San Diego 1985: an embarrassing afternoon

From American Comic Book Chronicles Facebook page.

Entry dated 1 August 2015:

"August 1-4, 1985: There were giants in those days. Fifteen years after the San Diego Comic-Con was founded, the legends that shaped the comic book industry mingled with the up-and-comers who were reshaping the present. For many, the highlight of that year’s show was its first annual Kirby Awards, honoring the best of 1984 and named in honor of pioneer and hit-maker Jack Kirby. The beloved comics icon was present to announce each winner, frequently sharing the stage with Alan Moore, whose Swamp Thing—in collaboration with Stephen Bissette and John Totleben—was the overwhelming favorite of the night. In his first—and, as it turned out, only—U.S. convention appearance, Moore was captured on stage alongside Kirby in a famous photograph by Jackie Estrada.

Sponsored and promoted by Fantagraphics’ Amazing Heroes, the nominees were chosen strictly by people already in the industry. Of the 238 ballots that determined the winners, 98 came from comic book creators, editors, and publishers while 140 comics retailers and distributor personnel accounted for the rest. Regrettably, the Kirby Awards were discontinued after the 1987 ceremony when a dispute over ownership of the awards resulted in two new awards: the Eisners (named after Will Eisner and overseen by former Kirby Awards manager Dave Olbrich) and the Harveys (named after Harvey Kurtzman and overseen by Fantagraphics)."

Moore won as "Best Writer". While accepting the award he said: "This is probably one of the most embarrassing afternoons of my life." [from The Comics Buyer’s Guide N. 615].

From The Comics Buyer’s Guide N. 615.

Alan Moore and his first wife Phyllis in a photograph from The Comics Buyer’s Guide N. 616.

Watchmen and... a bird table

"This is the Hugo Award that Alan Moore and I won for Watchmen. Alan, I believe, took his and put it in the garden upside down and used as a bird table." [Dave Gibbons]

Moore is one of the finalists for the Grand Prix

Bill Watterson, Katsuhiro Otomo and Alan Moore are the finalists for this year Angoulême Grand Prix.

The Grand Prix is one of the most important awards in comics and the winner is nominated president of the jury for the the following year’s festival.

The winner will be announced on February 2nd.

More info here, in French.

[UPDATE] The Grand Prix went to Bill Watterson (more info here, in French).
Previously Moore declared: "I’ve decided not to accept any more awards, don’t be mad at me. I’d rather they were given to less conventional people. I don’t go to conventions any more, I don’t accept awards any more. I can understand and appreciate the feelings of those who choose me, but I only want to take responsability for what I have decided to take on, and not the expectations of others."(the complete article here)

Neonomicon wins the Bram Stoker Award 2012

Mister Moore by Richard Pace

On March 31st, the Horror Writers Association held its 25th annual Bram Stoker Awards, recognizing superior achievements in horror writing.  The 2011 awards consideration marked the first-ever inclusion of the category “Superior Achievement in a Graphic Novel” and Alan Moore was recipient of the award for his Neonomicon (Avatar Press). 

Alan Moore didn't attend the ceremony but his amusing acceptance was read by award presenters Scott Edelman and Rocky Wood:

"If I may, I’d like to strike a sour note from the onset with regard to my unfathomable and near pathological aversion to awards. I’ve witnessed far too many good and valuable creators make awards a measure, either of themselves or of their craft, and suffer subsequent inertia or derangement. If they fail to win one they become unbearable in their own eyes and if they win one they become unbearable to everybody else. Aged just eleven I was made Head Prefect at the primary school that I attended in Spring Lane, thus ruinously altering my personality. Berserk with power I became tyrannical and autocratic in my duties as milk-monitor, and personally believe that I was a short step away from unexplained mass graves on the school playing field and a tight-lipped appearance in a glass box at some paediatric version of the Haag.

Perhaps as a result of this, in later life I find I have a tendency to shun awards and, while appreciating the good will they represent, to get them out of my immediate environment as quickly as is possible. I’m currently residing in a sterilised and strictly accolade-free zone, with one unique exception. This, it hardly need be said, is the Bram Stoker that I had the honour of receiving in 2000 for League of Extraordinary Gentlemen.

One might ask why this is the sole survivor of a cull that saw its fellow statuettes, certificates and once, I promise, a container of Bart Simpson bubble-bath which had a sticker with ‘Lifetime Achievement Award’ printed on it covering the barcode; that saw all of these consigned to history. Firstly, and least importantly, I’d have to say that the award is in itself a piece of art, a beautiful creation that I never tire of looking at and handling. Secondly, and crucially, there is the provenance of the award to be considered. The Bram Stoker is, to me, a priceless token of appreciation from a group of people for whom I have limitless respect and admiration, these being my fellow workers at this darkest of all coalfaces. The landscape of imagination, and especially it’s less hospitable far boundary, is perhaps the most important human territory of all, and so to feel acknowledged by a lineage of fine writers which extends from the Great Old Ones of the past to the still unrevealed giants yet to come means more to me than I can readily express.

As is often the case when one’s work crosses personal boundaries, I spent a long time in fretful deliberation over Neonomicon and six months after finishing the work was still uncertain as to whether it was good or even publishable. These doubts dwindled at first glimpse of Jacen Burrows’ wonderfully controlled delineations, both unflinching and meticulous, and have vanished entirely on receipt of this remarkable award. To all of you, thank you so much for this. You’ve made an unkempt and increasingly bewildered old man very happy."

The video of the Award ceremony can be seen here (the graphic novel portion can be found between 1:10:00 and 1:17:20).