Original released on LP Columbia CL 925 (mono)
(US, 1956)
Ray Conniff had a solid career of big band arranging and conducting the orchestras backing Columbia Records' stable of '50s pop singers before he managed to get his name on a record himself. But that didn't prepare anybody for the success of this album, named after the Gershwin song he first arranged when he was working for Artie Shaw. Conniff updated the big band sound to the '50s, retaining its danceable tempos and building upon the unison section innovations of Glenn Miller, his own added idea being a vocal chorus that hummed and sang syllables as an extra part of the ensemble. Employing standards with familiar melodies, the imaginativeness of his work became all the more noticeable, and "'S Wonderful!" became a substantial hit that kicked off a run of successful albums in the same style. (William Ruhlmann in AllMusic)
Original released on LP Columbia CL 1074 (mono)
(US, 1957)
After the less successful "Dance the Bop", on his third album Ray Conniff returned to the formula with which he had found success on his first album, "'S Wonderful!", once again turning out a set of lively arrangements of standards featuring a wordless chorus, with the deliberately similar title "'S Marvelous " again evoking the Gershwin song. Along with Gershwin, the featured composers included Cole Porter, Richard Rodgers, and Jerome Kern, and the album was even more popular than its predecessor, lodging in the Top Ten and going gold. With that, Conniff was off to the races, cloning this style on dozens of subsequent releases. (William Ruhlmann in AllMusic)