Unauthorised item in the bagging area
Showing posts with label james brown. Show all posts
Showing posts with label james brown. Show all posts

Saturday, 25 April 2026

Oblique Saturdays

A series for Saturdays in 2026 inspired by Brian Eno and Peter Schmidt's set of cards, Oblique Strategies (Over One Hundred Worthwhile Dilemmas). Eno and Schmidt created them to be used to unblock creative impasses and approach problems from unexpected angles. Each week I'll turn over an Oblique Strategy card and post a song or songs inspired by the suggestion. 

Last week's Oblique Strategy was- Tape your mouth.

I plumbed for the recently released Tom Waits and Massive Attack single, Boots On The Ground, a song I've returned to many times since, Tom Waits' mouth taped, both the disgust in his delivery and his words and the sound of him breathing. 

There were as usual some excellent suggestions from the Bagging Area massive- Cryptoliz opted for the Bulgarian State Television Female Choir, as beloved by 4AD's Ivo Watts- Russell and as heard here singing Erghen Diado


Rol went with Radiohead's Gagging Order, Ernie with Julie Fowlis and Joe Dolce and Al G with Deerhunter.

This week's Oblique Strategy card is this- Short circuit (if eating peas improves virility, shovel them into your pants)

Sound advice from Eno and Schmidt. 

Pass the peas. More peas. Fred Wesley and The J.B.s. 

More Peas

I dunno if Fred Wesley and The J.B.s' peas improved their virility or indeed if they shoveled them into their pants but this is very much music that struts, 1973 funk that could potentially cause accidental pregnancies. 

This is an ALFOS favorite, one I've heard go off in The Golden Lion, courtesy of Secret Circuit. Maybe not virile but definitely sexy. 

Jungle Bones (Tiago Mix)


Sunday, 25 January 2026

Forty Minutes Of That Drum Break

Back in December I posted I'm Not The Man I Used To Be by Fine Young Cannibals and then more recently Madonna's Justify My Love, both songs driven by a very famous drum break- the Funky Drummer, a drum solo played by the legendary Clyde Stubblefield on James Brown's 1970 single Funky Drummer (actually from the B-side Funky Drummer Part 2). Digging into My Bloody Valentine's back catalogue over the last two weeks brought me back to a B-side from 1988 titled Instrumental No. 2, the flipside to a 7" single given away free with the first 5000 copies of Isn't Anything. 

My Bloody Valentine and Madonna (with co- writers Lenny Kravitz and Ingrid Chavez) both built their songs around a short interlude track by Public Enemy from 1988's It Takes A Nation Of Millions To Hold Us Back. PE's Hank Shocklee denies that the drum break on Security Of The First World is a sample from Funky Drummer but both My Bloody Valentine and Madonna sampled Public Enemy- Kravitz denied it saying it was a drum break that was 'just lying around the studio'. Kevin Shields was getting into acid house in 1988 as well as developing MBV's guitar noise and there's a good argument that Instrumental No. 2 is the first indie- dance track, ahead of The Soup Dragons, ahead of The Stone Roses and ahead of Primal Scream. Admittedly Happy Mondays might want a word.

Anyway, the whats and wheres and who's firsts aren't what I'm here for today. I started piecing these tracks together and thought I'd try to get them and a handful of others to work together in a mix. Forty minutes seemed enough- there are literally thousands of songs that have sampled the Funky Drummer and hundreds of hip hop records including Boogie Down Productions,  LL Cool J, Eric B and Rakim, Run DMC, Beastie Boys and NWA. In fact I might come back and do a hip hop Funky Drummer Sunday mix. But in the meantime, this one is those records above and a couple of others. 

For a while Shadrach by The Beastie Boys were in the mix but it's a different drum break, more likely from Hot & Nasty by Black Oak Arkansas and I dropped Fool's Gold in too but it's not the same break either- it's a funky drummer but not the Funky Drummer. DNA and Suzanne Vega did make the cut but I don't think it's actually the Funky Drummer, it's more likely sampled from Soul II Soul, but it felt like it fitted. 

It's probably worth remembering that Clyde Stubblefield, the man whose drumming is the Funky Drummer, got nothing more than the session fee as the drummer in James Brown's band. 

Forty Minutes Of The Funky Drummer

  • Public Enemy: Security Of The First World
  • My Bloody Valentine: Instrumental No. 2
  • Madonna: Justify My Love
  • Sinead O'Connor: I'm Stretched On Your Grave
  • Fine Young Cannibals: I'm Not The Man I Used To Be
  • DNA and Suzanne Vega: Tom's Diner (DNA Remix)
  • Radio Slave: Amnesia (Instrumental)
  • James Brown: Funky Drummer (Album Version)

Security Of The First World is from side two of It Takes A Nation Of Millions To Hold Us Back, the greatest hip hop album ever made, Chuck D, Flavor Flav and The Bomb Squad writing the book on how to splice noise, funk and rap, politics, race and music. Security Of The First World is a one minute twenty loop, the Funky Drummer, a pulverising bassline and some bleeps, that changed music. 

Kevin Shields sampled Public Enemy for Instrumental No. 2. The pitch drops a little and it sounds scratchier- maybe they sampled it from vinyl. Over the top Kevin plays ghostly guitar chords and layers of wordless vocals to create something that would inform later MBV tracks- Soon is surely born here. 

Madonna's Justify My Love was a 1990 single, banned by MTV due to the S&M, voyeurism and bisexuality on display in the video. I wrote about it earlier this month here. Madonna and Lenny Kravitz wrote and recorded it in a day according to Lenny, very quick and in his words 'authentic'.

Also from 1990 is Sinead O'Connor's I Am Stretched On Your Grave. Sinead was a huge Public Enemy fan. The lyrics are from a 17th century poem, Taim Sinte Ar Do Thuama, translated into English by Irish poet Frank O'Connor and set to music in 1979 by Irish artist Philip King. Sinead's vocal is stunning, alone over Clyde's drumming. Some bass bubbles in, there are some drum crashes and at the end there's a dramatic fiddle part by Waterboy Steve Wickham. 

In 1989 Fine Young Cannibals released I'm Not The Man I Used To Be as a single (the fourth from their album The Raw And The Cooked). They sped the Funky Drummer up and there's some house music in the chords and production. A song that bears repeat plays. Roland Gift was a star who reused to play the game. 

DNA sampled Suzanne Vega's a capella version of Tom's Diner (from here 1987 album Solitude Standing though it dates from earlier, it's on a 1984 Fast Folk Music Magazine album). DNA played it over the drum break from a Soul II Soul record. DNA pressed it up and released it without permission and it took off. Suzanne's label A&M decided to release it officially rather than sue (Suzanne liked the version) and it became a massive hit. It's not the Funky Drummer but it felt like it fitted with Sinead and Madonna and the whole 1990 drum break sampling vibe. 

Just to show that you can't keep a good drum break down, Amnesia is from 2023, a track by Berlin DJ and producer Radio Slave and a tribute to the Ibiza club Amnesia and partying under the stars in the mid- to- late 80s, something Radio Slave admits is a romanticised notion. 

I was in two minds about including the source material. Funky Drummer was released as a single by James Brown in 1970, split over both sides of the 7" with Part 2 being the source of the drum break. This is a nine minute studio version, released on a 1986 album In the Jungle Groove- surely the source for many of the hundreds of artists who followed Public Enemy's lead after 1988 who sampled it. 

Tuesday, 11 January 2022

I'll Lie Here Forever

It's difficult to find adequate words to say about Sinead O'Connor, the loss of her son Shane, and the pain she and Shane's father must be feeling at the moment. Even with everything we've been through recently to lose a child to suicide is just unimaginable. Her Tweets over the weekend have been full of rage and anguish although she had softened her tone towards the hospital yesterday. I hope she can find some way through it. 

This song was from her 1990 album I Do Not Want What I Haven't Got, the album that brought her the worldwide fame that seems to have blighted her life ever since. The words to I Am Stretched On Your Grave are from an anonymous 17th century Irish poem titled 'Táim sínte ar do thuama', translated by Irish writer Frank O'Connor. For her version with Nellee Hooper producing, Sinead sings over Clyde Stubblefield's famous drum break from James Brown's Funky Drummer while a very Massive Attack bassline bubbles away. The final minute, where the Irish fiddle takes over, is some finale too. 

I Am Stretched On Your Grave

Tuesday, 12 February 2019

It's A New Day


Later on on Saturday night I started channel surfing and found the second half of a film about James Brown which included this clip of James and his band in 1969, live on the TV, doing I Don't Want Nobody To Give Me Nothing...



It's powerful stuff, the band drilled to within an inch of their lives, everyone dependent on James' direction, a soul band transformed into a rhythmic machine, everything concentrated on The One. Brown's influence at this point among the black community was such that following nights of rioting he went to the ghetto and told the young men to stop- and they did. His music had empowered the audience- Say It Loud, I'm Black And Proud- and in the late 60s he went further than anyone else, from soul to funk, stronger, deeper and blacker.

I Don't Want Nobody To Give Me Nothing is about aspiration and empowerment, educating yourself, self reliance, willpower. James couldn't understand why if he'd dragged himself up and out of poverty by sheer hard work and determination, everybody else couldn't do the same. Not everybody else had his talent, a point he might have missed. The Nixon Presidency was telling the nation that this was the way out of the ghetto, aspiration not welfare. It's a message Reagan and Thatcher would love and implement in policy a decade later (and still very much alive today). Brown would endorse Nixon in 1972 and later Reagan too. So I Don't Want Nobody To Give Me Nothing works both ways, a 1969 bolt of self-determination with a side order of Reaganite and Thatcherite 'get on your bike' message.

In 1986 a double album compilation of James Brown songs from the 1969 to 1972 period came out titled In The Jungle Groove. The songs on it were the ones that hip hop had sent centre stage again, the drums especially, and Clyde Stubblefield's drums even moreso. It's an absolutely essential compilation, nine hits of super funk, including The Funky Drummer, Give It Up Or Turn It Loose,  Hot Pants, Soul Power, Talkin' Loud And Sayin' Nothing. The period the album covers includes the moment in 1970 when the band mutinied in a dispute over pay. James called their bluff, losing Fred Wesley, Maceo and Melvin Parker but at the last minute keeping Bobby Byrd and gaining Bootsy and Phelps Collins. This band went into the studio not long after their first live performance together and recorded Get Up (I Feel Like Being A) Sex Machine. In just two takes.

In The Jungle Groove is well worth tracking down. I think it was reissued in the early 2000s. This song opens it and, you probably don't need me to tell you, is unbelievably funky.

It's A New Day


Saturday, 11 October 2014

Friday, 14 December 2012

Advent Post Number Three


Ooh, quick, open the door, what is it today? A chocolate shaped like a festive candle?
Nope, it's a song from James Brown's Funky Christmas- an album that includes Santa Claus Go Straight To The Ghetto, Let's Make Christmas Mean Something This Year Parts 1 And 2 and Soulful Christmas. While these songs are definitely funky they seem almost to be the exact opposite of  sounding festive. Take it to the bridge JB.

Go Power At Christmas Time