From time to time, Ol' Groove is gonna lay a classic comic from one of those magnificent mags upon ya--and today is such a day, you lucky Groove-ophile, you! I'm gonna start with a fave, "War Toy", by Tony Isabella and George Perez from U.W. of S.F. #2 (December, 1974). The story behind this story is pretty cool. Seems cover artist Mike Kaluta mentioned to editor Roy Thomas that he'd like to do a robot cover for U.W. of S.F. Thomas had been toying with the notion of a cover featuring an Iwo Jima style scene with a robot replacing one of the soldiers, so he gave Kaluta permission and the idea for the magnificent cover scene you see floating up there to your left. The cover was so cool, Thomas decided it had to have a story to go with it, so he gave Isabella (according to that issue's editorial) "the roughest of ideas" along with the title and turned him loose. The art chores were handed to a young up-and-comer named George Perez whose layouts pretty much blew everyone away. The only misstep was the art was heavily inked by the talented but overpowering Rico Rival. Still, the story is heart-rending, the art is far-out, and I really think you're gonna dig it!
Showing posts with label war toy. Show all posts
Showing posts with label war toy. Show all posts
Wednesday, November 12, 2008
Black and White Wednesday: War Toy by Tony Isabella and George Perez
From time to time, Ol' Groove is gonna lay a classic comic from one of those magnificent mags upon ya--and today is such a day, you lucky Groove-ophile, you! I'm gonna start with a fave, "War Toy", by Tony Isabella and George Perez from U.W. of S.F. #2 (December, 1974). The story behind this story is pretty cool. Seems cover artist Mike Kaluta mentioned to editor Roy Thomas that he'd like to do a robot cover for U.W. of S.F. Thomas had been toying with the notion of a cover featuring an Iwo Jima style scene with a robot replacing one of the soldiers, so he gave Kaluta permission and the idea for the magnificent cover scene you see floating up there to your left. The cover was so cool, Thomas decided it had to have a story to go with it, so he gave Isabella (according to that issue's editorial) "the roughest of ideas" along with the title and turned him loose. The art chores were handed to a young up-and-comer named George Perez whose layouts pretty much blew everyone away. The only misstep was the art was heavily inked by the talented but overpowering Rico Rival. Still, the story is heart-rending, the art is far-out, and I really think you're gonna dig it!
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!