Heiner Stadler-Brains on fire ,Vol 1 ( Labor ,lp 701)rec 1966-71

Here's a great one , by Heiner Stadler a German composer , arranger and Pianist .. who moved to NYC in the Mid 60's.. most of his records have been self released ,as far as i can tell, apart from the Classic Tribute to Monk and Bird on tomato ,which other than this and vol2 is the only Other Stadler i own.

Although informed by the New thing currents of the day , to my ears this music is equally influenced by currents in European Classical music ,and in that sense these piece's are a late flowering of so called third stream , posited by Gunther Schuller and others a decade earlier , Another point of reference is George Russell particularly the contemporaneous music recorded while Russell was living in Scandinavia.

 These sessions are comprised of 2 distinct groups featuring some of the Leading lights of the Jazz avant guard.. Jimmy Guiffre is also clearly another obvious point of reference, and in fact Joe Chambers, Barre Phillips and Don Friedman were Guiffre's, regular Rythm section at the time this was recorded.

 a special note regarding the little known Tyrone Washington ,who is superb and plays up a veritable firestorm , on Heidi and all tones!


on a technical note I bought this in the Mid Eighties , (also have vol-2),the pressings have various, very audible Flaws , on top of being water damaged they look as though they have been used to cut lines of Amphetamine , as well as being eaten over.. i've cleaned them as best i can (Vol 2 is far worse) i have a vague recollection of seeing a cd release years ago of some of this Material perhaps even on the Tomato label , a single disc compilation of both volumes ... cant find any evidence that it is currently available in any form.... any info on that or other lesser known releases would be appreciated!

Jimmy Owens (tp) Garnett Brown (tb) Joe Farrell (ts) Don Friedman (p) Barre Phillips, Reggie Workman (b) Joe Chambers, Lennie White (d) Heiner Stadler (comp) New York, December 1966 and July /September-1971

 i've Just Discovered via google that this has been posted here in mp3, for those who dont like Flacs

M'Boom Re:Percussion - Live in Milan '82

Dedicated to all fans of Max Roach & Company.

Rec. live at "Teatro Ciak", Milan, Italy,
on October 28, 1982 (mics recording)

Max Roach,drums,whistle,vibraphone,xylophone,tympani,orchestra
bells,afuche,percussion
Fred King,marimba,orchestra bells,tympani,percussion
Omar Clay,marimba,tympani,timbales,timbales,percussion
Joe Chambers,chimes,vibraphone,marimba,xylophone,percussion
Warren Smith,drums,tympani,vibraphone,orchestra bells,percussion
Freddie Waits,drums,orchestra bells,xylophone,percussion
Roy Brooks,drums,musical saw,percussion,temple block,cymbal,
tympani,steel drums
Ray Mantilla,African & Latin percussion,triangle

1. Onomatopoeia [O.Clay] (15:47)
2. Twinkle Toes [W.Smith] (03:45)
3. Epistrophy [T.Monk] (11:51)
4. The Glorious Monster [M.Roach]/Caravanserai [J.Chambers] (33:42)
5. Kujichangla [R.Brooks] (14:45)

Total Time 1:19:53

Twinkle Toes

M'Boom Re:Percussion - Live in Alassio '79

"I remember trying to explain my concept of M'Boom to people
at the record companies, and all anybody knew was that each
man had a solid reputation as a trap drummer. And so when the
record came out, they were trying to figure, well how do we
market this ? Because we didn't have a sax player or a trumpeter
or a piano. "Is it Jazz?" No, it's a percussion ensemble. We just
wanted to see if we could come up with enough music from that
style of instrumentation.
So the marketing people decided to put M'boom in the audiophile
bin, so people with sophisticated equipment could hear all these
big drums and the little bells and shakers; the sounds of skins and
metal and wood and all these devices that make sense within the
fabric of each piece.
With M'Boom, the idea was to put the drummer on the front line.
We wanted to step up and showcase our musicality. Soon members
of the band brought in pieces that were multi-layered, with
numerous metrical changes and variations. And we had a wonderful
array of instruments : a big bass drum, two bass marimbas, an octave
of concert toms, five timpani, vibraphone ans xylophone, symphonic
bells, steel drums, musical saw, Afro-Cuban percussion and dozens
of small instruments." Max Roach

Rec. live in Alassio, Italy, on September 9th, 1979
(mics recording)

Max Roach, drums,whistle,vibraphone,xylophone,tympani,orchestra
bells,afuche,percussion
Fred King, marimba,orchestra bells,tympani,percussion
Omar Clay, marimba,tympani,timbales,timbales,percussion
Joe Chambers, chimes,vibraphone,marimba,xylophone,percussion
Warren Smith, drums,tympani,vibraphone,orchestra bells,percussion
Freddie Waits, drums,orchestra bells,xylophone,percussion
Roy Brooks, drums,musical saw,percussion,temple block,cymbal,
tympani,steel drums
Ray Mantilla, African & Latin percussion,triangle

1. Onomatopoeia [O.Clay] (16:21)
2. Unknown (06:31)
3. Epistrophy [T.Monk] (09:56)
4. The Glorious Monster [M.Roach] (18:16)
5. Twinkle Toes [W.Smith]
6. Kujichaglia [R.Brooks] (08:55)
7. Caravanserai [J.Chambers] (25:45)
8. Morning, Noon, Midday [O.Clay, W.Smith] (08:19)
9. Rumble In The Jungle [O.Clay] (09:49)
10. Encore (20:08)

Total Time 2:07:49