Painting Challenge Submission #13 - Onward to Orleans!

"Forward! God has shown me the way..."

I'm continuing with the AHPC XVI wrap-up posts! We switch from GW settings to a historical one - and my on-again, off-again work on the Hundred Years War in 28mm. I thought the Painting Challenge would be a good chance to work on some more figures for that project, and I did get a few over the line prior to the Challenge wrapping up. 

Jean de Dunois directs the defence of Orleans - while his half-brother sits in England as a captive.

This was inspired mostly by the "Resistance" theme round in Curt's AHPC, for which I painted the wonderful 28mm sculpt of "Joan of Arc" from the Perry Miniatures range. That particular pack includes two other figures: Jean de Dunois, the "Bastard of Orleans", and Étienne de Vignolles, a.k.a. "La Hire". With Joan painted, I thought it would only make sense to paint the two companion figures. Both of The Bastard and La Hire were prominent in French efforts to defend the city of Orleans, which came under siege in late 1428 and was miraculously relieved in 1429 via a series of battles where Joan of Arc played an inspiring role. It was the famous turning point of a famous conflict. 

Sculpted heraldry right on the figure - very, very helpful when it comes to painting!!

When some is referred as "The Bastard", you tend to expect they were unpleasant and/or rough to deal with. I understand that Jean du Dunois was certainly a tough character, but his nickname arose from his semi-legitimate origins as much as from his disposition. When the time came to defend Orleans, the other male family leaders were either dead or captives of the English following the disastrous defeat at Agincourt. He was the only family member left so he had to step up. Dunois led the defence of the city and, following the lifting of the siege, helped see the Dauphin crowned in Reims, taking the fight to the English and their Burgundian allies as the tide in the Hundred Years War turned.

Soldiers of the King of England, you will face the wrath of God!

La Hire (pronounced "La EEeer") was another hard man - in fact, I believe this nickname has some kind of alignment with "the ire" or "the wrath" of God. Sounds like a guy you would not want to confront lightly, especially if he has armour and a sword. La Hire was a prominent figure in Joan of Arc's miraculous run through the historic turning point of the Hundred Years War at Orleans and on to Reims - although he could not save her from the matyrdom which awaited her...

"For the Dauphin!"

The heraldry on these two characters is sculpted right on to the figure - that is something that I really like! I hoped I found the right set of colours for the heraldry for each one but...oh well...he at least they looks like they are in charge. 

Finally, I need to add more mounted knights and men-at-arms for my French, so I thought I would do a couple to accompany these commanders. I...really don't have a lot of confidence that I am taking the right approach to painting these kinds of guys. I'm trying to figure out the right way to represent the full-on knights versus guys who are "only" men-at-arms. On the plus side the multi-part plastic kits for the period from Perry Miniatures give you a LOT of options to work with. So I have tried to represent Knights with more complete armour, lowered visors, chain-mail on the horses etc. while the men-at-arms have less armour, or maybe only a bascinet...

A mounted man-at-arms from the Bastard's retinue.

I thought one of the men-at-arms should come from the Bastard's own retinue, so I tried to hand-paint the coat of arms for Orleans on his small shield. I think I'll try and add a few more, as he likely had many men-at-arms in his retinue.

The Maid of Orleans leads the French to glory! God wills it!

I wanted to crowd all of the Knights I have completed to date into a big group shot, so I have done that here!  I am aiming to play "Never Mind The Billhooks" in this setting, and for that I need to finish probably another 10 or so mounted knights/men-at-arms for the mounted component of me HYW French. Hopefully I can add a few more over the summer, and keep chugging along on this work. 

Thanks for reading - I'm nearly done with the Challenge catch-up, I swear!

Painting Challenge Submission #2 - Mydas the Mean, Mercenary Paymaster

Mydas the Mean, Sheikh Yadosh and a bodyguard unit, ready to ensure the gold is collected and the payroll is made!

My second submission for Curt's Analogue Hobbies Painting Challenge featured another addition to my old-school GW Dogs of War project.

Mydas the Mean - great at financing, and also pretty good at fighting! He keeps the key to his pay chest close, where he can be sure it is safe...

Another view of Midas, with his wicked mace, ready to resolve pay disputes...

Ask anyone in business, large or small - payroll is a real administrative pain in the @ss! Everyone wants to get paid, and if you can't make payroll, you'll have "employee engagement" problems. If those employees are heavily armed Tilean mercenaries, "employee engagement" problems will get pretty violent, pretty fast...enter Mydas the Mean, mercenary paymaster. Mydas is accompanied by Sheikh Yadosh, his trusty money lender, and a group of bodyguards. 

Sheikh Yadosh showcasing the goods!

Mydas, Sheik Yadosh and the mercenary pay chest are part of the classic GW Dogs of War figure range. In the Dogs of War mercenary army, the pay chest takes the place of the army standard bearer in other armies - after all, what would be more important for the mercenaries than making sure they get paid? Mydas is on hand to make sure all of the Regiments of Renown get their fair share when payday arrives - one of the more feared paymasters in all of Tilea! He's great at gathering the money, a lot more careful on the cash outflows.

Bodyguards ready to defend the pay chest - these are metal castings from Perry Miniatures' Italian Wars range.

The money lender, Sheikh Yadosh, is a creditor of Mydas', following him around during his various military adventures across the Old World and lending money to mercenaries who need a temporary cash boost while purchasing supplies...or gambling...probably more of the latter than the former!

Ready for action - heavy armour, bright colours, and some serious weapons.

Of course, payday can get pretty rowdy, and a chest full of treasure needs protection, so the paymaster can be accompanied by a unit of bodyguards. In the game, the bodyguard can serve as a small unit of troops, taking their place in the battle line to guard the pay chest while it projects its morale-boosting effects out to the mercenary troops. 

Multi-part plastic figures from Perry Miniatures' - perfect command group for the bodyguards! They have expensive armour - after all, Mydas has the money to kit them out. 

Mydas, Yadosh, the pay chest and the humble donkey were one of the original box sets GW released as part of their "Dogs of War" miniature range. They did not, however, release any bodyguard figures specific to this miniature range. And maybe they never intended to? Why would they? In the rules, they are specific that the guards would wear heavy armour and carry halberds, as opposed to pikes, and this kind of makes sense when you consider that the main worry of the bodyguards is probably the other mercenaries :) 

The classic figures from the "Mydas the Mean" box set.

At any rate, there were a whole ton of halrberdier figures to be sourced from the Empire figure range of the day, so I suspect this is why they never released specific bodyguards. Today, however, those companion metal halberdier sculpts are long-gone (sniff!). Yes, the new "Old World" game is out and about, complete with Empire figures, but these current Empire figures are a poor match to the old Tilean sculpts. 

What to do? Well, I spotted an ideal solution in a Dogs of War Facebook group - another hobbyist just used some figures from the Perry Miniatures' Italian Wars range, and it looked perfect! After all, the Perrys sculpted the Dogs of War figures, and "Tilea" is just the Old World's answer to Italy, so the figures made for perfect bodyguards for the pay chest!

One more group photo...

The guards are a mix of metal halberdiers and a plastic command group. The banner is from an actual Italian Wars range...I thought it fit fine in the Tilean setting, and I really pleased with how the gang looks! These modern Perry sculpts are a little taller than the old GW sculpts, but then I can imagine Mydas would only hire the biggest fellows he could find to guard his pay chest!

That is all for this submission - stay tuned for more "catch up" posts soon!

Summer Painting Update Pt 3 - French Men-At-Arms for Hundred Years War

Here's a scary lot to see on the battlefield!

Diving further into my (relatively) new Hundred Years War project, we get into some of the flashier participants in the setting - some men-at-arms and foot knights. These are 28mm figures from the beautiful Perry Miniatures range - there are some multi-part plastic figures in here, but also the amazing Agincourt French Foot Command set, which was a gift from fellow Conscript Dallas. 

Plastic Foot Knights

A selection of plastic French men-at-arms from Perry Miniatures. 

I have only assembled a few of the multi-part plastic men-at-arms so far - you get one small sprue of them in the French plastic infantry box. As mentioned before, nobody is ever going to pay me to assemble multi-part 28mm plastics, but they go together nicely, even with my fumbling, and you have a really neat assortment of arms/helmets/weapons. I am surprised there are not that many shields, and that the shields which are available seem...small. But this also points to how my assumptions going in are derived from years and years of marinating in various fantasy-type settings, which feature all manner of heavily armoured warriors and yet are...well, fantastical, right? 

Love that axe! Looks like some serious business there...

Anyway, the armour is still amazing, and the figures are beautiful. As far as attempted heraldry goes, my assumption is that some of these footmen were nobles, men of rank, who might have their own heraldry, while others would be in their retinues...either lesser ranked, or perhaps not even nobles at all, but trusted retainers? At any rate, I experimented on a few of the figures, copying (or trying to) some of the heraldry patterns I have seen elsewhere, and in other cases just sort of making some up, and in still other cases keeping very colours in place on the assumption they are non-noble footmen/retainers...

Of course, heraldry continues to be a real challenge, and in the case of the Agincourt foot command, a real challenge, as these are all meant to represent specific people from history who had specific heraldry they would have worn to war...BUT...the Perrys have me covered, as the metal command figures have their heraldry patterns sculpted on to the casting, making painting them much, much more achievable...

Agincourt Foot Command

French Foot Command for Agincourt - amazing metal castings from Perry Miniatures.

Now we move to the metal command group. These are AWESOME sculpts, challenging to paint, but a lot of fun too. I'm not planning to make any kind of serious attempt to replicate the battle of Agincourt itself, but I love these figures, and they will do absolutely splendidly to serve in all manner of French forces in the period. I mean, if the game is post-Agincourt, perhaps we can assume an heir has taken up the role, right...?

Boucicault, Marshall of France on the left, and Guillaume Martel (awesome name), bearer of the Oriflamme

The heraldry involved with this project is a huge conundrum for me, but fortunately with these figures, the patterns are sculpted right on to the figures, which makes painting the patterns a lot more possible. 

John, Duc de Bourbon (left) and Lord Rambures, Grand Master of Crossbowmen, which sounds like a cool job to have in France.

You will see two banner bearers here among the group...the flags are another thing I find daunting about this period. I mean, the flags are so cool, and I would like to squeeze in a reasonable number, but it also seems like most of the flags were not cloth banners as I mind imagine them, but were rather fixed in a way as to be stiff and rigid...I don't quite know how I will tackle that...

Charles x 2! Charles, Count of Eu (on the left) and Charles, Duc de Orleans, with a big f*cking hammer...

Having said that, these two seemed to be more traditional in the sense of curling in the wind...we have the flag of the Constable of France - at least, I THINK that it is...and the other is the fabled "Oriflamme", raised, as I understand it, when the French intend to signal that no mercy will be shown, and no prisoners taken. In both of these cases, I attempted to freehand the flags and it was kind of a mess...but whatever...

Here we have d'Albret, Constable of France (in the middle), his standard bearer (on the right, holding his boss's helmet) and on the left, a figure assembled from spare plastic bits...I made into a herald/trumpeter.

As for the rest of the Agincourt command, I did my best to copy other online sources to paint the heraldry. I also sourced some much brighter "white metal" metallic paints to capture that real sheen seen on the armour of this period. 

In aggregate, this provides the 12 warriors needed to form a single unit for a game of "Never Mind The Billhooks", but there are many more men-at-arms to come and I hope to form several units to spread these fellows out a touch. Big thanks again to Dallas for these awesome figures! That's all for now, hope to be back with more before long!

Summer Painting Update Pt 2 - Hundred Years War - New Project

A couple of initial French units for my 28mm Hundred Years War project. Figures from Perry Miniatures - movement trays courtesy of Byron M's "Northern Lights".

Another little painting update to share as June concludes here - a project that is "new" - in terms of blog posting, if not in terms of when I actually started messing around with it. Here it is - the Hundred Years War in 28mm. These are all 28mm multi-part plastics from Perry Miniatures (or, nearly all of them...I think a couple of metal castings are in one of the photos).  

Why do the Hundred Years War? Well, it has Knights! Castles! France! Plus, while the war went on and on - for, er, a hundred years (actually, I think, slightly longer even?) - and featured some historic larger-scale battles, and the majority of the conflict, it seems to me, featured raids and counter-raids (the famed "chevauchees") which, to me, make it ideal for smaller-sized skirmishes and minor battles which are a lot more within reach in terms of getting a couple of opposing forces painted up and staged on a 6' x 4' table. 

For all that, I do find this setting does have one major, major barrier - at least for me - and that is the presence of medieval heraldry. Now don't get me wrong, medieval heraldry is really cool! The thing is...there is a whole lot to it! It is so easy to get things wrong, and even if I have the intended heraldry correct, it us usually, at best, almost impossible to paint properly...

But...if you don't at least try it, you'll never get to play it so...I started messing around a little bit with the Perry kits in late 2024. For rules I found myself intrigued by Andy Callan's "Never Mind the Billhooks", which was originally written for the Wars of the Roses, but was quickly adapted for the Hundred Years War (and an increasing number of other periods). The process was very slow - such that none of the work ever made it into Curt's most recent Analogue Hobbies Painting Challenge - and, well, it still is pretty slow...but there is enough done that I have a couple of very basic units ready to go. 

French Crossbowmen

A unit of crossbowmen for the Hundred Years War - 28mm multi-part plastic figures from Perry Miniatures.

In "Billhooks" many infantry units are in blocks of 12 - and that is what we have here, a basic unit of crossbowmen for the game.

Let's get ready with those crossbows now!

So - which French city or lord are these crossbowmen from? Great question. I have no idea. This unit was about experimenting, seeing if I can get the plastic models assembled and painted so they can be a kind of general "medieval crossbowman" unit - able to fit in with a French force, but just as possible perhaps as part of a Free Company. 

Reloading crossbows seems like a drag!

I love the Perry Miniatures sculpts, but I'm not ace when it comes to assembling their multi-part plastic kits and you won't have to squint too hard to find some very awkward shoulder connections. A few of them appear to be holding their crossbows in a reluctant fashion - which can be kind of interesting for the setting, but would be better if it had been a product of my intent instead of a coincidental outcome because I suck at assembling plastic figures. 

I struggled with the shoulders on these models...fortunately a hobby knife helped sort the worst of it out...

These crossbow blocks are basic building blocks for a French force, so I will need another couple units. I might try to get some more metal castings to bulk out my remaining box of plastics crossbowmen. I may also try to get a little more specific about a city or lord for the next crossbow group. 

French Spearmen

French spearmen ready for action in the 15th century!

Again, we have a block of 12 figures here to comprise the unit - in this case, spearmen, although not every fellow is armed with a spear. As far as the "Billhooks" rules go, it's all close enough so they get counted as spears, and that is fine with me!

Variance in the level of armour/equipment...

You can see here that I have attempted something of a matching color/marking for this unit. Which city, or which lord? I have no idea. I copied the look from something I saw online...if you are looking at this and know the period, you may recognize it - and if so, will spot the mistakes I surely made...but whatever...I went for a look that was generally matching, but still had one or two fellows stand out a little more. 

Not all the "spearmen" have spears...the chap on the right looks like he is ready to crack open someone!

These are all multi-part plastic Perry miniatures, and I was struck by the wide assortment of armour and equipment worn by these soldiers. Some just seem to have padded jackets, while others have chain mail, and still others have a fair collection of plate components, on their arms or their legs. I still have so much to understand about this period - was this pretty common? I guess with any mix soldiers from this time in history, it would have been a bit tricky to have every single soldier outfitted in the same way...so I went with the motley look. It...seems right to me. I'll go with that for now!

A day at the office somewhere not far from Calais...

OK - that is two basic infantry for the French side. But the REALLY cool bits of the French armour are the noblemen and knights, mounted and on foot. Stay tuned for more on that...that's all for now, thanks for reading!

Analogue Hobbies Painting Challenge XIV #7 - WW2 North Africa Italians

Another of the larger submissions I did for last year's painting challenge was a force of the Regio Esercito or Royal Italian Army in North Africa consisting of a mix of Perry and Warlord Games miniatures, tanks and assault guns from Blitzkrieg Miniatures, an armoured car from Tamiya, and five 'toy soldier' trucks. While the North African campaign has always interested me, I didn't think I could justify painting up more Germans and Brits since I already had a sizeable force of each of those for Northwest Europe. Then fellow Conscript, Dallas E, painted up some DAK and 8th Army, which was the tipping point. However, not wanting to just duplicate armies he had, I opted for Italians. I now have a force of a 43 man platoon of four sections and a platoon headquarters, a company headquarters, two machine gun teams, two mortar teams, an anti-tank gun, two tanks, two assault guns, an armoured car, and five trucks.

First up are the tanks and armoured cars. The armoured car is a 1/48 scale Tamiya kit, and the rest are from Blitzkrieg Miniatures. The M13/40 is a resin casting, while the rest of the tracked vehicles are 3D prints. The latter are much crisper in terms of the detail compared to the resin casting, but they had a lot of supports to clean away, especially around the road wheels. After all the vehicles had been assembled, they were primed with Army Painter Desert Yellow from a rattle can. They were then painted with various sand coloured acrylics and given a wash of Citadel Seraphim Sepia. Tracks were painted using Vallejo German Camo Black Brown, followed by a dry brush of Gun Metal. Finally everything got liberal washes of Vallejo Wash FX Desert Dust.

Built on the chassis developed for the L6/40, the Semovente 47/32 was an easy-to-produce tank hunter built as a stopgap measure to combat enemy armour. Mounting the excellent Elefantino anti-tank gun in an open-topped chassis gave the Italian forces some much-needed mobility in their anti-tank assets. The tank hunter initially fared well in the western desert, but lack of an armoured crew compartment became a glaring drawback in the system's design.

 After witnessing the success of the German StuG in Europe, the Italians decided a tank of comparable design was needed. By 1942, the Semovente 75/18 was fighting for the Italians in North Africa, where it would distinguish itself as one of the nation's best tank designs. The 75/18 had a relatively modern gun, thicker armour than any of the M-series tanks, and it proved quite successful in service, capable of destroying all but the heaviest Allied armoured vehicles.

 Italy's AB41 was the most-produced armoured car of the Italian armed forces. The Autoblindo 41 was produced by Fiat-Ansldo and saw service in several theatres, most notably in Africa. It was armed with a 20 mm Breda 35 autocannon and a coaxial 8 mm machine gun in a turret similar to the one fitted to the Fiat L6/40, and another hull mounted rear-facing 8 mm machine gun. It also featured two driving positions, allowing the vehicle to travel effectively in either direction.

The Carro Armato M13/40 was designed to replace the M11/39 in the Royal Italian Army at the start of the Second World War. It was the primary tank used by the Italians it their armoured divisions. The design was influenced by the British Vickers 6-Ton and was based on the modified chassis of the earlier M11/39. Its 47mm gun was superior to the British 2-pdr, but easily outmatched with the introduction of heavier tank guns such as the 6-pdr and US 75mm.

 The L6/40 was a light tank used by the Italian army from 1940 through the Second World War. It was designed by Ansaldo as an export product, and was adopted by the Italian Army when officials learned of the design and expressed interest. It was the main tank employed by the Italian forces fighting on the Eastern Front alongside the L6/40-based Semovente 47/32 self-propelled gun. L6/40s were also used in the North African campaign. Its main armament was the 20 mm Breda 35 autocannon.

 

Next up are five trucks to transport my troops through the desert. These were part of a joint purchase with Dallas E, who found a source of these 'cheap' plastic trucks on line. In the end, they didn't turn out to be as cheap as expected/hoped. These were available from Walmart for a while, but can now be found on AliExpress. They are generic 'army trucks' that have a bit of a 'Chevrolet 30cwt' vibe to them. I didn't paint any national markings on them as I thought they could be used for either side in North Africa. They were painted with the same method I used for the armoured vehicles.

 Finally we come to the troops. These are primarily Perry Miniatures Italians with sun helmets, plus a Italian Support Group boxed set consisting of a headquarters, machine gun team, and mortar team from Warlord Games. When I ordered the Perry Miniatures I was having some trouble with their website when I wanted to order multiples of the same figure pack. It kept increasing the number of packs of the previous choice. I thought I have corrected everything, but when the shipment arrived, instead of three packs of riflemen and one command pack, I got the reverse. (D'0h!). In addition, the Warlords support group all had steel helmets on, and I wanted all my troops in sun helmets. Dallas E had some left over helmets from his Perry DAK figures, and I had extra arms, pouches, and rifles left over from my Warlord Soviets and Blitzkrieg Germans. A bit of slicing, dicing, and gluing converted extra officers and NCOs to riflemen, and all but three officers to sun helmets. For painting I followed Sonic Sledgehammer's method for desert Italians, with some variation here and there on the order of painting, and the choice of colours. I used a lot of Citadel Seraphim Sepia wash on this project.

Warlord HQ group of two officers, a medic and a radioman

Support Weapons

Perry 47/32 Elefantino anti-tank gun

Perry and Warlords Breda 5C 6.5mm medium machine guns

Perry and Warlords 81/14 Model 35 medium mortars

 

Last up is a 43 man platoon consisting of a 3-man headquarters, and four 10-man sections each with a section commander equipped with a Beretta 9mm submachine gun, a two-man team with a Breda 30 6.5mm light machine gun, and seven riflemen with either a Carcano M1891/28 or Carcano M1938 carbine. Some of the riflemen that were converted from officer figures are carrying either Moisin-Nagant carbines or Mauser rifles that were left over from my boxes of Warlord Games Soviet Winter Infantry or German Blitzkrieg Infantry. (See if you can pick out all the conversions in the rifle sections.) 

Italian infantry platoon of four sections and a headquarters

Platoon HQ. The man on the right originally had a Beretta SMG

No. 1 Section

No. 2 Section

No. 3 Section

No. 4 Section

These troops are still waiting for their combat initiation on the table top. Hopefully they can get an opportunity to face off against Dallas's 8th Army blokes this winter.