Polish experimental musician's compilation of film soundtrack work, filled with beautiful yet dark and menacing sounds at the intersection of Bohren & Der Club Of Gore, Tim Hecker (minus the noisy moments) and Johann Johansson. 2020 cd on Ghostly International.
Showing posts with label soundtrack. Show all posts
Showing posts with label soundtrack. Show all posts
Saturday, October 31, 2020
Monday, August 31, 2020
Lo Imp - Nosferatu
Yet another project of Bridget Hayden, this time with Sam McLoughlin and Jake Blanchard. This is a live recording of them playing during a screening of Nosferatu in a church. The improvisation ranges from atonal doodlings to unsettling drones. 2017 tape on Was Ist Das?
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Wednesday, January 9, 2019
Trouble - Snake Eyes 7"
Fortunately this isn't the Christian metal band, but an one-off project between David Lynch's son Riley Lynch on guitar, Lynch's collaborator Dean Hurley on drums and Alex Zhang Hungtai (Dirty Beaches, Love Theme) on sax that performed the title track for the returning series of Twin Peaks. It's a good mood cabaret rock 'n' roll track that could have also appeared in an Aki Kaurismaki movie = perfection. But all the money is on side 2 "Mother's Gone," which is a slow dirge between the Twin Peaks movie's masterpiece track "The Pink Room" and early Bohren & Der Club Of Gore, that can be played on repeat all day, admiring those long accents by Hungtai's sax. Greatness. 2017 7" on Sacred Bones Records.
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Friday, August 3, 2018
Sakis Papadimitriou, Georgia Sylleou, George Bandoek Apostolakis - Nosferatu
Free improvisation drawing on jazz, atonal and ambient by these three Greek musicians, consisting of piano/organ, soprano vocals and guitars, mixing dark menacing sounds and more playful ones. The whole recording was made live while watching the original Nosferatu film by F.W. Murnau, trying to capture its essence.
2002 cd on LeoRecords.
Friday, May 25, 2018
Andrey Dergatchev – The Return (Music for the Film by Andrey Zvyagintsev)
One great soundtrack about one of the greatest movies of this century, The Return. The film's heartbreaking, mournful story of reuniting and loss of the estranged father of a family with his boys is pervading the music's atmosphere which is a combination of minimal, simmering tonal electronics, ambient, enveloping field recordings as well as Russian music influences. A work of utter sorrowful beauty. 2005 cd on ECM.
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