Showing posts with label UltraMoore. Show all posts
Showing posts with label UltraMoore. Show all posts

May 26, 2021

Barry Windsor-Smith on Moore's perspicacity

Marvelman by Barry Windsor-Smith
In 2000 legendary artist Barry Windsor-Smith sent me a short text contribution for the Alan Moore special that I was running on my Ultrazine.org site (not online any more).
The intelligence and perspicacity of Alan Moore's MARVELMAN was responsible for bringing me back into the field of comics. For that, I'm torn between loving and hating him. I've admired all of Alan's work from the 1970s to the present, with the ABC line. 
 I highly recommend BWS' new book Monsters, a masterpiece 35 years in the making
 
 

Nov 8, 2016

Jay Stephens: ABC and Alan Moore

Art by Jay Stephens.
Above an illustration by Canadian cartoonist JAY STEPHENS featuring several characters from Alan Moore's America's Best Comics; also below a short homage text by Stephens.
The pieces were both published in May 2001 on Ultrazine.org special dedicated to Moore. 

       I was fifteen years old when WATCHMEN hit comics like an ice age. Now there would always be a before and an after. By that time, my friends and I had graduated to reading Love and Rockets, Mr.X, and Yummy Fur, but we still managed to find time for our old favourites, the superheroes. Suddenly, we were struck by a single comic that gave it to us all at once. The comic that blew up the genre. WATCHMEN.
    
In hindsight it's no longer my favourite work of Alan Moore's (though it still holds up very well). Anybody with a sharp knife can cut something to pieces. Elegantly, meticulously, it doesn't ultimately make a difference. Diced is diced. A good surgeon, however, learns to use a sharp knife with great skill to repair and heal. To build instead of destroy. It is the fantastic surgical skill that Mr. Moore has displayed recently that so impresses me.
       
FROM HELL is a stitched together work of art the likes of which comics had yet to behold, and the incredible ABC books... who among us had NOT uttered the phrase " It's all been done.", in connection to superheroes? Proven wrong again by one of the medium true masters.
He's no longer tinkering with the bowels of corpses, but constructing strange, new Prometheans that walk and breathe with life of their own. And it is a thing of wonder to behold.
       
Thank you Alan Moore.

Jay Stephens
[December 2000]

Apr 12, 2016

A matter of passion

Alan Moore by  Spanish artist Mario Rivière.
Below, a short piece I wrote for the Alan Moore Special published in August 2001 on Ultrazine.org (the site is not reachable anymore).

A matter of passion
In a recent interview [originally here; the link is not available anymore] answering a "what is comics for you?" question, Mr. Alan Moore said: "Comics is for me an art form which is of tremendous importance but which is largely marginalized, is seen as unimportant. The more I look at comics, the more interesting they become. It strikes me that comics are perhaps the original human art form, that a sequence of pictures telling a story has got to be one of the oldest forms of language, whether you're talking about Egyptian hieroglyphics or Chinese ideograms. [...] There's still such a lot that could be done with comics, still new forms that can be achieved and imagined. I've been doing them for twenty years; I'm nowhere near reaching the limit of what comics can do. [...] Even if the spotlight of public attention moves away, that won't faze me in the slightest. It's still a form I can see potential in, it probably sounds arrogant but that's the only person I'm interested in. If I can see the potential there, there's potential there, it doesn't matter if other people can't see it. In fact, I'd probably rather I was the only one who could see it; there'd be more for me, all the more unbroken ground. [...] I cannot imagine a point in the future where I will completely abandon comics for another media. I think there's enough there for me to continue working with different combinations of words and images for the rest of my days. It's a boundless ocean that I could get lost in; I would really like to see a few more people taking the plunge."

Among these words we can find the key to understand.
The starting point to comprehend the true power of the best writer comic art has ever had.
In these words all becomes clear and we can feel, as a tangible thing, the passion Mr. Moore has for the comics medium. This passion is the natural propelling force he uses to imagine words and worlds.

It's passion that feeds technique and structure, that gives him the input to ideate anomalous comics masterpieces such as Watchmen, V for Vendetta, From Hell.

It's passion that makes him happy to play with minor toys such as Supreme or Mr. Majestic breathing in them a shining life.

It's passion that moves his respect for the audience and the artists. It's this passion that gives him the impulse to put on paper thousands of words to describe a single panel.

And again it's this inextinguishable feeling that guides Mr. Moore in the deep waters of comics ocean while all the others stay around the coasts.

Long life to the long-haired bearded Genius and... long life to comic art!

smoky man, August 2001

Apr 5, 2016

Jim Starlin on Alan Moore

Page from Supreme - The Return Vol.1 No.2. Art by Jim Starlin.
Below, a short text written by comics legend JIM STARLIN, published online in August 2001 as contribution to the Ultrazine.org Alan Moore Special (the site is not reachable anymore).

I think of Alan as arguably the best writer of comics today.
I've always admired the way he's structures a story and his characterization.
I've only had one opportunity to work with Alan [on Supreme - The Return Vol.1 No.2, Awesome Entertainment, 1999 - editor's note] and that went badly because of the unprofessional behavior of the publisher.
I sincerely hope that someday I'll be able to collaborate with him on another project.
But in the meantime I'll just look forward to reading whatever his fertile mind produces, like all other comic fans. [Jim Starlin, August 2001]
Page from Supreme - The Return Vol.1 No.2. Art by Jim Starlin.