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Showing posts with label absolute beginners. Show all posts
Showing posts with label absolute beginners. Show all posts

Saturday, 10 May 2025

Soundtrack Saturday

In 1986 Julian Temple directed the film version of Absolute Beginners. The book, a 1959 Colin McInnes novel about life in London, race, class, sexuality, fashion, teenagers and jazz, is a post- war British classic, part of a trilogy McInnes wrote about life in London and youth culture. The film is maybe less a classic, more a brave/ doomed attempt. 

It has its charms- at the time of its release I was sixteen and quite taken with Patsy Kensit- and an all star cast- James Fox, Edward Tudor Pole, Sade, Ray Davies, Steven Berkoff and David Bowie- but it was panned on release, seemed more of a marketing exercise than a film and couldn't quite work out what it was trying to do. The two leads, Patsy Kensit and Eddie O'Connell were unknowns and apparently didn't get on. The production company, Goldcrest, had two other major films on at the same time (The Mission starring Robert De Niro and Jeremy Irons and Revolution starring Al Pacino) and Absolute Beginners didn't get the same financial support. Goldcrest went bust not long after. 

The soundtrack however, is a different cup of tea entirely. There's plenty of jazz - Gil Evans, Slim Gaillard, Charles Mingus- along with some 80s London names- Clive Langer, Nick Lowe, Jerry Dammers, Ray Davies- as well as Sade and Smiley Culture. There's also Bowie's stone cold classic single title track, maybe his last truly great single...

Absolute Beginners

Glossy 80s production, sweeping chord changes, the ba- ba- ba- oom backing vocals, and Bowie's lead vocal, a glorious, crooning, soaring thing, ever going upwards, the sound of young love. 

The soundtrack is also home to one of Paul Weller's best Style Council songs. A film about 50s mod made in the 80s was always gong to have Paul turn up somewhere and The Style Council pulled out all their bossanova/ modern jazz/ pop chops for the song.

Have You Ever Had It Blue? (Soundtrack Version)

Friday, 15 January 2016

Them And David Bowie


The crazy, beautiful stream of all things David Bowie related this week has been both wonderful and very sad. The sheer amount of music is one thing, the words and memories another and then there's the pictures. This one of two South London boys enjoying a beer backstage at Shea Stadium popped up. As did this one below...


Big Audio Dynamite in New York in 1987, with Bowie, Peter Frampton, Jimmy Cliff, Dave Stewart (ugh) and Paul Simonon again (Havana 3am supporting B.A.D.) One of the later B.A.D. line ups did a cover of Suffragette City which I thought I had a digital file of but don't. I can't find it anywhere on the internet and can't rip my vinyl right currently either. You'll have to imagine it. The influence of Bowie on the punks is well documented. This picture of a pre-Sid Vicious Simon Ritchie on his way to see Bowie at Earl's Court has been widely shared too...


Bowie was enormous in 1970s Liverpool. Pete Wylie tweeted this week that Liverpool's 70s youth had to reject their city's homegrown music and find something new- and that was Bowie. Wylie's old mucker Ian McCulloch released an album of acoustic songs called Pro Patria Mori in 2013, coupled with Bunnymen songs done live at the Union Chapel. This was Mac's tribute to the Thin White Duke.

Me And David Bowie

And just because a Bowie post isn't complete without some music from the man himself, this is an absolute highlight, his best moment from the 1980s, a soaring, romantic song from a widely panned 1980s film, plucked out of nowhere with a hastily scrambled together bunch of musicians sometime in London in 1986. A favourite of mine (and Simon and Drew's too).


Bowie with Absolute Beginner Patsy Kensit. I had a bit of a thing for her in 1987.

Friday, 22 March 2013

And I'm Absolutely Sane



Saint Etienne's cover version of Bowie's 80s film tie single Absolute Beginners- a good effort if truth be told although the repeated 'South Bronx' sample becomes a bit wearing. The film was based on Colin McInnes 50s novel- a classic of it's kind.

Absolute Beginners

The extended mix Bowie's single went on for over seven minutes and was the best thing about the film by a long chalk. Except for that pesky saxophone.