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Showing posts with label vashti bunyan. Show all posts
Showing posts with label vashti bunyan. Show all posts

Sunday, 21 December 2025

Fifty Minute Midwinter Mix

A mix for the winter solstice, the longest night and shortest day, and to celebrate the fact that we'll start to get a little more daylight every day. Songs with winter in the title are plentiful and there are quite a few that didn't make it into this mix for various reasons- I wanted to keep this mix largely ambient/ ambient inspired (although that goes a bit off piste in places as you can see from the tracklisting below). Aztec Camera's Walk Out To Winter, The Bangles/ Simon and Garfunkel's Hazy Shade Of Winter and Teenage Fanclub's Winter just didn't fit and A Certain Ratio's ten minute drone epic Winter Hill was too long and cutting it down/ fading it out didn't seem right. 

Fifty Minute Midwinter Mix

  • Joanna Brouk: Winter Chimes
  • Pye Corner Audio: A Winter Drone For Christmas
  • SUSS: Winter Light
  • The Durutti Column: Sketch For Winter
  • Trentemoller: While The Cold Winter Waiting
  • Michael Head And The Red Elastic Band: Winter Turns To Spring
  • Stockholm Monsters: Winter
  • The Pictish Trail: Winter Home Disco
  • Saint Etienne: Her Winter Coat
  • Neil Young and Crazy Horse: Winterlong
  • Vashti Bunyan: Winter Is Blue
  • Glass Candy: Warm In The Winter

Winter Chimes is from a 1980 Joanna Brouk album, The Space Between. It is atmospheric and enchanting, just chimes and piano sitting somewhere in the space where ambient crosses into New Age.

Pye Corner Audio's Winter Drone For Christmas- the title is exactly what it is- is from Christmas Eve 2023, five minutes of low key synth loveliness. 

Winter Light is from Promise, the 2020 album by SUSS, an ambient Americana trio from New York. Highly recommended.  

Sketch For Winter is from The Durutti Column's 1980 album, The Return Of The Durutti Column album, Vini Reilly's debut long player. Vini was pushed into Cargo Studios in Rochdale by Tony Wilson during a period when he was suffering from severe depression. Tony thought it might save Vini. In the studio was Martin Hannett and a van load of new equipment. The album, Fact 14, was housed in a Situationist inspired sandpaper sleeve, and contains ten tracks of Vini playing guitar and Martin playing 'switches' (as the sleevenotes say). It's recently been remastered and re- issued and sounds better than ever, a foundational album for Factory and UK post- punk (not that it sounds post- punk but it is- Vini says, doing what he did could only have happened in the space that opened up after punk). 

Trentemoller's 2006 album The Last Resort was the Danish producer's debut, an electronic album that sounds very live.

Michael Head and The Red Elastic Band's Adios Senor Pussycat still sounds like one of the best albums of 2017 and of that entire decade. Winter Turns To Spring is Mick on piano and singing, a change of sound from the rich, full band scouse folk rock that makes up most of the album. 

Stockholm Monsters were from Burnage and signed to Factory. Winter is from 1984's Alma Mater, a record produced by Peter Hook and largely ignored in 1984, one of those albums that is a lost gem. A dark, monochrome sound, led by the bass guitar, very poetic and very Factory. 

The Pictish Trail is Johnny Lynch, who operates out of a caravan on the Isle Of Eigg, Scotland and was part of the Fence Collective and the man behind Fence Records, an open minded, folk influenced label started by Lynch and King Creosote. Winter Home Disco kicks in with a drum machine but the folk and psyche follow quickly. A rather beautiful song from 2008 which all of a sudden seems a long time ago. 

Her Winter Coat was a 2021 single by Saint Etienne, Pete Wiggs creating a Christmas sounding song without going full Xmas cheese. Icy and quietly epic.

Neil Young and Crazy Horse's Winterlong came out on Decade,a  triple lp compilation from 1977 that was only the start of Neil's career long trawl through his unreleased vaults and shelved projects. Thinking about it, I'm pretty sure I heard the Pixies cover of Winterlong, released on a 1989 tribute album called The Bridge, before I heard Neil's. Neil and Crazy Horse recorded Winterlong in 1973 at Neil's Broken Arrow Ranch. It is perfect in the way only Neil and Crazy Horse can sound- slightly frazzled, slightly out of tune, ragged and dreamy and psychedelic, searching for something- love, fulfillment- before concluding, 'it's all an illusion anyway'. 

Vashti Bunyan's Winter Is Blue is lyrically dark- winter and loss of love, life having no meaning. The guitars and arrangement are deceptively jaunty, a trick folk music often pulls. This is the Immediate version, recorded it for Andrew Loog Oldham's label in 1967 and unreleased until 2007. Vashti re- recorded it for her 1970 album Just Another Diamond Day, a record so poorly received that she packed it all in and went to Scotland by horse and cart and then to Ireland for several decades before its rediscovery in the 21st century. 

Warm In The Winter is a joy- Glass Candy released it as a single on Italians Do It Better in 2013. Giddy synth pop, a song in love with life and with itself, 'Crazy like a monkey/ Happy like a new year'. Partway through Ida sings, 'You're beautiful. You came from heaven. We love you!' and the synth arpeggios build, and the song skips and swoops, and the darkness gets pushed out and, once again, winter passes. Happy solstice. 

Wednesday, 27 December 2023

Winter Is Blue

Vashti Bunyan's Winter Is Blue is a pretty dark song lyrically. The first two verses go like this-

'Winter is blue/ Living is gone/ Some are just sleeping/ In spring they'll go on/ Our love is dead/ Nothing is crying/ Love will not find even/ One more new morning'

Later on she sings, 'Winter is blue/ Everything's leaving/ Fires are now burning/ And life has no reason'. This version of the song came out decades after it was recorded. Vashti recorded it for Andrew Loog- Oldham's Immediate label but it was left in the vaults until 2007. The bleakness of the lyrics are countered by the sweetness of the arrangement, the finger picked guitar (said to be Jimmy Page) and strings, the sort of sound Loog-Oldham created for Marianne Faithful and tried to replicate with Vashti. It was re- recorded for Vashti's 1970 album Just Another Diamond Day, the album that sold so few copies on release that she packed up and left, moving to Ireland and then Scotland before being rediscovered in 2000 and giving her a second musical life, three decades after she abandoned the first.

Winter Is Blue (Immediate Version)

This one minute thirty seconds long clip from the 1967 documentary Tonight Let's All Make Love In London shows Vashti at the mic in the studio and Andrew with Glyn Johns at the desk. 


In 2020 The Avalanches returned with several singles that led to their third album, We Will Always Love You, a vast, widescreen, genre hopping double album. It included this sumptuous pop- soul song, Reflecting Light, singer Sananda Maitreya sharing the vocal space with a sample of Vashti (from her 1970 song Glow Worms), the two voices coming together for the line 'dreamers moving slowly through the reflecting light'. On Reflecting Light is as much a sound collage as a song, the synths, samples and soft padding drums conjuring up something genuinely cosmic.

Reflecting Light