Yuggoth: unpublished Lovecraftian tales

Art by Enrique Breccia. Not related.

There had been rumors in the past, but few weeks ago the topic resurfaced, on Reddit.
But let us take one thing at a time. 

Moore had already said that, despite his retirement from the world of comics, there could still be some unpublished comics written by him out there.  

Alan Moore, in 2024:  [...] "There may also be other comic book work out there, as yet unpublished, but volume four of The League was my last comic strip work, and was also, I think, a fond and comprehensive farewell to the medium."

In particular, after the conclusion of Providence it was rumored that he had written a sort of epilogue or spin-of linked to the Lovecraft lore. 

Well, as reported on Reddit, in 2024 Garth Ennis admitted  that... it was all true. This happened in a video interview that the acclaimed Northern Irish writer did for Monsters, Madness and Magic channel, posted on Youtube the 14th of November 2024 (watch it around minute 50). 

Monsters, Madness and Magic: [...] Have you and Alan had a chance to work together previously? I probably just slipped my mind if you guys had...
Garth Ennis: Well not not directly but Alan wrote a series of Crossed which was that horror story that I created some 10 or 15 years ago. Alan did a sort of a 100 years in the future version of that... and it was very gratifying that he would be interested enough to do that... 

Someday, you might see a series from Avatar, the publisher who sadly semi imploded and seem to have ceased publishing. But there's a series called Yuggoth, and it's based on the work that Alan did - Providence, Neonomicon, and some of the other Avatar books he did based on his love of H. P. Lovecraft.

And Yuggoth was going to be an anthology series. I do hope people see it. Alan wrote the first storyline.

Mine would have been the second. You also have Kieron Gillen in there and Si Spurrier. All this is written and drawn.

I do hope Avatar will publish it one day because it's tremendous stuff. And it was lovely to be able to play in the extremely dark and unpleasant universe that Alan had been able to access through his interest in the lore of Cthulhu and H. P. Lovecraft and so on." 

Later on, on Bluesky, Kieron Gillen confirmed the thing, sort of: 

Kieron Gillen: "My stuff isn't complete, it should be stressed - it only exists in script. [...] I don’t want to reveal stuff that Garth hasn’t - but I believe all the other stuff is, and more."

So, I tried to contact someone at Avatar to get some feedback: no answer.

Then I started thinking about the possibile artists involved in the project. And I remembered that years ago there were rumors about Gabriel Andrade, who worked with Moore on Crossed +100.  

So I contacted him and... 

Andrade replied: "Yeah! I was part of this work!

The story is a prequel that reveals much of the lives of dark characters who appear in Neonomicon and Providence, showing their experiences with the occult and ancient magic. I did the art for two entire arcs of 6 issues both. The first, written by Alan Moore and the other by another author, who I can't reveal. They are incredible stories.

Unfortunately I have no idea if this will ever be published."

What else to say... we need those stories published... the sooner the better!!!

Maybe we could put a dark spell on that! :D 

Dreadful Beauty: Alan Moore on Jacen Burrows

Art by Jacen Burrows.

Excerpt from the intro written by Alan Moore for Dreadful Beauty: The art of Providence (Avatar Press, 2017).

"[...] Jacen Burrows is, in simple terms, the finest stylist to emerge from American comics in the 2lst century. His art, combining a realistic grasp of space, form and anatomy with the more usually humorous cartoon delivery and precision of the European ligne clair school, achieves a kind of perfect balance that is almost archetypal; makes the style appear somehow familiar despite its bold originality, as if it’s always been there. And indeed, if it had always been there -- if Jacen Burrows, born fifty years earlier, had been amongst the ranks of brilliant individualists that formed the classic E.C. Comics line-up, say-- it wouldn’t have seemed out of place. The artwork and the atmospheres it conjures have a timelessness, a blindingly apparent mastery that would distinguish them in any era. Burrows’ work, eschewing half-tones, hatching and all other modelling or shading styles as if they were a kind of visual noise, emerges as pure signal, albeit a signal lent immense intensity and power by the extraordinary weight of information and exquisite detail it is carrying. His almost forensic line, impeccably controlled, refuses any ambiguity and in this way conveys a sense that what is seen upon the page, no matter how alarming or impossible, has a verisimilitude that borders on the photographic. It might be thought to embody the exacting realism that’s required in presentations of the weird or the fantastical as posited by Lovecraft’s rigorous aesthetic, and as such made Jacen the only conceivable delineator for an opus as demanding and definitive as Providence would prove to be. [...]

Alan Moore goes to... PROVIDENCE!

The 22th of September 2012, during the first N.I.C.E. convention, Alan Moore announced his new comics project to be published by Avatar Press, PROVIDENCE, a sequel of Neonomicon. 

It will be a 10 part series, set in 1919, featuring Lovecraft himself as a character and exploring the inspiration behind the horrific mythology he created.

The series' illustrator has not been officially announced yet but it's highly probable it will be Neonomicon artist, Jacen Burrows.

See and listen Moore talking about Providence in the video below.

Neonomicon wins the Bram Stoker Award 2012

Mister Moore by Richard Pace

On March 31st, the Horror Writers Association held its 25th annual Bram Stoker Awards, recognizing superior achievements in horror writing.  The 2011 awards consideration marked the first-ever inclusion of the category “Superior Achievement in a Graphic Novel” and Alan Moore was recipient of the award for his Neonomicon (Avatar Press). 

Alan Moore didn't attend the ceremony but his amusing acceptance was read by award presenters Scott Edelman and Rocky Wood:

"If I may, I’d like to strike a sour note from the onset with regard to my unfathomable and near pathological aversion to awards. I’ve witnessed far too many good and valuable creators make awards a measure, either of themselves or of their craft, and suffer subsequent inertia or derangement. If they fail to win one they become unbearable in their own eyes and if they win one they become unbearable to everybody else. Aged just eleven I was made Head Prefect at the primary school that I attended in Spring Lane, thus ruinously altering my personality. Berserk with power I became tyrannical and autocratic in my duties as milk-monitor, and personally believe that I was a short step away from unexplained mass graves on the school playing field and a tight-lipped appearance in a glass box at some paediatric version of the Haag.

Perhaps as a result of this, in later life I find I have a tendency to shun awards and, while appreciating the good will they represent, to get them out of my immediate environment as quickly as is possible. I’m currently residing in a sterilised and strictly accolade-free zone, with one unique exception. This, it hardly need be said, is the Bram Stoker that I had the honour of receiving in 2000 for League of Extraordinary Gentlemen.

One might ask why this is the sole survivor of a cull that saw its fellow statuettes, certificates and once, I promise, a container of Bart Simpson bubble-bath which had a sticker with ‘Lifetime Achievement Award’ printed on it covering the barcode; that saw all of these consigned to history. Firstly, and least importantly, I’d have to say that the award is in itself a piece of art, a beautiful creation that I never tire of looking at and handling. Secondly, and crucially, there is the provenance of the award to be considered. The Bram Stoker is, to me, a priceless token of appreciation from a group of people for whom I have limitless respect and admiration, these being my fellow workers at this darkest of all coalfaces. The landscape of imagination, and especially it’s less hospitable far boundary, is perhaps the most important human territory of all, and so to feel acknowledged by a lineage of fine writers which extends from the Great Old Ones of the past to the still unrevealed giants yet to come means more to me than I can readily express.

As is often the case when one’s work crosses personal boundaries, I spent a long time in fretful deliberation over Neonomicon and six months after finishing the work was still uncertain as to whether it was good or even publishable. These doubts dwindled at first glimpse of Jacen Burrows’ wonderfully controlled delineations, both unflinching and meticulous, and have vanished entirely on receipt of this remarkable award. To all of you, thank you so much for this. You’ve made an unkempt and increasingly bewildered old man very happy."

The video of the Award ceremony can be seen here (the graphic novel portion can be found between 1:10:00 and 1:17:20).