Unauthorised item in the bagging area
Showing posts with label galaxie 500. Show all posts
Showing posts with label galaxie 500. Show all posts

Sunday, 2 November 2025

Forty Five Minutes Of Cover Versions Part Four


One more cover version Sunday mix then I'll leave it alone for a while. I've been finding cover versions in all sorts of places since I started the first mix four weeks ago, songs springing to mind at random moments. Most of the ones I've chosen do something with the source material, take it somewhere else emotionally or stylistically. Some rip the original to shreds, some pay their respects but still tear it up. Some nod their head to their influences or pay something back. 

Forty Five Minutes Of Cover Versions Part Four

  • Spectrum: True Love Will Find You In The End
  • Spiritualized: Any Way That You Want Me
  • The Kills: Pale Blue Eyes
  • One Dove: Jolene
  • Galaxie 500: Don't Let Our Youth Go To Waste
  • John Cale: All My Friends
  • Monkey Mafia: As Long As I Can See The Light
  • Raz and Afla: Windowlicker

Sonic Boom formed Spectrum after Spacemen 3 split up and his cover of Daniel Johnson's True Love Will Find You In The End is a gorgeous, angelic take on the song. Released in 1992 as a single and later included in two versions on a Sonic Boom/ Spectrum compilation.

Two years earlier Jason Pierce/ J Spaceman flew the Spacemen 3 coop first, releasing the first Spiritualized single, a cover of The Troggs 1966 single. Jason doesn't radically alter it but he makes it a Spiritualized song all the same. 

The Kills cover of The Velvet Underground's Pale Blue Eyes is gloriously ragged and fuzzed up, the guitar stuttering and ripping a hole in the speaker while Alison gives deadpan vocals. It was a B-side to their 2012 The Last Goodbye single.

One Dove's dubbed out, trippy reggae cover of Dolly Parton is a blast, Dot's beautifully off key vocals perfect for the band's blissed out but slightly on edge comedown re-imagining of the song. It came out as one of the B-sides to the 1993 single release of Why Don't You Take Me.

Galaxie 500 recorded several fantastic covers- their take on New Order's Ceremony may be the best NO cover ever recorded. Their cover of Jonathan Richman's Don't Let Our Youth Go To Waste is superb, Jonathan's ninety second original stretched to to seven minutes, a thrilling Galaxie performance, the rumble of drums and bass matched by Dean's trebly, overdriven guitar. They only existed for four years, 1987 to 1991, but what a great band they were. 

John Cale covered LCD Soundsystem's All My Friends for LCD's own release of the single back in 2007- it came out as the B-side on 7" along with a sister 7" that had  Franz Ferdinand cover of the same song. Cale's version, piano, clipped krautrock guitars and his lived in, baritone voice give James Murphy's song a new dimension- when Cale sings, 'where are your friends tonight?', it conjures all sorts of imagery. 

Monkey Mafia's cover of Creedence Clearwater Revival's was a 1998 single, a late 90s revisiting of a 1970 song, a call out to the weary travelers and wanderers, a song about going home. Pre- millenial tension?

Raz and Afla's cover of Aphex Twin's Windowlicker came out this year, a fantastic synths and percussion Afro- electronic floor filler- well, I can imagine some floors that it might fill. 

Thursday, 17 July 2025

Blue Thunder

Blue Thunder is the opening song on Galaxie 500's second album On Fire, the first record I heard by them, my introduction to the band. As calling cards go it's a stunner- the slow burn of the guitars, the hushed sound and Dean Wareham's voice sounding like a man so world weary that 1989 and all its excitements should just disappear- 'Thinking of blue thunder/ Singing to myself'. In the second verse he sings of being on Route 128 and finishes with 'I'll drive so far away', the guitars, drums and bass coming together cinematically, the car's taillights vanishing into the horizon...

Blue Thunder

Galaxie 500 released Blue Thunder as a 12" and this version contains a sax part by Ralph Carney so explosive, so violent, so psychedelic jazz, that it should come with a jump- scare warning. First time heard, it was a total freak out/ WTF moment but after that I grew to love it. Blue Thunder sounds like a lament but the sax makes it something else, something more. 

Blue Thunder (with sax)

All being well our school trip comes to an end today, our coach crossing from Calais to Dover and then carrying its weary passengers- 55 teenagers and 7 staff- up the country and back to north- west England for the final day of the school year tomorrow. 

Sunday, 11 May 2025

Forty Five Minutes Of New Order- ish

I heard Your Silent Face on Friday night- not for the first time obviously- and it floored me once again. There's something about it that is very special- the rippling Kraftwerk inspired keys and synths, Hooky's bass and the mechanical drumming, Bernard's serious lyrics completely undercut by the 'why don't you piss off line', the way it gloriously skips between euphoria and melancholy. It's much more than all of that, one of those songs that is way more than the sum of the parts. It inspired me to start a New Order mix for my Sunday series but then I changed tack almost immediately. Rather than just sequence of load of my favourite New Order songs (almost all of which would be from the 1980s) I thought it might be more interesting or more fun to do a Your Silent Face/ New Order inspired mix and see where it took me. It took me here...

Forty Five Minutes Of New Order- ish

  • New Order: Your Silent Face
  • Galaxie 500: Ceremony
  • Gorillaz ft. Peter Hook and Georgia: Aries
  • The Liminanas and Peter Hook: Garden Of Love
  • Ian McCulloch: Faith And Healing
  • The Times: Manchester 5.32
  • Ride: Last Frontier
  • New Order: Isolation
  • Mike Garry and Joe Duddell: St. Anthony: An Ode To Anthony H. Wilson (Andrew Weatherall Remix)

Your Silent Face opens side two of Power, Corruption And Lies, New Order's second album, released in May 1983. It's now seen as a New Order classic, a landmark album, the fusing of dance and rock, light and shade, a band stepping out of the shadows of Joy Division and the first NO album Movement. Your Silent Face had the working title KW1 (the Kraftwerk one). Funny story about New Order and Kraftwerk- the Dusseldorff robots visited New Order in their Cheetham Hill rehearsal space/ HQ and sat open mouthed as the band showed them the kit they used to make Blue Monday. 'You made that record using... this?' 

Galaxie 500's cover of Ceremony is a beauty, a slowed down, slow burning version, ringing feedback, the guitars gathering in intensity, and Dean's upper register voice smothered in echo. Ceremony was New Order's first single (and in a way, Joy Division's last). It was released as a 12" in 1981, twice, with different sleeves and slightly different versions. Galaxie 500's version came out as a B-side on their Blue Thunder 12" in 1990. At the time the nine year gap between 1981 and 1990 was an eon, the 1981 world and 1990 world two totally different eras- for New Order as much as anyone. 

Gorillaz got Hooky to play bass as part of their Song Machine project in 2020. Aries is I think the best 'New Order' song of the 21st century. Murdoc, Noodles, 2D and Russel Hobbs/ Damon Albarn together with Hooky's bass totally nailed what NO should be sounding like now. 

Four years before Gorillaz got Peter Hook to sling his four string guitar around he hooked up with French duo The Liminanas. Garden Of Love is (again) a great 21st century 'New Order' song, slightly fragile, slightly woozy, psychedelic garage rock, the bassline wending its way to the fore and staying there. 

Ian McCulloch's Faith And Healing is virtually a New Order cover- it sounds so much like a off cut from Technique he probably should have given them writing credits. It came out as a single in 1989, taken from Mac's solo debut Candleland. 

The Times was one of Creation mainstay Ed Ball's projects. In 1990 as The Times he released Manchester as a single, a hymn to a city at the centre of a youth explosion. Hooky's mentioned in the lyrics. It's also a tribute to the sound New Order had on 1985's Lowlife. It couldn't be more Lowlife unless it came wrapped in a tracing paper sleeve. I sometimes it think skirts the line between ridiculous and brilliant. I can imagine it making some people cringe but I think it has charm. Once, driving through France it came on the car stereo on one of the mix CDs I'd burned for the trip and made me briefly, stupidly homesick. I got over it- I mean we were on holiday in France for fuck's sake.  

Last Frontier was on last year's Ride album, Interplay. It's an Andy Bell song, soaring, chiming guitars and on the money drums. It sounds like a close cousin of Regret (the last truly great New Order single, released back in 1993. Although actually, I'm happy to listen to arguments for Crystal, released in August 2001). 

Isolation is a Joy Division song, from their second/ final album Closer. It's a stunning song, the collision of electronic drums and real ones genuinely thrilling, along with the synth and bass. Ian's words are bleak, a man at the end of his tether. This version is by New Order, recorded for a John Peel session in 1998. They still play it live- they did it at Wythenshawe Park last August. 

Mike Garry and Joe Duddell's St. Anthony: An Ode To Anthony H. Wilson is a song I come back to often, Mike's A to Z of Manchester music endlessly listenable and at times very moving. For his remix Andrew Weatherall, a huge fan of Factory, turned the song into a nine minute Weatherall tour de force, complete with a version of the Your Silent Face bassline. Which is where I came in. 



Monday, 24 March 2025

Monday's Long Song

What a great band Galaxie 500 were. They split up in 1991 leaving three studio albums behind them (Today, On Fire and This Is Our Music) on the verge of a tour of Japan. Singer/ guitarist Dean Wareham calling it a day when the band had a tough time making what was their final album and in Dean's words 'clearly weren't getting along'. Later in the same year Rough Trade went bust and the other two, Damon Krukowski and Naomi Yang bought the rights to their own music at auction. The three former Galaxie 500ers have been really careful with what happened to those recordings ever since and last year released a archival album, Uncollected Noise New York '88- '90. 

One of the many highlights of their back catalogue is their cover of The Modern Lovers song Don't Let Our Youth Go To Waste, Jonathan Richman's sub- two minute sketch turned into a just shy of seven minute slowcore/ dreampop epic by Galaxie 500. It was on 1988's Today and later released as a B- side in 1990 and re- recorded for a Peel Session too. 

Don't Let Our Youth Go To Waste

The bass and drums become an exercise in hypnosis while Dean's guitars (two of them, one chugging away like Lou Reed, the other spindly and bright like Sterling Morrison) create some tension. Dean's brittle, upper register voice singing Jonathan's lovelorn, tragic lyrics at the very edge of breaking down.

Dean Wareham is about to release another solo album, the follow up to 2021's I Have Nothing To Say To The Mayor Of LA. A few songs have appeared ahead of it including this one- That's The Price Of Loving Me is a gorgeously understated song, sublime chord changes and padding bassline, Dean's voice in a lower register now than it was back in the late 80s. Kramer, the man who produced those Galaxie 500 albums, is back at the controls and it shows. 


 

Thursday, 4 July 2024

Today's The Day

Today’s the day.

Fourth Of July

Fourteen years of the worst government and worst leaders/ politicians this country has known since the extension of the franchise will come to an end today. For a party that prides itself as the natural party of government, the nature of the five Conservative Prime Ministers and their policies and actions since 2010 has been staggering, an unending run of incompetence, lies, cuts, cruelty, corruption and criminality and a ceaseless (until today) shower of men and women who represent the most overpromoted cabinet minsters we’ve ever suffered. For anyone who suffers from imposter syndrome at their work, something we all do from time to time I’m sure, just a glance at some of the people who’ve held high ranking cabinet posts in this country since 2010 should cure you of that- Liz Truss, Jacob Rees- Mogg, Dominic Rabb, Matt Hancock, Oliver Dowden, Therese Coffey, Andrea Leadsom, James Cleverly, Kwasi Kwarteng, Kemi Badenoch, Suella Braveman, Boris Johnson, Rishi Sunak, on and on it goes. Many of these people would think twice about being able to run a medium sized outlet at a retail park. The Tory Party put them in charge of the country.

Let’s run through their legacy briefly.

David Cameron, Theresa May, Boris Johnson, Liz Truss and Rishi Sunak; between them they have made the country and its people poorer in every way, from austerity to Brexit and beyond. They have diminished us all, made the nation smaller, meaner, grimmer and inward looking. There is little hope or optimism, no sense as there was in 1997 that things can get better. We have become a small, narrow minded, poverty stricken, regressive nation on the north west edge of Europe cut adrift by the Tories. 

Between them, the five Tory PMs have cut funding to councils by up to 50% with the inevitable cutting of vital local services. Axed genuinely beneficial services for young people like Sure Start and Connexions. Introduced the two child cap on child benefit plunging families into poverty. Capped local housing allowance that has pushed people out of renting and into homelessness. Cut the educational maintenance allowance for 16- 19 year olds from poorer backgrounds. Tripled university tuition fees. Axed grants for low income students. Cut the budgets of all government budgets leading to underfunded schools and hospitals, threadbare public services, and violently overcrowded prisons. Overseen a vast recruitment and retention crisis in teaching. Scrapped the Green Deal. BREXIT. Labelled the judiciary as ‘enemies of the will of the people’. Windrush. Prison ships to hold refugees and migrants. The illegal proroguing of parliament. Restrictions to the right to protest. The Rwanda scheme. A housing crisis. The crashing of the entire UK economy in 49 days in 2022. Stagnated wages. Falling living standards. An increase in poverty. Approximately 3.6 million children are defined as living in poverty. Widespread use of food banks. A 74% increase in rough sleeping. Hospital waiting lists longer than ever. Ambulance waiting times longer than ever. A crisis in GP services and dentistry. The state of childrens' teeth is worse than at any point since the introduction of the NHS in 1948. The awarding of PPE contracts to friends during Covid. The breaking of the laws they made to protect all of us and the refusal to acknowledge that there was anything wrong with this. A sense nationally that in living memory things have never been worse, are still getting worse and that they can’t see a way they’ll get better.

Whatever happens today, these people must be defeated. Not just defeated- electorally obliterated, ground into the dust, humiliated, chased out of constituency after constituency, rejected so comprehensively that the Tory Party is for a generation (at least) associated with the stink of their failure, their policies and their defeat. They must tear themselves apart in response to this, shrink even further into right wing factions and strange regressive, nostalgic cults who get teary eyed over the sound of Spitfires and the words free trade. 

I think for that reason that voting tactically is the correct thing to do- we must vote to defeat the Tories. It’s that simple. If that means Labour, vote Labour. If that means Liberal Democrat, vote Liberal Democrat. If that means SNP, vote SNP. If that means Reform, vote... actually, don’t bother, go back home.

Reform have been canvassing in south Manchester, a handful of local volunteers setting up in suburban town centres under their racist gazebos and talking to passersby, trying to convince them to entertain Reform’s outsider narrative. It’s no surprise that the last few weeks have seen various Reform candidates come to light as cranks, conspiracy theorists and racists. They may not all be racist, conspiracy theorists but there will be plenty of them- far right grievance politics attracts them. I think there’s an argument that the concerns of the 12% or so of the population who’ve been polled and say they're voting Reform during the last few weeks need addressing, their disaffection needs to be engaged with. But Farage himself is a chancer and a grifter, a posh, privately educated former merchant banker who has portrayed himself as a man of the people. ‘He speaks the truth, he says what the others don’t say, he tells it like it is’ is a common fallback, fuelling the view that all of Westminster is ‘the same’, everyone tarred with the same brush as the list of Tories who have lied and shlepped their way through parliament since 2010. I see this at school where Farage’s message is cutting through with some of the youth, 14- 15 year old boys who aren’t old enough to vote yet- but will be next time. Farage is the pub bore writ large. Disruption for laughs. Stirs up division, then goes home. I hope the people of Clacton send him packing.

Clampdown

'They put up a poster saying we earn more than youWhen we're working for the clampdown

We will teach our twisted speechTo the young believersWe will train our blue-eyed menTo be young believers
The judge said five to ten but I say double that againI'm not working for the clampdownNo man born with a living soulCan be working for the clampdown'

Farage’s politics are the politics of division, the othering those who are ‘not like us’. In May this year he said British Muslims 'do not subscribe to British values', a comment that labels all British Muslims as them. He peddles the far right politics of resentment and grievance. None of the main parties have tried properly to counter his narrative- that migration has a net benefit for the UK, that our economy and services won’t work without it, that illegal migration actually accounts for less than 5% of all migration annually, that other countries have taken many more refugees than the UK has. This has been the main success of Farage and the right wing press that amplify him – to make immigration undiscussable in rational terms and to shift all the main parties into anti- migration territory. The far right playbook is a massive concern- look at France and the US – and Farage pulls pages from it all the time, being careful not to ay anything explicitly racist while fanning the flames of racism. The prospect of Farage and a handful of Reform MPs in parliament is grim but it says something about where we are as a nation that it’s a possibility. Far right parties gaining the respectability that comes from being elected representatives has a long tail, and history warns us that it doesn’t end well. Labour and any/ all progressive politicians have to make the case against them and keep at it. The voxpop narrative, fuelled by Farage for his own benefit, that ‘they’re all the same, none of them can fix it’, is a cosy excuse for voting for Reform. What's more, I don’t think it’s true-  there are many people who go into politics because they want to improve things, they want to make people’s lives better. I don’t think many if any of the Tories who have been in power since 2010 have had this as a motivation. I think, at the very least, Starmer probably does.

What about Labour? I have struggled to find much to be that excited about. Kier Starmer is not exciting, he doesn’t set the pulse racing or inspire. That could be a good thing- maybe a period of dull but competent government is exactly what we need. He will have an enormous mess to deal with from tomorrow (assuming he becomes PM) and the manifesto has made some vague commitments to progressive policies (house building for instance) without really challenging the economic and political orthodoxies that have been in place for decades and are partly the reason why we are where we are- services that are underfunded and don’t work, industries sold into private hands and run for shareholders rather than the public, people who want the paradox of a low tax and low wage economy with a well funded NHS. Starmer’s stance over some things has been downright difficult to defend but I guess the bottom line is that five years ago no one would have believed Labour could overturn a Johnson majority of 80 seats and here we are, on what looks like the verge of victory. At the least, and it’s a low bar admittedly, a Starmer led Labour government will at least not have the outright performative cruelty of the post- 2010 Tory ones- the sheer cruelty and barbarism of the Rwanda policy for example. I hope he and they find something to give us some cheer, that there are some fixes for the mess we're in and that they can give us some hope. 

 Waiting For The Great Leap Forwards (Live in 2019)

In the constituency in South Manchester where I live, we can play our part in kicking the Tories out today. Since becoming aware of politics in the early 80s there’s only been one occasion where I’ve been able to celebrate a Tory electoral defeat- 1997. I’m hoping, praying and expecting that today is number two, that we can watch the results come into tonight with a growing Labour majority, Tory after Tory ejected and rejected, their legacy the long bitter taste of defeat, laughing our way through the night as they get their comeuppance. And that tomorrow we wake up to something better.

Today's the day. Fuck the Tories. 

Saturday, 1 July 2023

Saturday Live

Galaxie 500- Dean Wareham, Naomi Yang and Damon Krukowski- made all sorts of waves with a trio of albums between 1988 and 1990 (Today, On Fire and This is Our Music) before splitting up in 1991. On Fire in particular got acres of coverage the music press, Dean's high pitched vox and slowcore psychedelic guitars matched by the gentle push of the bass and drums, from opening song Blue Thunder through to the closing Isn't It A Pity (a George Harrison cover), forty minutes of reverb- laden, spectral, fragile splendour. 

In 1990 while in London they were filmed playing for MTV's 120 Minutes, a three song excerpt here opening with a cover of The Velvet Underground's Here She Comes Now, a brief bit of self- conscious interviewing, Tell Me and finally Strange (both from On Fire). 

The same year they played Club Lingerie in Hollywood where they performed their cover of Ceremony. On the whole, New Order's songs don't end up being covered well but Galaxie 500's version of Ceremony is stunning, a slowed down version that summons the spirit of both Joy Division and early New Order. A studio version came out on the Blue Thunder EP in 1990

As an extra, in 2021 Dean released his first solo album since 2014, a record titled I Have Nothing To Say To The Mayor Of L.A. which had everything you'd want from a Dean Wareham album, warm indie guitar songs, good lyrics, Dean casting his eye over the state of the USA under Trump (among other topics) and Dean's distinctive voice. 

Red Hollywood

Saturday, 30 October 2021

All My Chords Were Minor Chords

I've been enjoying Dean Wareham's singles, three of them, leading up to the release of his second solo album a couple of weeks ago, the snappily titled I Have Nothing To Say To The Mayor Of LA. Last year Dean and Britta put out a beautiful cover of Neon Lights, one of the standouts from their Quarantine Tapes (recordings the couple made from their home during lockdown). Galaxie 500 and Luna are never that far away from me so an album of Dean Wareham solo songs has come at exactly the right time. This song, Cashing In, is a wry, self deprecating and at times very funny take on where Dean sits in the musical landscape. 'I'm not selling out, I'm cashing in' he sings. In a lot of ways there's nothing here Dean hasn't been doing for over thirty years but he's carved out a space for himself and that's what he does. There's some Michael Rother style guitar leading the way on Cashing In among the familiar nods to Jonathan Richman and The Velvet Underground.

Back in 1989 Galaxie 500's second album, On Fire, was a minor sensation- reverb drenched, hushed, shimmering indie guitar pop that hooked me early on and has never let go. Their cover of New Order's Ceremony is legendary and has been posted here before. Previously, in 1988, there was a single called Tugboat. Tugboat is a gorgeous, frazzled, small hours love song (and tribute to Sterling Morrison who quit The Velvet Underground in 1971 to captain tugboats in Houston). 

Tugboat

Monday, 10 June 2019

Ceremony


I'd forgotten until I posted Galaxie 500 last week that they did a cover of Ceremony, a B-side on the 12" of Blue Thunder.

Ceremony

Galaxie 500 slow it down and make it a bit looser than the original. Dean Wareham's guitar playing is stellar, just enough distortion and fuzz and the drums are less mechanical than Stephen Morris' and avoid the tom toms completely.  It's a slow burn affair, less quiet-loud-quiet than New Order's versions of the song.

Ceremony was one of the last songs written by Joy Division and then New Order's first single- it was released in two different versions in 1981, the first recorded in January and then re-recorded in September when Gillian Gilbert had joined the band, and then issued with two different Peter Saville sleeve designs but both versions were numbered FAC 33. Subsequent pressings saw either version put into either sleeve which seems typically Factory- an obsession with detail coupled with can't be arsed. Famously when they came to record the song they couldn't find Ian Curtis' handwritten lyrics and had to work them out from the demo version, recorded onto cassette- some of Ian's vocals were unclear and they had to put the tape through a graphic equaliser. Even then Bernard was guessing at some of the lines.

Ceremony





In June 1983 New Order played Chicago's Cabaret Metro, a semi-legendary gig due to the heat knocking the power out and the synths and sequencers malfunctioning. Towards the end of the set they played Ceremony, rawer, faster and more ferocious. On fire in fact, as Galaxie 500 called their album. 


Tuesday, 4 June 2019

Blue Thunder


Galaxie 500's On Fire album is thirty years old this year. So many great songs, singles, records and albums were made in 1989 it seems like a blogger could spend most of 2019 doing nothing else but writing about them. On Fire seemed to drop out of the sky in autumn '89 despite it being their second album- I'd missed their first one but the rave reviews for On Fire caught me hook, line and sinker. The album opens with Blue Thunder, a slow motion, reverb heavy, lo- fi dream. Kramer perfectly recorded and produced the shimmering guitars and Dean Wareham's yearning falsetto vocal. Naomi's bass, influenced by Peter Hook, centres everything and gives the songs their weight. As an album it's an easy one to immerse yourself in, in all its textures and off kilter centre of gravity. Stunning still.

Blue Thunder

Wednesday, 4 July 2018

I Stayed At Home On The 4th of July


That was a win on penalties, something we don't know too much about in this country, against a team who set out to spoil and intimidate for much of the match. Well played Mr Southgate and your youthful team. Saturday against Sweden it is.

Today is the 4th of July and I am going to celebrate this with this wonderful Galaxie 500 song from 28 years ago.

'I wrote a poem on a dog biscuit
And the dog refused to look at it
So I got drunk and looked at the Empire State Building
It was no bigger than a nickel'

I loved this song when I first heard it back in the summer of 1990 and I love it still. The feedback and slow motion indie/shoegaze is more than good enough- it shimmers- and the switch from the Beat poetry of the verse to the falsetto of the chorus is sublime.

'Maybe I should just change my style' Dean concludes, 'but I feel alright when you smile'.

4th Of July

Tuesday, 6 November 2012

Don't Go To Waste


This may be none of my business as a Briton but...

If you put me on the spot I'm not sure I can list the achievements of the Obama Presidency but he is important if nothing else as a representative of a type of change many people never thought they'd see in the White House. On top of that, America, you really don't want Mitt Romney as your leader for the next four years. Do you?

Galaxie 500 covering Jonathan Richman and The Modern Lovers.

Don't Let Our Youth Go To Waste

Monday, 10 January 2011

A Reader Requests


A reader called Freesoundcollective (possibly not his/her real name) has asked for a repost of Luna's cover of Sweet Child O'Mine, yes that Sweet Child O'Mine, done for a radio session. Luna were Dean Wareham's follow up to Galaxie 500 and this cover is a genuine thing of beauty so I'm more than happy to oblige. If you haven't heard this before, you really should.

SweetChildOMine.mp3

Sunday, 9 May 2010

Luna 'Sweet Child O' Mine'


After Galaxie 500 split Dean Wareham formed Luna, who at some point recorded this version of Sweet Child O'Mine. Yup, that Sweet Child O'Mine.

SweetChildOMine.mp3

Galaxie 500 'Fourth of July'


Starting up here we left off yesterday with some quality indie rock, fuzzy guitars and lo-fi drums, but this time with Galaxie 500, slightly more sensitive than The Mary Chain. This is Fourth Of July, from their second album This Is Our Music, and is a step on from the fragile sounds of their first lp, On Fire. It starts off our Sunday with the line 'I wrote a poem on a dog biscuit, and the dog refused to loook at it, so I got drunk and looked at the Empire State Building, it was no bigger than a nickel'.