Thursday, March 31, 2022

David Bowie - A London Boy

                                                *THANKS TO THE ORIGINAL POSTER



I hope by this time you know if I post an audience show that the quality has got to meet my expectations. Outside of the hollow hall sound (not really too bad here) and the occasional buffoon who always has to yell wooh, this meets my criteria of would I burn this to CD? See scans. No Password

DON'T LET ME HEAR YOU SAY LIFE'S TAKING YOU NOWHERE

HEY THAT'S FAR OUT SO YOU HEARD HIM TOO

IT'S A GOD AWFUL SMALL AFFAIR

TELEVISION MAN IS CRAZY SAYING WE'RE JUVENILLE DELINQUENT WRECKS


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Sunday, March 27, 2022

Coasts - Daytrotter Session 2013

Coasts - Daytotter Session
July 25, 2013
Studio recordings @320
Songs from the record - 2KHz

 

Coasts are an English rock band, formed in Bristol, in 2011. The group consists of Chris Caines (Vocals), Liam Willford (Guitar), James Gamage (Bass), David Goulbourn (Keyboards) and Ben Street (Drums). They are most notable for their singles ‘A Rush of Blood’ and ‘Oceans’. ‘A Rush of Blood’ was named Zane Lowe’s ‘Hottest Record’ in October 2014. The single has also featured on Made in Chelsea. ‘Oceans’ has received international media attention and has achieved over 4 million plays on Soundcloud...more bio here
 

 Set List:

01-Welcome to Daytrotter
02-Wallow
3-Your Soul
04-Stone Cold Believer
05-Oceans - Field Dance

 

https://thecoasts.bandcamp.com/

 

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Thursday, March 24, 2022

Brand X - BBC Sessions 1976

Brand X - BBC Sessions 1976
Studio soundboards @320 +flac
Reading Fest NOT included

 
Live at BBC Radio, London, UK 15th July 1976   
1-Why Should I Lend You Mine    9:03
2-Malaga Virgen    9:02

Live at BBC Radio, London, UK 26th February 1976   
3-Kubit Blitz    11:11
4- Born Ugly    7:18
5 -The Ancient Mysteries    7:45
 

Bass – Percy Jones
Drums – Phil Collins
Guitar – John Goodsall
Keyboards – Robin Lumley
Percussion – Preston Heyman



https://www.discogs.com/release/10126028-Brand-X-BBC-Sessions


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flac

 

Monday, March 21, 2022

The English Beat LIVE in Boston MA 1982


 The English Beat 

Boston Opera House
Boston MA
1982-11-19
WBCN-FM Broadcast @320


01. Carter Allen Intro---Hands Off, She's Mine
02. Big Shot
03. I Confess
04. Doors Of My Heart
05. Save It For Later
06. Too Nice To Talk To
07. Spar Wid Me
08. Jeanette
09. Get A Job---Stand Down Margaret
10. Sole Salvation
11. Two Swords
12. Ackee 1-2-3
13. Drowning
14. Tears Of A Clown
15. Ranking Full Stop
16. Mirror In The Bathroom
17. Encore Break
18. Twist And Crawl
19. End Of The Party
20. Click Click
21. Encore Break
22. Best Friend
23. Jackpot
24. Outro


Ranking Roger - Vocals
Andy Cox - Guitar
Dave Wakeling - Guitar, Vocals
Dave 'Blockhead' Wright - Keyboards
David Steele - Bass
Everett Morton - Drums
Saxa - Saxophone
Wesley Magoogan - Saxophone



Siouxsie and the Banshees - Cologne, Germany 1981

Siouxsie and the Banshees - Sartory Säle
Rockpalast- Cologne, Germany
July 19, 1981
DVD Rip or Soundboard @320

1 unchaptered file @74:24

 

1. “Israel”
2. “Halloween”
3. “Regal Zone”
4. “Spellbound”
5. “Arabian Knights”
6. “Switch”
7. “Pulled To Bits”
8. “Head Cut”
9. “Tenant”
10. “Night Shift”
11. “Sin In My Heart”
12. “But Not Them”
13. “Voodoo Dolly”
14. “Hong Kong Garden”
15. “Eve White Eve Black”
16. “Happy House”
17. “Skin”

 

 

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Sunday, March 20, 2022

Pink Floyd - Disgusting Hardly Music *REBOOTED NOW WITH NEW LINKS




*THANKS TO THE ORIGINAL POSTER
*REBOOTED FIRST POSTING 12-1-19
*AUDIENCE RECORDING

I remember when "Dark Side Of The Moon" came out. I also remember how many of my friends gushed over it. To me, it was alright, but I never thought it deserved all the accolades it got. I thought it was just a metaphor for all the cool kids to let you know that "Yeah I smoke weed" but will keep it on the down-low and listen to DSOTM. I still think "The Wall" is overrated when you consider it's a double album with about six actual "songs" I do love "Wish You Were Here" though. I like the "song side" of "Meddle" but never listen to "Echoes" (not enough time) Which brings me to "Atom Heart Mother" it is still my favorite PF record. My favorite cut on AHM has to be "Alan's Psychedelic Breakfast" from the first time I heard it I loved it. I can smell the bacon frying, the sound of the corn flakes being poured into the bowl, and of course the faucet drip, and from what I understand original pressing's of the vinyl have the faucet drip go on into infinity if you did not have an automatic turntable. I'll bet right now somewhere there is some acid casualty, sitting with his headphones on, who is now a pile of bones, still wondering what is leaking??? That brings me to this boot. It is not of the sound quality that I normally try to post. But in a way it's kind of a historical document. When you read the scans you'll see it is the only time they performed it live and captured on tape. (Alan's Psychedelic Breakfast) One other thing I don't see this posted a lot. I know over at "The Wagon" my last post was yet another PF boot, but hey it's always been about you and what I think you're looking for. However on numerous occasions I post what I like in hope that you'll listen to it and hear what I hear and like in it. SEE SCANS

MARMALADE I LIKE MARMALADE

WITNESS THE MAN WHO WAVES TO THE WALL MAKING THE SHAPE OF HIS QUESTION TO HEAVEN
 

Saturday, March 19, 2022

Billy Cox´s Nitro Function - self titled {1972}

Billy Cox´s Nitro Function - self titled -1972
Studio recordings @256
Out Of Print

 

 Produced by International Artists supremo Lelan Rogers in 1972, and sporting an early Roger Dean cover, this is a tribute to Jimi Hendrix, from his old army pal & Band Of Gypsies bassist. Featuring lashing's of great Hendrixy guitar from Char Vinnedge, with bass & drums backing ala The Experience.This is mindblowing stuff!

Reissue of one and only album by Nitro Function, a post Hendrix project by Billy Cox (the gypsy) who used to play in Hendrix's Band Of Gypsy's. Musically obviousely very very Hendrix influenced especially the guitar parts.

Noel Redding was the better known of the 2 bassists that appeared alongside Jimi Hendrix during his brief recording career of 1967-1970 (due to the fact that he played on Hendrix's most acclaimed recordings), but Billy Cox had known and played alongside Hendrix longer. Cox originally met Hendrix back in 1961, when both were serving in the U.S. Army, and stationed in Fort Campbell, Kentucky. Cox was taken by guitar playing he heard coming from inside a 'Service Club' on the military base one day, which turned out to be Hendrix, and soonafter led to the pair holding jam sessions.

Both left the military at around the same time, which led to the duo forming the R&B outfit the King Kasuals, and subsequent steady gigs on the 'Chitlin' Circuit' (the black club scene in the south). Hendrix had decided by the mid '60s to try his luck elsewhere, and relocated to New York City, where he was discovered by ex-Animals bassist Chas Chandler. When plans were made for Hendrix to put a band together in England, he phoned Cox with an invite to go along with him, which Cox politely declined - opting instead to back R&B acts passing through the area.
Hendrix went on to become one of the late '60s most successful rock artists, but by 1969, had grown weary of his musical direction (and the public's desire to constantly focus on his showmanship rather than his playing).

This resulted in Hendrix breaking up his band, the Experience, and setting out to form an multi-member ensemble. Hendrix's first choice for the newly vacated bass position went to his old friend Cox, and this time around, Cox accepted the invitation. The new group (Gypsys, Suns, and Rainbows), congregated in upstate New York, and consisted of rhythm guitarist Larry Lee, ex-Experience drummer Mitch Mitchell, plus percussionists Juma Sultan and Jerry Velez, in addition to Hendrix and Cox. Despite a memorable, set-closing performance at the Woodstock Festival in August of 1969, the new group failed to remain together long enough to record an album.

Hendrix decided that his next outfit would be more streamlined (both musically and set-up wise), as he returned to the trio format - retaining Cox as his bassist, and welcoming onboard drummer Buddy Miles. Although the new group (the funk-based Band of Gypsys) wouldn't remain together long either, they did manage to record a self-titled live album on New Year's Eve 1969 at New York's Fillmore East. With Miles' exit from the group, Hendrix phoned up old pal Mitchell once more, as the trio of Hendrix, Cox, and Mitchell began recording tracks for Hendrix's oft-delayed fourth studio album overall, at the guitarist's recording studio (which was still being constructed at the time), Electric Lady. The summer saw the trio play a steady stream of festival and arena dates in both the U.S. and in Europe, with plans to finish off the aforementioned album (with a working title of First Rays of the New Rising Sun) by the end of 1970.

But on September 18, 1970, Hendrix died tragically in England, a couple of months shy of his 28th birthday. In the wake of Hendrix's death, Cox played with others, including the Charlie Daniels Band, as well as session work and live dates. Cox continues to play to this day, including a Hendrix-tribute outfit called the Gypsy Sun Experience, which also includes former bandmate Mitchell on drums and Gary Serkin on guitar (Cox was also the recipient of his own model bass, when the Cort guitar company issued a Billy Cox "Freedom" model bass in the late '90s). In addition to the Band of Gypsys release, Cox's bass playing can be heard on such posthumously release Hendrix albums as South Saturn Delta, Live at Woodstock, Live at the Fillmore East, and a reconstructed version of First Rays of the New Rising Sun, in addition to such homevideos as Live at the Isle of Wight 1970, Live at Woodstock, The Dick Cavett Show, Rainbow Bridge, and Jimi Hendrix, among others. ~CGR


 

Track List:

01 - Message
02 - 42-70 (Peace)
03 - Touch Me
04 - You Really Got Me
05 - Portrait
06 - Powerhouse
07 - You Got a Hold On Me
08 - Play Your Own Blues
09 - Not My Time
10 - Let Me Do What I Want To Do

 

All Thanks to Chris Goes Rock on DC++

 

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Sunday, March 13, 2022

Charles Mingus Sextet LIVE in Amsterdam NL 1964


Charles Mingus Sextet
Concertgebouw 
Amsterdam NL
1964-04-10
Soundboard @320



01. Ow (Dedication To A Genius)
02. Don't Stay Over There Too Long Eric
03. AT-FW-YOU
04. Orange Was the Color of her Dress, Then Blue Silk
05. Meditation On A Pair Of Wire Cutters
06. Sophisticated Lady
07. Fables of Faubus (Part 1)
08. Fables of Faubus (Part 2)


Johnny Coles - Trumpet
Eric Dolphy - Alto Saxophone, Bass Clarinet, Flute
Clifford Jordan - Tenor Saxophone
Jaki Byard - Piano
Charles Mingus - Bass, Vocals
Dannie Richmond - Drums, Vocals

Inspiral Carpets - In Session & In Concert BBC 88-92

Inspiral Carpets - In Session w/Peel
& In Concert
1988, 1989, 1990 &1992

FM/soundboard sources @320 & @128

 

After the Rock Roses and Happy Mondays, Inspiral Carpets were arguably the 3rd most widely used band to emerge from the past due-’80s/early-’90s Madchester scene. Just like the Charlatans UK, they weren’t quite as innovative because the city’s two standard-bearers, relying much less on the modern dance golf club beats that became Madchester pop’s determining signature. They do, however, talk about a desire for trippy psychedelia, specially the Farfisa organ-drenched audio of Nuggets-style garage area rock from your ’60s, which arranged them aside from their peers. In addition, it enabled these to tinker making use of their audio after the Madchester trend had approved, as well as the group continuing to score strikes right up with their middle-’90s separation. Inspiral Carpets and rugs were created in the higher Manchester city of Oldham by guitarist Graham Lambert — who’d been experimenting the region since 1982 — and vocalist Stephen Holt, who quickly both recruited drummer, Craig Gill. The group started to choose a long term lineup in 1986 when Farfisa organist Clint Benefit became a member of up, before bassist Dave Swift arrived to the fold the next year....MORE HERE

 

In Session w/Peel 1988
So Far (0:07)
Monkey On My Back (2:17)
Greek Wedding Song (4:13)
Whiskey (6:42)



In Session w/Peel 1989
Out Of Time
Directing Traffic
Keep The Circle Around
Gimme Shelter


In Session w/Peel 1990



BBC in Concert Manchester 1989 @128


Manchester Academy - March 19, 1992 @320


Song titles and dates may not be correct


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Friday, March 11, 2022

The Birthday Party - Melbourne 1983

 

The Birthday Party - Storey Hall
Melbourne. Australia
May 20, 1983 

3RRR FM broadcast @192

This was the first of The Birthday Party's final series of concerts in Melbourne, the second being at The Venue, St. Kilda, ( May 21st) and their last ever at The Ballroom in St. Kilda ( 9th June).

Nick Cave - vocals;
Tracy Pew - bass;
Rowland Howard - guitar;
Des Hefner - drums:
 

Set List

1  Deep In The Woods 06:10
2  Jennifer's Veil 05:17
3  Junkyard 06:51
4  The Six Strings That Drew Blood 04:33
5  Sonny's Burning 03:08
6  She's Hit 08:05
7  Wild World 03:42    

 

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Wednesday, March 9, 2022

P.S.A. ROOT BOY SLIM AND THE SEX CHANGE BAND WORLD WAR 3




                                     "There was trouble down in Africa, riots over in France

                                            Nuclear war was at hand seems a likely chance

                                      When the Russians lost the Olympics they got a little pissed 

                                            Sent a few nucs over the kind that never miss

                                            World was in turmoil, where was Jesus now?

                                      He was down in Mississippi behind a mule and a plow

                                             Looking for a place to plug in my T.V.

                                            When I finally realized it was world war 3

                                            Fallout wasn't too bad down in the south 

                                   Jesus cooked good barbecue the kind that burned your mouth 

                                         People came from miles around for just a little taste

                                      Most of um' didn't make cause of all that nuclear waste

                                                But if you survived this nuclear holocaust

                                    Come down to Mississippi for some of the Jesus hot sauce

                                               I'm been in Washington it's nothing but a ruin

                                 I'm here with The Sex Change Band they don't know what their doing

                                    I can smell that Dixie chicken I can taste that barbecue

                                            Far from Mississippi got me a little confused

         Jesus in a Cadillac or at least a private plane nation's capitol with radiation on the brain

                                                     People give me those U.S. bonds

                                                     Don't give me Gary (U.S.) bonds

                         People give me credit cards that cash money that Afghanistan coinage

                                            All your relics of civilization it's all gone 

                                    I'm going to Mississippi you might want to come too

                                            Get some Jesus barbecue and that cold beer

Monday, March 7, 2022

Lee Fields & The Expressions - Daytrotter Session 2013

Lee Fields & The Expressions
Daytrotter Session

Echo Mountain Recording, Asheville, NC.
Recorded January 4, 2013

Soundboard @320

 

 Setlist:

1-You're The Kinda Girl
2-Faithful Man
3-Ladies
4-Wish You Were Here

@20:52

 

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Thursday, March 3, 2022

Tom Waits LIVE in Cleveland OH 1975


 Tom Waits

Coffee Break Concert
Cleveland OH 
1975-12-03
WMMS-FM Broadcast @320


01. Drunk On The Moon
02. Interview
03. Eggs & Sausage
04. Interview
05. Better Off Without A Wife
06. Interview
07. Putnam County
08. Ol’ 55
09. Interview
10. Nighthawk Postcards
11. Interview
12. Warm Beer And Cold Women
13. The Ghosts of Saturday Night
14. The Heart of Saturday Night


Tom Waits - Piano, Vocals