Showing posts with label rap. Show all posts
Showing posts with label rap. Show all posts

Wednesday, February 21, 2018

JPEGMAFIA - Communist Slow Jams




Everything related to this guy's aesthetics is pure gold, from the ironic name to the album title to the confrontational anti-racist lyrics castigating everyone from Eric Clapton and Lemmy to Mastodon and liberal faux anti-racists. Musically, it's an interesting postmodern combination between older dark and grimy hip hop styles and an atmospheric, hypnotic and floating downbeat style that is not too far from Vektroid, recent James Ferraro or Oneohtrix Point Never. In fact, I'm tempted to call this "hypnagogic hip hop" or "vaporwave rap," so if these terms don't exist already, I'm claiming them! On top of that is his acerbic skilled flow that you gotta love. This is offered for free on Bandcamp, so head over there and try to support him financially.

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Sunday, December 17, 2017

Dälek - Endangered Philosophies cd (2017, Ipecac)

 

The demise of experimental hip hop pioneers Dälek after Gutter Tactics was surely grievable but it made sense since that album sounded a very mediocre follow-up to the masterpiece that 2007's Abandoned Languages was. I was thrilled that MC Dalek decided (after some cool shit, slightly more conventional rap stuff he did with IconAclass) to revive the group in 2016, albeit without DJ Oktopus, who was important in the group's signature noise/ambient-inflected hip hop, but with Mike Manteca of Destructo Swarmboots and DJ Rek. However, the returning album Asphalt For Eden still didn't quite manage to hit the spot, something that Dälek had managed to do successively with each album up to Abandoned Languages. So, when I read that they were due to release another one this year, I didn't become instinctively aroused. Mistaken was I. When I heard a couple of tracks on the group's bandcamp, it became evident that Dälek has now got back to form. The beats are both hard-hittingly slow and head-movingly rhythmic, the electronics have finally achieved the psychedelically beautiful ambient atmospheres of Abandoned Languages while also retaining the more industrial and noise greyness of earlier albums like Absence. On "Battlecries" there are some supreme horn sections and other noises sounding like a train derailment that provide the sense of a noir bar next to a train station. Definitely one of the highest points for one of the most important hip hop groups of all time. 2017 cd on Ipecac.

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