Forty Minutes Of Folkishness

Today's Sunday mix is an inspired by or 'ish' mix, forty minutes of music that is folk adjacent or inspired- the melodies, the playing, a cover of a late 60s, English folk rock classic, an edit of a 60s folk song, some other songs that just feel like they're in the folk music vernacular. Most of the songs on the mix are from this year, the rest from fairly recently.  For want of a better phrase, they've all got a folk vibe. 

There's plenty more music sitting in my downloads and music folders that fall within the boundaries of this- Richard Norris and Dot Allison both come to mind so a part two may follow.

Forty Minutes Of Folkishness

• Luke Schneider: midafternoon classic
• Matt Deighton: Tannis Root
• Coyote: The Outsider
• Andy Bell: Pinball Wanderer
• Andy Bell: Light Flight
• Sydney Minski Sargeant: Long Roads
• Totem Edits 12: Feel
• Sewell And The Gong: Passing Oort Clouds
• Four Tet: Into Dust (Still Falling)

Luke Schneider is from Nashville, a pedal steel guitarist and part of the ambient Americana scene. midafternoon classic came out last year, a couple of minutes of ambient/ folk with nylon strings, pedal steel and harmonica. His latest four track release came out two days ago and can be found here. 

Matt Deighton's Villager is a 1995 folk gem, much overlooked at the time. Tannis Root is a few minutes of acoustic guitar and some woodwind, lovely modern instrumental folk inspired music that came out on Moonboot's Moments In Time compilation. 

Coyote's The Outsider was the closing song on their 2021 album The Mystery Light, an acoustic guitar sequence and the vice of mystic/ writer/ speaker/ philosopher Alan Watts. The Coyote duo were nodding their heads at Andrew Weatherall too, who wrote under the pseudonym The Outsider in the Boy's Own fanzine and who was exactly what Watts is talking about, 'you don't have to join, you don't have to play the game...'

Andy Bell's Pinball Wanderer came out at the start of this year. The title track is lit up by a late 60s folk rock guitar melody, some shuffly acoustic guitars and a sense that Fairport Convention and The Stone Roses in 1989 got in a room together. On his 2022 covers EP Untitled Film Stills, Andy covered songs by Yoko Ono, The Kinks, Arthur Russell and Pentangle. Light Flight was from Pentangle's 1969 folk- rock album Basket Of Light, an album that pushed them into the charts. Light Flight was also the theme tune to BBC 1's Take Three Girls, a late 60s/ early 70s drama about three young women sharing a flat in London. 

I wrote about Sydney Minski Sargeant's forthcoming solo album Lunga last week. The single Long Roads is folk indebted, echoes of Nick Drake and Syd Barrett in the playing and singing. Lunga promises to be one of autumn's highlights. 

Totem Edit is Leo Elstob and Justin Deighton. On Feel they take Gordon Lightfoot's 1967 song The Way I Feel and turn it into a 2025 folk/ Balearic groove. I've played this out and it always gets a response. 

Sewell And The Gong's recent album Patron Saint Of Elsewhere is one of late summer 2025's best, a lovely fusion of folk, drones, pastoral melodies, motorik drums and samples. Previously, in 2023, Sewell released a four track EP called Tonight We Fly and Passing Oort Clouds is a beautiful, folk inspired instrumental, looped melodies, acoustic guitars and a gently prodding rhythm. Oort clouds are (possibly) a giant spherical shell surrounding the sun, the stars and the Kuiper Belt, a bubble made of icy comet like objects. 

Four Tet's Into Dust (Still Falling) came out earlier this summer and has been getting regular plays round here ever since, the Mazzy Star sample and vocal sinking into Four Tet's folky melodies and skippy drum track, Hope Sandoval's melancholy playing off against Keiran Hebden's propulsion.

Forty Five Minutes of Speaking Voices

I had the misfortune recently to see an advert on TV with the voice of Alan Watts is being used to sell cruises for the Cunard shipping company. Watts was a writer, speaker and philosopher who did much in the 1950s and 60s to popularise Eastern philosophies in the west. His lectures and speeches have been widely available for a long time, not least since the rise of Youtube. His son tries to control the use of them through an Alan Watts website where they can be downloaded when paid for, so presumably Cunard paid for the use of Alan's voice rather than just ripping it from Youtube. The advert chops up Watts' speech and misses the end section entirely, not surprisingly, (knowingly) misrepresenting the message of the original, selling a luxury cruise on the high seas as the dream Watts speaks of. I'm not here to complain about advertising, it's a bit late in the day for that. Watts' voice and speeches are instantly recognisable and catnip for use in media where his message, accent and speaking voice and rhythms are striking and attention grabbing. 

I came across this clip this week too, writer Paul Bowles interviewed in 1970 about a trance dance and self mutilation he witnessed while resident in Morocco. Bowles left the USA in 1947 and settled in Tangier, recording local musicians and writing. His novel The Sheltering Sky came out in 1949, turned into an epic film by Bernardo Bertolucci in 1990 (I read the book and saw the film at the time and enjoyed both but don't remember much about either now so need to revisit). Bowles' speaking voice, like Alan Watts, very much lends itself to being set to music, not just the content but the tone and timbre and patterns of speech. Which led to think that speaking voices set to music would make a good longform mix.

The mix below is forty five minutes of speaking voices set to music, sometimes where voice and music have been specifically made for and recorded with each other and sometimes where the voice has been taken from earlier recordings and sampled. I could probably find enough to make a second at some point in the future. 

Forty Five Minutes Of Speaking Voices

• Jon Hopkins, Ram Dass and East Forest: Sit Around The Fire
• 10:40: The First Step
• Coyote: The Outsider
• David Holmes and Jon Hopkins ft. Stephen Rea: Elsewhere Anchises
• Rude Audio and Dan Wainwright: Be Love
• Steve Queralt and Michael Smith: Chaldean Oracle
• Steve Queralt and Michael Smith: Glitches (Flug 8 Remix)
• Fireflies and Joe Duggan: Leonard Cohen Knows

Sit Around The Fire is the closing track on Jon Hopkins 2022 Music For Psychedelic Therapy, the voice of guru and writer Ram Dass talking about spiritual discovery through sitting round the fire and staring at the flames, while Hopkins' slow piano chords and sound of wood burning and crackling drift by. 

The First Step came out on Higher Love Vol. 2 last year, a 10:40 track that borrows a Bertrand Russell interview and layers a slow burning groove and wash around it, growing in emotion with nods to Elvis and Spiritualized. Russell speaks of acting and of doing in spite of doubt and in the absence of religion.  Magical stuff. 

Coyote are masters of sampling voices and building beautiful Balearic songs around them. This one takes Alan Watts talking about artists, work, states of evolution and sane and insane societies, adds some lovely acoustic guitar, and pays tribute to Andrew Weatherall (who styled himself as The Outsider when writing for Boy's Own back in the late 80s). The Outsider is the last song on their 2021 album The Mystery Light, a highly recommended record. 

Elsewhere Anchises is from David Holmes' Late Night Tales, a stunning 2016 compilation album that pulled together nineteen songs of life and loss, spanning Buddy Holly and David Crosby to Eat Light Become Light and songs David made for the album. On Elsewhere Anchises actor Stephen Rea speaks the words of Seamus Heaney over David's ambient backdrop, the sound of something quite special taking place. 

Rude Audio and Dan Wainwright have released one of this year's best dub/ dub techno/ psychedelia albums, Psychedelic Science. Be Love opens the album with the voice of Ram Dass making his second appearance on this mix. 

Steve Queralt and Michael Smith released the four track EP Sun Moon Town last year, Ride bassist Steve writing and recording four very different pieces of music and Hartlepool born writer and flaneur Michael narrating his own tales of adventures and wanderings in the 21st century, a place and time that seems quite bewildering to him. The Flug 8 remix comes from this year's remix package, a dissection of late stage capitalism and advertising agency dreams you can dance to.  

Fireflies is one of Nina Walsh's musical outlets, a South London based collective. The voice is that of Joe Duggan, Derry born and resident of Crystal Palace. 'If anyone knows', Joe says, 'Leonard Cohen knows'. 

Half An Hour Of Coyote

Today's half hour mix is from Nottingham via the Balearic isles (or vice versa), thirty minutes from Coyote. Tim Sure and Richard Hampson met in Venus, the legendary early 90s Nottingham club that was part of the Balearic network. After spending much of the 90s DJing the pair formed Coyote in 2004. Their back catalogue goes way back but all of the music in the mix below comes from 2021, a year in which they put out several waves of releases and remixes of other artists. 

Stockport doesn't have a coast but the idea of a Costa del Stockport is a brilliant one. This graffiti sits on the base of a bridge carrying the M60 over the Mersey near Stockport. Coyote's music is very much the music of the coasts. 

Opening track Cafe Con Leche was one of my favourites from last year, a female voice saying 'when all this is over I plan to head north', a sentiment we've all felt at times in the last two years. Mint Tea comes from last year's album The Mystery Light as does Andrew Weatherall tribute The Outsider, an acoustic guitars and a bass overlaid with part of an interview with Alan Watts where he talks about society and the insanity that 'everyone must join in, everybody must work, everybody must belong... you don't have to join in, you don't have to play the game'. Feedback County is a slow mo, acoustic guitar flecked delight from the album Buzzard County, out just under a year ago  and Paris From Above is a remix of Icelandic artist Tonarunur. Will We Ever Dance Again was the A-side of a 12" released last autumn, a question without a question mark.  

Thirty Minutes Of Coyote

• Cafe Con Leche
• Mint Tea
• Feedback Valley
• The Outsider
• Paris From Above (Coyote Remix)
• Will We Ever Dance Again

Original Cell And Outsiders

Coyote have released one of the best albums of the autumn, the long awaited The Mystery Light. I've posted the final track from the album previously, the beautiful and moving The Outsider (dedicated to Andrew Weatherall) with the sampled voice of Alan Watts musing about sane societies and outsiders, 'people who can deviate, who don't have to join in, don't have to play the game... it's the sign of an insane society that says everyone must join, everybody must work, everybody must belong... you don't have to join in, you don't have to play the game'

Meanwhile, as they waited for it to reach the front of the queue at the vinyl pressing plant, they've been busy on remix duties. This one came out in October, a remix of California's Projections and their debut release Original Cell. The remix is a sumptuous, bassline led groover, with vocal oohs and ahhs drifting in and out and a piano line carrying the melody. The strings come in, upping the ante. Warm dub/ disco/ Balearica, with a bit of drama and a more than a touch of euphoria. 

The Outsider

A return to Notts duo Coyote today and a song that recently featured at Dr. Rob's Ban Ban Ton Ton blog- since hearing it there I've become mildly obsessed with it so felt I had to post it here too. Coyote deal in a shuffly, beach bar Balearica, music for holidays, sunsets and dancing but music also for listening to, encouraging the mind to wander, for moments of introspection. The album, The Mystery Light, is out in the summer and this song will be the closing track. Clicking play now will improve your Tuesday no end. 

A slightly fuzzy, fat bassline and a bed of FX, an acoustic guitar picking out a gorgeous melody. Over this the sampled voice of Alan Watts talks about those people who don't want to join in, the individuals, non- conformists and outsiders who don't want to play the game that society has set for them- 'you don't have to join, you don't have to play the game'. Given that The Outsider was one of Andrew Weatherall's first pseudonyms when writing the Boy's Own fanzine back in the 1986- 1989 and that he was someone who did exactly what Alan Watts is talking about, it's fair to assume this song is a tribute to him and the inspiration he provided for others.