Ten. That's how many Mixtapes I've churned out in the last two years. Kinda fun and neat that I get to share shit I mess around with late at night. Stuff made to play through as I sit writing. Right now I could sit for about thirteen hours and listen to sweet sounds of stuff I dig. So can you.
You guys do know that Goblin have reformed don't ya!
Just check this amazo-fest out. Recorded live in Rome just this past May...
Mike Barona'sPaura Productions is putting them on the road in the US, and I hope that he brings them to Stockholm because that would fucking rock! I think we need to find good old Mr. Dimle and tell him what band to book for a blow out gig in the near future.
Keep an eye on their soon to open web page for more info.
Jigoku: A Visual Mix Tape Directed by: Cherrystones
and Lovely Jon UK, 2008 Music, Visuals, Mindfuck, 53min
Packed with funky, furious, distorted riffs, blaring horns, pumping loops from some of the greatest soundtracks ever - accompanied by some fantastic imagery from movies that you will recognise… or will want to seek out after this... sensory orgasm. Lizard in a Woman’s Skin, VIY, All the Colours of the Dark, The Blood Splattered Bride, Simon of the Witches to give you a hint of some of the visuals presented in this stunning project.
I'm pretty certain there's some of Morricone'sThe Bird With The Crystal Plumage in there and some Acanthus from Jean Rollin'sThe Shiver of the Vampires in there too - only slight accentuations, but I feel that they are there amongst the frantic wall of sound that rushes forth... which should indicate the vibe of this awesome experience. Almost a mental dot to dot which will have you going, Oh it's that one, or this one throughout the hour of playtime.
Dj/producer Cherrystones and Dj Lovely Jon, whom together as Jigoku have been up to these audio/visual antics on the live circuit for some fifteen years, have finally released a ”Promo” for their shows, that captures the stunning psychedelic nightmare of their show in the DVD Jigoku A Visual Mix Tape. An item that any fan of exploitation cinema, twangy rock’n’roll and sludgy droney ambience would want to pick up as soon as they possibly can. And I encourage you to act fast as just like the Jigoku CD’s (well CD-R’s) they run out and never get re-released again… and that’s a bitch.
Back in the lat eighties, early nineties, my mate and I used to make these kind of tapes (although not as well crafted as Jigoku) where we’d compile great punk/new wave/goth songs on one channel of the stereo track on the VCR, and let the audio of the trailers, clips and shorts stay on the other. Shit quality, but fun as hell when you get your fave music and movies at the same time. I still have two of them in a box in the vault, ”HammerTime” and ”Monsters A-Go-Go”… trippy stuff from a time long lost, so Jigoku: A Visual Mix Tape DVD fits me like a glove.
Treat yourself to some brilliant audiovisual sensory masturbation because it will blow thy mind – and you will like it it’s unlike any other mindfuck out there.
Oh yeah, almost forgot... you can get it here or here... :)
Demons Of The Night Gather To See Black Widow Directed by: Michael Leckebusch Germany, 1970 Music, Occult interests Distributed by: Mystic Records
Finally I put my hands, eyes and ears on the DVD release of the black magic show that once was part of one of my long-time favourite bands; Black Widow. A fantastic progressive, early hard rock band consisting of a bunch of theatrical young men who released a few albums before being dropped by there label, CBS, and slowly fading away before the middle of the seventies… and you know me and underdogs… I love ‘em!
Black Widow are a superb old British band from Leicester that quickly earned a reputation in the early seventies for their debut album Sacrifice 1970, which was filled with references to the occult, Satan, Astaroth and other fiendish beings. But they where also notable for their theatrical live performances that incorporated a fully authentic black magic ritual complete with mock sacrifice of naked maiden. A live show that was composed with the help of English occultists Alex Sanders and his wife Maxine. But obviously they where stopped in their tracks by the powers of bureaucracy, and after their debut single “Come to the Sabbat” was tipped to go to the top of the charts the BBC placed a ban on the group so that the kids of Great Britain wouldn’t be smitten by the powers of black magic. Shows where also picketed and hassled by clergymen shaking crucifixes and crying out warnings the youth of the dangers of witchcraft, and the tabloids went wild in their hunt for sensationalism!
Unfortunately the album only made it to the mid-thirties in the charts and that’s about all the impression that the band ever made in the world of music charts, and following the Sharon Tate /Charles Manson murders, the American tour was cancelled when US authorities decided that it was way to dangerous to let a band take stage and promote black magic… another band that also released it’s debut album in the same time got the slots instead as there management promised that their band wouldn’t promote the dark forces... Tony, Geezer, Bill and Ozzy.
Needless to say Black Widow where commonly confused by that other brilliant band of the time – Black Sabbath, but where Black Sabbath’s occultism was merely a marketing gimmick of their record labels art department, Black Widow where into it for real.
In all honesty it’s only that first album that appeals to me, as it very much indeed is one of the first concept albums in music history. Fuck The Who and their Tommy album, because even though Black Widow released the fabulous Sacrifice in 1970, they had already recorded a version of the album early 1969 with Kay Garret who used share lead vocal duties with Kip Trevor before she left the band (that where calling themselves Pesky Gee! at the time). The lads continued on under the name Black Widow and released one of my all time top ten favourite albums. A definitive early progressive sound sometimes bordering on that early heavy rock that later would be defined by Led Zeppelin and Black Sabbath.
But now, there’s a DVD of a one off German TV performance, one that has been missing for decades, one that documented Black Widow live, one final performance as the band abandoned the black magic antics shortly afterwards and headed in other directions. Thanks to flute and Sax player and songwriter Clive Jones who has been hard at work to keep the legend of Black Widow alive these past forty years, he set out on a mission to find the recordings that where made of the show. Finally contact was made with Birte Zywko who once worked for Beat Club – famous German TV show created by Gerhard Augustin and Mike Leckebusch in 1965 the first of it kind on German telly, and would feature acts like The Rolling Stones, Arthur Brown, Alice Cooper, T-Rex, The Doors, Zeppelin and Black Sabbath – you get it, anyone that was anything. It later evolved into Musikladen and if you ever have watched a vintage live studio performance that wasn’t The Old Grey Whistle Test, I’ll assure you it was one of these two shows. Anyhow, Zywko told Jones that they had found a print of their gig, but it was in terrible state. So the time consuming process of re-mastering the performance was put into action, and some while later Jones could sit down to see the band perform that infamous show…only to discover that they actually performed the full set, the Sacrifice album in it’s entirety, the full show with all the chanting, the summoning and the ritualistic sacrifice of a naked woman in the part of Astaroth, instead of the one "hit" that Jones thought they performed... Wunderbar, as the krauts say!
So if you are up for some great, old satanic progressive rock live performance which at times feels like watching one of those old Video Search of Miami releases of Jean Rollin’s movies with a soundtrack by a trippy mix of Goblin, Black Sabbath and Jethro Tull - then get yourself over to Mystic Records and buy this show now. Oh and the DVD package – titled MYS666 – also comes with a CD of the performance.
Image: Fullscreen 4:3
Audio: Dolby Digital 2.0
Extras: Booklet about Black Widow and the live performance, written by Clive Jones.