Forty Five Minutes Of Neo- Indie Dance

I was never a fan of the term indie- dance back in the 1989- 1992 heyday. It seemed reductive and a little sneery, music press shorthand for guitar bands suddenly getting onto the dancefloor and finding a remixer who could help them crossover. Much of the music was brilliant but the way it was portrayed and written about was not. There was an element of bandwagon jumping too. But those records- the remixes of Happy Mondays Wrote For Luck, Fool's Gold, Weatherall's 12" remixes of songs from Screamadelica and then of everybody else, Flowered Up, New Fast Automatic Daffodils, The Soup Dragons (ahead of the pack as singer Sean is always keen to point out, releasing I'm Free ahead of Primal Scream's Loaded)- still sound like sonic gold and can still fill a dance floor. 

There's been a renaissance of the sound, the shuffly drums, psychedelic guitars, extended length tracks, cosmic synth sounds and freewheeling spirit circling back into the world. Recently Das Druid, Marshall Watson and Cole Odin, several of Sean Johnston Hardway Bros remixes, Holy Youth Movement and others have been reinvigorating a sound that is now over three decades old. The temptation to throw some of them together into a Sunday mix, a revival of the sound of Thursday night indie nights at late 80s nightclubs but with a bunch of 21st century tracks, was too much. 

Forty Five Minutes Of Neo- Indie Dance

• Strange Fruit: Monopolar
• Das Druid: Freedom
• Holy Youth Movement: Better Together (Hardway Bros Cosmic Intervention Mix)
• Marshall Watson and Cole Odin: Just A Daydream Away (Space Flight Mix)
• Le Carousel: Echo Spiegel (Curses Liquid Metal Mix)
• Jagwar Ma: Come Save Me (Andrew Weatherall Remix)
• Psychederek: Thinkin' Bout U Pt. 2 (Venus)

Strange Fruit are an indie- dance/ psychedelic/ cosmische band from Jakarta. Their forthcoming album Drips comes with remixes- Hardway bros and Tom Furse from The Horrors- and four songs, all of which mine that seam that got us shaking our action at the point were the 80s became the 90s. Shuffly drums, burbling synths, cosmische production and blissed out vocals all present and correct.  

Das Druid are from Australia, a band who are open about their influences, describing their Das Druid EP as a 'love letter to the evolving spirit of the Madchester scene'. Rather than shy away from it, they've embraced the comparisons. The EP comes with Justin Robertson remixes (in his folk- dub Five Green Moons guise), a man who moved to Manchester in the mid- 80s specifically for the music (and the university), and one from South Manchester's own Ruf Dug. 

Holy Youth Movement are from Bristol, a five piece taking cues from Primal Scream and Underworld with Jagz Kooner at the controls. Sean Johnston's Hardway Bros provided two remixes, both of which are sprinkled with indie- dance dancefloor gold dust. 

San Francisco pairing Marshal Watson and Cole Odin's Just A Daydream Away were a 2023 highlight, an EP with various versions of a cosmic/ indie- dance song, smothered in a sheen of day glo early 90s via 2020s production that glides and shimmers. Hardway Bros weighed in with a pair of remixes of this one too. 

Le Carousel's The Humans Will Destroy us is already sounding like one of the albums of 2026, a ten track synths/ guitars celebration of/ farewell to humanity. Last year's single Echo Spiegel was remixed by Berlin based producer Curses who put a  chunky 1991 indie- dance break under Phil's psychedelic/ electronics and pushed it all to the fore. 

Jagwar Ma were an Australian psychedelic/ dance trio from 2012 who made two albums between 2013 and 2016. In 2011 they released Come Save Me as a single and it came with an Andrew Weatherall remix. Between 1989 and 1991 Andrew did as much as anyone to invent a new sound, guitars and dance beats, samples and sequencers. By 1992 he was keen to move on and to leave indie- dance behind. In 2013 he remixed Jagwar Ma following a jaunt to Australia, sticking a massive indie- dance breakbeat underneath the song and in so doing reinventing a sound that he invented twenty years previously, a decade ahead of some younger bands then re- discovering the sound. Weatherall absolutely shines as a remixer here. 

Psychederek is from Stretford, a young musician/ DJ with a growing and excellent back catalogue. The sound of a psychedelic Stretford. His Thinkin' Bout U single came out last year, four different versions with the Pt. 2 Venus mix built around that indie- dance shuffle. 

From Slough To San Francisco

Out today, remixes of five tracks from Duncan Gray's Five Fathoms Full album which came out last year, a chuggy cosmic disco delight from the heart of Slough. Five Fathoms Further is the hundredth release on Tici Taci which is an achievement in itself. The remixes take Duncan's sound and colour palette as the starting point and head outwards. Meat Katie remix the title track, adding a vicious kick drum, a throbbing bassline and some haste to proceedings. 

Bagging Area favourites Number (an extra- curricular outfit for Red Snapper's Ali Friend and Rich Thair where they get to explore punk- funk/ dark disco) take on Hot Jupe and send it to early 80s New York, the rubber band bassline sounding like it's been listening to ESG and ACR and the sampled voice could straight from an NYC radio station. Lovely post- punk bump and grind.

Jack Butters remixes In The Attic, high calibre machine funk bringing distorto guitar, tabla and fuzz synth bass. Mr BC's version of Greenville heads for the cosmic- disco after party, widescreen, robotic synth action. Finally Justin Drake takes on Shark Bumps, thudding kick drum and rumbling bass suddenly lit up by synths and sparkles. There are excerpts at Soundcloud and the full Five Fathoms Further can be found at Tici Taci. 

Over in San Francisco DJ, musician and producer Cole Odin has launched a new project called Joy Theatre, a label and a production house for the Bay Area. The six track album opens up with an already released piece of music, the seven minute majesty that is Psychemagik's remix of Cole's Dawn's Approaching- blissed out SF cosmische that never stops giving with chuggy drums, angelic vocals, big piano chords. Cole wrote Dawn's Approaching as a tribute to Underworld's Rez and when the synth squiggle appears in the third minute you'll hear why. A welcome re- release. 

There are five further tracks on Joy Theatre. Babylon Black is a dark disco delight from two Bay Area producers, Buna Babillions and Corey Black. Evil Eyes is bass led party music. Jesse Fahnestock is well known round these parts as one half of Jezebell and all of 10:40. In the 90s Jesse lived in San Francisco and DJed at Bulletproof, an influence on Cole. Jesse appears on Joy Theatre under his own name, Jesse Black Fahnestock, with a track called Quienes Son, eight minutes of dub- disco with snakey horns working their way in and some of Jesse' signature production sounds. 

Over on side two there are more Bay Area tracks and artists- D- Freq by Sweetdique starts out like the theme from an 80s teen movie but when things have gone very dark indeed and then turns into a deep, slo mo joyride. The Arturian gives up Break Free, shimmering cosmic sounds with thudding drums and bass, flashes of synth blazing across the skies. Finally Jamel Lee closes the album with I Remember The Sun- the sound of children playing, deep house drums, synth chords always looking upwards and a spoken word vocal about the sunlight. 

Vinyl available here. 

Voyager

Marshall Watson featured earlier this week as one half of Causeway and their dance- goth/ synth pop song Dancing With Shadows. Marshall's a busy man though and as well as a solo tracks he's got an EP out today in collaboration with Cole Odin, Voyager, on Leng. Last year Marshall and Cole released Just A Daydream Away, one of my favourite releases from last year, a song adorned with an indie dance shimmer and some superb remixes by Hardway Bros and Joe Morris. 

Voyager marries Marshall's Balearic synths and hands in the air pianos with Cole's dub basslines and chilled dance/ psychedelia and  comes up with a song that makes the gloom and darkness of November wither away, an open minded, sky scraping, cosmic adventure with a piano riff that'll crack the sternest of faces. There are three mixes, the Original Mix, the Extended Guitar Mix and the Cosmic Rave Mix, and while all are exactly what you need today, the Cosmic Rave Mix is the one you need the most, the low slung bassline of the other two mixes replaced by a Patrick Cowley inspired sequencer that has setting the controls for the heart of the cosmos- and when that piano hits at two minutes twenty you'll be at the exact centre. You can find Voyager at Bandcamp. 

If you need a reminder of Just A Daydream Away's beautiful sun dappled, indie- dance splendour, here's the Space Flight Mix. The whole EP is here. 

Trance Stance

Electric Blue Vision released one of late 2023's best EPs, Jesse Fahnestock and Emilia Harmony's genre blurring widescreen Balearic psyche- folk/ indie dance track Other Skies. It came with three remixes that pushed it into other spaces, courtesy of Balearic Ultras, Tambores En Benniras and Hardway Bros Meets Monkton Uptown. If you haven't got it, get it here. The debut Electric Blue Vision track was a self titled electronic swoon with Emilia's celestial vocals floating by and if you haven't got that one you should get that too here.  

Now, today, comes the latest Electric Blue Vision release, out on Electric Wardrobe Records. Trance Stance was inspired by Emilia's outline for a song, one about the thrill of seeking someone out across a crowded dancefloor, the excitement of, 'waiting all night long just to rock your body down'. The music is a slow burning groove, chugging drums and bass, swampy guitars and some bleeps and bloops. Jesse made a connection with Emilia's lyrics to Joan Jett And The Blackhearts 1981 smash single I Love Rock 'n' Roll, Jesse's first ever single purchase and a record that probably provides all kinds of Proustian rushes for those of us of a certain age. As a result, a snippet of Joan ended up in Trance Stance (which also nods its head in the direction Dexys). 

The smokey, late night club vibe of Trance Stance comes with three remixes, all of which spin the song off in new directions. The Time Machine Dropouts remix comes via Matt Gunn (Electric wardrobe's main man) and Chad Jackson, an irresistible phunked up version with loops of bass, a floor filling drum break and whooshes. San Francisco's Cole Odin hits the space rock buttons, a cosmic trip with the controls firmly set for going further. Lastly Jesse provides his own remix, done with his 10: 40 headgear on, the Haight Steppin Remix, stripped down, gnarly electronics with whistles. Trance Stance is at Electric Wardrobe Records here. 

Joan Jett had form for rocking up with well chosen cover versions. I Love Rock 'n' Roll was originally released by Arrows in 1975. While on tour with The Runaways a year later she saw Arrows perform it on TV. Joan recorded and released a version with a pair of Sex Pistols, Steve Jones and Paul Cook in 1979 but then re- recorded it with The Blackhearts in '81. In 1981 Joan followed her hit single with another one, her cover of Crimson And Clover, a song that is peerless in early 80s pop- rock. It was originally a 1968 hit for Tommy James And The Shondells, bubblegum psyche- pop. Joan's version is totally badass, as they say.

Crimson And Clover

An Hour For Tak Tent Radio

Last Sunday Tak Tent Radio hosted an hour long mix of mine, my tenth for the radio station. You can listen to it at Mixcloud and or at Tak Tent. It's mainly made up of music from 2023 with a couple of older (but still fairly recent) ones, almost all having featured at this blog at some point in the past. The Jezebell track is unavailable elsewhere and was sent out to people who pre- ordered the double vinyl edition of Jezebellearic Beats Vol 1(and although Jesse and Darren said the track would never be made available from them they were happy for other people to share it- I thought this mix was a good place for it and luckily Jesse and Darren agree). The Khidja track has become a minor Bagging Area obsession- this is the third mix its appeared on, previously making it onto my end of 2023 mix and the David Holmes at The Golden Lion one a few weeks ago.  

• CLAIR: Body Blossom (Extended Mix)
• Psychederek: Test Card Girl
• Andy Bell and Masal: Tidal Love Conversation In That Familiar Golden Orchard (Edit)
• Coyote: We Got Lost
• Justin Robertson’s Deadstock 33s: Golden Twilight 23
• Cole Odin: Dawn’s Approaching (Psychemagik Remix)
• Jezebell: A Dangerous Side
• C.A.R.: Anzu
• Khidja: Do You Know This Record Marius?
• Bedford Falls Players: Marmite Marimba
• Four Tet: Bubbles At Overlook 25th March 2019

 

NYE 23

Let's wave goodbye to 2023 with the final Sunday mix of the year, this one stretching out with an hour and thirteen minute's worth of tunes from this year, not exactly a Best Of 2023 (although these are among the best of this year) more of a Some Of 2023. A mixture of trippy, dubby electronic music, throbbing dance tunes, chuggy indie dance, Balearic pop and Dublin guitar slinging sturm und drang. 

Happy New Year. Have fun tonight however you're choosing to celebrate. Thank you to everyone who's come here this year, to read and comment. I don't think I write this thing with an audience in mind but it helps to know that there is one, and that the people that populate it and places like this one are defintely a community. The comments and responses, particularly to some of the more personal, grief related posts, are genuinely much appreciated and a real support. Thank you, all of you. 

Onwards into 24. 

2023 NYE Mix

• Aphex Twin: Blackbox Life Recorder 21f
• Four Tet: Three Drums
• Khidja: Do You Know This Record Marius?
• Psychederek: Test Card Girl
• 10:40: Little Black Dress (Undressed Dub)
• A Man Called Adam: The Girl With The Hole In Her Heart
• David Holmes: Stop Apologising (Horse Meat Disco Vocal Remix)
• Marshall Watson and Cole Odin: Just A Daydream Away (Hardway Bros Remix)
• Islandman: Godless Ceremony (Hardway Bros Remix)
• James Holden: Common Land
• JIM: Still River Flow
• Fontaines DC: 'Cello Song

Monday's Long Songs

Earlier this year Marshall Watson released an EP called Foothills. Marshall is nineteen years into a career as an ambient/ Balearic writer and composer and the five tracks on Foothills (four new ones plus a Seahawks remix) are just the ticket- long instrumentals, long synth chords that allow the listener to have that sense of drift, with textures added by pianos and guitars, everything covered in a warm glow. It's music that seems to be the very opposite of a grim Monday morning in November in North West England but maybe that's exactly why it strikes such a chord for me. The EP can be bought here. 

High Desert

Also this year Marshall recorded a track with San Francisco's Cole Odin, a DJ and producer equally fired up by dance music and life affirming rock 'n' roll. The song Just A Daydream Away was a perfect slice of sunshine indie dance,  the sound of summer 1989 wrapped up for 2023. The Just A Daydream Away EP came with two versions of the song and three remixes, two from Sean Johnston's Hardway Bros and one from Joe Morris. Chuggy rhythms, chunky bass, glistening psyche- folk guitars and whispered vocals. This is the Space Flight version, seven minutes of blissed out magic. Buy the whole package here. 

Last week's Psychemagik post prompted me to dig back through my folders and nudged slightly by Jesse I went back to this, a 2019 Psychemagik remix of Cole Odin's Dawn's Approaching. Almost eight minutes long and not a second wasted Psychemagik bring everything in their bag to this, gentle building, expansive, vocals drizzled in warm waves, a beautiful flow of synths and drums and then just when you think it not going to change Psychemagik press the button marked Rez and it all goes off in fine style. Buy it here.  

Forty Five Minutes Of Hardway Bros Remixes

After A Love From Outer Space at the Golden Lion in Todmorden last night and yesterday's ALFOS post I thought Sean Johnston in Hardway Bros mode would be a good subject for a Sunday mix. I first attempted it weeks ago but for some reason lost the mix- the lost mix is always the best version. Then, trying again more recently, I tried to bite off more than I could chew, including remixes old and new and some of Hardway Bros original music, while trying to keep it around forty five minutes (much of Sean's music, remixes and original, comes in at ten minutes long). I went back to the drawing board, decided to only use remixes this time around and sling together a bag of cosmic chug, house/ disco/ dub and indie- dance- there's a transition in this which is a bit untidy but I've left it as it is. There are so many more remixes that could have been included here. Something to come back to at a future date. 

Forty Five Minutes Of Hardway Bros Remixes

• The Secret Soul Society x Hardway Bros: Yo We've Landed (Hardway Bros Remix Redux)
• Islandman: Godless Ceremony (Hardway Bros Remix)
• Marshall Watson and Cole Odin: Just A Daydream Away (Hardway Bros Remix)
• Out Cold: Lovin' Arms (Hardway Bros Remix)
• Peak High: Was That All It Was (Hardway Bros Remix)
• Aimes: A Star... In The Sky (Hardway Bros Remix)

The Secret Soul Society Yo We've Landed came out in 2021, one of many remixes Sean did that year, Secret Soul's Cal Gibson's head spinning psychedelia bent into disco- dub shapes. 

Islandman's Godless Ceremony came out earlier this year, psychedelic Turkish folk/ dance music turned into wobbly, chiming indie- dance. 

Marshall Watson and Cole Odin's Just A Daydream Away came out just a few weeks ago, another slice of indie- dance Hardway remix heaven. 

Out Cold's Lovin' Arms came out back in 2013. Out Cold is Simon Aldred who was also Cherry Ghost. When I posted this remix about a decade ago Sean saw the post and said he'd forgotten he'd even done the remix. Classic house sound and feel on this one. 

Peak High's cover of the Jean Carne's disco classic Was That All It Was came out at the tail end of last year and I played it and both of Sean's remixes to death including on a car journey at Christmas where my daughter Eliza said she'd heard it, all three versions, so much she never wanted to hear it again. 

Aimes' A Star... In The Sky was a 2020 release about which I know very little other than it came out on 12" and Sean's remix kicks like a mule- dark, spaced out cosmic techno. 

Just A Daydream Away

This came out at the start of the month, a lovely piece of psychedelia from California courtesy of Marshall Watson and Cole Odin called Just A Daydream Away. It's got a real lighter than air quality, the sounds all drifting forwards together powered by chuggy drums and whispered, echo- laden vocals. 

The remixes take things further. The Joe Morris Remix is eight minutes of lazy poolside action, electronic drums and synths that gather pace and turns into something really quite expansive. 

Then there's the Hardway Bros remixes. Sean Johnston's on an indie- dance trip at the moment, his previous remixes for Islandman and Holy Youth Movement both hitting the sweet spot. The Hardway Bros remix of Just A Daydream Away is a ten minute epic, chiming indie/ folk guitars, chugging drums and a sense of wide eyed possibilities. The Daydream In Dub (Live At The SSL) Mix is, uh, dubbier. 

In conversation with a friend a while ago, I was told that sometimes 'you' just need to forget all that 'boy stuff' about lists, recordings and equipment/ technology/ instruments. The only thing that matters with music is how it makes you feel. Just A Daydream Away, all the versions but Sean's Hardway Bros Remix especially, make me feel good, like a summer afternoon that will never end. 

Buy the EP here.