| Femme Maison Louise Bourgeois |
Safe as Houses
Bodies Under Siege in American Art
I did not yet know I was pregnant the day I saw Louise Bourgeois’s Femme Maison series at the Metropolitan Museum of Art, where the panels sat in the middle of the drably titled exhibition “Louise Bourgeois: Paintings.” In fact, I’d walked to the museum straight from the office of a doctor who had reviewed my prior lab tests and ultrasounds and told me that I’d have an awfully hard time getting pregnant without a series of technological interventions. I recalibrated the units of my mental timeline: from months to years to, possibly, never. On the way out of the office I had peed in a cup one more time, just in case, a kind of reverse party favor.