And Now The Screaming Starts!

And Now The Screaming Starts!
Directed by: Roy Ward Baker
England, 1973
Horror, 91min
Distributed by: Dark Sky Films

There are three reasons that I love this little piece of English Gothic Horror Tackiness:

1. I really enjoy simple little movies made by Hammer and Amicus

2. I’ve interviewed David Case who wrote the book it’s based on.

3. I spent a night at Oakley Court where all exteriors are shot.

I’ve been nursing a profound desire to see this film again since I my mate Steve and I interviewed author David Case at the World Horror Convention 2010 in Brighton, England just a few months back. Case is a fascinating author who has written more than 300 books in just as many genres. Westerns, Porn, Sci-Fi, Horror you name it, Case wrote in it. At a grand age of 73, Case is still very much alive and kicking and a true grand old man of the genre. Not only does he get up at six in the morning and write all day at his typewriter stood on the mantelpiece – just like Hemmingway – he actually still writes some amazing stuff and recently released the splendid Pelican Cay and other Disquieting Tales, an anthology of his later works. Case has been around for so long that he refers to Zombies as Ghouls, not the pop cultural shuffler we know as the Zombie, but Ghouls - the real undead stalker. That’s what you get when you started writing books some four decades ago and can boast authoring more than three hundred stories. And it’s among that massive output that the novel Fengriffen can be found.

The Great and Entertaining David Case!

Roger Marshall, who also wrote Roy Boulting’s Twisted Nerve 1968 with that smashing whistling theme Georgie, composed by Bernard Herrman and used by Tarantino in Kill Bill: Vol.1 2003, based his screenplay on the Case novel, and that’s what then became Roy Ward Baker’s second feature for Amicus Productions; And Now The Screaming Starts!

Set in the 1795 (unlike many other Amicus films, as they where commonly set in modern time) the newlywed couple Catherine [Stephanie Beacham] and Charles Fengriffen [Ian Ogilvy] move into the Fengriffen castle. But happiness is short when Catherine starts to feel a strange presence, stemming from that large painting of Henry Fengriffen [Herbert Lom]. After a series of pretty neat on-set effects and a few eerie moments, including a very suggestive ghost rape sequence, Catherine more or less looses it completely and Charles questionings her sanity. After a dizzy spell climaxing with screams of insanity to many the couple are told by Dr. Whittle [Patrick Magee] that she is with child…

Learning that Catherine is preggers the household staff start acting up, and Catherine pretty soon understands that they are all hiding something form her and Charles, worried sick for his wife whom he thinks is going insane, begs Dr. Whittle for help. Realising that there’s nothing more he can do for Catherine, he suggests asking his friend Dr. Pope [Peter Cushing] to come up from London and see what he can do for the unfortunate woman. Cushing arrives just past midpoint and gives his usual brilliant “all in Cushing” performance. Cushing more or less forces Charles to tell the truth of the Fengriffen background, and he starts telling the story of his decadent grandfather Henry Fengriffen (finally seeing Herbert Lom make an entry into the narrative, this time in the flesh and not just on canvas.)

Henry Fengriffen obviously turns out to be a right bastard and his sardonic acts towards Silas the yardman [Geoffrey Whitehead] in the past still have consequences now. Catherine gives birth to a fine son with the aid of Dr. Pope, but there’s still one sinister shock in waiting as Charles looks upon his newborn son. Thunder and lightning set an brooding atmosphere as Charles rushes into the movies climax, determined to set things straight once and for all, as the Fengriffen curse must be broken.

And Now The Screaming Starts! is one of the better Amicus films – not to say that the others are bad - it’s just that this one stands out from the others. Possibly because it’s one of the few with a full feature narrative and that it’s set in modern time - not to be confused with the sci-fi output they produced, like the Gordon Flemying directed Dr. Who movies [1965-1966] starring Peter Cushing as the Doctor. And Now The Screaming Starts! has got some really impressive on-set effects like hands pushing through paintings only to be whole after the camera returns, neat little effects like the motorized decapitated hand that drags its way back and forth, and great sets. There’s something about getting outside and using those great locations that Oakley Court offers that bring a real value to production.

Amicus Productions where set up by two yanks, Milton Subotsky and Max Rosenberg in the early sixties. Both of them had pasts as screenwriters and producers; Rosenberg even produced Terrence Fisher's groundbreaking Hammer classic The Curse of Frankenstein in 1952. They started up Amicus as a counterpart to the legendary Hammer Films, but instead of making movies in the same vain as Hammer, they commonly set their movies in modern time, and also frequently had several shorter stories to each film. Classic horror anthologies in other words, just like their “greatest hits” fares, Dr. Terror’s House of Horrors 1962, Tales From the Crypt 1972 and The Vault of Horror 1973. Even though many of them did star Hammer actors like Peter Cushing and Christopher Lee and where directed by people like Roy Ward Baker, Seth Holt and mainly Freddie Francis – all Hammer directors too. Although they never released anything near the amount of films that Hammer did, they did release a bunch of really atmospherically stuff that makes up for great late night entertainment. Just like those great Hammer movies.

Built in 1859 the majestic Oakley Court with its gothic setting saw it’s fair share of glam and celebratory guests during it's first hundred years of existence. During the Second World War it was used as the headquarters for the French Resistance and even Charles De Gaulle supposedly stayed there as the plans for the next moves of the resistance where made. After the war the building was kind of neglected and started deteriorating. During the late sixties, until the end of the seventies, Oakley Court was a gutted mess, an abandoned building with out interior or even a roof any longer, and was therefore a perfect setting for movies shot at the nearby Bray Studios.

Many great Hammer flicks where shot there, Terence Fisher’s Dracula 1958, and The Curse of Frankenstein 1957 and John Gilling’s Plague of the Zombies 1966 to name a few, as well as several other independent films, like And Now The Screaming Starts!, Richard O’Brien/Jim Sharman's cult classic The Rocky Horror Picture Show 1975, and even José Ramón Larraz Vampyres 1974. So however you look at it, a trip to Oakley Court should be one destination that anyone with a love of horror cinema should take at least once during their lifetime.

Make no mistake about it, And Now The Screaming Starts! is a great little movie, a splendid piece that’s actually quite effective is pretty eerie at moments and holds a great atmosphere. It’s a good old English Gothic horror like the ones they did so well during this time period. There’s a wonderful cast of brilliant actors, Ogilvy, Magee and Beacham who’s bosoms in no way could have been pushed up and out any more than here, not forgetting Lom and Cushing who bring their thing to the ballpark. Lom is wonderfully sleazy and Cushing is painstakingly Cushing, but you wouldn’t want it in any other way now would you.

Image:
Widescreen 1.85:1

Audio:
Dolby Digital 2.0 Mono. English Dialogue, English subtitles are optional

Extras:
Theatrical trailers for And Now The Screaming Starts, The Beast Must Die and Asylum. A photo gallery, cast and director biographies, and there’s also two separate commentary tracks. One featuring lead actress Stephanie Beacham and director Roy Ward Baker and one with leading man Ian Ogilvy.

Mark of the Devil

Mark of the Devil
Original title: Hexen geschändet und zu Tode gequält
Directed By: Michael Armstrong
Horror / Drama, 1973
West Germany, 92min
Distributed by: Extreme



Story:
When the church state witch hunter comes to town the local one is put on the spot as his position of power is diminished. In a desperate attempt to prove that he still has the eye for picking out witches he accuses Vanessa a charming young woman who just happens to have been favoured by the which hunters apprentice Christian. The young apprentice takes Vanessa under his wings and saves her from the town witch hunter, but these newly awoken feelings make him have second thoughts about performing God’s will as the witch hunter general pays attention to the village hunter and throws Vanessa into the Dungeon for interrogation. Many lives are lost in the quest to burn all witches and the torture is appalling but still Christian finds reason to question if they are doing the right thing, and discovers that certain people are using their position for their own sinister desires…


Me:
Mark of the Devil so genially promoted with the free barf bags in cinemas and tag lines like “Rated V for Violence” and “Positively the most horrifying Film ever made!” sure did its fair bit to bring in the audiences both in the cinema and later on during the video revoulution. With quotes like that on the cover art you KNOW that you want to see this movie. Right from the start you know what you are going to get here with this West German entry into the “which hunter” niche, as the instance that the opening credits are complete, a band of thugs attack a wagon full of nuns raping and murdering them without showing any mercy. Then we are thrown into the little town where the movie is going to take place, a bloke has his hands cut off, and then he’s tarred and feathered before being chased out of town. Finally two women are tied to stakes and burned alive over the fire… This is the kind of movie that makes me dread BluRay. Not because of the movie per se, but because all those loveable flaws that can already be seen on regular DVD will tear your eyes out in HD. It’s painfully obvious that the bloke getting his hands lopped off doesn’t because in the next scene when he’s getting tarred and feathered you very clearly see his fists with some red goo on them, also the women being burned, as they are lowered into the flames it’s clear that it’s a mannequin tossed into the fire as the wrist and arm junctions are fully visible. But still, it’s an effective opening following that “Positively the most horrifying film ever made!”


But to be honest it isn’t the most horrifying and the violence isn’t that violent compared to other films of the time. The movie feels sloppy and the editing is really annoying with quick cuts at a disturbing pave for no real reason and then there’s all those confusing edits where people suddenly are looking at the wrong angle that keeps throwing me off and annoying the crap out of me. But then again it’s a cheesy, sleazy exploitation flick, and not a showcase of masterful cinema and the cast is the great show of force here. A young Udo Kier as Christian the which hunter apprentice, Herbert Lom as the witch hunter master, Herbert Fux vile Jeff the Executioner and the ever sinister looking Reggie Nalder as Albino the local witch hunter who accuses everyone who walks in his way for being a which only to go about his sadistic ways. The story is rather interesting as the apprentice, saves young maiden Vanessa [Olivera Katarina] from Albino’s evil grip early on in the movie after Albion tries to explain to Christian the apprentice that he is the village which hunter, after he has been to be patronised by Christian. Albion in a rage of anger cries out that Vanessa is a witch to prove his which hunting skills. That’s when Christian steps in and rescues her from the abusive Albino. This rescue is followed up with a quite long sequence where he takes her to his home and they slowly become friends, which leads to then falling in love… Imagine the witch hunters apprentice falling for a which! And just as they engage in their first kiss we crash cut to the witch hunter making his pompous entrance.

As the Witch hunter has his first major scene he’s unhappy with Jeff the Executioner for failing to find the mark of the Devil on a poor young girl sent before the hunter. Hence the name of the film as skin defects like moles are signs of being in league with the devil, and guess who has a mole on her face? Christian the apprentice’s newfound love Vanessa, which is what Albino, claimed to be proof hat she was a witch in the tavern earlier on. The young girl standing in front of the hunter is pardoned and after thanking him she is set free and as she leaves, Albion enters. The hunter points out that Albino is late, and with out excusing himself Albino sits down to the next accused witches case. A great way of setting up the contrasts here as the Which Hunter shows a good trait as the evil Albino who just gave Vanessa a damned good thrashing in the stables just keeps on pushing his foul ways upon the audience. The which hunter goes about his work and sentences the next case to first be stretched on the rack and then have her tongue ripped out by the root, but to keep the balance, the next scene sees Albino smile a sinister smile as Christian is stunned by the fact that Albino still wants to prove that he's the only witch hunter in the village and has Vanessa brought in front of the Which Hunter General to once and for all prove that she is a which. Christian points out that there is no indigent against Vanessa, but these documents mean nothing as the accusations are told, Vanessa had intercourse with the devil in return for him making a man who made advances on her impotent… The witch hunter is so shocked he sends her straight to the dungeon before he decides her fate.


Later Christian pleads for Vanessa to the Which Hunter, who explains that Vanessa is indeed a witch and she will confess after trial in the dungeon. Here the horrors begin as a long series of violent, sadistic and gory scenes show varied ways of expelling confessions and a subplot explaining Albino’s hate of Vanessa is shown before young Christian once again pleads for Vanessa and has doubts about the way they are going about gods work. His loss of faith is complete as he witnesses his mentor try to kill Albion after he accuses the witch hunter of exploiting his position for money and sins of the flesh. More carnage and subplots are set into motion to further show that Albion in more ways than one was somewhat right in his accusations, leading Christian to finally confront his master. While Jeff the Executioner goes about his orgasmic torture session in the dungeon, Christian sneaks Vanessa out of captivity and they enjoy a brief romantic moment. But when he returns to the dungeon, Christian is grasped by the witch hunter’s henchmen and thrown into a cell. Vanessa with her freedom goes to the village pub and rallies the villagers against the Which Hunter and his mob, before they storm the castle making him run for the hills, but in a twist of fate, the angry mob find the second best thing, Christian! Stringing him up from a tree the lynch mob go about torturing to death him as Vanessa accompanied by his screams of agony rushed forth only to find her lover hanging dead from a tree…

And ten minutes later you will probably have forgotten most of the movie because it really doesn’t live up to the expectations that those taglines and barfbag promised. The movie definately hasn't aged with grace and I found myself searching for the remote on more than one occasion. Not even the charismatic Udo Kier manages to keep this one going. But it is an interresting curioustiy as it was banned upon its release in several countries and still to date, and was once a cherished gem of genre lovers back in the golden days of vhs. Then again in 1970 it was a disturbing piece of film even though it by today’s standards is quite lame, and it did spawn a sequel on 1973 Mark of the Devil II in a desperate attempt to cash in on the slim niche Hexploitation. Needless to say it didn’t.


No shadow on Riz Ortolani, but Michael Holm’s score for Mark of the Devil really reminds me of Ortolani’s brilliant score for Cannibal Holocaust that was made ten years later. On the other hand the music in Mark of the Devil seems completely random and not made to coincide with what is going on on the screen and therefore feels out of place on many occasions as it doesn’t suit the atmosphere of the action shown.


Michael Armstrong couldn’t have asked for a better start in his career as Mark of the Devil was a massive hit when it was released in 1970, but success always comes with a price. Even though the movie was a smash, Armstrong only ever directed a second feature. He wasn’t even supposed to direct this one, as Michael Reeves who directed Witchfinder General (guess the niche of that movie!) two years previously. But when Reeves suddenly passed away due to an accidental overdose of barbiturates in 1969 the reigns where handed over to his assistant on the movie that inspired Mark of the Devil, Michael Armstrong. Never the less, he stood his ground and made an impact full movie loved by fans of the genre, and he also went on to write scripts for Pete Walker’s 1982 star studded Horror anthology House of Long Shadows, starring Vincent Price, Christopher Lee, Peter Cushing and John Caradine, and even though he wasn’t credited for it he did work with the script for Tobe Hooper’s 1985 vampires from space flick Lifeforce.

At the start of the movie there’s a statement that reminds the audience that some eight million people lost their lives during the witch trials between the 15th and 19th centuries. This should obviously be taken with a pinch of salt as it’s an exploitation movie setting ground before unrolling its little sleazy tale, but at the same time a lot of people did indeed loose their lives during ridiculous processes at the hands of religious fanatics, and perhaps it’s herein that the real horror of the movie lies. After all it did happen just imagine all those women dying in the flames for no real reason but religious fanatacism, Hey that sounds like I movie I saw once...

Image:
16:9 Widescreen. The print is all right but the colours seem a tad saturated.

Audio:
Dolby Digital 2.0, English dialogue with Dutch subtitles.

Extras:
The Dutch Extreme version has NO extras at all which is a shame, but then there’s a Blue-Underground version which has a couple of interviews with cast and stars Gabby Fuchs, Herbert Fux, Ingeborg Shoner and Udo Kier, a commentary track by Michael Armstrong, Theatrical trailers and radio spots, so if Mark of the Devil is your bag, then that’s the one to grab.

Here's a great trailer for the movie, which more or less plays out like a one minute version of the movie!