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Showing posts with label fine young cannibals. Show all posts
Showing posts with label fine young cannibals. Show all posts

Sunday, 25 January 2026

Forty Minutes Of That Drum Break

Back in December I posted I'm Not The Man I Used To Be by Fine Young Cannibals and then more recently Madonna's Justify My Love, both songs driven by a very famous drum break- the Funky Drummer, a drum solo played by the legendary Clyde Stubblefield on James Brown's 1970 single Funky Drummer (actually from the B-side Funky Drummer Part 2). Digging into My Bloody Valentine's back catalogue over the last two weeks brought me back to a B-side from 1988 titled Instrumental No. 2, the flipside to a 7" single given away free with the first 5000 copies of Isn't Anything. 

My Bloody Valentine and Madonna (with co- writers Lenny Kravitz and Ingrid Chavez) both built their songs around a short interlude track by Public Enemy from 1988's It Takes A Nation Of Millions To Hold Us Back. PE's Hank Shocklee denies that the drum break on Security Of The First World is a sample from Funky Drummer but both My Bloody Valentine and Madonna sampled Public Enemy- Kravitz denied it saying it was a drum break that was 'just lying around the studio'. Kevin Shields was getting into acid house in 1988 as well as developing MBV's guitar noise and there's a good argument that Instrumental No. 2 is the first indie- dance track, ahead of The Soup Dragons, ahead of The Stone Roses and ahead of Primal Scream. Admittedly Happy Mondays might want a word.

Anyway, the whats and wheres and who's firsts aren't what I'm here for today. I started piecing these tracks together and thought I'd try to get them and a handful of others to work together in a mix. Forty minutes seemed enough- there are literally thousands of songs that have sampled the Funky Drummer and hundreds of hip hop records including Boogie Down Productions,  LL Cool J, Eric B and Rakim, Run DMC, Beastie Boys and NWA. In fact I might come back and do a hip hop Funky Drummer Sunday mix. But in the meantime, this one is those records above and a couple of others. 

For a while Shadrach by The Beastie Boys were in the mix but it's a different drum break, more likely from Hot & Nasty by Black Oak Arkansas and I dropped Fool's Gold in too but it's not the same break either- it's a funky drummer but not the Funky Drummer. DNA and Suzanne Vega did make the cut but I don't think it's actually the Funky Drummer, it's more likely sampled from Soul II Soul, but it felt like it fitted. 

It's probably worth remembering that Clyde Stubblefield, the man whose drumming is the Funky Drummer, got nothing more than the session fee as the drummer in James Brown's band. 

Forty Minutes Of The Funky Drummer

  • Public Enemy: Security Of The First World
  • My Bloody Valentine: Instrumental No. 2
  • Madonna: Justify My Love
  • Sinead O'Connor: I'm Stretched On Your Grave
  • Fine Young Cannibals: I'm Not The Man I Used To Be
  • DNA and Suzanne Vega: Tom's Diner (DNA Remix)
  • Radio Slave: Amnesia (Instrumental)
  • James Brown: Funky Drummer (Album Version)

Security Of The First World is from side two of It Takes A Nation Of Millions To Hold Us Back, the greatest hip hop album ever made, Chuck D, Flavor Flav and The Bomb Squad writing the book on how to splice noise, funk and rap, politics, race and music. Security Of The First World is a one minute twenty loop, the Funky Drummer, a pulverising bassline and some bleeps, that changed music. 

Kevin Shields sampled Public Enemy for Instrumental No. 2. The pitch drops a little and it sounds scratchier- maybe they sampled it from vinyl. Over the top Kevin plays ghostly guitar chords and layers of wordless vocals to create something that would inform later MBV tracks- Soon is surely born here. 

Madonna's Justify My Love was a 1990 single, banned by MTV due to the S&M, voyeurism and bisexuality on display in the video. I wrote about it earlier this month here. Madonna and Lenny Kravitz wrote and recorded it in a day according to Lenny, very quick and in his words 'authentic'.

Also from 1990 is Sinead O'Connor's I Am Stretched On Your Grave. Sinead was a huge Public Enemy fan. The lyrics are from a 17th century poem, Taim Sinte Ar Do Thuama, translated into English by Irish poet Frank O'Connor and set to music in 1979 by Irish artist Philip King. Sinead's vocal is stunning, alone over Clyde's drumming. Some bass bubbles in, there are some drum crashes and at the end there's a dramatic fiddle part by Waterboy Steve Wickham. 

In 1989 Fine Young Cannibals released I'm Not The Man I Used To Be as a single (the fourth from their album The Raw And The Cooked). They sped the Funky Drummer up and there's some house music in the chords and production. A song that bears repeat plays. Roland Gift was a star who reused to play the game. 

DNA sampled Suzanne Vega's a capella version of Tom's Diner (from here 1987 album Solitude Standing though it dates from earlier, it's on a 1984 Fast Folk Music Magazine album). DNA played it over the drum break from a Soul II Soul record. DNA pressed it up and released it without permission and it took off. Suzanne's label A&M decided to release it officially rather than sue (Suzanne liked the version) and it became a massive hit. It's not the Funky Drummer but it felt like it fitted with Sinead and Madonna and the whole 1990 drum break sampling vibe. 

Just to show that you can't keep a good drum break down, Amnesia is from 2023, a track by Berlin DJ and producer Radio Slave and a tribute to the Ibiza club Amnesia and partying under the stars in the mid- to- late 80s, something Radio Slave admits is a romanticised notion. 

I was in two minds about including the source material. Funky Drummer was released as a single by James Brown in 1970, split over both sides of the 7" with Part 2 being the source of the drum break. This is a nine minute studio version, released on a 1986 album In the Jungle Groove- surely the source for many of the hundreds of artists who followed Public Enemy's lead after 1988 who sampled it. 

Tuesday, 18 November 2025

It's Plain To See

This song revolved back into my life at the weekend and I played it umpteen times on Sunday, something about it really striking a chord. 

I'm Not The Man I Used To Be

How good is that? I was reminded on Sunday evening that it was a favourite of Drew of the now dormant but once essential music blog, Across The Kitchen Table. 

In 1989 Fine Young Cannibals were making a second album, The Raw And The Cooked. Some of the songs that would appear on it were already out- their cover of Ever Fallen In Love (With Someone You Shouldn't Have Fallen In Love With) was in Jonathan Demme's 1986 film Something Wild and Good Thing, Tell Me What and Hard As It Is all showed up in Barry Levinson's 1987 film Tin Men (with FYC playing a band in a nightclub in the film). They were moving away from the 60s soul towards something more contemporary. Andy Cox and David Steele had made an acid house inspired single as Two Men A Drum Machine And A Trumpet while singer Roland Gift was acting in Sammy And Rosie Get Laid and Scandal. They reunited and the band told their label they wanted Prince to produce the rest of the album. Prince wasn't available but strings were pulled and Fine Young Cannibals ended up in Paisley Park with David Z, a member of Prince's Revolution. The big hit single She Drives Me Crazy came from those sessions as did I'm Not The Man I Used To Be. 

I'm Not The Man I Used To Be is built around a James Brown drum loop, the ever dependable and in 1989 increasingly ubiquitous Funky Drummer, a subtle guitar part and some lovely synth chords. Roland Gift's voice was indeed a gift and his vocal is wonderful, introspective and heartfelt, full of regret and emotion. It's not house music but it's coming from that plac. 

'Oh, it's plain and it's a shame/ I can't explain/ But I'm not the man I used to be'

It was the fourth single off the album- record companies really rinsed albums back in the 80s. Of the remixes and extended versions the Jazzie B and Nellee Hooper remix is a winner. I don't have an mp3 but it's on Youtube.


I once saw Roland Gift in real life, walking down the street in Islington one evening in the mid- 90s when we used to spend quite a bit of time in that part of London. He has that kind of charisma and style that makes it look like he's in a video when he's doing nothing more than walking down a North London street after dark. Fine Young Cannibals didn't make any more albums, more's the pity- the former Beat pair of Andy and David and Roland drifted apart and they called it a day in 1992. Roland apparently resurfaced this summer playing two gigs. 

Monday, 16 March 2015

Johnny We're Sorry


Another day, another Johnny.

Top Johnny in a Google search is Johnny Depp, as I said last week when I started this. I have no real strong opinion on him. He seems alright. His previous girlfriends include Winona Ryder, Kate Moss and Vanessa Paradis. Vanessa is best known here for her 1988 hit Joe Le Taxi and her gap toothed smile. And pictured above last year seems to have opted out of the aging process, despite smoking.

Fine Young Cannibals' Johnny left home and headed for the big city which sadly didn't live up to his expectations. The verses are Johnny's ('what is wrong in my life if I must get drunk every night?'). The chorus is his parents ('we're worried, won't you come on home'). Pop songs in 1984 didn't shy away from real life stuff and despite the uptempo pop-ska the song is defiantly gritty. The bouncy guitar and bass,  piano riff and trumpet are very good and there's a great little shift from the verse to the chorus. The guitar, bass and rubber legged dance moves were provided David Steele and Andy Cox (both formerly of The Beat, who recruited singer Roland Gift from a support band). Roland had one of the most distinctive voices and faces of the mid 80s and moved into films- Sammy And Rosie Get Laid sticks in my memory but I haven't seen it for donkeys.