Showing posts with label 2018. Show all posts
Showing posts with label 2018. Show all posts

Aug 1, 2024

Rick Veitch on Alan's brain

Excerpts from the introduction that the great RICK VEITCH wrote for  the Italian edition of Alan Moore's Writing For Comics, published by ProGlo Edizioni (Prospettiva Globale) in 2007. 
Veitch posted the complete text in 2018, on his Facebook page (here).


I’m convinced that, after many more creative and productive decades, when Alan finally gives up the flesh and joins the transmigration of souls into idea space, a careful study of his remains will reveal that certain areas of the Moore brain, especially those parts associated with imagination, intuition, memory and language, to be far larger than one might expect in the normal human. Perhaps scientists will discover extra arteries pumping an enhanced blood flow to those cranial regions or some enzyme that promotes rich neuron growth. It wouldn’t surprise me at all if they come upon some sort of new and bizarre mutation in the formation of the lobes.
This isn’t as flip as it sounds; at least when talking of a highly developed creative mind like Alan’s. Mozart, thought to have musical and mathematical brain functions that bordered on autism, provided the world with some of the most sublime music ever created. And, after death, Albert Einstein’s brain was doled out in slices to scientists seeking a link between those analytical and intuitive centers that gave us the theory of relativity.

I include Alan in this august group with some degree of certainty based on a couple decades worth of phone conversations.

[...]

Now I’m a writer, too, so I’m familiar with the process most creative people struggle through to get their initial inspirations to a finished state. It usually (often) takes a fair amount of drafting and editing before a good idea is crafted into a solid piece of writing.

Not with Alan. His mind is capable of plucking ideas from the imagination fully formed and realized. Countless times, while kicking around possibilities for a story, he has startled me by saying “I got it” and proceeded to unspool complete scenes, including panel descriptions and finished dialogue. He calls them his “bits” and he appears to use them as the foundation blocks for his scripts. I believe he expects them to be waiting for him, ripening on the tree of knowledge, whenever he is on the creative hunt. Like every other comic book writer in the world, I could only sigh when Alan mentioned in a recent interview that pretty much every comic book script he has written has been a first and only draft.
 
[...]

Rick Veitch
September 2007

Mar 12, 2023

Sketch caricature by Steve Rampton

Art by Steve Rampton
Above, a sketch portrait by illustrator, caricaturist and graphic designer Steve Rampton.
 
For more info about the artist: Official site - Facebook - Instagram - ArtStation

Oct 3, 2022

About Ideas

Excerpt from a really interesting interview published in 2018 on InsideTheRift.net.
The complete interview is available HERE.
Prox: [...] could you tell us about some ideas and themes you have been wanting to explore throughout your career that you haven’t been able to yet?
Alan Moore: [...] As to any ideas that I haven’t had a chance to express yet…no, that isn’t really how it works, or at least not for me. That seems to imply that creators are somehow female in their mental biology, and that ideas are like ova: one is born with all the eggs or ideas that one will ever deploy, and you’d best hope that you live long enough to realise them all. In reality, this isn’t the process. While odd fragments – a character’s name here, a brief scene there – might linger in the mind and be useful as material for some new endeavour, in practice it will always be the ideas that are newest and freshest to you that will provide the energy and inspiration for your best work. This plays into a common assumption that people often make about the act of writing: they assume, not unreasonably, that a writer will first have an idea, and then they will write it down. What actually happens is that most ideas are engendered, mysteriously, in the act of writing itself. So, no, any ideas that I’ve had that were worthwhile have been taken care of somewhere in my extensive bibliography. Sooner or later a new idea will slowly coalesce and will be immediately incorporated into whatever seems to be the most suitable vehicle at that time. I’ve recently considered, for example, that it might be interesting to engage more seriously with poetry, although the content of that poetry is something that I’ll only recognise when I’m actually sitting down with the intention of writing a poem. Premeditated ideas that have been idling around the brain for years will probably turn out to be stale and useless. After all, if they’d really been that good, how would you have been able to resist using them sooner?

Complete interview HERE.

Aug 23, 2022

Alan Moore by Rafa Mata

Art by Rafa Mata
Above, an intriguing portrait of Alan Moore by Spanish multimedia illustrator Rafa Mata.

Furthermore, it's always great to find "my" Sardinian mask in a picture (well, I gave it to Alan in 2002... omg, it's 20 years ago!)! Read about it HERE and here.

For more info about the artist: Official site - Twitter

Aug 20, 2022

UKAC 1987: The Mobbing of Alan Moore

Art by Iskander (IzzY World) Islam
Excerpt from The Mobbing of Alan Moore, an article by Iskander (IzzY World) Islam remembering the events of The UK Comic Art Convention (UKAC) in 1987; published in 2018 in Fanscene n.2
You can read the complete article downloading the fanzine HERE, page 33-34. 
Iskander (IzzY World) Islam is part of the Avengers UK fan project and writer/artist of Defenders UK series. More info here.

You can also enjoy the whole Fanscene archive HERE. Also check the amazing project by editor David Hathaway-Price HERE: a digital repository for UK Comics Fanzines!
Iskander (IzzY World) Islam: [...] The man running up the stairs was Alan Moore.
Now, as I said, at that time you didn't really know many faces of creators unless they were superstars, Legends or you followed their work - but at this time Alan Moore was at the height of his fame. V for Vendetfa, Swamp Thing and the recently released Watchmen had made Moore a [reluctant] Super Star. He was also very distinctive, all in black with huge hair and a beard. He looked like a cross between Roy Wood and John Lennon.

So there I was walking down the stairs and sort of didn't want to disturb him and was pretending to be 'cool' and not act like a fanboy even though inside l was screaming "THAT’S ALAN MOORE!"

I suddenly realised all was not well, he was being pursued up the stairs. All of a sudden on the area where the stairs double backed we crossed paths and he was mobbed by a whole bunch of guys - they literally cornered him on the stairwell... it was like something out of the Beatles era!
They were all talking at once and he backed up in the corner against the railings. He looked terrified then starting to lose his temper and looked quite taken aback. It was at this point I made a mistake - I turned to go back and as I had a ‘guest’ badge thought I might say something to them but I hesitated. I wish I had said something to the crowd but they probably would've said 'who the f‘**** are you?' or "Who is this kid?" and probably would have got shirty with me. As I was inexperienced at being at comic cons and was just not sure if this was normal, basically, I bottled it.

To this day I regret it. 

I did stay to see that he managed to talk them around to back off and give him space. But the damage was done.

Moore has mentioned this period in interviews and in particular the fact that he was once also cornered by fans in the toilets (Dave Gibbons was with him too as I understand). I didn't realise how much it still haunts him!

I believe that he avoids comic cons now after that year's experiences at UKAC. To be honest I don't blame him!!!

Jul 17, 2022

Duplicator Days: zines, Steve Moore and Dane Jerrus

Excerpt from Duplicator Days, an article written by Moore celebrating the glory days of UK fanzine scene and the key role of his friend Steve Moore, published in 2018 in Fanscene n.1.
You can read the complete article downloading the fanzine HERE, page 6-8.
 
You can enjoy the whole Fanscene archive HERE
Also check the amazing project by editor David Hathaway-Price HERE: a digital repository of the Comics Fanzines published in the UK! Fantastico!
Alan Moore: I sometimes think that fanzines, blotchy and haphazard and ephemeral, are no less than the distilled breath of their various moments. All the memory-prompts and tangles of association that we have embedded in these frail, stab-stapled publications make them into crumbling paper repositories for fleeting and elusive atmospherics from a time when we were at our most enthusiastic; when we were indelibly imprinting all our strongest recollections. [...]

With the proviso that much of this brief essay may be entirely a product of my own disintegrating memory, I recall that it was here that I first learned of the existence of Frank Dobson’s Fantasy Advertiser, Tony Roche's Heroes Unlimited and Steve Moore’s KA-POW, and dutifully sent off postal orders for the requisite amounts. At this time I was setting out to walk the mile or two to school each day before the first post had arrived, and can remember the excitement on returning home if there was a manila envelope addressed to me, propped up behind the recycled brass shell-case ornament from World War I that stood upon the mantelpiece above the hearth. [...]

For my part, l was perhaps most struck by the last-minute inclusion of a Ken Simpson page illustrating a quartet of obscure British comic characters from the l940s or l950s. Amongst these was the memorably-named Dane Jerrus, who by a remote coincidence I'd just referred to in my script for issue three of the last volume of The League of Extraordinary Gentlemen. It isn't an earth-shattering unlikelihood as coincidences go, but I was personally pleased by this absurd connection between my oldest friend's first work in the comic field and my own last work in that medium. And it is perhaps reassuring that even after almost fifty years, the basic materials that we are working with are still unchanged, even if the way in which we work with them has changed almost beyond recognition.

Without this tattered remnant, electronically resurrected, we would all, I think, be living in a very different cultural environment. Long may it abide, along with the memories of those times and people that it represents.

Mar 11, 2022

Alan Moore's pentagram

Sinclair's refers to Rebecca Hind's Scintilla work.
[...] The Christ Church triptych is a cascade of waterlight scintillating against the assertive grandeur of Hawksmoor, that masculine insistence on 'terror and magnificence': a space stripped and painted for concerts, promotions and televised incantations. A ballroom of vanities in which I remember seeing the magus Alan Moore marking out a pentagram of spectral conjurings for the camera. [...]

Grazie to friend Omar Martini for this little discovery.

Feb 16, 2022

Jamie Hewlett and... Alan Moore

Art by Jamie Hewlett
Well, I accidentally found this by surfing the Web. It's on Jamie Hewlett's Instagram account, dated 10th of November 2018. He wrote: "Drew this for Alan Moore 10 years ago. He never said thank you."

I am sure there is a story behind it. Maybe related to that "lost" John Dee's opera? Who knows...

Dec 13, 2021

Alan Moore by Sergio Vanello

Art by Sergio Vanello
Above a stunning and mesmerizing pencil portrait of Alan Moore by acclaimed Italian painter, comic book artist and illustrator SERGIO VANELLO
 

Oct 5, 2021

Alan Moore by Joe Granski

Art by Joe Granski
Above, an intense portrait of Moore by American painter Joe Granski (16" x 20", oil on canvas).
I am not sure about the "realism" of that... bat pin-badge, actually.
 

Apr 21, 2021

Alan Moore by Steve Poulacheris

Art by Steve Poulacheris
Above a vibrant portrait of The Man from Northampton by the mysterious illustrator Steve Poulacheris, from Vanilla Comics Magazine, here.

Apr 15, 2021

Alan Moore by Enrico Ariis

Art by Enrico Ariis
Above an interesting portrait of young Moore by illustrator Enrico Ariis. From Vanilla Comics Magazine, here.
 
More info about the artist: Website - Instagram

Sep 6, 2020

Nite Owl commission by Dave Gibbons

Art by DAVE GIBBONS.
Above, a dynamic Golden Age Nite Owl commission drawn by DAVE GIBBONS.

More info HERE.

Feb 4, 2020

Hip Hop Marvelman Family by Ed Piskor

Art by Ed Piskor.
January 2018, from his Facebook profile.  
ED PISKOR: "Before X-Men: Grand Design I hooked up with Marvel to do some Hip Hop variant covers. I did 3 but my best one never surfaced until now. If I ever worked in a collaboration Alan Moore and Neil Gaiman would be at the top of my list. Plus, Just-Ice rules!"
Art by Ed Piskor.
Cover of Back to the Old School, Just-Ice debut album, 1986.

Jan 23, 2019

Tempestuous covers

Cover for issue n.6. Art by Kev O'Neill.
Above and below, in reverse order, the six covers drawn by Kevin O'Neill, for The Tempest, the final story of the League of Extraordinary Gentlemen series, co-published by Top Shelf Productions (US) and Knockabout (UK).

The conclusive sixth issue is scheduled for May 2019 release.
Cover for issue n.5. Art by Kev O'Neill.
Cover for issue n.4. Art by Kev O'Neill.
Cover for issue n.3. Art by Kev O'Neill.
Cover for issue n.2. Art by Kev O'Neill.
Cover for issue n.1. Art by Kev O'Neill.

Jan 9, 2019

Alan Moore on Fgius!

Art by Sudario Brando.
Above a gorgeous Alan Moore portrait drawn by Italian artist Sudario Brando as a customized cover for his self-produced comics magazine Fgius! n.1.
See more pictures below.

Sudario Brando's blog here
Fgius! n.1 standard cover. Art by Sudario Brando.

Dec 30, 2018

Dispelling Northampton's veil of anonymity

The Show is... coming soon! Photo by Mitch Jenkins.

Alan Moore: [...] Everything in the film is a product of Northampton and my imaginations from living there for 65 years. I wanted to capture the oddness of the town and its importance. The film presents an alternative Northampton. 

My hope is that the film will dispel... [Northampton's] veil of anonymity.

Dec 14, 2018

Alan Moore in New Scientist

Moore portrait by Mitch Jenkins.
New Scientist issue 3207 (cover date 8 December 2018) includes a two-page article by Rowan Hooper under the headline “Magic and science fuel Middle England cult hero”.
Below some selected excerpts. 

Alan Moore: [...] Magic, in a certain sense, is the palaeontology of science. It’s where science comes from. [...]

Science is the most beautiful and elegant tool that humanity has yet developed with which to actually investigate the physical universe, to measure it, to test it. Science evolved out of magic. [...]

[Talking about Eternalism] If you think that every second is eternal, don’t do anything that you can’t live with forever. [...]

Dec 13, 2018

The Show... coming soon!

Posted the 11th of December on Facebook Alan Moore Official Page:

Although this is my first attempt at working seriously in cinema, the audience may want to know how it connects with my just-recently-concluded comic book career. The answer, as I see it, is “not very much at all”: this is completely fresh, with staggering new possibilities for mesmerism and immersive storytelling.
Then again, those seeking bleak dystopias in my narratives will be relieved to learn that this, occurring in the recently collapsed town of Northampton, is a fine example, with as many otherworldly characters as one might reasonably expect.
And yes, there is a superhero, but not like you think.

This hasn’t been adapted from work that was never meant for cinema; this is me and the talented, fantastic people that I’m working with, attempting to make the most stunning piece of British film that anyone has seen in years.

This is The Show, and we’re doing it right here.

Dec 4, 2018

The Bearded One by Armando Rossi

Art by Armando Rossi.
Italian comic book artist, illustrator and painter ARMANDO ROSSI did it... again! 
Above, a new powerful portrait of Alan Moore by Rossi (the first one is available here).
Grazie, Armando!
For more info about Armando Rossi: Website - Facebook - Instagram