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Showing posts with label dexys midnight runners. Show all posts
Showing posts with label dexys midnight runners. Show all posts

Thursday, 21 May 2026

His Life In England

One of those treats that light up your life- got home yesterday, long day at work, exam season, had some tea, pottered round the kitchen loading the dishwasher and other mundane chores, went to the computer and opened up my emails and sitting in the middle of the unread pile in my Inbox was one from Heavenly Recordings that read, 'Dexys Midnight Runners Announce New Album LOVE/ My Life In England Pt. 1 single and video out now'

And on clicking on the link you find this blast of life affirming joy that is Kevin Rowland in full flight...


How much fun is that? The song, the singing and the video.

My Life In England Pt 1 is the story of Kevin's childhood, his Irish immigrant roots, his father and brother, the Irish community in Wolverhampton, rebel songs in social clubs and being taught to fight and love, and then on moving to North London discovering the joys of clothes, music and dancing. The song was originally recorded for a Dexys compilation in 2003, written by Kevin and Jim Patterson- the new version opens the new album, called Love because Kevin realised that all the songs one way or another were about love. It's produced by David Holmes, who had been wanting to work with the band since being eleven years old when his sister gave him a Walkman and his first cassette was Searching For The Young Soul Rebels and the first band he saw live. 

Back in 1985 Dexys released one of the great misunderstood albums of that decade, one that over time has grown to be recognised as a masterpiece. In 1997 after years out of print it was re- issued by Creation and Kevin renamed some of the songs including Listen to This, a song just packed to the brim with passion and feeling. 

I Love You (Listen To This)


Saturday, 11 October 2025

Soundtrack Saturday

Napoli's railway system is covered in graffiti- it's a battle the authorities have lost. There are some interesting juxtapositions of expression. 

One thing I think I can promise in this series of songs from soundtracks is that there won't be many theme tunes from 1980s sitcoms. Terry And June, It Ain't Half Hot Mum, Last Of The Summer Wine, 'Allo 'Allo, Ever Decreasing Circles, To The Manor Born, Open All Hours, Butterflies... none of these will trouble us. But this one will...

Because Of You

Credited to Kevin Rowland and Dexys Midnight Runners, Because Of You was a 1986 single, a Kevin Rowland, Kevin Adams and Helen O'Hara co- write, a lilting song about love with some fiddle, sweetly sung by Kevin. 

It was also the theme tune to Brush Strokes, a BBC sitcom that lasted from 1986 to 1991 for six series (these things always went on longer than you remember don't they?). The lead character was Jacko, a painter and decorator played by Karl Howman. Jacko is a ladies man and most of the jokes come from him trying to find success with women while on various painting and decorating jobs. If you want an instant hit of early evening TV from 1986, these are the opening titles



Wednesday, 9 April 2025

AW62

AW62 was last weekend, a proper gathering of the clans at The Golden Lion in Todmorden, an 18th century stone walled pub nestled into a gap between a hill and the canal, to celebrate the life of Andrew Weatherall on what would have been his 62nd birthday. Andrew's brother Ian, one of the event's key movers, said that it was planned as a party that had 'everything except Andrew'. The line up of DJs and acts was testament to the spirit of the man, a diverse and exceptional bunch of DJs, writers, artists, producers, publishers and bands. 

Some highlights from a weekend packed full of them- this is necessarily a highly selective account drawn from my at times unreliable memories. Everyone who attended will have their own version and highlights but these were some of mine. 

Friday night saw Richard Fearless DJing in the downstairs bar, a vinyl techno masterclass- minimal, sleek, machine music, emotive and huge sounding on the pub's recently upgraded sound system, causing quite a stir among the crowd and packing the space in front of the DJ booth out with dancers. 


I took this picture while Fearless was playing. It may not be in focus or even a vaguely coherent picture but it sums the night up quite well from where I was standing. 

Saturday night was split between upstairs and downstairs. Upstairs Duncan Gray played a house set and then Scott Fraser took over at midnight. Downstairs David Holmes headlined, picking up where Matt Hum left off. David has played The Golden Lion often in recent years. He changes his set every time, saying he doesn't plan it too much, just goes with the flow and the feel in the pub. His set on Saturday night was out of this world, a huge range of dance music, from spangly chuggers to amped up noise, breakbeats and the sudden switching to huge piano tracks. Towards the end of his set, a 2 am finish, I was stuck in a corner by the door, just enjoying the music and the volume. Joe Strummer's voice came out of the speakers, his famous 'people can do anything...' speech from a radio show followed by ecstatic synth noise (an unreleased Holmes and Matty Skylab track, David said afterwards). There was a pause at 2am and then two or three more tunes, one a rumbly, garage band guitar song, one an explosion of synth chords, a wall of noise, and then finishing with the huge, extended Leftside Wobble remix of Tomorrow Never Knows, The Beatles most experimental, most progressive song filling the pub and scrambling heads. Thoughts were indeed laid down and voids were very much surrendered to. 

Saturday afternoon was our turn to play again, The Flightpath Estate DJs given the privilege of being part of the proceedings. Me, Baz, Martin, Dan and Mark played throughout the afternoon and into the evening. At one point I looked out into the space in front of the booth and saw author David Keenan and White Rabbit Books publisher Lee Brackstone  dancing and singing along to a song I was playing, the magnificent One Of Those Things by Dexys, from 1985 (a song even Kevin Rowland eventually had to accept he'd ripped off from Warren Zevon's Werewolves Of London). 

One Of Those Things

I spoke to David Keenan at some point, excitedly telling him about the experience I had reading Xstabeth a few years ago, a book which at several points blew my mind a little. This photo has me and David, me somewhat out of focus, mind probably still blown. 

Saturday afternoon also saw the fabled raffle and auction, Claire Doll's hard work and creativity raising  thousands of pounds for charity, Weatherdolls and Sabres cross stitch and a box of records found in Andrew's lock up when it was cleared out, promo copies of the David Holmes remix of Smokebelch and other delights. Golden Lion landlady Gig conducted the auction action in her own inimitable style. Holmes bid for and won this Gnostic Sonics banner.

Sunday saw the crowds, fans, punters and artists drawn back to the pub and its beer garden, bathed in early April sunshine. Andrew's friends Sherman and Curley played dub and ambient sounds the whole afternoon. Meanwhile the Sunday afternoon literary event came in three parts- a Lee Brackstone hosted discussion with Andrew's partner of seventeen years Lizzie Walker, Two Lone Swordsman guitarist Chris Rotter, Ian Weatherall and The Flightpath's own Martin Brannagan, Lee asking the questions which included 'when did you first meet Andrew?' which drew a range of funny responses. 

The second part was Lee and David Keenan, an interview and a reading from his new book Volcanic Tongue. The third was Keenan interviewing  Adrian Sherwood, a fascinating half hour with one of Andrew's heroes, the main man of UK dub whose reminiscences and thoughts could and should fill a book. David Keenan (and David Holmes, sitting on the front row) unpicking all sorts of aspects of On U Sound and Sherwood's music and career and the nature of dub. Genuinely amazing to sit in on and as much a part of the weekend as the DJs and music. 

Adrian Sherwood The Producers Series #1

This hour long Sherwood mix comes from the Test Pressing blog, published back in 2010. The tracklist can be found at Test Pressing- Creation Rebel, African Head Charge, Dub Syndicate and Doctor Pablo all feature. 

Sunday night finished with the twin attack of The Jonny Halifax Invocation playing live upstairs and Sherwood DJing downstairs. Criminally I missed both- having been at The Lion since Friday night, suffering from a distinct lack of sleep and having to drive home at some point that night, I called it a day at around 6 pm. 

Everyone involved in AW62 should give themselves a well earned pat on the back and maybe have a bit of a lie down- Waka and Gig at The Golden Lion, Ian Weatherall, Claire, Lizzie and Curley with the raffle and auction and merch, all the DJs and bands, Lee and David bringing the literature angle (books and writing were as big for Mr Weatherall as music was). It was a brilliant weekend and event- heart warming and inclusive, packed with energising and exciting music, and filled with great people. The Lion always draws a lovely bunch of punters and AW62 was no exception. And when the lie down is over and everyone's recovered, more please next year...

Monday, 31 March 2025

Monday's Long Song

Kevin Rowland is a genius isn't he? Genuine genius is pretty rare- people use the word all the time in pop music but I think it probably applies to Kevin. The late 70s through to mid 80s run of albums Dexys Midnight Runners made show him to be an auteur, a songwriter who could tap into the popular consciousness (not once but twice, Geno and then Come On Eileen, were both via wildly different styles, huge pop records). His mercurial nature, obsessive character and anti- everyone else stance led to many arguments and departures. The first line up of Dexys jumped ship and his paranoia about Top Of The Pops appearances and perception that Al Archer was trying to steal the limelight by wearing a red woolen hat show him a difficult person to deal with and be around. But the music and the ideas and inspirations that went into it- genius.

1985's Don't Stand Me Down is one of those completely misunderstood on release albums, a record that only really came to be listened to and seen for what it was years later. Seven songs, four over six minutes long, with the quartet dressed in suits and ties on the sleeve, songs with lengthy spoken word sections, the songs forming a backdrop to conversations between Kevin and other members of the group. This Is What She's Like is the longest song on the record, a twelve and a half minute discussion between Kevin and Billy Adams, partly written by Helen O'Hara, in which he never really reveals what she's like but meanders all over the place, Kevin eventually explaining what she's not like and listing the people he dislikes- people who put creases in their jeans, people who are members of CND, people who have 'home bars and hi fis and all that stuff'. 

Kevin has mellowed somewhat since this song was written I think, is less wound up by those people, but he clearly meant it at the time. In the end he gets round to the point of the song, something he got from watching The Godfather, the part where Michael Corleone is in Sicily and gets married, and the word the Italians have for being stuck by a thunderbolt and falling in love. 

'That's my story', Kevin says, 'Strongest thing I've ever seen'. 

This Is What She's Like

Tuesday, 2 May 2017

You're So Anti-Fashion


This is from the same year as yesterday's bank holiday Jam special and from another of punk's angry and intense young men, Kevin Rowland. There, There, My Dear explodes out of the end of Searching For The Young Soul Rebels, an album that has more than its fair share of musical and lyrical explosions.

The Stax v punk horns burst the song open and Kevin begins addressing 'Robin' and then takes him apart in a variety of ways, the most audible being 'if you're so anti-fashion, why not wear flares?'. Kevin follows up with a list of writers Robin likes to quote and disparages his claims of liking Frank Sinatra. On it goes, Kevin twisting his knife further and cramming more words into the lines than should really fit (and scan) until the spoken word section where he accuses Robin of hiding the young soul rebels, finishing with 'Maybe you should welcome the new soul vision'. I don't know who Robin is, whether he is a real person, an imaginary enemy, someone at the NME, an amalgam of people from other bands- he could be any of these. And whether Robin deserves Kevin's criticism or not, its a undeniably exciting and exhilarating way to close the album.

There, There, My Dear

Wednesday, 4 January 2017

Let's Get This Straight


I was listening to Dexys Midnight Runners on New Year's Day. Not the young soul rebels Dexys of Geno or the misunderstood but not stood down Dexys but the more maligned raggle-taggle gypsy Dexys. This was sparked by two things. Firstly the younger child, now thirteen, singing the chorus of Come On Eileen and me wanting her to get the words right. And secondly a Top Of The Pops repeat from 1982 of the single Let's Get This Straight (From The Start) where Kevin nails perfectly the Celtic soul thing- 50% Celtic and 50% soul. It's also that great thing, a non-album single. While I'm here, although the styling wasn't the best Dexys look, it was memorable and  I won't have a bad word said about dungarees (not that I own a pair. I'm 46 for God's sake).

Let's get This Straight (From The Start)

Thursday, 3 November 2016

Listen To This


Dexys in 1985, when Kevin Rowland realised that nothing is further out than looking totally straight. They then released an album (Don't Stand Me Down) that the press didn't get but now can't get enough of. I Love You (Listen To This) could easily be my favourite Dexys tune (One Of Those Things off the same record runs it close, with Kevin's impassioned realisation that 'It all sounded the same'). Here are the group on performing live on The Tube in '85. Kevin's dancing at the three minute mark is a joy to behold.

Tuesday, 29 May 2012

Because...



... we've waited a long time.
Because the new album's out, two and a half decades plus after the last.
Because it's Kevin Rowland and he is always worth listening to.
Because they look great.
Because Mick Talbot, Pete Williams and Big Jim, all ex-Dexys, are in the band.
Because they mean it.
Because he's still searching.
Because it's Dexys.

Nowhere is Home

'I now know no romantic situation, no money, success- nothing, can make me happy'.

Friday, 17 February 2012

Kevin's Beauty


Dexys are back with a new album and single pencilled in for June. No 'Midnight Runners' bit this time, which I suppose underlines it's a new band/thing although the band changed every time first time around didn't it? Back in 1999 Kevin Rowland released a solo album, the infamous My Beauty. Kevin recorded twelve cover versions, re-writing the lyrics to some of them to deal with his battles with various addictions. Bruce Springsteen objected to the new lyrics and forced Kevin to pull his cover Thunder Road prior to release. It included the song here, a cover of a Hollies song. The album lives in the memory for two other reasons though- first Kevin appeared on the cover wearing a dress (a man's dress mind), make up, silky black knickers and stockings and suspenders. At the Reading festival that year he wore a white slip dress and was showered with bottles, some of which contained the traditional liquid of the Reading festival goer thrower. Second, it was widely reported to have sold only 5/50/70 copies (delete according to what you heard) in its first week on sale. Creation and Alan McGee (who released it) claimed to welcome this as evidence of its genius and the small mindedness of the record buying public, although rumours of total sales of only 500 can't have helped anyone at the time, least of all Kevin. Of course legend beats fact, as usual- it went on to sell over 20,000 worldwide.

I Can't Tell The Bottom From The Top

Wednesday, 1 February 2012

And Thoughts Of You Will Stay With Me



Before cds and re-issue culture 'great lost albums' were just lost. Dexys Midnight Runners' 1985 album Don't Stand Me Down was one of them, partly due to Kevin Rowlands bewildering insistence on changing everything about the band after each album. For Don't Stand Me Down the band left behind the raggle-taggle gypsy, hit making folk-pop of Too-Ray-Ay and adopted preppy suits, slicked back hair and an album without any singles and several long spoken word tracks. It cost a massive amount of money and according to the saxophonist making it was 'uncomfortable and unnatural'. As a 'great lost album' it is naturally a neglected masterpiece and has been re-issued at least twice, once by Creation. Which led to Kevin Rowlands solo album. But that's another story. This song is a neglected masterpiece, re-named for the re-issue. It swings.

I Love You (Listen To This) ne Listen To This

Friday, 8 October 2010

Young Soul Rebel Version


Dexys Midnight Runners' cover of yesterday's northern soul smash isn't too shabby either.

A couple of friends of mine bumped into Kevin Rowland in the street a few months back, both big fans. They approached him and one of them asked to shake his hand, telling Kevin how one of Dexys albums had been a key album in his life. 'Which album?' Kevin asked. 'Searching For The Young Soul Rebels' my friend replied. Apparently the look on Kevin Rolands' face made it clear it wasn't an opinion he shared. Which tells you something about artists, seeing as Young Soul Rebels is pretty much the only Dexys album to get universal adoration. It's thirty years old this year, re-issued this month with the 'legacy' treatment- extra tracks, sessions, unreleased songs, booklet and so on. That'll be the sound of a record company wringing a few more drops out.

06 Seven Days Too Long.wma

Tuesday, 23 February 2010

Dexys Midnight Runners 'Because Of You'


This song came up in discussion at the pub quiz the other week (yes, I do a pub quiz). Kevin Rowland is one of the most unique pop stars we've ever had. Three seperate versions of Dexys, each with a different look and sound. What was your favourite? Searching For The Young Soul Rebels era New York docker look with donkey jackets and wooly hats? Raggle taggle gypsy, fiddle-loving Come On Eileen? Don't Stand Me Down's Ivy League suits and slicked down hair? Or even Kevin in a (man's) dress for that solo lp that only sold 100 copies. I almost bought it just because I felt bad for him at that point.

This song, Because Of You, is a real gem, from Dexys version 3. It's probably as well known to those of us who lived through the mid 1980s as the theme tune to a silly BBC sitcom Brush Strokes, about a window cleaner. It took Kevin and what was left of Dexys back to the UK top 20. By that point he'd stopped attacking journalists in the street, and soon after disbanded Dexys altogether. There was a series of documentaries on BBC2 a few years back called Young Guns Go For It, dissecting 80s pop groups. The one about The Smiths was excellent, as was the one about Dexys. It revealed the full extent of Kevin's breakdown, illness and paranoia (from memory, he sacked Big Al from the band for wearing a red wooly hat because he thought the hat was an attempt to upstage and usurp Kevin as band leader). Like I said at the start, unique. And frequently brilliant.

This post is dedicated to fellow pub quiz team member NB, who became a father for the first time last night. Best wishes to NB, EB and baby GB.

05 Because of You.wma