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Showing posts with label zoo. Show all posts
Showing posts with label zoo. Show all posts

Wednesday, 1 January 2025

Fifteen

Happy New Year! 

This blog is fifteen years old today. Bagging Area was born with a whimper on 1st January 2010, with the intention of seeing if I could do it for a year and no real plan for what I was going to write about. Here we are a decade and a half later with 5, 939 posts under my belt, over 18, 700 comments from people from near and far many of whom are now actual friends in virtual and/ or real life, and over 4, 666, 787 page views (at the time of writing). I didn't expect it to be as central to my life as it has become and can't really conceive how I could do without it. Micro- blogging and social media have their place, sharing music and with the capacity to make similar connections, but there's something about long form blogging, the process of writing, that sets it apart. I'm sure it's an outdated form of internet expression in an age of Tik Tok and Instagram Reels but it works for me and many others. The comments, the connections and the conversation, are really what make it so thank you to everyone who reads and leaves comments here (or when I share posts on Facebook). There's more of the same to come in 2025- apart from a list of artists/ songs on a notepad next to the computer and a few ideas for Saturday and Sunday posts I've no real plans beyond the next few posts, but something always comes up. 

To celebrate Bagging Area's fifteenth birthday here are a trio of fifteens in song and a poster. Andy Warhol famously said that, 'in the future, everyone will be world- famous for fifteen minutes'. And he didn't even know about YouTube at that point. Two of the songs here (I think) are inspired by or refer to that quote. The first is by Johnny Boy, a Liverpool boy- girl duo from the mid- 00s who released a legendary 7" single, You Are The Generation Who Bought More Shoes (And You Get What You Deserve), a 60s girl group inspired song that was a proper music blog song, shared countless times all over the place. Their sole album included this...

15 Minutes

Thundering drums, squealing guitars, hand shaking percussion, more multi- tracked girl group vocals, an 00s feel (think The Go- Team et al).

Ride's second re- union album was 2019's This Is Not A Safe Place, an album that drew from Jean- Michel Basquiat, Sonic Youth, and post- punk, all undercut by some squally electronics. Fifteen Minutes is three minutes fourteen seconds of indie rock with some kiss off lyrics about someone who's had their fifteen minutes and who has been bitten by karmic retribution, the song interrupted by bursts of  Goo- esque dirty guitar 

Fifteen Minutes

Thirdly, a fairly obscure Joe Strummer song, the B-side to the Island Hopping single from 1989. 15th Brigade (Viva La Quince Brigada) is a song from the Spanish Civil War, Joe singing in Spanish. There's a song of the same name written by Christy Moore, a tribute to the Irishmen who fought in the war against fascism in Spain in the International Brigades, Irish socialists who were also know as the Connolly Column. As far as I can tell the two songs aren't the same song. 

15th Brigade

And finally, a Factory records fifteen. In true Factory style the catalogue number Fac 15 wasn't given to a record but to a poster and an event (just as Fac 1 had been a poster). Fac 15 advertised the outdoor gig held jointly between Factory and Liverpool's Zoo Records, the two independent labels meeting half way in Leigh. I cycle through Leigh quite often- the idea that the cream of 1979's post punk bands played in a field there is always faintly ludicrous and totally brilliant, as is the poster's advice about how the post- punk youth of Manchester and Liverpool should get there. In terms of value for me it's second to none. It was however very poorly attended- the other bands on the line up watching whoever was on stage often comprised half of the total watching crowd. Accounts from the few who attended report that Joy Division were breathtaking. 


 

Saturday, 29 June 2024

V.A. Saturday

In 1982 Bill Drummond and Mick Houghton compiled an album called To The Shores Of Lake Placid, a various artists compilation rounding up releases by on the Zoo label. Bill set up Zoo in 1978, initially to put out a single by Liverpool punk group Big In Japan (the band Drummond played guitar in along with at various times Jayne Casey, Ian Broudie, Holly Johnson, Dave Balfe, Budgie and Clive Langer among others). The Big In Japan single was a four track EP, From Y To Z And Never Again- the song Suicide A Go Go appeared on To The Shore Of Lake Placid along with Society For Cutting Up Men. 

To The Shores Of Lake Placid is a round up of some of what was going on in Liverpool between 1978 and 1982. A clutch of lesser known, semi- legendary Zoo groups are all present- Whopper, Troy Tate's The Turqoise Swimming Pools, Birkenhead's Dalek (I Love You) and Those Naughty Lumps whose song Iggy Pop's Jacket Bill Drummond plays guitar on. 

Lori And The Chameleons, a short lived Bill Drummond and Dave Balfe outfit with singer Lori Lartey, are there twice, with Lonely Spy and this one, Touch, a lovely piece of late 70s disco- pop...

Touch

The Teardrop Explodes and Echo And The Bunnymen both show up, each represented by three early classics (the Bunnymen with Pictures On My Wall, their Julian Cope co- write Read It In Books and live favourite Villiers Terrace, The Teardrops by When I Dream, Camera, Camera and Take A Chance). 

My mp3s of the original versions of Read It Books and Pictures On My Wall, the ones from Lake Placid with Echo the drum machine keeping time, are corrupted and won't play. This version of  Read It In Books is from a session at Rockfield with The Chameleons producing, and was added to the U.S. release of Crocodiles. 

Read It In Books

A few years later Echo And The Bunnymen would be huge. In 1984 they released 'the greatest album ever made' (to quote Ian McCulloch), Ocean Rain. Drummond gave the Bunnymen something else as manager, something out of the ordinary. On 12th May 1984 there was a Crsytal Day, a day of activites in and around Liverpool city centre- breakfast in a greasy spoon, a bike ride that traced the outline of the head of the bunny god, a ferry trip across the Mersey and a banana fight. In the evening the band played at St. George's Hall, the neo- classical building opposite Liverpool Lime Street station, visible in the centre of my photo above, taken from the viewing platform at St John's Beacon. The gig was filmed and transmitted on The Tube, a tea time treat.


Bill's adventures as the Bunnymen's manager came to end not long after and in some ways they were never the same without him, professional record company management taking over and the operation losing the madness of Bill's days- the tours of Scottish islands, gigs on ley lines, post- punk bicycle rides. In his book 45 Bill details his time as their manager in a chapter called From The Shores Of Lake Placid, a book written and published for his 45th birthday and also the revolutions per minute of the ultimate pop culture artefact, the 7" single.