Showing posts with label videos. Show all posts
Showing posts with label videos. Show all posts

Sep 24, 2024

The outrageous edifice of The Great When

You can watch it HERE.
Alan Moore: For me, when writing The Great When and the subsequent books in The Long London series, the most enjoyable thing has been taking actual history and then managing to fill the cracks in that history with delirious fantasy. So that I hope that the reader will sometimes find it difficult to tell the difference between the two. 
Starting the series in 1949 seemed like a good move because at that time London was in pieces, shattered by the events of the previous five or six years by the hail of bombs and V bombs. After which I would imagine that the average Londoner’s sense of reality had been drastically overhauled psychologically and socially. The whole of the city, the whole of the country was in pieces, it was in fragments. It was trying to work out what was going on and what its identity was. It was very unstable. We had questions of whether we should adopt nuclear weapons were starting to arise. We had a rise in what we would today call serial murderers after the Second World War. 
All of these things gave the landscape a very uneasy and shifting uncertain feeling. And upon that landscape in 1949 I thought that that would make a wonderful setting on which to erect the outrageous edifice of The Great When.

Jun 8, 2024

AOS and Moore

AOS's self-portrait
Selected excerpts from a video available on Youtube here. It was recorded on the occasion of Austin Osman Spare: Fallen Visionary exhibition (14 Sep 2010 – 13 Nov 2010, The Cuming Museum, London). Moore is a great admirer of Austin Osman Spare's work and life.
Alan Moore: [...] Austin Spare is one of the most overlooked figures in British Art history. The obituaries that surrounded his death remarked that with his passing England had lost one of its best ever nude study artists.
When you think that we are now some 50 odd years since his death and except in knowledgeable and specialist circles he is completely unknown...
 
[...] Austin Spare decided that he was going to pretty much excommunicate the rest of the world and go and live amongst thieves, prostitutes, ordinary working people. He was taking it all in, he was absorbing it and he was turning it into images.

Not only was he an incredible artist he was also in my opinion possibly the greatest English magician of the 20th century. Although obviously not magic of the Paul Daniels' stage variety but something of, I thought, older provenance.
I think the magic offers the artist a new way of looking at their consciousness and of looking at where they get their ideas from.

[...]  if you can manipulate your own consciousness and perhaps that of others which is truly something that all artists are trying to do - whether they're magicians or not - then you will have effected an act of magic.

[closely admiring an AOS painting/drawing] This is a wonderful example of a typical Austin Osman Spare's image if there is such a thing. If you are in a magical state then if you create a piece of art while in that state it is a way back into that state.

It says [referring to the painting] "intrusive nostalgia re-remembering" which I think means the state of consciousness where suddenly memories of past lives or genetic history if you like suddenly intrude upon you without your necessarily bidding them to do so.

[...] Spare was a visionary. He was somebody like William Blake who was not distinguishing between his art and his spirituality, who felt that the world inside him was as valid and important as the world outside him.

May 18, 2024

Swedish Monsters, Maniacs & Moore

Art by Christoffer Hjalmarsson
Above, a poster drawn by Swedish comic book artist and illustrator Christoffer Hjalmarsson for the screening of 1987 documentary Monsters, Maniacs & Moore.
 
For more info about the artist, visit his DeviantArt and Blog page.

Sep 12, 2022

Alan Moore presents... Illuminations

A few minutes ago Waterstones published a short Alan Moore video presenting his upcoming Illuminations book. The complete video is available HERE.
Alan Moore: With prose fiction, you are able to create the finished work right there and then. [...] The words that you type up on the page, that is the finished work.

It's incredibly liberating to just be me and a keyboard, to not have to consider anything else.

[...] there is an awful lot to be said for just having it as one person and their mind and an empty sheet of paper.

That is probably the ultimate thrill of writing. [...]
Watch the whole video HERE.

Mar 18, 2022

The Maestro's Lessons!!!

Alan Moore at BBC Maestro!
 
Join the maestro of storytelling and learn to create mesmerising fiction by mastering inventive language, characterisation, world-building and more.
33 Lessons, 6 hrs at 99 euros!

Available for pre-order now
Full course launches 24th March

 
"I would like to welcome you as an aspiring writer to this enormously important and timeless human tradition where you will be in a chain of people stretching back through the ages of shamans, magicians, above all, writers who have done so much to actually shape the development of the human story and of human history that you can become part of that marvelous tradition and play your own part however small, however large in this marvelous enterprise of expanding the things that humans can do, can say, can accomplish.

And more importantly, the number of ways in which they can talk about that stuff, the number of things that they can say, and the number of ways in which they can say it.
"
1. Alan's introduction [7 mins]
Welcome to Alan’s world. Where magic and storytelling intertwine, and good writing is valued over public opinion.

2. Writing as enchantment [6 mins]
Delve into the history of writing modifying consciousness from stone-age magic and the bardic tradition to you, now, typing away.

3. Becoming a writer [4 mins]
Everybody can (and probably should) write. The first step is to develop yourself by cultivating an aesthetic and political viewpoint.

4. Four weapons [12 mins]
Learn about the four classical elements you should master as a writer – coins, sword, cup and wand.

5. Learning to read [8 mins]
How to read anything and everything with a critical eye and come away with learnings on effective writing techniques.

6. Imagination - Fire of the gods [8 mins]
Alan talks about mining your imagination for story gold without getting caught in a cave-in at the pit.

7. Language as Technology [9 mins]
Just how powerful are words? Understand how language is our foremost technology and makes up the entirety of our conscious awareness.

8. The Neurology of Writing [11 mins]
Discover how writing affects the brain and how a little wordplay can spark synapses in a very satisfying way. Just ask Shakespeare.

9. Hemingway vs Baudelaire [9 mins]
A consideration of the pros and cons of simple, plain English versus decorative, decadent language.

10. Fascinating rhythm [13 mins]
Develop your literary ear by learning to identify and employ rhythmic elements in your writing.

11. Inventive language [9 mins]
A few tips for keeping your reader engaged with innovative writing, and an introduction to the masters of literary invention.

12. Structure [10 mins]
Get your imaginative tale in order with a three-act structure and the perfect narrative format for your story.

13. Genre [8 mins]
Alan talks about getting to know the tropes of different genres so you can mix them up and break the rules.

14. Mode [11 mins]
Witty, horrific, satirical? Past or present tense? First or third person? With a slight shift you can change everything.

15. Time and Timing [8 mins]
Explore how time passes within the narrative and in the process of reading as well as how to employ pace, comedic timing and time travel.

16. Misdirection [14 mins]
How to delightfully deceive and betray your readership and have them thank you for it.

17. Character [20 mins]
Inhabit your characters with conviction to convince your readers they are real people. Here’s how.

18. Extreme character [16 mins]
How to make fantastical, impossible, detestable, reprehensible characters realistic and relatable.

19. Place [18 mins]
Learn about how place will help you develop your story and the psychology of your characters.

20. Creating place [15 mins]
Tips for creating new worlds, including a close-up look at how Alan built Neopolis from the pavement up.

21. Period [17 mins]
Using memories, historic details, speech and slang to immerse your readers in the time of your story.

22. Considering media [7 mins]
Comics, screenwriting for film or television, novels, theatre, poetry, song-writing – a lot of writing skills can be used across disciplines.

23. Comic cuts [23 mins]
‘The Orson Welles of comic books’ (The Times) tells the truth about the comics industry and the extraordinary power of comics as a medium.

24. Screen gems [23 mins]
Acquiring a cinematic vocabulary helps you write for film and television and learn skills for all types of writing. Here’s where to start.

25. Words, music and performance [12 mins]
See how writing for music is a great way to practice metre and rhythmic language, while performance gives you invaluable immediate feedback.

26. Future media [5 mins]
Looking ahead to writing and creating new worlds for virtual reality stories. What possibilities of consciousness might that bring?

27. The need for progress [8 mins]
Don’t get stuck in a rut. Alan talks about mixing up your writing, trying new things and dipping a toe in the avant-garde.

28. Forward movements [5 mins]
A look at literary innovators like Sterne, Woolf and Proust and how what was once radical has become part of the writer’s everyday tool kit.

29. Approaches to the future [10 mins]
Techniques you might want to try in your experimentation of progressive writing methods and interesting speculative fiction ideas.

30. Lost in the funhouse [14 mins]
A small warning about going too far and tips for creating progressive writing that is still entertaining and accessible.

31. The evolution of writing
[3 mins]
How far writing has come, where it could go next and how you, as a writer, are joining a transformative human tradition.

32. Permission to write [4 mins]
Everyone can write; everyone should write. Alan shares a story about an atypical storyteller.

33. Extroduction [3 mins]
A new word coined just to say goodbye, fare well and send you on your merry way to write a better world.
 
 

Jan 3, 2022

Alan Moore Maestro

BBC Maestro has announced
the forthcoming addition of Alan Moore to its portfolio of creative guides!

BBC Maestro is a licensed creative e-learning service, in partnership with BBC Studios, which produces top quality digital tutorials by the most experienced creators and storytellers in the world.
 
Regarding Moore: "This Maestro of storytelling is here to inspire you to create your own magical wonderlands with commitment to the craft of language, story, cast, setting and more."

Coming soon! So, (compulsively) check the BBC Maestro site!

More info HERE, HERE and HERE.

Nov 29, 2021

Alan Moore and... the Russians!

Moore asks: "Do I look like a character from Gogol?"
Watch all the rest HERE!
 

Sep 15, 2021

The fractal chaos of the universe

Excerpt from a short video published on BBC site in 2016.
"The world is no more than an aggregate of your ideas about the world, of your ideas about yourselves.

It is the vast mirage, baroque and intricate, that you are building as a shelter from the overwhelming fractal chaos of the universe.
" --- Alan Moore
The complete video is available HERE.

Feb 23, 2021

Wedding ring, sesquipedalian and... Harvey Pekar

Below, transcript excerpts from a video chat that Moore did in 2012 with the contributors of Harvey Pekar statue. The video is available HERE.
    "[What's] on my left hand?" [...] the one on my left hand is my, my lovely wedding ring, that I designed myself on the back of a receipt. I'd originally asked for one big vulgar opal that I could show off to everybody but they could only get me two tear-shaped ones and then they couldn't figure out how to work them into a coherent design so I did the... the caduceus there.

    "What's my current favourite word?" Sesquipedalian, because it's one of those few words which refers to itself. What it actually means is having a fondness for obscure and difficult words. So, sesquipedalian, that's my, my word for today.

[...]    "You said that the work of Harvey Pekar was very important for you, but it looks very different from your work, so he talks about his life while your stories are about heroes, magic, historical characters. What is the link between you and Pekar's work?
Well there's a few incredibly strong links. Um... for one thing, Harvey Pekar is one of the very very few blue collar talents in the comic book field. Um, this is not to say that, er, people from the middle classes don't do wonderful comics, of course they do; but my own personal background is very much rooted in the English working classes, and something about Harvey's perspective always rang so true to me; er, that the sincerity, the honesty of it, the, the crystalline honesty of it that was as clear as water - that, these were all things that impressed me immensely, that he was able to talk about working class life with such a lucid voice. And, the other thing, um, would be Harvey's attachment to the location in which he lived; his love of Cleveland, for the ground upon which he was standing, which could be anywhere. It could be Northampton, it could be the places that, that you all live. We should value the, the humble streets and boulevards an' houses that surround us. They won't be there forever, and they have incredible histories tied into them. Um, we should value them, we should protect them, and we should celebrate them in the way that, that Harvey did - just the ordinary human lives that are going on in these places. I think that, for my part I want to celebrate the same things as Harvey, but Harvey's voice was not mine. Um, we've got distinctive voices, and for my part I would rather do something like Jerusalem, where there is an incredible amount of autobiographical stuff in it; although I'm dressed up so that nobody re-recognises me. This is an old trick of mine as anybody who read Big Numbers would be painfully aware. You know, I like to appear in drag, um, so as not to disrupt the narrative, but, yeah, so there's, there's autobiographical stuff about me, about my family, and about the - more importantly about the history of the neighbourhood in which I grew up. Um, it's expressed in terms of fiction. It's got all of the, the usual extravagant fictional devices that people might have come to expect of me so it's got a few monsters 'n' things like that in - no superheroes or at least not yet. I'm a few chapters away from the end so I suppose anything could happen, but, yeah, it's, it's that level that I connected with Harvey upon the most, that his... love and tender observations of ordinary human life, as it is lived for by far the, the largest section of the population, and for the, the town, the environment around him. That is the level on which Harvey's work probably spoke to me most profoundly.

More info HERE, HERE and HERE.

Dec 30, 2020

The idea of death

Alan Moore in Monsters, Maniacs & Moore
Excerpt transcribed from Monsters, Maniacs & Moore, 1987 Central Independent Television documentary, from the series "England: Their England". Directed by Norman Hull.
In western society we seem to be unduly terrified by the idea of death, without ever realising that death is the only thing that gives life any of its sweetness. There's that wonderful anecdote about a zen monk who found himself in the unenviable position of dangling from a cliff-top by a single strawberry bush which he was hanging onto for dear life, which had a single ripe succulent strawberry hanging from the end of its branch. And just below this dangling monk there was a savage man-eating tiger waiting for him to fall, leaping up around his feet, snapping and growling and clawing at 'im. And the monk hangs there and he thinks, "shall I eat the strawberry now?" and he does, and as he eats it on the way down, it tastes absolutely perfect. 
The complete video is available HERE.

Jul 23, 2020

Alan Moore supports Extinction Rebellion

Alan Moore supports Extinction Rebellion.
We have to be completely clear upon this, the science is unanimous. If we do not want the planet to be almost uninhabitable apart from, perhaps, some polar regions then we have to do something NOW. --- ALAN MOORE

Full transcript is available HERE.

Jan 13, 2020

The Mask and the Mirror conversation

Frame from The Mask and the Mirror in Conversation with Alan Moore video
An interview with Alan Moore (HERE), launching The Mask and the Mirror, a series of conversations with artists and occulturists exploring inspired creativity, extraordinary encounters and intuitive ways of knowing. The series is created and hosted by Greek writer and journalist, long-time UK resident Lena Korkovelou. Enjoy the show!

Dec 4, 2019

A message From Hell

Art by Eddie Campbell.
Excerpts from an unaired episode of Clive Barker's A-Z Of Horror, 1995. Text published in edited form in Clive Barker's A-Z Of Horror, 1997. The video is available HERE on YouTube.

MOORE: What From Hell can tell us about our own lives, is that those same ancient destructive forces, that same misogyny, that same darkness, is still with us, and for all of our veneer of technology, we've not managed to banish those shadows even slightly.

[...] As the century draws to its end, we find that our entire culture seems to be boiling and bubbling an' erupting into strange new forms. I think that it is the job of artists to help us to understand the new shapes that our world is blossoming into.

Aug 31, 2017

The Show in the making

Art by Paul Chessell.
Today Mitch Jenkins has launched The Show official site on Instagram: "Official site for Alan Moore and Mitch Jenkins' new feature film, The Show. Regular updates now that the film is fully funded and in pre-production."

In his first post Jenkins announced: "Me and Alan start our new adventure as of now. It seems the bloody feature film has been fully funded. We will be posting everything Alan / Mitch and The Show here most days." 

Jul 10, 2017

Jun 28, 2017

The Ghosts of Watling Street and... Alan Moore

Frame from The Ghosts of Watling Street video.
The Ghosts of Watling Street, a song by Oddfellow's Casino included in their upcoming new album Oh, Sealand, features the voice of... Alan Moore. Moore also briefly appears in the song's video.

Oh, Sealand will be released July 14th.
Frame from The Ghosts of Watling Street video.

May 29, 2016

Mr. Metterton and Mr. Matchbright double act

Alan Moore plays Metterton in A Professional Relationship.
Below, some dialogues from "A Professional Relationship" one of the five videos included in SHOW PIECES, the film project created by Alan Moore (writer) and Mitch Jenkins (director).

[From the video's synopsis] A Professional Relationship: Matchbright and Metterton - a working partnership, a meeting of two minds. A Double Act. Well at least that's the general concept. All is fair in love and war.
Metterton: 
I mean, I'm the conceited, judgmental one, and you're the monumentally ugly face of darkness, sin, and temptation.
I mean, that's who we are, Nick.
That's our act. That's our double act.

Matchbright:
Oh, right. We're a double act.
We're Morecambe and Wise.

Metterton: 
Yes, that's the general concept, you know.
Hitler and Churchill, Tom and Jerry,
thesis and antithesis, that kind of thing.

Matchbright:
We're not a double act.
We've never been a double act.

It's always been about you, isn't it?
The Great I Am.

I don't get any say in how things develop, do I?
I'm just here to take all the blame and make you look good.
Metterton: 
Well, to be fair, Nicky, I think I look pretty good already.

I mean, gold skin and a haircut like the Big Bang?

I mean, I look like the light of the world, whereas you look like Death's prolapsed rectum.

But I take your point, Nicky.
I take your point.

I've been very hard on you.

You're a good man, Nicky.
You're a good colleague and I don't give you enough credit and we've been with this project since its genesis.

And believe me, you're going to be there for all of its final revelations, you can depend upon it.

I value your contribution, Nicky.
I really do.
Also an interesting review here.

May 24, 2016

Black Metal Moore

Frame from Denigrata's "Kyrie Eleison" video.
Alan Moore makes a special guest appearance in the last video of Northampton-based DENIGRATA, an ambient, tech-fuelled black metal collective. See around time 02:05.


Sep 15, 2015

The Show: "doing it our way again"


"[...] Next stop.....THE SHOW! Alan's screenplay is now in the hands of our trusted fellow Orphan, David Crabtree. David has been the most supportive first AD that any director can have. He is now in the process of producing our shooting schedule, the plan being to start shooting the feature next summer. We have had so many serious offers of big cash from Networks, both terrestrial and digital, the issue being that they all seem to require more jeopardy and want to get Alan to re write things to fit their vision! Hmm, lets think about. So, we are doing it our way again. More money doesn't mean better but it can mean less imagination." [Orphans of the Storm]