| Art by Paul Grist |
"You can call me Al." Enjoy!
| Art by Paul Grist |
| Alan Moore in Promethea n.30. J.H. Williams III (artist), M. Gray (inking assist), J. Villarrubia and J. Cox: colors. |
Alan Moore: I’ve got very little connection to technology at all. I’m pretty Amish in most of my approach to technology. Anything after the horse and buggy, I’m a bit suspicious of. I can see that for some people having a Kindle would be a real benefit. I can also see the state of my home, which is pretty much surrendered to books. Me and Melinda, we make our living space around the books. But I kind of like that. I wouldn’t prefer in a million years to have all of them – and I’m pretty sure I couldn’t have all of them – downloaded on a Kindle. Because they’ve got an artefact value. I’ve got first editions that have got beautiful illustrations or are signed; it’s all part of the mystique of books to me. Perhaps people would argue that that’s not necessarily relevant, but I think our emotional attachment to an object is a part of all this.
Like I say, I’m not against electronic books per se. I don’t think they’re the downfall of civilisation or the end of literacy. I just tend to have quite a lot of faith in the book itself as the publishing world equivalent of a shark. Sharks have not evolved in millions and millions of years simply because they haven’t had to. They were pretty much perfect to start with. And I feel the same way about books. I doubt that published books are going to go anywhere any time soon.
I can see that the people actually producing technology, such as Kindle and iPad, these are always the people who are telling us that we have to have these things. And being the type of creatures that we are, a fair number of us will naturally fall into that, will perhaps assume that as a status symbol it’s much better to be seen reading a Kindle than a dog-eared paperback. Although I will note that the last two or three times I’ve taken train journeys, everybody around me was sitting round reading a dog-eared paperback. I tend to think that for most people the idea of the book, with its easy portability, where you can turn the corner of a page down, where you are basically working with ordinary, reflected light rather than screen radiance, I think that the book will end up as the reading method of choice.
| Art by Caspar Wijngaard. |
| Art by Caspar Wijngaard. |
| Art by Kevin O'Neill. |
| Art by Daniele Bigliardo. |
| Art by Daniele Bigliardo. |
| Art by Facundo Percio. |
| Art by Facundo Percio. |