Showing posts with label Chick Corea. Show all posts
Showing posts with label Chick Corea. Show all posts

12 November 2015

CHICK COREA & THE VIGIL Live at Konserthus in Stockholm/S, 18.10.2015 Radio Broadcast (Sveriges P2): A+ FLAC




LINEUP
Chick Corea, piano,
Tim Garland, saxes,
Carlitos del Puerto, bass,
Marcus Gilmore, drums,
Charles Altura, guitar
Luisito Quintero, percussion

TRACKLIST (Please help with setlist)
1) FM Intro 02:05
2) Chick talks, Applause 02:20
3) Fingerprints 22:19
4) Royalty 18:20
5) Anna's Tango 17:46
6) Unknown Song / Bemsha Swing (Monk tune) 12:23
7) Galaxy 32 Star 33:16
8) FM Announcer 01:46
9) Chick talks 00:11
10) Spain (fades out) 06:21

TOTAL TIME: about 110 min ***Complete show***

UPLOADED BY RICOLA
DIME: 2015-11-01

9 July 2014

CHICK COREA ‎– THE SUN (FAR EAST, EXPRESS, 1970)





A1. Moon Dance
A2. Slumber

B1. The Sun, Part 1
B2. The Sun, Part 2
B3. The Moon


Chick Corea, piano
Dave Holland, bass
Jack DeJohnette, drums
Steve Jackson, percussion
Steve Grossman, tenor saxophone


Recorded at Up Surge Studio, New York City, September 14, 1970

Far East, Express ‎– ETJ-60004

Vinyl Rip




17 August 2012

Trio Music - Live in Genoa '83


This is the whole concert from which it was taken the song of the
blindfold test.

Rec. live at "Villa Imperiale", Genoa, Italy, on July 25, 1983
(mix recording)

Armando "Chick" Corea,piano
Miroslav Vitous,bass
Roy Haynes,drums

01. Eiderdown (12:40)
02. Someday My Prince Will Come (07:58)
03. Chick talks #1 (0:47)
04. Mirovisions (16:36)
05. Autumn Leaves (09:05)
06. Chick talks #2/'Round Midnight (10:38)
07. Hackensack (05:50)
08. Prelude No.2 [A.Skrjabin] (06:15)
09. Duet Improvisation [C.Corea/M.Vitous] (03:40)
10. Solo [M.Vitous] (04:48)
11. Solo [R.Haynes] (07:28)
12. Slippery When Wet/Matrix (08:33)

Total Time 1:34:25

1 June 2012

Anthony Braxton - The Complete Braxton 1971



I think there was a request for this album some time ago.

Anthony Braxton - The Complete Braxton 1971

1 Up Thing 4:35 (a)
2 Quartet Ballad 16:35 (b)
3 March 5:15 (b)
4 Four Sopranos 15:00
5 Be Bop (b) 9:47
6 Five Tubas (c) 8:01
7 Soprano Ballad (a) 14:32
8 Contra Basse 6:18

Anthony Braxton - soprano, alto saxophones, clarinet, contrabass clarinet, flute
(a) Chick Corea - piano
(b) Kenny Wheeler - trumpet, flugelhorn; David Holland - bass, cello; Barry Altschul - drums
(c) The London Tuba Ensemble: Geoffrey Adams, James Anderson, John Fletcher, Michael Barnes - e flat tubas, Paul Lawrence - c tuba

Tokuma Japan Communications / Freedom 32JDF-185 (CD 1988)

10 June 2009

Quartet Circle "Circulus" (United Artists, 1978, 2LP)



This one as to be considered a gem. At least that's my opinion. Quartet Circle was a brief quartet with four astounding players: Chick Corea, Anthony Braxton, Dave Holland and Barry Altschul. As far as i know, this group recorded and edited 4 double Lps to United Artists, end of 60's beginning 70's. Nobody knows why but the luminaries at UA never considered reissue those albuns on CD, so they remained forgotten, which is incredible due to the high quality of the music.

Quartet Circle features Chick Corea as you never heard him before and after (at least for those who don't know this group). Partners Braxton, Holland and Altschul are in high avant-garde shape with ideas and playing far from being conventional. The interplay between the quartet is amazingly top quality avant garde free music. One might expect that due to subsequent Corea's career this couldn't be possible, but it was.



About "Circulus":

double gatefold LP
United Artists, 1978


side one: "Drone" (track 1)
(trio without Braxton, recorded April 8, 1970, New York)


side two: "Quartet Piece No. 1" (track 2)
(quartet, recorded August 21, 1970, New York)


side three: "Quartet Piece No. 2" (track 3)
(quartet, recorded August 21, 1970, New York)


side four: "Quartet Piece No. 3" (track 4)
"Percussion Piece" (track 5)
(quartet, recorded August 21, 1970, New York)



Chick Corea: piano, prepared piano, vibes, percussion, bass marimba
Anthony Braxton: alto sax, soprano sax, clarinet, contrabass clarinet
Dave Holland: bass, guitar, percussion
Barry Altschul: drums, percussion, bass marimba


About the transfer:
recorded directly from the vinyl to DAT record to audio CD through CD recording (not PC).
From CD to lossless Flac files. Crisp and clean as you can hear on the deepness and colourful music. On last flac file you'll find high quality scans of outer and inner sleeves from the gatefold LP. Hope you enjoy it.

14 August 2008

Circle - Gathering


Recorded in the studio in NYC 17th March 1971. 

Chick Corea, piano, flute, percussion

Anthony Braxton, alto, flute, sopranino, clarinet, contrabass-clarinet, percussion

Dave Holland, bass, cello, guitar, percussion

Barry Altschul, drums, kalimba, percussion.  

The second of two Circle releases which were inexplicably issued only in Japan, initially on vinyl and later on CD.  As before, if anyone can throw some light on why this music was never issued in Europe or the US, the information would be very welcome.  This rip is taken from the original Japanese vinyl, CBS Sony SOPL 20-XJ.  

The performance is a single two-sided composition credited to Corea alone, and if any listener can sense a line drawn between one man's composition and four men's improvisation, he's a better man than I.    The piece opens with much of the heat and intensity associated with the free jazz of 1971, with Altschul especially taking few prisoners, before the quartet veers off into extended flute and percussion workouts, a certain amount of navel-gazing and a question-mark of an ending.   Perhaps Corea's own words, from the liner notes, best sum the piece up:  "Our music is a focal point, constantly created anew, with each playing. … It is our opinion that creativity will play an important role (maybe the important role) in lifting our consciousness about ourselves and others. …  When we are alive in the fullest sense of the word, we are creating".  

Enjoy.  
 

glmlr 

9 August 2008

Circle - Live in German Concert


Recorded in Germany, 28th November 1970, location not specified.

(The record is indeed grammatically mis-titled, as above).  

Chick Corea, piano

Anthony Braxton, alto, flute, sopranino, percussion

Dave Holland, bass, cello

Barry Altschul, drums, percussion.  

The first of two Circle releases which were inexplicably issued only in Japan, initially on vinyl and much later on CD.   Why this music was never issued in Europe or the US is a mystery to me.  Can anyone throw some light on this?   This rip is taken from the original Japanese vinyl, CBS Sony SOPL 19-XJ.  

By early September 1970, Corea and Holland had both left Miles' adventurously electric band, and quickly settled into acoustic free jazz territory.   After a brief studio fling which  month which produced "The Sun" LP (with Liebman, Grossman, DeJohnette and others),  they cemented themselves with Braxton and Altschul, and Circle became the focus of their joint activities over the following 9 months.  This concert features two side-long Circle staples:  Dave Holland's "Toy Room - Q&A" and the standard "There is No Greater Love".  Both pieces will be familiar to Circle fans but, as ever, these interpretations are intriguingly different. Classic Circle trademarks are all here in good form:  Corea's propulsive piano, Braxton's Chicago-inflected blues, Holland's melodic hold on the roots and Altschul's meticulously tuned percussion.   And there's a little "fly in the ointment" - on side B behind Braxton's alto solo, either Corea or Holland double up with him on …  flute?  oboe?  musette?    A teaser for your ears.  

Enjoy. 
 
 

glmlr 

9 June 2008

Circle - Hamburg, March 1971 - complete concert


From our friend glmlr comes this marvellous Circle concert from Hamburg in 1971, together with this detailed write-up;


Circle was a band born in a pressure-cooker. During its brief existence (roughly mid-70 / mid-71), it played with an anarchic flair and a reckless drive, rare for that time. Chick Corea and Dave Holland were coming off a 2-year stay with Miles Davis, in which they were his first ever full-time white band members, amid the Black Power era. Driven by Jack DeJohnette, they took the music more out than at any time in Miles' life. Said Corea, "We kept pushing and playing free, waiting for Miles to say something about it. He never did, so we pushed harder". Said Miles of Corea, "Just look at the guy. Music is pouring out of him".
In May 1969, this trio had been the core of Corea's raucous "Is" sessions", (thankfully reissued properly in 2002 on a Blue Note 2CD). Hard blowing, uninterrupted, free-form, open-ended improvisations and compositions. Then, enter drummer Barry Altschul, a master of pulse and miniaturized mayhem on his carefully tuned percussion. A man who could float 60's Paul Bley on the most delicate of gauze, yet drive a powerful free-jazz quartet with the most minuscule of sounds. In April 70, the trio of Corea, Holland and Altschul recorded "The Song of Singing", a studio session which still rings with a freshness and an inherent energy which refute its years. August 70, while Corea and Holland were still Miles' sidemen, enter Anthony Braxton. Wildcard. A man with a musical conception which threatened never to allow him to be anyone's sideman, and the inventor of a musically philosophical verbal jargon understood by few members of the human race. But Circle was a co-operative band, and the four members adapted fast. The music which happened in the studio suggested serious connections to the European avant-garde or the modern classical of the time, as much as free jazz. Live, anything could happen.
The recordings. Shamefully Blue Note has not issued on CD much of the band's first recorded session with Braxton, 21 August 70, (which appeared on the "Circulus" 2LP under Corea's name), whereas much of the October 70 session (originally issued as "Circling In" also under Corea's name) has appeared on the "Early Circle" CD. In January 71, the trio without Braxton recorded the superbly crisp "A.R.C." in a German studio. Mysteriously, two other Circle LP's were issued only in Japan, one a German concert of 28 November 70, the other a New York studio session from 17 March 71. An excerpt also exists of a heated concert given in Bergamo on 19 March 71.
Live performance was Circle's forte. The finest recorded evidence is the "Paris Concert" of 21 February 71, issued first as a 2LP, then 2CD, by ECM. A vivid, thorny, raw document of the band in full-flight, whether on standards such as Wayne Shorter's "Nefertiti" or on Holland's own intricate twinning of "Toy Room" and "Q&A". For those old enough to remember, in 1971 this was daring music.
Looking back, it was perhaps inevitable that this band would blow itself off the stage. Stories circulated of Corea breaking a glass onstage and rubbing the microphone into the shards, band-members taking to playing any instrument at random, Holland scraping the bass strings and his chest with the mic, much use of small percussion and, in the end, a sense of alienation took over. When the band finally ground to a halt, Corea said, "We were sending our audiences up the river… ". And thus the bubble burst.
But here's the band, very much alive and well in Hamburg in early March 1971, courtesy of NDR German radio. With humble thanks to the unknown recordist / source, may you enjoy.

glmlr

Circle - Live at the Jazzhaus, Hamburg
3 or 4 or 5 March 1971
Anthony Braxton - alto saxophone, sopranino saxophone, clarinet, flute
Chick Corea - piano
Dave Holland - bass
Barry Altschul - drums, percussion

1. Composition 6A - 23:17 (Anthony Braxton)
2. Rhymes - 08:10 (Chick Corea)
3. Toy Room - 07:30 (Dave Holland)
4. Q & A - 11:04 (Dave Holland)
5. Composition 6I - 22:57 (Anthony Braxton)
6. Composition 6F - 10:25 (Anthony Braxton)
7. There Is No Greater Love - 25:03 (Marty Symes, Isham Jones)
Recorded and broadcast by NDR - Norddeutscher Rundfunk.
Discographical information from Circle Discography: http://www.jazzdiscography.com/Artists/Corea/circle-disc.htm

11 March 2008

rolf kuhn septet- going to the rainbow, aka "creaction" 1970 , flac and lame vbr




Heres a fusion record I really like, a stunner.
Not much can be faulted here and tony oxley really stokes that engine room in a way he never would now, his playing here is similar to that on the classic extrapolation by john mcglaughlin from a year or so before .
At times corea and Joachim kuhn do tend to dominate somewhat, neither are particularly known for subtle understatement.

A lot of this is obviously influenced by bitches brew era miles.. with a little bit of a unique European free flavour,.
An exiting stew.
Oxleys one of my favourite musicians, and im planning to reup both incus 8 and febuary papers as well as a couple of other fusion albums from roughly this same time.

Id love to hear peter warren’s bass is from the same year if anyone has that , an early enja release also featuring corea and surman.
this is ripped from the 1978 acanta lp reissue.
Rolf Kuhn (cl) Alan Skidmore (ts) John Surman (bars, ss, el-p) Joachim Kuhn (p, org) Chick Corea (el-p) Peter Warren (b) Tony Oxley (d)
Koln, West Germany, December 14 & 15, 1970

Roundhouse Rock
BASF [G] CRC 008

Sad Ballade
-

T.C.B.
-

Going To The Rainbow
-

Racing It Down
-
Rolf Kuhn - Going To The Rainbow (BASF [G] CRC 008)v
Chick corea , rolf kuhn, Joachim kuhn- creaction – acanta lp 1978 cc23.097
enjoy!!!!