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Showing posts with label autumns. Show all posts
Showing posts with label autumns. Show all posts

Wednesday, 4 March 2026

Blacked Out

Black Bones, a Belfast duo, released a six track album last year that took nightclub music- techno, dub, disco, whatever else gets people dancing- and lit a fire under it. Tough beats, wonky experimental sonics, a dark Balearic feel, more than a little influenced by various points in Andrew Weatherall's back catalogue- the noir feel of Sabres, the basement beats of 2000 era Two Lone Swordsmen, the adventurism of his solo work from the 2010s. 

Black Bones have followed that album with a new 10" single, two more slices from Belfast. The A- side, Barrios And Barricades is an urban trip with voices, a banging bassline, a rattling snare, shrieks and cries, the thump in the chest you get when music is played through a big soundsystem and the staccato flash of the strobe. Full blooded music that makes you feel alive and in the moment. Listen and buy at Bandcamp

On the flip is Cruising, a Black Bones- Autumns collaboration. Cruising drives in with the same four four thud, the drum sound pushed to the edge and a bassline that would chew up the carpet at parties. Swirling around those two elements there are crashes and FX, echoed shouts, metal on metal and at two minutes forty seven seconds a breakdown, a brief pause before the tension and the rhythm returns. 




Thursday, 2 January 2025

From 24 In 25

Here's a few releases from late 2024 to kickstart 2025- late to me in 2024 that is, not late in the year releases, but things that either I only just caught up with or for whatever reason didn't write about earlier last year. Two of them came via Flightpath excursions. The first is Reunion by Quiet Village, a record Dan played at The Golden Lion and which caught my ear (along with one he played from 1969 but we'll come back to that at another time). 

Quiet Village are from London, a duo who play a cocktail of future jazz, downtempo, ambient/ Balearic and funk/ soul. Reunion is very much in the future jazz camp, with a rattling 6/8 rhythm, piano and a hard edge- then a sax comes in and drifts over the top into infinity. Sun Ra, Carl Craig, Clyde Stubblefield. Retro- futuristic sci jazz? Whatever labels we're using, it's rather beautiful. Available digitally at Bandcamp.


Also from the Flightpath Estate DJs record boxes is Dyslexia Sound Source by Autumns, and an album recommended by both Martin and Mark- tight percussive dub shot through with experimental post punk. The ten track album is superb from start to finish. The track I'm posting here is for the title as well as for the music, Interpretive Dance Is A Scam, no nonsense, no fat, heavy duty dubwise sounds. Dyslexia Sound Source can be found here

Finally, Flightpath connected but one step removed, Mark's brother Carl lives in Australia and a couple of days ago sent me a link to an album by a band called Aircooled. Eat The Gold is six songs long, a fusing of krauty/ cosmische and spiky indie rock from a three piece from St. Leonards made up of drummer Justin Welch (formerly of Elastica and The Mary Chain), Katherine Wallinger (The Wedding Present, Viv Albertine), Oliver Cherer (Miki Berenyi's Trio) and Riz Maslen (FSOL). It's all good but today the eight minute sweeping West German majesty of Star Rider is the one that really hits the spot. The full album is at Bandcamp.