Showing posts with label Tony Scott. Show all posts
Showing posts with label Tony Scott. Show all posts
6 February 2020
6 January 2016
SCOTT / STiVíN / DAŠEK - Rozhovory (Supraphon 1981)
SCOTT / STiVíN / DAŠEK - Rozhovory / Interviews (Supraphon 1981)
01. Rozhovor úvodní / Interview Inroductory 3.55
02. Rozhovor jen tak / Interview ad hoc 7.40
03. Rozhovor o jazzu / Interview about Jazz 6.00
04. Rozhovor o kráse / Interview about Beauty 4.50
05. Rozhovor v tandemu / Interview in Tandem 6.30
06. Rozhovor v klidu / Interview in Peace 4.30
07. Rozhovor v blues / Interview in Blues 8.50
08. Rozhovor v kavárně / Interview in Café 3.10
Composed and improvised by
TONY SCOTT - clarinet, tenor sax, piano, voice
JiŘí STiVíN - flute, tenor sax, voice
RUDOLF DAŠEK - guitar
Recorded in May 1978 at MaSti studio, Prague
Supraphon 1115 2890 (vinyl rip)
14 October 2012
ALBERT MANGELSDORFF QUINTET & GUESTS "HAMBURG, 1973"
Here we have another round with a group of Albert Mangelsdorff which made only one LP ("Birds Of Underground" on MPS). This time with three guests...
ALBERT MANGELSDORFF QUINTET & GUESTS "HAMBURG, 1973"
Albert Mangelsdorff, trombone
Heinz Sauer, soprano & tenor saxophones, flute
Gerd Dudek, soprano & tenor saxophones, flute
Buschi Niebergall, bass
Peter Giger, drums
added on CD 2:
Tony Scott, clarinet
Perry Robinson, clarinet
Toni Marcus, violin
CD 1:
1. Birds Of Underground 47:04
2. Wobbling Notes And Fluted Crackle 32:05
CD 2:
1. Everybody, part 1 32:57
2. Everybody, part 2 41:16
Recorded at the Jazzhouse, Hamburg on January 12, 1973.
(The picture of Mangelsdorff is from the Heinrich Klaffs Collection 14)
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3 March 2008
tony scott- golden moments, and i'll remember - live at the showplace ,n.y.c aug 1959, flac and lame ( muse lp's 5230, and 5227)
Inspired by the response to the jimmy guiffre posts below.
Here are a couple of prized lp’s by tony scott another pioneering maverick clarinetist.
Scott was a musical nomad and amateur musicologist , who travelled the world playing music with people of different musical traditions.
This is an electrifying concert , and was as I understand his very last gig in the us, before leaving for south east Asia . and further travels in Africa, India and Europe.
Born in 1921, as a young man Scott who was (I think of Sicilian parentage) wound up making friends with and playing on 52nd street with everyone from Ben Webster, and Coleman Hawkins to Charlie parker and dizzy Gillespie, he’d studied as a youth with serial composer Stephan wolpe .
This concert is remarkable for its looseness , freedom and the raw expressive intensity of Scott's own very ecstatic delivery.
At times on the tracks ill remember April and walkin' there are dervish like wails , Scott drawing on middle eastern modal patterns.
Later of course he made some amazing early examples of what would these days be called world music fusion .
I’m no great fan of bill Evans (though I like him…who doesn’t at some level) his playing here is angular ,funky and the attack much more staccato than on his own classic records.
Scott recorded this himself and leased or sold the rights to muse in 1982, so the balance is far from perfect.
I love this concert!!
I think that golden moments( the 1st of these 2 discs ) may have been posted at orgy in rhythm about a year or so ago , this is the complete show.
Here are a couple of prized lp’s by tony scott another pioneering maverick clarinetist.
Scott was a musical nomad and amateur musicologist , who travelled the world playing music with people of different musical traditions.
This is an electrifying concert , and was as I understand his very last gig in the us, before leaving for south east Asia . and further travels in Africa, India and Europe.
Born in 1921, as a young man Scott who was (I think of Sicilian parentage) wound up making friends with and playing on 52nd street with everyone from Ben Webster, and Coleman Hawkins to Charlie parker and dizzy Gillespie, he’d studied as a youth with serial composer Stephan wolpe .
This concert is remarkable for its looseness , freedom and the raw expressive intensity of Scott's own very ecstatic delivery.
At times on the tracks ill remember April and walkin' there are dervish like wails , Scott drawing on middle eastern modal patterns.
Later of course he made some amazing early examples of what would these days be called world music fusion .
I’m no great fan of bill Evans (though I like him…who doesn’t at some level) his playing here is angular ,funky and the attack much more staccato than on his own classic records.
Scott recorded this himself and leased or sold the rights to muse in 1982, so the balance is far from perfect.
I love this concert!!
I think that golden moments( the 1st of these 2 discs ) may have been posted at orgy in rhythm about a year or so ago , this is the complete show.
Ill try to get some mp3’s up soon.
Tony Scott Quartet
Tony Scott (cl -1/4,6/9) Bill Evans (p) Jimmy Garrison (b) Pete LaRoca (d)
"The Showplace", NYC, August 1 & 9, 1959
1.
Walkin'
Muse MR 5230
2.
I Can't Get Started
-
3.
Free And Easy Blues
-
4.
My Melancholy Baby
-
5.
Like Someone In Love
-
6.
Stella By Starlight
Muse MR 5266
7.
I'll Remember April
-
8.
A Night In Tunisia
-
9.
Garrison's Raiders
-
* Tony Scott - Golden Moments (Muse MR 5230)* Tony Scott - I'll Remember (Muse MR 5266)
Tony Scott (cl -1/4,6/9) Bill Evans (p) Jimmy Garrison (b) Pete LaRoca (d)
"The Showplace", NYC, August 1 & 9, 1959
1.
Walkin'
Muse MR 5230
2.
I Can't Get Started
-
3.
Free And Easy Blues
-
4.
My Melancholy Baby
-
5.
Like Someone In Love
-
6.
Stella By Starlight
Muse MR 5266
7.
I'll Remember April
-
8.
A Night In Tunisia
-
9.
Garrison's Raiders
-
* Tony Scott - Golden Moments (Muse MR 5230)* Tony Scott - I'll Remember (Muse MR 5266)
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