Weighty concerns: Paul Murray in Stoneybatter, Dublin. Photograph: Patrick Bolger
The Mark and the Void by Paul Murray review – a philosophical shaggy dog tale
The follow-up to Skippy Dies is a playful, sometimes chilling farce set in an Irish investment bank
Stephanie Cross
Sunday 12 February 2016
Amid the bounce and twinkle-eyed hilarity of Paul Murray’s third novel, set in the Irish investment banking industry, there are several moments that strike a chill – the scene, for example, in which one trader explains that his monstrous institution is still too small, because it isn’t yet “setting its own agenda, reality-wise”.
Reality and fiction are the themes at the heart of this philosophical shaggy dog farce, which proves to be a more than worthy successor to the much-loved Skippy Dies.