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Showing posts with label edward barton. Show all posts
Showing posts with label edward barton. Show all posts

Tuesday, 3 August 2021

It's Going To Be A Fine Day Tomorrow

This is a 1992 remix of Orbital's Halcyon, spliced with Opus III's It's A Fine Day by Michael Anderson, both songs I adore, standout songs from the early 90s when dance music seemed awash with possibilities and the promise of being the soundtrack to a new decade/ world. 


Orbital's Halcyon borrowed from Opus III, a backwards piece of vocal from singer Kirsty Hawkshaw (who also starred in the video as a housewife losing it). The song Halcyon was dedicated to the Hartnell brothers' mother who had been addicted to the tranquiliser Halcion for many years, so the video is at least partly her story. The full eleven minutes of Halcyon (On + On) are a peak in Orbital's back catalogue, a back catalogue not exactly short of peaks.  

Halcyon 

Opus III were Kirsty Hawkshaw plus three producers- Ian Munro, Kevin Dodds and Nigel Walton. All also members of Spiral Tribe so their rave/ outsider credentials were second to none. It's A Fine Day was a big hit in 1992, crunching drums, rave keyboards and Kirsty's lighter than air vocal proving irresistible to the record buying public- hypnotic, trancey, loved up but with a slightly off kilter edge. 

It's A Fine Day 

It's A Fine Day's slightly off kilter edge comes perhaps from its origins in early 80s Hulme, part of Manchester just south of the city centre, where the concrete housing development known as the Crescents had been abandoned by the residents and families it had been built for and taken over by a more bohemian set of people. The Crescents were described as 'Europe's worst housing stock' but in the 80s were the home to all sorts of people looking for an alternative place to live. Edward Barton, a Manchester based poet and musician, wrote It's A Fine Day while he lived in Hulme. The song's first recorded appearance was in 1982 on the mini- album Jane And Barton, the words sung by his friend Jane Lancaster- an unsettling piece of acapella. 

It's A Fine Day

Saturday, 12 March 2016

Deanne's Day


A shift of gear after all the '77 and Iggy Pop stuff. In 1996 Andrew Weatherall's Emissions label put out a 12" by Deanne Day, two tracks both over ten minutes long, from where techno met deep house (which was where Weatherall's head was at back then), precise and intense music. Both sides are great, smelling of dry ice and dark corners where the bass reverberates.  It might sound like these tracks are for the completists only but you should give these a go.

The Long First Friday

Hardly Breathe

Hardly Breathe samples Mancunian legend Edward Barton and some looped vocal parts from singer Smita Pandya, taken from the song Thousand Lives. Deanne Day was actually a pseudonym for Weatherall and fellow producer David Harrow (Deanne Day, D and A). Deanne had put out a 12" the year before called The Day After and there was a very limited remix 12" too but to my mind this was the one- in some ways this sound is what I think of when I think of '96-'97.

Tuesday, 10 February 2015

We Can Eat Salad


I'm joining a few recent musical dots again- on Saturday I posted Orbital's Chime. Orbital's epic and beautiful Halcyon had a backwards vocal part sampled from Opus III's It's A Fine Day (sung by Kirsty Hawksworth, a big hit in 1992). It's A Fine Day was originally written and recorded a cappella by Jane and Barton and released in 1983. Edward Barton wrote it while living in Hulme, Manchester and it was sung by Jane Lancaster (his girlfriend). A haunting little song.

It's A Fine Day

This is the wonderful rave-tastic Opus III version.

Friday, 18 November 2011

A Fine Day Tomorrow


Classic rave/house tune from 1992, Opus III's It's A Fine Day to get your Friday off on the right foot. Originally by Hulme poet and musician Edward Barton. Come on in- the water's lovely.