in Allmusic)

sexta-feira, 8 de setembro de 2017

domingo, 23 de julho de 2017

TOM JONES: "What's New Pussycat?"

Original released on LP Parrot PA 61006 (mono)
(US, September 1965)

The song "What's New Pussycat?" was written by Burt Bacharach for Peter Sellers' character in the movie of the same name. He told Record Collector magazine: «It was an instrumental first and then words were put on it. If it's got a good melody it can always fit the lyric.» In the same Record Collector interview Bacharach discussed writing songs for movies: «I think if you've got a theme like "What's New Pussycat?" and that music comes from watching Peter Sellers and his craziness in that movie and you're trying to make it that way and out words to it. Then you get Tom Jones to sing it, you get lucky. Here was a theme, which was basically an instrumental, and if it's a good melody you'll always fit words.» This song is intentionally outrageous, with Tom Jones telling a girl to powder her pussycat nose so he can kiss her "sweet little pussycat lips." At the time, Jones was developing an image as a ribald pop star, and this song played right into it. Burt Bacharach knew he had the chops to convey the right tone in the song, and convinced Jones to do it. «When I first heard it I thought, Christ! What the bloody hell do they want me to sing this for?,» Jones told Q magazine. «But Burt Bacharach explained, I want the big voice to sing this bloody crazy song, and you put it on, it's a classic.» When Elvis first heard Tom Jones sing this, he assumed the singer was black.

quinta-feira, 28 de abril de 2016

quarta-feira, 20 de abril de 2016

TOM JONES FIRST ALBUM

Original released on LP Decca LK 4693 (mono)
(UK, May 1965)

"Along Came Jones" is the 1965 debut album recorded by Tom Jones and included his massive hit single "It's Not Unusual". The album reached Nº 11 on the British charts. Some of the songs were covers and some were written especially for Jones like the Gordon Mills-penned "The Rose". In July 1965 Parrot Records (USA, Canada) issued an abridged (12 tracks) version of the album, titled "It's Not Unusual".

«Recording TOM JONES has the same effect as driving a fast sports car on a motorway, exciting and exhilarating. Whether Tom Jones is purring softly and slowly through a romantic ballad or lustily giving out with a fast up-beat number you are guaranteed a performance which will be different. Tom Jones during his short singing career has already been acclaimed by various critics as one of the most exciting visual performers on the recording scene. Off stage, a quitly spoken person, Tom explodes into visual and vocal action when the music begins. He has a unique ability of getting inside a song, interpreting the complete meaning of the lyrics, draining the song of everything it has to offer and yet still managing to squeeze the last vestige of feeling from both melody and lyrics. On this L.P. Tom has ample opportunity to demonstrate his varied and considerable vocal talents. Side 1 is used like a showcase for the treatment which Tom gives to beat numbers such as “I Need Your Loving” and “Married Man”, plus six other titles including his first smash-hit “It’s Not Unusual” and his current hit “Once Upon a Time”. His performance can best be described as “gutsy”. This sums up in one short word the raving dynamic performance Tom manages to whip up.

When Tom Jones was introduced to the world by manager Gordon Mills in 1965, the big-voiced singer with animal magnetism was presented as ‘22, single and a miner’. He was, in fact, a 24-year-old married man with a seven-year-old son.  Eventually, the truth came out, and wife Linda, a slender young woman with pixie-cut blonde hair, gave a solitary Press interview. She explained that, although the adulation of his fans made her uncomfortable, she loved her husband with a consuming passion.
In contrast to this power-house side, Side 2 reveals Tom Jones in another light. His tender romantic treatment of such lovely ballads as “Spanish Harlem” and “The Rose” illustrates fully this other face of his singing ability. He is by turns, sad, wistful, tender and intimate, delivering the words with a deep sincerity. His “soul treatment” of “If You Need Me” must rank as one of his finest performances. One has only to listen to this L.P. to recognize and appreciate the very fine and unique arrangements of all these numbers. The arranger, Les Reed, who also collaborated with Gordon Mills in the writing of Tom Jones first single hit “It’s Not Unusual” must surely be congratulated for his very exciting and lush imaginative arrangements. Les has again got together with Gordon to pen one of the three new titles on the L.P. “I’ve Got a Heart”. The remaining two new titles are the sole work of Gordon Mills. One is a beautiful ballad called “The Rose” and the other a ballad with a beat entitled “Some Other Guy”. Assembled on this L.P. are outstanding songs and arrangements which only need the firing-spark of Tom Jones to enable it to explode into action on your record machine. So, like driving a car, switch on the machine, put the needle into the first track and listen to it go, but don’t exceed 33 r.p.m.» (original liner notes by Peter Sullivan)



sábado, 10 de outubro de 2015

LIVE AT CAESARS PALACE, 1971

Original Released on Double LP London 2XPAS 71049/50
(US, November 1971)

"Live Caesars Palace" is recorded from Tom Jones 1971 shows, just as he was reaching his pinnacle as a live performer. In many ways this live recording also marks the dawning of a new era when he decided to make live performance his primary concern foresaking much of his career as a recording artist. He would now focus his energies exclusively on the U.S. and in particular Las Vegas. By the turn of the seventies Tom was injecting a little more soul into his sound and this is perfectly demonstrated by the contents of this album. With his regular backing band and aided by his backing singers the Blossoms, Tom's voice was tearing through the concert performances with great dynamism and energy. Many of his well known hits are in the form of a medley (Side 4) at this point in time - "I'll Never Fall In Love Again", "Love Me Tonight" and "It's Not Unusual" for example, but it's the collection of covers where the true strength of this album lies. "Dance Of Love", "Bridge Over Troubled Water", "My Way", "God Bless The Children" and "I Who Have Nothing" (amongst others) are simply sensational with his wonderful hard edged, soulful vocals. "Live Caesars Palace", in retrospect, is one of the great live albums ever released. It's underated, that's for sure, but it's brilliant nonetheless. Be quick and add this magnificent album to your collection.


Depois de “Live At The Talk Of The Town” (Junho 67) e “Live At The Flamingo, Las Vegas” (Outubro 69), este é o terceiro album ao vivo de Tom Jones, gravado uma vez mais em Las Vegas, na primavera de 1971. Salvo honrosas excepções, nunca fui grande entusiasta de albuns ao vivo, sempre preferi o rigor das gravações em estúdio. Esta é uma dessas excepções, um duplo album que nos consegue transmitir toda a força de Tom Jones em cima de um palco, numa altura em que o cantor enveredava em definitivo pelas actuações ao vivo, sobretudo no grande carrocel do espectáculo chamado Las Vegas. O CD reeditado pela Varese apresentava um som aquém do vinil original, sobretudo (e como de costume) ao nível dos graves. Esse problema foi resolvido aqui pelo Rato, bem como a amplitude da estereofonia. O resultado é um som cheio e profundo, melhor do que o do vinil ou do CD original. Aproveitem!
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