Showing posts with label The Icicle Works. Show all posts
Showing posts with label The Icicle Works. Show all posts

Saturday, 27 June 2020

The Icicle Works The Best Of The Icicle Works



Get It At Discogs
With individual song comments from McNabb, an appreciative essay, complete discography, and fine artwork, the Icicle Works collection provides an excellent overview of the group's heyday. If not quite as strong as the band's debut album as an experience due to the inclusion of less successful later numbers, all the hit singles and some fine album cuts appear, not to mention an interesting rarity or two. Beginning with the "long version" of the chiming drive of "Hollow Horse" from The Small Price of a Bicycle, this collection fully showcases McNabb's passionate, elegant quaver and driving songwriting, as well as the abilities of the fine Layhe/Sharrock rhythm section. The three biggest hits get pride of place near the start: "Love Is a Wonderful Colour," "Birds Fly" (with wry comments from McNabb on its stateside re-titling as "Whisper to a Scream"), and "Understanding Jane." This last one appears in a 1992 version via remixing and extra overdubs by McNabb, but it's still a perfect blast of just-sly-enough pop/punk. He does a similar remix job with Small Price's gentler "When It All Comes Down," with equally fine results. "High Time," meanwhile, surfaces in its wonderful acoustic version from the "Kiss Off" single, while an otherwise unreleased track, the brooding, dramatic "Firepower," was recorded shortly before the original lineup collapsed.

Saturday, 18 August 2018

The Icicle Works The Icicle Works


The Icicle Works The Icicle Works

Get It At Discogs
The Icicle Works' self-titled debut as a whole is an excellent example of post-punk power and beauty. "Chop the Tree" alone is something of a lost classic, with Hugh Jones' note-perfect production, Sharrock's pounding, complex rhythm attack, and McNabb's exquisite singing providing one heck of a start. Indeed, McNabb here sounds like a clear precursor to singers like Neil Hannon of the Divine Comedy and the equal of the precise diction and passion of Edwyn Collins. When it comes to the hits, "Love Is a Wonderful Colour" is another prime vocal showcase, with a sparkling guitar/keyboard lead arrangement and a constantly shifting but never pointlessly show-off bass/drums pace. Frankly, the members of U2 must have wished they could be so emotional and so soaring at this point in their careers. As for "Birds Fly," the song stands as a joyous rave-up of quick drums and shimmering guitars with an inspiring, frenetic chorus tempered by a gentle, half-whispered conclusion. Further examples of the group's abilities crop up song for song: the amazing guitar break and serene conclusion of "Reaping the Rich Harvest," the clean crisp flow of "As the Dragonfly Flies" interrupted by a down and dirty guitar line, the soft pipe start to "Lovers' Day," and more. Concluding with the slow burn fire of "Nirvana," The Icicle Works is early-'80s U.K. rock at its considerable best.
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