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Showing posts with label joao leao. Show all posts
Showing posts with label joao leao. Show all posts

Sunday, 11 January 2026

An Hour Of 2025 Part Three

This is my third and final Sunday mix pulling together some of my favorite tracks from 2025 (the first one, ambient and instrumental, is here and the second, dub and dance, is here). This one starts out folky, strays from dub to cosmische and Balearic, and picks from the past too with two covers, some Stone Roses inspiration and Mazzy Star, songs borrowing from the years 1971, 1989, 1993 and 1999. Going back to go forwards. 

An Hour Of 2025 Part Three

  • Joao Leao: One Of These Things First
  • Sydney Minsky Sargeant: Summer Song
  • Coyote: Battle Weary
  • Stereolab: Flashes From Everywhere
  • Psychederek: Thinkin' Bout U Pt. 4 (Jupiter/ Reprise)
  • Saint Etienne: Alone Together (Hove Lawns Sunset Mix)
  • Pale Blue Eyes: How Long Is Now (Richard Norris Remix)
  • Red Snapper: Ban- Di- To
  • Five Green Moons and Brix Smith: Boudica
  • Raz and Afla: Windowlicker
  • 10:40 Present Retro Fit: Lavender Mist
  • Four Tet: Into Dust (Still Falling)

Joao Leao is a Brazillian- Canadian artist. This cover of a Nick Drake song came out on 7" in February on Toronto label Local Dish, a lovely, slightly tropical and ever so sweetly melancholic version of the original. 

Sydney Minsky Sargeant's solo album Lunga was a 2025 highlight, an album with some songs that date back to his teenage years growing up in Todmorden and the flipside to Syd's main job as leader of Working Men's Club. Lunga is downtempo, personal, acoustic guitar based with echoes of Syd Barrett in the singing and Nick Drake in the playing. Summer Song is reflective, a little lost, the sound of the end of summer. 

Notts Balearic veterans Coyote continue to drip feed new songs and tracks. 2025 saw a six track mini- album, Wailing To The Yellow Dawn, a collaboration with Peaking Lights and two singles including the one here, the dubbed out sounds of Battle Weary with the vocal sample iterating, 'Sufferin' is a poor man's crime'.  

Stereolab returned after a long gap with a new album, Instant Holograms On Metal Film, an album stuffed full of vintage synths, motorik rhythms, wit, invention and (crucially) good songs. Flashes From Everywhere starts out like an easy listening track and then goes krauty and flirts with being poppy. 

Stretford's Psychederek released the four track EP Thinkin' Bout U in August, four different versions of the song, covering everything from Pacific State style dance to broken down, beach bar Balearica (Pt. 4, the one I've included here), kind of proving there's no such thing as a definitive or final version. You can always find another way to do something. 

Saint Etienne released four versions/ remixes of Along Together (a track from 2024's The Night). The Hove Lawns Sunset mix re- imagines West Sussex as a Mediterranean island, slo mo beats and sunset by the pool vibes. Bob, Pete and Sarah then announced an album that would be their last and a tour this year that will be ditto. I think we'll miss them when they're gone.

Pale Blue Eyes are from Sheffield, an indie/ krauty trio. Richard remixed the song as a cosmische autobahn trip, soaring away from South Yorkshire and into 70s West Germany.

Red Snapper were all over my 2025. A tour in March to celerbate the 30th anniversary of Reeled And Skinned, a new album Barb And Feather, and an appearance on Sounds From The Flightpath Estate Volume 2 with the percussion mayhem of Qraqeb. Ban- Di- To is amped up jump blues done 2025 style. 

Five Green Moons second album, Moon 2, was a second strong dub/ folk set from Justin Robertson, who is really in a purple patch at the moment. Brix Smith appears on Boudica. Surviving The Fall/ leading an uprising against the Romans- similarly troublesome I'd imagine. 

Raz and Afla released their cover of Aphex Town's Windowlicker, an Afro- futurist dancefloor bomb that repositions Aphex Twin somewhere new. 

Jesse Fahnestock's 10:40 released An Alternative History back in April, a track Jesse made inspired by a post here at Bagging Area where I imagined an alternate history of The Stone Roses, one where they didn't mess it up after June 1990 but kept going and recorded singles, EPs and albums all the way through the 90s culminating in a gig at Raglan Road scout hut in Sale, up the road from me, where Ian and John first rehearsed way back. You can read that post here. Jesse fired up his studio, sampled Ian and built a new/ imaginary Roses track. The third version, Lavender Mist, went all backwards and is named after Jackson Pollock's painting of the same name. For a while Jesse had the idea that I might provide the vocal but I bottled it. Probably for the best. My singing voice hasn't been the same since I gave up smoking. I always planned to include Lavender Mist on an end of year mix but Mani's death in November added an extra poignancy to everything Roses related. You may have seen the photos from the funeral of his former bandmates carrying his coffin out of Manchester cathedral. A very sad loss. 

Four Tet's Mazzy Star sampling Into Dust (Still Falling) was my favourite single of 2025, a lush and slinky tune that (as I said elsewhere) sounded like summer in the summer and sounds like winter in the here and now. Kieran Hebden can do little wrong for me- his album with William Tyler was as good an album as any other released in 2025 and as Four Tet has been on a roll of superb albums in the last decade with New Energy in 2017, Sixteen Oceans in 2020 and Three in 2024.  

Sunday, 12 October 2025

Forty Five Minutes Of Cover Versions


I held back from doing this for ages, a mix just containing cover versions, because it felt a bit lazy, a bit uninspired but the recent covers of Nick Drake by Joao Leao and The Velvet Underground by Thurston Moore twisted my arm into it. There are potentially more cover versions mixes to come. All these are relatively recent, although now I think about it Rowland S. Howard's Pop Crimes album came out in 2009 which is sixteen years ago and Calexico's in 2003 which is twenty two years ago- but the rest are all fairly recent. This mix leans towards the garage/ psyche/ guitar side of things. 

Forty Five Minutes Of Cover Versions

  • Andy Bell: Smokebelch
  • Joao Leao: One Of These Things First
  • Calexico: Alone Again Or
  • Rowland S. Howard: Life's What You Make It
  • Moon Duo: Planet Caravan
  • Moon Duo: No Fun
  • The Liminanas: Angles And Devils
  • Thurston Moore: Temptation Inside Your Heart

Andy Bell's cover of The Sabres Of Paradise's Smokebelch was begun on the day of Andrew Weatherall's death, 17th February 2020, and finished in late summer/ early autumn 2023 when I emailed Andy to ask him if he had a track for our then unreleased pipe dream album Sounds From The Flightpath Estate Volume 1. Andy's reply contained the completed cover and as soon as we listened to it, we knew it would close the album. Smokebelch itself began life as a cover version of L.B. Bad's New Age Of Faith.

Joao Leao's bossa nova flecked cover of Nick Drake's One Of These Things First, a song from Nick's 1971 album Bryter Later, came out as a 7" single on Toronto's Local Dish label and was posted here two weeks ago. 

Calexico's cover of Love's 1967 classic Alone Again Or doesn't stray too far from the original- Calexico were surely destined to cover it through with their combination of desert indie and mariachi horns. I thought I had a dub version of Alone Again Or- it sounded superb, dub groove, those horns and a snatch of vocal but I must have dreamt it. 

Rowland S. Howard's Pop Crimes was the former Birthday Party guitarist's second solo album. He was undergoing treatment for liver cancer at the time and died two months after it was released. Under those circumstances Talk Talk's Life's What You Make (second line, 'can't escape it') takes on a different meaning. Rowland's guitar playing- in fact just the way he held and approached the guitar- is pretty unique. His roiling guitar lines and feedback, the metallic clang and grim vocal delivery take the song into new places- which is what a cover version should do really. 

Moon Duo are represented twice here. First their cover of Black Sabbath's Planet Caravan was a summer 2020 release, their version of the 1970 original a chilled and weightless cosmic take. Their version of The Stooges' No Fun is from a 2018 12" single with Alan Vega's Jukebox Babe on the other side. Sonic Boom produced it. Again, a blank eyed, calmed down take on Iggy's 1969 proto- punk classic. 

The Liminanas released a compilation of singles and other rarities in 2015, I've Got Trouble In Mind Vol. 2 which included this cover version of Angels And Devils, an Echo And The Bunnymen B-side. The Liminanas, French psyche/ garage band par excellence, take The Bunnymen's Mo Tucker stomp and turn it Gallic. 

Thurston Moore's cover of The Velvet Underground's Temptation Inside Your Heart came out in September, a song he's been playing live for some time, MBV bassist Debbie Goodge plays the bass (as she does when Thurston plays live). Lou Reed's song first saw the light of dark on the 1985 outtakes album VU and has been a favorite of mine since the late 80s. Thurston more than does it justice.

Thursday, 2 October 2025

One Of These Things First


Another guest post from Spencer and a swerve in direction from the Balearic pop of Bruce Hornsby two weeks ago. Spencer's offering today is from a Canadian label and a Brazilian/ Canadian artist, Joao Leao covering Nick Drake.  

Spencer says...

'One of these things' is Joao Leao's lo-fi bossa take on Drake's dreamy next world poem. In many ways, his cover remains faithful to the original while still being quiet, measured and full of sorrowful yearning, but there's something else there too. The gently patted bossa box produces a beat that represents a kind of stealthy resilience. A defiant heart refusing to stop in the face of much provocation. As you listen you can hear the weariness but, there's wisdom too and that's what makes this one special'.

One of These Things First (Undui) is at Bandcamp, one side of a 7" single out on Toronto label Local Dish.

The collision of cultures going on here- late 60s English folk coupled with Brazilian bossa nova and released by a Canadian label dedicated to putting out 'eclectic analog recordings by local artists'- is exactly the sort of thing that we need more of- and that the internet is great for if you know where to look or have people pointing you in the right direction. Niche. Lo fi. Small scale. No borders.

Nick Drake's original is a thing of beauty too, a song from 1971's Bryter Later. The lyrics offer up all kinds of things, some real and some whimsical, that Nick could have been- a sailor, a cook, your pillar, your door, simple as a kettle, steady as a rock. In the end, he concludes he could and should have been one of these things first. Possibilities and missed chances. Regrets.

One Of These Things First

Spencer followed up his Joao Leao post with this from the same label...

'This one from the same label is just pure Balearic collage-pop joy. I can just imagine it being 'pick of the week' on the left field page in Jockey Slut back in the day...'

Encontro de Seca com Chuva by Nikitta (the track title translates as 'drought meets rain' according to my search engine). Listen to it here.

To my ears it also sounds like the sort of thing the Beastie Boys would have released on Grand Royal back in the 90s. The label hosted records by Luscious Jackson, Atari Teenage Riot, Money Mark and the Josephine Wiggs Experience and At The Drive In among others. Grand Royal was also a magazine, a goldmine of references, recommends and articles, from Ramen to Lee Scratch Perry, George Clinton to Evel Knievel, Viv Albertine and the mullet. The Beastie Boys were the kings of mid- 90s pop culture.