Showing posts with label Watchmen. Show all posts
Showing posts with label Watchmen. Show all posts

Apr 11, 2026

Joe Quesada and Watchmen

In his interesting investigation on The Invisible Language of Visual Storytelling, Part 11, Joe Quesada talks about "Reveal" and... Watchmen
You can read the whole thing HERE
I highly recommend reading Quesada's Substack
[...] Nothing Changed. Everything Did.

Before the reveal, the audience is assembling pieces.

After the reveal, everything organizes.

Cause and effect become clear.

And the audience feels the shift immediately.

Watchmen might be the clearest example of this in comics.

Throughout the story, every piece is already in place.

Ozymandias’ intelligence.
His resources.
His obsession with saving the world.
The missing scientists.

It’s all there.

You just haven’t connected it yet.

Then Ozymandias begins to fill in the gaps. 
You’re still processing what he’s saying.

Trying to understand the scope.
Still catching up.

Then comes the line that changes everything.  
“I did it thirty-five minutes ago.”

No buildup.
No countdown.
No chance to stop it.

The event is already over.

And suddenly it’s undeniable.

The plan. The scale.
Then the inevitability.

You weren’t waiting for it to happen.

You were already too late. [...] 
Read the complete piece HERE.

Mar 19, 2026

2000AD & the comic career of Alan Moore

Excerpt from a profile posted at Comic Scene.
Read the complete piece HERE
[...] In the nerve centre of modern storytellers, few figures loom as large as Alan Moore. With his long beard, occult rings and voice that sounds as though it has been steeped in pipe smoke and centuries of folklore, Moore has cultivated an image somewhere between a Victorian mystic and a punk-era radical. But the mythology around him risks obscuring something simpler and more astonishing: Alan Moore is arguably the most influential writer comics have ever produced. That’s why ComicScene readers voted him the Best Comic Writer ever in the ComicScene Awards 2026, alongside Jack Kirby as your favourite artist of all time. [...]

Alan Moore’s legacy is both immense and deeply paradoxical. On one hand, he elevated comics into a form capable of literary complexity and cultural critique. Without Moore, the modern graphic novel might look very different. On the other hand, he remains one of the most vocal critics of the industry that celebrates him.

He has denounced the corporate exploitation of characters, distanced himself from adaptations of his work and eventually announced his retirement from mainstream comics altogether. 
[...]

Nearly forty years after Watchmen, the comics industry is still grappling with the implications of that insight. And somewhere in Northampton, the bearded magician who started the argument continues to loom over the medium he transformed as a reluctant comic legend.

Jan 30, 2026

The Unquotable Trump

Above, page from The Unquotable Trump by American artist R. Sikoryak, published in 2017 by Draw & Quartely
The absurdity of his pre and post election speeches form the source material for The Unquotable Trump, a limited edition publication by satirical artist R. Sikoryak. Real quotes are blended into faultless reproductions of classic comic book covers, perfectly mirroring the original source material while framing Trump’s hubristic comments as the ramblings of a solipsistic supervillain. [from Broken Frontier]

Nov 27, 2025

Caparezza's Orbit Orbit

On the 31th of October acclaimed Italian rapper Caparezza released his latest work, Orbit Orbit, which is both an album for BMG and a graphic novel published by Bonelli.
The graphic novel, available as both hardcover and softcover, written by Caparezza (his debut as comic writer), is drawn by an incredible ensemble of well-known artists: Sergio Gerasi, Riccardo Torti, Nicola Mari, Marco Nizzoli, Renato Riccio, Stefano Tamiazzo, La Came, Yi Yang and Matteo De Longis (cover).
The story features Caparezza as a cosmonaut who embarks on an interstellar journey in search of creative inspiration after a period of isolation. The antagonist is a character named Darktar, clearly inspired by DC Comics' Darkseid.
Caparezza has always been a comic book fan and the album, Orbit Orbit, is crammed with comic book references, including Swamp Thing and Watchmen.
 
Track 4: Darktar
«Nella palude come Swamp Thing»

Track 12 – Pathosfera
«Sono quello freddo della ganga, Dottor Manhattan» 
You can find out all the references on Fumettologica, HERE (in Italian).

The key track of the album is titled A Comic Book Saved My Life. 'Nuff said!

Nov 4, 2025

On Fashion Beast, deities for the 80s and celebrity

Below, selected excerpts from Fear magazine, issue n.3, November-December 1988.  
Alan Moore: [...] I did write a screenplay recently [Fashion Beast]. It was an enjoyable enough experience but I didn’t get anywhere near the same control in working in the movie industry that I do producing comics. Control is the most important thing, so I think the prospect of any films in the near future is a slight one. But that's not to say that I mightn’t mess around in various media.

[...] I don't know if it will ever be made. Hollywood, to some degree, is like a Bermuda triangle for screenplays — a lot of them go in and are never seen again. I don’t know what the odds are of any film being made. The Watchmen film might be made or might not. The same goes for Fashion Beast.
The idea, as presented to me by Malcolm MacLaren, was to do a reworking of the Beauty and the Beast fable but to tie it in with the life-story of the designer Christian Dior and to come up with something aimed at a very young teenage audience. Malcom said he wanted the film to have the depth, power and dark resonance of a film like Chinatown and the youth appeal of a film like Flashdance.
I don’t know whether the thing fell through or not. It's something I did for the artistic experience of writing a film, to see what it was like, and I was satisfied, I got out of it what I wanted and I was paid really handsomely.

[...] you mentioned how interested you are in mythology, but in Superman, Batman and the Swamp Thing you've taken individual mythologies and twisted them around; and with the Watchmen you did this to the whole superhero genre. Why?
Alan Moore: Because the old ones don't work anymore, because mythology, as a pure thing in itself, is powerful nd potent—but not as much as it was. We can imagine the power that those myths had when they were more current and contemporary.
Doctor Manhattan [from the Watchmen series] is an attempt to portray a quantum god in much the same way that Swamp Thing was an attempt at portraying an environmental god. They owe a lot of their aura, if you like, to the gods and legends that I read about as a child. 
At the same time they're expressed in a way which is wholly modern. Before the atom was split you could not have had a quantum god; quantum thinking is a modern phenomenon. In the last book of Miracleman I explored that very thoroughly, in that we have a super-heroine who is taking on the role of a modern Aphrodite. She runs a cable porn network. As devotional objects she distributes pornographic videos of herself and Miracleman. She has a computer network which is basically a global lonely hearts network which works at 100 percent efficiency and, basically, she’s trying to heal the sexual and emotional problems of the entire planet.
It's deities for the Eighties, and if you're working in the superhero genre, it’s important to remember that the actual root of the superhero stories is in mythology.

[...] I don’t think there's any need for me to be a big celebrity. I think the only real need for me is to be a better writer and I don’t see that the two things are connected in any way. So I'm much happier sitting behind a typewriter than sitting in front of a set of lights in some studio. I've got a blissful home life with a wonderful family, I've got my work which is a tremendous source of pleasure and I've got friends, so I don't really need to be on the Jonathan Ross show. 

Oct 13, 2025

Peter Thiel on Watchmen

The Guardian reported that billionaire Peter Thiel has recently hosted a series of four lectures in San Francisco about...  well, the Antichrist and Armageddon.
Thiel also did several references to pop culture including One Piece and... Watchmen

We definitely live in interesting times.
You can read the complete article HERE.
[...] He describes the plot of Watchmen, a 1986 graphic novel involving superheroes grappling with moral questions about humanity against the backdrop of impending nuclear war:

The antihero Ozymandias, the antichrist-type figure, is sort of an early-modern person. He believes this will be a timeless and eternal solution – eternal world peace. Moore is sort of a late-modern. In early modernity, you have ideal solutions, ‘perfect’ solutions to calculus. In late modernity, things are sort of probabilistic. And at some point, he asks Dr Manhattan whether the world government is going to last. And he says that ‘nothing lasts forever.’ So you embrace the antichrist and it still doesn’t work.  
Read the complete article HERE.

Aug 27, 2025

Rorschach by Mike Kaluta

Art by M. Kaluta
Above, a Rorschach illustration penciled by the great Mike Kaluta back in 2002! 
For more info about the piece, visit the Romitaman gallery: here

Aug 15, 2025

Watchmen by Alain Mauricet

Art by Alain Mauricet
Above, a Watchmen homage by Belgian comic book artist Alain Mauricet.
 
For more info about the artist: Official site - Instagram

Aug 12, 2025

Rorschach by Eduardo Risso

Art by Eduardo Risso
Above, a fantastic Rorschach commission by acclaimed Argentinian comic book artist and illustrator EDUARDO RISSO
 
For more info about the artist: Instagram - Art for sale 

Jul 25, 2025

I did the right thing, didn't I?

Excerpt from an interview titled "Apocalyptic Thinking", published in Skeleton Crew, November 1990. Interview conducted by Dr Christian Lehmann.
Alan Moore: [...] Well, he’s the other side of the coin from Rorschach, a right winger who has the most integrity in some ways; Veidt is a liberal and, in some ways, is the biggest monster. This was again perhaps trying to counter-balance my own natural prejudices — it would have been to easy to make Rorschach the villain and have this blond liberal superhero save the day. I was trying to use Veidt as an analogy for arrogant people with good intentions. There are lots of levels of analogy in WATCHMEN, but one of the levels that relate to Adrian Veidt is that we clue the reader in on the very first page, where Rorschach mentions President Truman and later on in Chapter Four where we have a lot of talk about Hiroshima and also in the text feature at the end of the Rorschach issue, where Rorschach says that he thinks Truman was right to drop the bomb on Hiroshima because more people would have died if he hadn’t. Veidt’s argument is an old argument, you can see. That it is all right to commit an atrocity if the end justifies the means. The only difference with Adrian Veidt is that he didn’t do it in some far-off country full of yellow people; he did it in the middle of New York. That's why Americans were so shocked by the ending, because it’s unthinkable. All right, maybe some people do have to die to make the world safe, but not Americans! That's too great a price. Yellow people, yeah; black people, sure; brown people, okay; WEuropeans if we must. But not Americans; Americans’ blood is worth too much. Wog blood is comparatively worthless. Hundreds of wogs can get killed and it doesn’t add up to one drop of American blood. If one American tourist gets killed, they firebomb Tripoli. It's that way of thinking. So by using Adrian Veidt as, you know, almost a model Caesar. An industrial Caesar rather than a military one, but a modern Caesar nonetheless and, like all Caesars he thinks he knows what's best for the world. And if you look at his motives, he’s got a point, his argument is logical; he’s a credible character. But the key to his personality is his arrogance, his egotism — the belief that he is right; that his is the only solution.
 
SC: He says to Dr Manhattan, ‘That was the only way.’
Alan Moore:
That was the only doubt in the entire story. When he says, ‘I did the right thing, didn't I?” That's the only moment where, just for a second, you see something in his eyes where he’s thinking, Christ what have I done? That's his only human moment. All of the characters towards the end have their own human moment. Rorschach’s is when he starts crying. The Comedian, when he starts crying, and when he says, ‘I don't get the joke. I don’t understand it. It’s not funny any more.” And when, for a moment, the enormity of what Veidt has done suddenly comes home to him. Veidt has his doubts. And of course, at the end of the story, it’s all left in doubt. Maybe it was all a massive sacrifice for nothing. [...]

Jun 23, 2025

Watchmen page zero... in color

In the past days, Dave Gibbons was in Munich as special guest at the local Comic Festival. (19-22 June)
For that occasion, Gibbons drew a brand new Rorschach image (above) printed as special coaster and... colored, for the very first time, that famous Watchmen page zero, available as limited print at the show (see below)!
Wer überwacht die Überwacher?

Jun 14, 2025

Watchmen by John Amor

Art by John Amor
Above and below, some great Watchmen art by Filipino illustrator/writer John Amor. Enjoy!
 
For more info about the artist: Instagram - Linktr.ee - CAF Gallery
Art by John Amor

Mar 27, 2025

new Fumo di China 0.1

Art by Sergio Gerasi
Above, cover art for the new version of Italian magazine Fumo di China, special issue 0.1.
The new issue n.1 will be released during this fall Lucca Comics Convention.
Art by the amazing Sergio Gerasi! An illustration full of comics characters and things... included a well-known bloody badge. Enjoy!

More info here, in Italian.

Mar 19, 2025

Brian K. Vaughan's Watchmen birthday card

On the last installment of his excellent Substack newsletter Exploding Giraffe (you can subscribe HERE), dated Monday 17th of March, extraordinary writer Brian K. Vaughan talked about some difficult moments and... an happy ending (sort of). Of interest to Moore's fans.
Brian K. Vaughan: [...] Well, how’s your dystopian 2025 been so far?

Los Angeles obviously endured some horrific wildfires, and though my family and I are completely fine, we’re devastated for our friends who lost everything. [...]

We voluntarily evacuated not long after the ash started raining down, and I left behind just about all of my worldly possessions, so when the flames started approaching our neighborhood, my dear friend/collaborator Jeff Yorkes (and his wife and kids!) raced over to our abandoned place to rescue as much of my obnoxious original comic art collection as they could pry off the walls, including this eerily appropriate recent acquisition: a hand-drawn birthday card by Watchmen co-creator Dave Gibbons [...]

Mar 4, 2025

Dr. Manhattan by Chris Samnee

Art by Chris Samnee

Above, an excellent b/w portrait of Dr. Manhattan by American comic book artist and illustrator CHRIS SAMNEE
 
For more about the artist, visit his Instagram page.

Jan 12, 2025

Ozymandias by Carlos Dearmas

Above a phenomenal Ozymandias portrait by Argentinian artist CARLOS DEARMAS.
 
For more info about the artist: Instagram - Facebook

Jan 8, 2025

Dr. Manhattan by Marco Santucci

Art by Marco Santucci
Above, a recent commission featuring Dr. Manhattan by Italian comic book artist Marco Santucci.
 
For more info about the artist, visit his Instagram page HERE.

Dec 16, 2024

Naples Comicon poster by Jamie Hewlett

Art by Jamie Hewlett
Above, the stunning illustration created by the legendary Jamie Hewlett for Naples Comicon 2025 poster.
 
You can also recognize a Rorschach patch, sort of, on the girl's jacket. 
On Fumettologica you can find an almost complete list of all the references and homages, here

Nov 21, 2024

Rorschach by Bruce Timm

Above, a cool Rorschach sketch by the legendary BRUCE TIMM.
It was included in a set of 11 sketches by Timm recently sold on ebay

Oct 4, 2024

Dr. Manhattan by Federico Mele

Art by Federico Mele
Above, a Dr. Manhattan commission by Italian comic book artist, illustrator and storyteller FEDERICO MELE.

See more about the illustration's process HERE.
Visit the artist's Instagram page HERE.