Showing posts with label Genesis P-Orridge. Show all posts
Showing posts with label Genesis P-Orridge. Show all posts

Friday, February 15, 2019

Throbbing Gristle - Heathen Earth remastered & reissued


This is the Throbbing Gristle album that really lives up to their musical reputation of being the bleakest group of their time. I'd be brave enough to say that up till that point every album of theirs, including DOA had some lighter moments that took something away from the industrial ominousness they promised and strove for. But in this live recording in front of their friends, everything is appropriately horrid, with the highlights being a gruesome version of "Six Six Sixties" from 20 Jazz Funk Greats and an amazing instrumental rendition of "Something Came Over Me." The second cd of the reissue features various live recordings of songs that have already appeared in the TG24. This is the 2018 Mute remastered re-release of the original 1980 album.

Disc 1
Disc 2 (Bonus)

Sunday, June 3, 2018

Mutant Throbbing Gristle tribute cd

 


This is a tribute/remix cd of TG classics ("United," "Hot on the Heels of Love," Hamburger Lady," "Still Walking," "Persuasion," and "What A Day"), revisited by Carl Craig, Motor, Hedonastik, Two Lone Swordsmen, Ratcliffe, and Carter Tutti themselves. Some of the tracks have too much of a modern electronic, almost club-ish vibe, but a few manage to stay faithful to the TG spirit (if not letter), like Hedonastik's "What A Day," which also has a late Coil-like feel to it, or Carl Craig's "Hot on the Heels," which sounds as late-70ish as the original one. Good for collecting reasons. 2004 cd on NovaMute.

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Saturday, June 2, 2018

Throbbing Gristle ‎– Kreeme Horn: In Praise of The Grotesque



This is probably one of the first - if not the first - group recordings of TG in 1975, albeit not including Sleazy, who would complete the line-up in 1976 I think. This is mainly Genesis and Chris Carter doodling in the studio with synthesizers, violins and guitars, while Cosey is also present with morre guitar blood-chilling. The signs of TG filth are already here, as horror synth effects and sinister guitar delays mix with schizophrenic little rhythms and melodies, which would all characterize the evil of the wreckers of civilization. My favorite track is the third one, "Raw Mode of Life," which has more of a psychedelic medieval drone mood somewhat similar to Popol Vuh and other German Kosmische groups. Necessary stuff. 1997 cd on Dossier.

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