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Showing posts with label rick cuevas. Show all posts
Showing posts with label rick cuevas. Show all posts

Thursday, 21 August 2025

The Birds

This ivy covered wall is in our garden, next door's garage forming the boundary to our small back garden. Sitting out in the evening two weeks ago it became apparent that a pair of blackbirds had nested in the trellis and behind the ivy. If you were in a chair too close to the ivy they'd stay away but if you sat further away they'd fly onto the hedge then scoot across to the ivy or roof of the garage and then quickly, when they thought you weren't watching, they'd disappear inside the ivy. A week later they started to appear, the male and the female, in quick rotations, with worms and berries in their beaks and then as soon as they disappeared inside the ivy there would be sound of several small hatchlings chirruping. Seconds later, the adult blackbird would fly out, off for more food and the other one would fly in, more food for the babies. 

I became quite invested in this, the life cycle of a pair of blackbirds happening in our garden and often taking place within a few feet of where I was sitting. I did some reading on blackbirds and their nesting habits: they build their nests typically close to the ground and often inside ivy; male blackbirds are black, female are brown; they mate for life; they often have between 3 and 5 babies which can leave the nest after two weeks, sometimes as early as 9 days. 

There are squirrels in the trees at the back of the garden, sometimes magpies in the area and several cats in the houses around us (although since our next door neighbours moved out, no cat lives next door). Squirrels will eat baby birds and hatchlings. Magpies will do their thing. Cats eat birds for fun. Everything seemed fine until one evening when I was in the kitchen and glanced out of the window I could see and hear the male and female blackbirds in a state of alarm and a cat prowling across our small patch of grass. The cat cleared off over the fence when I went out of the backdoor but things didn't look good. The blackbird couple disappeared for hours and I couldn't hear anything from the nest (I didn't look inside it or want to disturb it). On Tuesday evening I found a small, chubby baby blackbird on the grass, unable to move. The mother re- appeared a few times and tried to feed it but then gave up.  The one on the grass didn't live for long- it couldn't move and was running out of steam. At the back of the garden was the headless body of another of the babies. If there were 2 or 3 other babies from the nest it looked like they'd got away. I hope so anyway. The adults have gone from the garden. Maybe that's the survival rate for blackbirds- a couple from a nest surviving, a couple not making it, and the parents going off and repeating their cycle somewhere else. 

Nature- brutal isn't it? 

In the early 80s LA musician Rick Cuevas self released an album called Symbolism. Copies are very expensive now. The Birds, a song from it, has survived way beyond that private press album, a Yamaha drum machine, a Yamaha synth, an echo unit and some hypnotic, Durutti Column- esque guitar. Beautiful. A song I owe to Andrew Weatherall's much missed Music's Not For Everyone radio shows. 

The Birds

To The Birds was the b-side to Suede's 1992 debut single The Drowners, Bernard Butler's guitars kicking up a shoegaze wall of sound while Brett pleads with an unnamed someone to stick around.

To The Birds

Finally, Aldous Harding, New Zealand folk on 4AD, and a raw, quietly powerful song from 2017 that speaks for itself.

What If The Birds Aren't Singing, They're Screaming

Sunday, 14 April 2024

An Hour Of The Flightpath Estate AW61 Afternoon Set

This is my hour's set from last Saturday afternoon at AW61 at The Golden Lion, Todmorden, re- created at home. The photo above shows my view from the DJ booth as my set ended and the auction and raffle began- you may recognise some of the faces getting ready to bid on items from Andrew Weatherall's studio. 

Once we've got all the other sets and the evening's rotations recreated we can upload the entire thing but I thought I'd share mine in the meantime. It comes in at over an hour and I only played for an hour on the day- from memory, I mixed Biosphere's En- Trance out because the file seemed very quiet (even for an ambient track) and it is in the mix below too. I think I mixed out of Underworld's 8 Ball halfway through as well but just left it playing in full here because, really, what sort of person mixes out the second half of 8 Ball? I'd just faded the GLOK Starlight Dub of A Mountain Of One's Star in when Gig, the Golden Lion's legendary landlady, took the mic to start the auction (along with Lizzie and Sofia) so that track was left mostly unplayed- you'll have to imagine the auction and raffle taking place when you reach that point in my set (unless you were there in which case replay it in your mind). I played Emotionally Clear as the raffle ended and to provide my handover to Dan who was waiting in the wings. 

Adam's Flightpath Estate Afternoon Set At AW61

  • Coyote: Western Revolution
  • Durutti Column: Bordeaux Sequence
  • Psychederek: Test Card Girl
  • Four Tet: Loved
  • Rick Cuevas: The Birds
  • Biosphere: En- Trance
  • Underworld: 8 Ball
  • Wixel: Expressway To Yr Skull (Long Champs Bonus Beats)
  • This Mortal Coil: Edit To The Siren
  • Bjork: One Day
  • James Holden: Common Land
  • A Mountain Of One: Star (GLOK Starlight Dub)
  • David Holmes and Raven Violet: Emotionally Clear
Western Revolution is Coyote's sublime edit of Gil Scott Heron's The Revolution Will Not Be Televised. I had half a mind to start with Lonely, which is from the same vinyl only EP out last year, Magic Wand Special Edition Vol. 2, but Mr Holmes played it the night before. 

Bordeaux Sequence was on The Durutti Column's 1987 album The Guitar And Other Machines, a moment of genuine beauty from Vini Reilly. It is a re- recorded version of Bordeaux from 1983's Another Setting. A couple of people in the room gave me a 'thank you for playing Durutti Column' look.

Psychederek is from Stretford, just up the road from me. Test Card Girl was a digital only single from 2023 and I'm not over it yet

Loved was a single from Four Tet, also from last year and is now the opening track on his Three album. Another 2023 song that has stuck around well into '24. 

The Birds is by Rick Cuevas, from a self - released, private pressing album called Symbolism that came out in 1984, an album described on Discogs as 'soft rock/ AOR'. I wouldn't necessarily call The Birds either- a friend once described it as 'Durutti Column on steroids' which I'm happier with. I'm fairly certain I only know of this song because of Andrew Weatherall referencing it in an interview or playing it on a radio show. 

Biosphere's En- Trance is ambient/ techno from Belgium in 1994, an album called Patashnik. It's just some synth drones and an acoustic guitar- I say 'just', it's much more than that obviously. Shame this WAV file I have is so quiet. 

Underworld's 8 Ball was on the soundtrack to The Beach, the Leonardo Di Caprio film from 2000. 8 Ball is a nine minute low key epic with fluid guitar playing and some of Karl's loveliest singing, lyrics about men with empty whiskey bottles and walkie talkies and flaming 8 ball tattoos on their arms, a man who eventually throws his arms around him. They gave this away to a soundtrack, a soundtrack where it was overshadowed a little by All Saints and Moby- most bands would kill for a tune this good and would make it a single or the track they built an album around. Someone in the Lion asked me what this was and took some convincing it was Karl on vocals.

Wixel are from Belgium (with hindsight, there's a bit of a Belgian theme running through this mix) and put out a cover of Sonic Youth's Expressway To Yr Skull in 2008, part of a seven track EP of Sonic Youth covers. The Long Champs edit turns it into a shimmering, semi -ambient haze that led to a couple of enquiries in the pub- and if you turn a couple of people onto something new to them, that's what it's all about isn't it. 

Edit To The Siren is an In The Valley edit of Song To The Siren, This Mortal Coil's signature cover of Tim Buckley's song. Someone once told me this was sacrilege but for me its got a dubby/ Balearic splendour and is perfect Saturday afternoon vibes. 

One Day is one of the key early Bjork solo songs, from 1993's Debut. The dubby bassline, house shimmer, Nellee Hooper's production and Bjork's delivery are all superb. 

Common Land was one of the tracks on James Holden's 2023 album Imagine This Is A High Dimensional Space Of All Possibilities, an album I still go back to a year later. The burbling synths, birdcall, techno- ish drums and warbling sax combine to create something very heady and transportative. It's also a tribute to the free party movement and early 90s rave and felt quite fitting for the Lion and Todmorden.

A Mountain of One's Stars Planets Dust Me was one of my favourite albums from 2022. Andy Bell's GLOK remix is a spaced out, sun- baked treat. 

Emotionally Clear is from David Holmes' Blind On A Galloping Horse, 2023's number one Bagging Area album. Seeing David Holmes bidding at the auction at AW61 from behind the decks will take some beating in 2024. 


Friday, 27 November 2020

The Birds

In 1984 Rick Cuevas released an album called Symbolism, a self- released private pressing. There's a copy on Discogs priced at £133.23 if you're interested.  Rick's background was in AOR/ soft rock, and he had past history in Zru Vogue (early 80s post- punk, avant- pop from Palo Alto California) and Science Patrol (no idea). He self released another album in 1994 and a couple of singles and that's about as much as I know. This song came my way in the summer- trippy guitar, a drum machine and a laid back vocal, more lovely ringing guitar parts and then halfway through a synth solo where the song soars even higher. There's something incredibly unaffected about the song, even with all the FX and the synth, a song capable of lifting you for a few minutes out of your surroundings. 

The Birds

Monday, 12 October 2020

Monday Mix


A few weeks ago I got a message from Tak Tent Radio, an internet radio station broadcasting out of Edinburgh, asking if I'd like to do an hour long mix for them. I was flattered, obviously, and said yes. Ali said musically Tak Tent is a total 'free for all so play whatever you like'. If you have a dig around on their website you'll see that it is with everything from Italo and electro to gospel and Scots folk, ragas and psyche- pop and Aiden Moffatt to Richard Youngs playing Hawkwind and Flux Of Pink Indians. In the end I put together an hour of music that follows in some kind of line from the Isolation mixes I was doing in the spring and summer, ambient and tracks with found sounds, drones and noise, some Durutti Column, some Two Lone Swordsmen and some clattering, spooked out Eno/ Byrne style stuff. The samples in Maurice And Charles's I, Carpenter and the voice of Kurt Russell as Snake Plissken gave me a title and a reference to the ongoing horror show/ political reality TV show that is going on in the USA. It went out yesterday morning  and you can find my Find The President mix to stream at Mixcloud here

I almost titled it after Snake's line in this clip... 


Tracklist

  • A Man Called Adam: Easter Song Gospel Oak FX/ Speaking In Tongues 
  • Daniel Avery and Alessandro Cortini: Interrupted By The Cloud of Light
  • Glok: Pulsing (Citadel Ambient Version)
  • Jan van den Broeke: Memories
  • Jan van den Broeke: Who Is Still Dreaming?
  • Steven Legget: Still
  • Richard Norris: Water
  • Rick Cuevas: The Birds
  • Durutti Column: Bordeaux Sequence
  • Calexico: Untitled (Two Lone Swordsmen Virus Style Mix)
  • Brian Eno and David Byrne: The Jezebel Spirit
  • Maurice & Charles: I, Carpenter
  • Two Lone Swordsmen: Smokebelch (For Ali)
  • Daniel Avery: TBW17