Unauthorised item in the bagging area
Showing posts with label escape- ism. Show all posts
Showing posts with label escape- ism. Show all posts

Wednesday, 1 April 2026

Fools

Some fools for April Fool's Day. All Fool's Day is a tradition in many countries but there doesn't seem to be any real agreement about where it originates from- an association between 1st April and foolishness is mentioned by Chaucer in The Nun's Priest's Tale where a vain cock is tricked by a fox into believing it is 32nd March. Some scholars inevitably disagree and put this down to a mistranslation. 

A 16th century French poet mentions poisson d'Avril (April fool or literally April's fish) and a Flemish poet, Eduard de Dene, referenced a nobleman who sent his servants on foolish errands on 1st April. The first agreed British reference is from 1686, John Aubrey mentioning 'fooles holy day'. 

Pop culture is littered with fools. In 1973 Lee Hazlewood, the cosmic cowboy, asked a foolish question...

Poet, Fool Or Bum

In 2019, a reactivated Sebadoh saw Lou Barlow return with some typically ramshackle, melodic indie rock reaching the point where he 'won't be a fool in your eyes'. 

Fool

Gallon Drunk weren't a band to do things by halves. A noisy, chaotic early 90s blur of suits, guitars, sideburns, noisy blues and jazz. Some Fool's Mess was Single Of The Week in the NME in 1991, back when these things really mattered. The live recording here is from 1993 when they toured the US supporting PJ Harvey

Some Fool's Mess (Live In Chicago)

Escape- Ism is Ian Svenonius' latest vehicle for deconstructing music and overthrowing existing power structures. Last year's Charge Of The Light Brigade was one of my albums of the year. In 2021 they released Rated Z, their fourth album, a casual combination of arrogance and minimalism. Electronic rock 'n' roll reduced to its barest elements. 

Suffer No Fool

Lastly I need to direct you here to Bedford Falls Players where Mr BFP has done an entirely unofficial edit of Walking On Sunshine and Fool's Gold, Rockers Revenge and The Stone Roses mashed together in an unholy and total trip, seven minutes of Fool's Gold- En.  Free/ pay what you want. 

On 23rd November 1989 The Stone Roses made their one and only Top Of The Pops appearance, gatecrashing the shiny world of the BBC studios and the top ten with the groundbreaking indie funk of Fool's Gold. The fall of the Berlin Wall, The Stone Roses on Top Of The Pops- the 1990s started here. 


The photo at the top is the corridor of a hotel we have actually stayed in. I felt lucky to wake up in the morning and 

Edit: that last sentence for some reason was never completed. I got distracted and forgot to finish it. It should have read something like this...

The photo at the top is the corridor of a hotel we have actually stayed in. I felt lucky to wake up in the morning and not have been sold into some form of modern slavery. The hotel was a one night stopover and was cheap. The fire escapes had groups of men hanging around them smoking and the fire escape was in our bedroom- in the event of a fire the escape route was through our room. Off our room were two further rooms, one with a broken window that would not close and the other a cell. As I was about to put the light out to go to sleep and huge spider ran across my pillow. It was grim but also very funny. 

Sunday, 4 January 2026

An Hour Of 2025 Dub/ Dance

A follow up to my New Year's Eve mix which was an ambient/ downtempo and largely instrumental hour of music. This one starts out dubby and then heads in Balearic and dance directions, getting increasingly thumpy with a three tune Belfast detour before finishing with the voice of Andrew Weatherall. As maybe all mixes should. 

There were a lot of things that I couldn't find room for here, not least Four Tet's Into Dust (Still Falling)- maybe there's time for one more 2025 mix next Sunday to see that year out. 

An Hour Of 2025 Dub/ Dance

  • Adrian Sherwood: Spaghetti Best Western
  • Soft Cotton County: The Future's Not What It Used To Be (Justin Robertson's Five Green Moons Remix)
  • Rude Audio: No Sleep
  • Escape- Ism: Last Of The Sellouts
  • Daniel Avery ft. Cecile Believe: Rhapsody In Blue
  • Jezebell: Movimento Lento
  • Puerto Montt City Orchestra: ...And We'd Be So Happy
  • Pandit Pam Pam: The Senator
  • Le Carousel: We're All Gonna Hurt
  • Factory Floor: Tell Me
  • Black Bones: Voodoo
  • The Light Brigade: Shuffle The Pack

Adrian Sherwood's The Collapse Of Everything was one of my favourite albums of 025, a solo album that becomes a mystical sonic adventure, Sherwood reaching out from dub into soundtrack territories and beyond. Spaghetti Best Western's guitars are worth the price of entry alone. 

Soft Cotton County's Coward Of The County Fair came out in January 2025, a single backed with a pair of Justin Robertson dubs (wearing his Five Green Moons hat- and the Five Green Moons Moon 2 album should have showed up here too). SCC are an indie/ dreampop/ shoegaze duo from Richmond- upon- Thames. This is lovely, laid back folk/ dub. 

Rude Audio are a South London dub/ dub techno specialists under the leadership of Mark Ratcliff. The Strange Phenomenon EP was a 2025 highlight, premium grade Dulwich dub. 

Escape- Ism's The Charge Of The Love Brigade was one of my 2025 peaks, a ten song trip inside Ian Svenonius' world, the last man in the business to sell out. 

Daniel Avery and Cecile Believe's Rhapsody In Blue was the most 80s teen drama, pop moment on Tremor (and came with a Midnight Version too, dirtier and tougher). It still hits the right spots now, six months after its release.

Jezebell's second album, Jezebellearic Beats Volume 2, pulled together some further remixes and productions together with some new material- this track, Movimento Lento, and the closer Turn It Yes, were a perfect pair of bookends. 

Puerto Montt City Orchestra's ...And We'd Be So Happy came out on Brighton's Higher Love label, the home of many fine modern Balearic releases. A spoken word family trip to the seaside in the pouring rain. 

Pandit Pam Pam is from Sao Paulo and makes uneasy ambient music. The Senator is the most dancefloor friendly thing in the Pandit Pam Pam back catalogue, dynamic and lively but still a little unpredictable and the horn that floats above the drums is a thing of beauty. 

Le Carousel is Phil Kieran from Belfast. We're All Gonna Hurt is full on, pulsing, electronic dance music, uplifting but shot through with heartbreak, like all the best dance music is. 

Factory Floor's 2025 return saw them come back with more bone shaking beats and face melting synths, on a pair of singles, Tell Me and Between You. Stephen Morris added some drum programming touches to Tell Me. Experimental, machine music with a random human heart. 

Black Bones are also from Belfast. They released an album across a variety of vinyl formats, dark industrial basement music- acidic, technoid, dubbed up Belfast rave. 

The Light Brigade are David Holmes and Keith Tenniswood. Shuffle The Pack is a righteous acid house record, a call to arms and positivity and very much part of Holmes' 'music as an act of resistance' vision that fades out leaving Andrew Weatherall's voice talking about music, smoke, coloured lights and acid house as gnostic ceremony. 


Saturday, 20 December 2025

Bagging Area End of Year List 2025

Today marks the fifteenth Bagging Area end of year list- let's get the album above out of the way first. Sounds From The Flightpath Estate Volume 2, put together by myself, Martin, Dan, Baz and Mark with sleeve art by Rusty and released on Golden Lion Sounds, came out in the summer. It opens with a previously unreleased Sabres Of Paradise track, the full length, thirteen minute techno skank of Lik Wid Nit Wit, and then goes on to showcase brand new tracks by Dicky Continental, Unit 14, Richard Fearless, A Certain Ratio and Number, Red Snapper, Richard Norris, David Harrow, Bedford Falls Players and a cover of Two Lone Swordsmen's Sick When We Kiss by Sleaford Mods. 

Piccadilly Records put it at number 12 in their Top 30 Collections in their end of year booklet (sandwiched between Pink Floyd and The Fall). If you take out the re- issues and just include the compilations, we came in third. Phonica, a very fine record shop in Soho, put it at number five in their compilations chart. It still makes me shake my head in disbelief sometimes that we have accomplished it- the quality of the music is so high, everyone involved is at their very best. 

The entire enterprise is a tribute to Andrew Weatherall, his music, life and work, and given that Andrew's standards were so high, it's no surprise that the people he worked with and who are inspired by him- like the artists on Volume 2 (and Volume 1)- are all also people who produce and create such good music. There are a handful of copies in some record shops- Piccadilly, Stranger Than Paradise, Phonica- and there might still be a few at Golden Lion Sounds but it's close to selling out its entire run of 1500 copies and once they're gone, they're gone. 

Another compilation album I've enjoyed this year is Sean Johnston's A Love From Outer Space, a celebration of the travelling cosmic disco started by Sean and Andrew Weatherall in 2010 and still going boldly to this day. The album starts with a Neville Watson dub of The Blow Monkeys and takes in Phil Kieran (remixed by Andrew), Laars, Secret Circuit, Duncan Gray, Das Komplex, Brioski and many more. Cosmic chug, never knowingly exceeding 113 bpm. 

The third compilation album that has rocked 2025 is Ein Null: 10 Years Of Sprechen, a ten track round up of the Manchester label's artists with new tracks from A Certain Ratio, Psychederek, The Thief Of Time, The Utopia Strong and more. 

The best new old music of 2025 includes Husker Du's The Miracle Year: 1985, a huge live album showing Husker Du at their mid- 80s peak, on fire. I loved R.E.M.'s re- released Radio Free Europe EP which included the semi- legendary Mitch Easter Dub Mix. The Richard Sen remixes of John Grant, sitting unreleased since 2017, finally saw the light of day. My year started with Bob Dylan and the film A Complete Unknown and I've been dipping in and out of Dylan all year as a result. I haven't committed to the latest edition of The Bootleg Series, Volume 18, but have played his 1962 song Rocks And Gravel repeatedly (unreleased in 1962 and part of this year's Bootleg Series Through The Open Window, 1953- 1962). The Return Of The Durutti Column, a comprehensive and remastered re- issue of the 1980 Durutti Column debut is stunning too. Aphex Twin's continued visits into his vaults saw him put Zahl am1 live track 1 up on Soundcloud, a typically brilliant AFX track. Volcanic Tongue, a compilation of obscure, outsider bands from David Keenan's label of the same name was a winner too, with 20 slices of eclectic, underground music dating from 1968 to 2013. 

Albums of 2025

All of these abums have been somewhere near my various listening devices this year and all are albums I'll come back to again- Reverb Delay's The Ghosts Of Dawn, David Harrow's Accelerated Life, a pair of albums from 100 Poems, Rodeo Disco and Let The Horse Run Free, Evan Dando's Love Chant, Sonar// Radar's Weak Sun, Sonnenspot's Sonnenspot, SubDan's Innerleben, Anywhere by Causeway, Red Snapper's Barb And Feather, Decius Vol. II (Splendour & Obedience), Daniel Avery's Tremor, Five Green Moons' very recently released and probably should be in my top ten Moon 2, Rose City Band's Sol y Sombra, Dub Syndicate's Obscured By Version, The Orb's Buddhist Hipsters, Faded by The Liminanas, the vinyl releases of Thought Leadership's Ill Of Pentacles and Ace Of Swords albums, Coyote's Wailing To The Yellow Dawn, Half Man Half Biscuit's All Asimov And No Fresh Air, Jezebell's Jezebellearic Beats Volume 2, KiF's Still Out, Warrington- Runcorn New Town Development Plan's Public Works And Utilities, Tortoise's Touch, Pye Corner Audio's Where Things Are Hollow and Stereolab's marvelous comeback Instant Holograms On Metal Film.

10 Death In Vegas: Death Mask

Four sides of emotional and purist machine techno from Richard Fearless- side four in particular with Your Love and the title track is an immersive, psychedelic techno trip. 

9 Dean Wareham: That's The Price Of Loving Me

On the former Galaxie 500 songwriter, singer and guitarist's fourth solo album, he got back with producer Kramer and they caught Dean at his best- reverb drenched guitars, a dreamy production and a set of reflective, witty and wise songs. Understated but I kept coming back to it. 

8 Mogwai: The Bad Fire

Released at the start of the year, Mogwai are always an essential listen and this album is as good as any they've made- walls of guitars, huge melodies, songs that scrape away and soar. Some members of the band were going through tough times when it was recorded and you can hear the catharsis in the grooves of the album. Fanzine Made Of Flesh may be song title of the year too (although Half Man Half Biscuit's Horror Clowns Are Dickheads runs it close). 

7 Syd Minsky Sargeant: Lunga

Syd's solo album, a switch from the tough, electronic beats and rhythms of Working Men's Club, is a folky, downbeat treasure trove of song, with Nick Drake and Syd Barrett both sounding like they're there inside the songs. Try Long Roads for a taster of Lunga's delights...

6 Adrian Sherwood: The Collapse Of Everything

Adrian Sherwood doesn't release many albums under his own name and on the basis of The Collapse Of Everything he should do it more often. Dub is the foundation (as ever) but The Collapse Of Everything rolls and tumbles between all kinds of sounds and genres, a free flow of sound and texture with a supporting cast including Brian Eno, Keith Le Blanc and Doug Wimbish, and mostly sounds cinematic, like it's the soundtrack to something. An On U Soundtrack. 

5 Escape- Ism: Charge Of The Love Brigade

Ian Svenonius and Sandi Denton's fourth album is short and sweet, just ten songs and just a little over thirty minutes long but it's been near my turntable since its release in March. Minimal sounds, fuzz guitar, vintage synth drones and hissy drum machine, lyrics pared back to key ideas and delivered with drop dead insouciance- on Last Of The Sellouts Ian is both tongue in cheek and deadly serious. One Of The Greats performs the same dead pan trick. On Fire In Malibu he sounds like he's been tipped over the edge. For a while I thought this might be my favourite album of 2025. 

4 Brian Eno and Beatie Wolfe: Liminal

The third of a trilogy recorded by Eno and Wolfe, Liminal is a joy, Liminal is an album that melds songs with ambience and comes up with something very beautiful- the soundtrack to a dream, a simple sounding but very deep record. 

3 Sewell And The Gong: The Patron Saint Of Elsewhere

I've listened to Sewell And The Gong as much as any other artist this year and the album, Patron Saint Of Elsewhere, could easily have topped this list. Seven tracks with pastoral roots, folk melodies and motorik rhythms, bridging the space between the bucolic and the cosmic. Sumptuous and wondrous and a little frayed at the edges.

2 Kieran Hebden and William Tyler: 41 Longfield Street Late 80s

41 Longfield Street Late 80s is a wonderful record- William Tyler's guitar playing and Kieran Hebden's ambient laptop production complementing each other and bouncing off each other, from the extended free form cover version of Lyle Lovett's If I Had A Boat, to the more Four Tet sounds of Spider Ballad through to the album's closer, the intense distortion and acoustic guitars of Secret City, it never lets up and keeps giving.

1 Andy Bell: Pinball Wanderer

Andy Bell bounces around from Ride to GLOK to his solo records, finding time to record with a slew of other artists, and spent much of 2025 on the road with Oasis. In February he released Pinball Wanderer, the title a nod to his musical ricochets, an eight song album that he completed under the influence of extreme jet lag. Dot Allison and Michael Rother appear on his cover of The Passions' I'm In Love With A German Film Star. On Apple Green UFO he channels The Stone Roses, a song they should have written after they made Something's Burning and elsewhere he travels cosmische. His guitar playing is lighter than air, krauty and glistening, and on the title track he transports the spirit of Bert Jansch and Pentangle from the late 60s to 2025, folk melodies married with 21st century psychedelia and shuffly drums. 

Pinball Wanderer

Singles/ Tracks/EPs of 2025

I've tried to not just repeat tracks from the albums in the list above in order to make this list a standalone one. All of these singles/ EPs/ one off releases were of note in 2025...

Hugo Nicolson's Black Stick, M- Paths' Emotivated, Matt Gunn's Nowhere, Dirt Bogarde's Pihkel, a clutch of Richard Norris releases including his remix of Pale Blue Eyes' How Long Is Now and his remix of Wildflower by Gulp, Puerto Montt City Orchestra's And We'd Be So Happy, Florecer's Breathy Drops, Statues' The Pilina Experiment, several Pye Corner Audio tracks including Galaxies and the Matrix EP and Saint Etienne's Glad. 

And here's 25 for 25...

25 Factory Floor: Between You

24 The Moonlandingz ft. Iggy Pop: It's Where I'm From

23 Andy Bell ft. Dot Allison and Michael Rother: I'm In Love... (Justin Robertson's Deadstock 33s Remix and Dub)

22 10:40: An Alternative History

21 Joao Leao: One Of These Things First

20 Raz and Alfa: Windowlicker

19 Rude Audio: Strange Phenomena EP

18 Factory Floor: Tell Me 

17 Psychederek: Thinkin' Bout U

16 Pandit Pam Pam: The Senator

15  Le Carousel: We're All Gonna Hurt

14 Saint Etienne: Alone Together Remix EP

13/ 12 Various remixes of The Cure's Songs For A Lost World but especially the Four Tet remix of Alone and the Orbital remix of Endsong

11 Daniel Avery ft. Cecile Believe: Rapture In Blue (Midnight Version)

10 Coyote: Battle Weary

Adrian Sherwood: The Grand Designer EP

8 Coyote and Peaking Lights: Love Letters/ So Far Away

7 Deeply Armed: The Healing (plus the remixes by Keith Tenniswood and Richard Fearless


6 Sewell And The Gong: Quiet Storm Remixes (Ruf Dug, Chris Coco)

5 Alex Kassian x Spooky: Orange Coloured Liquid

4 Black Bones: Album Sampler (this release is some kind of blending of an EP, an album, a compilation of 12" singles- whatever it is it's fantastic)

3 Klangkollektor: Dubtapes Volume Two

2 The Light Brigade: Shuffle The Deck

1 Four Tet: Into Dust (Still Falling)

Sheer joy from Four Tet, sampling/ reworking a Mazzy Star song. It was released in June and it lit up summer. It's still doing it in the depths of winter, Hope Sandoval's voice spinning against Kieran Hebden's skippy rhythms- emotive, trippy, endlessly rewarding. If you buy it on 12" there's a stripped down, subtler version of the B-side which hits a slightly different spot.  

I've probably missed something and there will inevitably be a record, track or album I pick up on in early 2026 which should be part of one of these lists. The nature of lists is that they're incomplete. Hopefully 2026 will continue to throw up more great music and more pop culture for us to listen to, dance to, obsess over and dissect. And maybe there will be a Sounds From the Flightpath Estate Volume 3...





Sunday, 29 June 2025

A Midsummer Mix: Forty Minutes Of 2025 So Far

There's some big news coming tomorrow which some of you will want to act on- if you were one of the people that bought a certain compilation album last year, you might want to be back here bright and breezy on Monday morning. Full details to come in twenty four hours time. 

It's the end of June tomorrow also, halfway through the year- I've no idea how the last six months have gone so quickly- but it seems like a good point to do a 2025 So Far Sunday Mix, not a definitive Best Of 2025, rather some of the tracks and songs I've enjoyed the most so far this year. 

A Midsummer Mix: Forty Minutes Of 2025 So Far

  • Death In Vegas: Chingola
  • Andy Bell: Pinball Wanderer
  • Adrian Sherwood: Cold War Skank
  • Demise Of Love: Carry The Blame
  • 10:40 presents Retro Fit: An Alternative History (Lavender Mist)
  • Escape- Ism: Last Of The Sell Outs
  • Klangkollektor: Isle Of Stonsey
  • Four Tet: Into Dust (Still Falling)

Chigola is a five minute ambient techno intro to the latest Death In Vegas album Death Mask, an album which does not hold its techno punches and which is a machine music tour de force. Richard Fearless poured a lot into the making of Death Mask, some personal losses reflected and worked through. It's an overloaded and emotional trip. Chingola is few minutes of scene setting, calm before the storm. 

Andy Bell's latest solo album Pinball Wanderer came out in February led by a cover of The Passions' I'm In Love With A German Film Star with Dot Allison and Michael Rother on board. The album's title track is an instrumental delight, a circling guitar part beamed from late 60s folk into Andy's 2025 motorik/ cosmsiche/ electric shoegaze. 

Adrian Sherwood's four track dubplate 10" came out recently, led by title track The Grand Designer and has been on steady rotation round here ever since (though I missed out on the vinyl). Cold War Skank is a moody dub/ guitar workout.

Demise Of Love is a three man modern electronic meeting of Daniel Avery, Syd Minsky- Sergeant (Working Men's Club) and James Greenwood (Ghost Culture). They have, like Adrian Sherwood, released a four track 10" EP that merges acid house, some intense techno sounds, industrial noise and the flickers of what New Order could have been had they kept heading away from the light. 

An Alternative History was written as an imaginary Stone Roses song, based on a blogpost by some blogger or other that imagined a world where the band didn't blow it but kept their heads and kept making music, avoiding the pitfalls of The Second Coming. Jesse's new Roses song came in three versions. Lavender Mist is the backwards one. 

Escape- Ism is Ian Svenonius' latest revolutionary outfit, a duo aiming to rewrite modern culture/ indie- rock with stripped down, scuzzy guitar/ drum machine/ keys/ vocals. The album- Charge Of The Love Brigade- is one of my favorites so far this year, a thirty five minute manifesto. Last Of Sell Outs is the best song on it, a meditation on commerce, art and musical integrity and the price of selling out. 

Klangkollektor is Lars Fischer from Numremberg. The EP Dubplates Vol 2, out on Manchester's Jason Boardman's Before I Die label, is a chilled Balearic dub masterclass ending with Isle Of Stonsey with pedal steel/ Hawaiian guitar sailing out into the cosmos. 

Four Tet's latest single samples Mazzy Star to achingly beautiful effect, a Four Tet track that hits all the spots, capable of moving me to tears. 

Thursday, 10 April 2025

Last Of The Sell Outs

Escape- Ism is Ian Svenonius and Sandy Denton. They have an album called Charge Of The Love Brigade, a title I wish I'd thought of. Ian Svenonius has been declaring manifestos and making grand statements since his days in Washington D.C. punk testifiers Nation Of Ulysses in the late 80s and their 13 Point Program To Destroy America (a program which feels suddenly very relevant again). Ian and Sandy make similarly great claims for Escape- Ism, including that the band is 'found- sound dream- drama', an 'act of musical vandalism' that will 're- purpose music as we know it', music that will bring bourgeois society to an end and that will be enjoyed by 'musicians, amateurs and non- musicians but also plant life, wild animals and even inanimate object such as rocks'. Who am I to disagree?

This is Last Of The Sell Outs, a song that seems to gain and reveal more with each listen, an organ/ synth chord sequence and drum machine providing low fi backing to Ian's meditation on the creative and commercial process. The gnarly guitar part at the end is a joy too.