Oblique Saturdays

A series for Saturdays in 2026 inspired by Brian Eno and Peter Schmidt's set of cards, Oblique Strategies (Over One Hundred Worthwhile Dilemmas). Eno and Schmidt created them to be used to unblock creative impasses and approach problems from unexpected angles. Each week I'll turn over an Oblique Strategy card and post a song or songs inspired by the suggestion. 

Last week's card read this- Imagine the piece as a series of disconnected events- and I plundered my music folders for random songs about events by unconnected artists- Simon and Garfunkel, Gram Parsons, Captain Beefheart, Broken Chanter and Echo Ladies. My friend Chris suggested Ultra Vivid Scene's Not In Love (Hit By A Truck), a list of disconnected and unexperienced events narrated by singer Kurt Ralske over a pleasingly shambolic lo fi Velvets guitar noise. 

Today's card was much more straightforward and could only be read one way. It said this...

Cluster Analysis

Cluster's Sowiesoso came out in 1976, the group reduced to just Roedelius and Moebius and the duo's relocation to Forst in rural West Germany. Sowiesoso has none of the driving motorik of Neu! or the energy of Can or the beatnik lunacy of Faust. It is almost ambient, pastoral music made in response to their surroundings, mixed by the legendary Conny Plank. Slow paced and gentle with odd quirks, it is a post- Eno album- as in it is influenced by his pioneering 70s ambient albums and post their own work with him on previous Cluster albums. It reflects some kind of peace and tranquility gained from rural living- green fields, trees and forests, birdsong, nature's calm...

Zum Wohl

Electric piano chords, birdsong, rising chords, the sun slowly rising over Forst, Baden- Württemberg. 

Feel free to drop your own responses to Cluster Analysis in the comments box. 

Dubtapes

Dubtapes Volume 1 by Klangkollektor came out a year ago on Jason Boardman's Before I Die label. Volume 2 was released last Friday, a four track EP, four more slices of dub space, slo mo drums, echo and piano. All four tracks are superb, the opener Ferry From Torkwrith setting the scene- langourous, beatific Balearic dub from Berlin, music to hide inside, to temporarily block the out the outside world with. Second track Morning Hour is slightly more sunlit, a guitar joining the mix. Starlings sets off with birdsong and the thud of a kick drum, a wave of synth chord and some bass guitar, unhurried and mellow. Fourth track Isle Of Stonsey drifts in, a nine minute excursion into a chilled out version of space, Hawaiian guitar and dub bass prodding us gently into the cosmos. Lovely stuff. It's at Bandcamp, available in digital and vinyl formats. 

Klangkollektor is Lars Fischer, the drummer of Trak Trak, a psychedelic Cumbia band from Berlin. Klangkollektor is a side project that he's been working on for some time, mastered by the legendary Conny Plank. 

Forty Minutes Of Neu! Rother And Dinger

Some West German motorik cosmische musik for Sunday, from the combined talents of Michael Rother and Klaus Dinger. Rother and Dinger formed Neu! in Dusseldorf in 1971, after both left an early incarnation of Kraftwerk. Rother, a calm, reflective man brought up in Munich, Wilmslow (!), Karachi and Dusseldorf played guitar and keys. Dinger, a lively, opinionated and extroverted drummer. In the studio Conny Plank produced and mediated between them. The clash of personalities and styles produced some of krautrock's greatest music- Neu!'s 1972 debut, their follow up a year later Neu! 2 and the third album '75. 

Between them they forged a new sound- Dinger's motorik drums, a repetitive, gliding, four four beat (that he preferred to call 'endlose gerade', which translates as endless straight, and later on he renamed the Apache beat) with Rother's guitar and keys layered on top, a futuristic, non- blues based, Mittel Europa music. Hallogallo, ten minutes of sensational, perpetual momentum bliss, opens the debut album, Neu! sounding forever new. Rother went off in various directions, to Harmonia and solo, coming back to Neu! and then off again. Dinger formed La Dusseldorf with his brother Thomas and Hans Lampe. Rother's solo albums are all worthy of investigation, not least the first four and especially 1977's Flammende Herzen and 1979's Katzenmusik. The mix below is built around the forever sound of motorik drums and melodic/ rhythmic guitars and keys, a blissed out but insistent way to spend forty minutes on a Sunday morning. 

Forty Minutes Of Neu! Rother and Dinger

• Flammende Herzen
• Rheinita
• Hallogallo
• Isi
• Viva
• Fur Immer

Flammende Herzen is from Michael Rother's 1977 solo debut of the same name, a five song instrumental album recorded with Conny Plank and with Jaki Liebezeit of Can on drums. He really knew how to pick drummers.

Rheinita is from La Dusseldorf's 1978 second album Viva, an album a friend once described to me as sounding like 'a happy Joy Division', which it does. Viva is the title track. 

Hallogallo opens Neu!'s 1972 self- titled debut, the sound of motorik announcing itself over ten glorious, relentless minutes. Hallogallo comes from the German slang word halligalli, meaning wild partying.

Isi was a 1975 single by Neu! and the opening track from 1975's Neu! '75, another example of the relentless, hypnotic interplay between Dinger's beat and Rother's music. By 1975 the pair had diverged, Rother's more ambient direction and Dinger's more rock styles coming back together to some kind of compromise, each directing a side of '75.

Fur Immer is the eleven minute opening track from Neu! 2, Rother's fluid, harmonic guitar playing pushed ever onwards by the drums. Somewhere, this song is still playing. 

Monday's Long Song

Back to work today after two weeks off so something calming is needed to ease my way back into the maelstrom. This is some gentle, analogue ambient/ cosmische music from Cluster in 1976, the duo formed by Roedelius and Moebius, with Conny Plank in the producer's chair and after some time with Brian Eno the previous year when they all recorded together with Michael Rother as Harmonia. Eno's influence can be heard all over the eight minutes of this track as can their decision to leave Berlin and head for the West German countryside, where they built a studio in a village in Forst, Lower Saxony. 

Sowiesoso, the album from which this song is the opener as well as the title track, is a kind of pastoral krautrock, ambient sounds, washes and soft pulses, a step away from the motorik drumbeat into a calmer world. Sowiesoso translates as 'anyway' and that's kind of how this sounds. 

Sowiesoso

Rother

One of my Christmas presents was a copy of Flammende Herzen, a recent vinyl re-issue of Michael Rother's 1977 solo debut. My kids did really well I think you'll agree, West German progressive cosmische music being an area of knowledge for them both (with a little help from Santa Krautrock). I've written about Flammende Herzen before- five soaring, melodic instrumental songs recorded at Conny Plank's studio with Rother on guitars, bass, organ, synths and keyboards and Jaki Leibezeit on drums. It's a wonderful album, Rother playing fluid, free melodies, chiming guitars and toplines. I can't recommend it enough and the vinyl re-issue sounds really good too.

Zyklodrom

Since then I've bought his third solo album, 1979's Katzenmusik. On this one Rother, Leibezeit and Plank play fourteen instrumentals, all called Katzenmusik (and then numbered 1 to 14 and split into two suites one on each side of the record). Rother restricts himself to five note recurring melodies on the guitar, intricate and optimistic, self contained themes and tunes. Really lovely stuff. Annoyingly neither album came with a download code and I don't have a rip of any of Katzenmusik at the moment so I can only offer a Youtube clip.



Now I need to fill in the gap and get Rother's second solo album, 1978's Sterntaler. I'm also kicking myself for forgetting to go to see him play when he did a gig at Gorilla a few months ago. Dumbkopf!

Pretenders Of Love

That was a tough week just gone and probably one to come (for various reasons but y'know, onwards and upwards- we still have music to keep us going). Shark Vegas were a Berlin based band, containing Mark Reeder, who was the Factory Records man in Germany. He put together Shark Vegas, and went through some line up changes including a drummer, Tommy Wiedler, who went on to The Bad Seeds. They supported New Order in 1984 and had a song (You Hurt Me) that was produced by Bernard Sumner and Donald Johnson (as Be Music). Bernard wanted to release as a single and played guitar over the end section. In 1987 a compilation called Young, Popular And Sexy (FAC US 17) was released in the US and Australia. On it was this long forgotten song, a bit of a lost electro-pop classic- yes, there are bits of it where it sounds massively like New Order.

Pretenders Of Love

I don't have a MP3 of You Hurt Me but here's the 12" version from Youtube (FAC 111 and recorded at Conny Plank's studio in 1984).

Guten Tag

I unfolded myself off the bus, after thirty six hours from Krakow to north west England yesterday. Sleeping sitting up is a skill I've not quite got the hang of and my back has suffered. But our school trip to Krakow and Berlin was fantastic, all the moreso because we were in Berlin last Sunday night when Germany won the world cup. The streets of Berlin were flooded with thousands of Germans, most draped in the colours. We'd passed the Brandenberg Gate early on Saturday and had a look at the fan park but decided that keeping sixty-four teenagers safe while watching the final might be tricky. Eventually we all watched it on a big screen in the square outside our hotel and Hauptbahnhof, the main railway station. This ensured a constant flow of fans before and after the match. It was crackers and probably a once in a lifetime experience- watching a country win the world cup in that country's capital city. It certainly won't happen as a England fan.

Berlin is an amazing city, one which I want to return to. There's so much to see and do- in two days we squeezed in sections of wall, Checkpoint Charlie, a trip up the TV tower, Alexanderplatz with its 60s concrete architecture, Sachsenhausen and the Olympic Stadium. Seeing some of the wall was a highlight for me- something that was such a key part of world history and from my lifetime. After Berlin we went to Krakow, which has a beautiful square and buildings, and drank tea (black tea with cold milk, the English way) in Noworolski Cafe, frequented by Lenin in the mid 1910s. And had a couple of Polish beers.

I've downloaded a few of the pics off my phone here...

Holger Czukay of Can, was born in Gdansk, Poland and raised in Germany. He has recently remixed some solo tracks from his 1977 album Der Osten Is Rot and issued them on 10" vinyl through a Berlin based record label, Gronland Records. Click on the link for loads of grooviness. The remixed Sudetenland, with Jah Wobble, Jaki Leibezeit and Conny Plank, is out right now and you can listen to it here.