At the start of the century, Henry Threadgill’s compositions have reached a very high level. Two bands were the vehicles for those great compositions: Zooid who was exploring the acoustic and sometimes chamber side of jazz; Make a Move who was more in the electric and « rokish » mood.
This live show comes from the tour that Threadgill and crew did between the two albums the band made: « where’s your cup » and « everybodys mouth’s a book », the first one for columbia, the second for pi recordings. But the band on this set is the one who will record for pi recs except the drummer.
Brandon Roos: acoustic & electric guitar
Henry Threadgill: alto saxophone, flute & compositions
J T Lewis: drums
Stomu Takeishi: 5 strings fretless bass
Bryan Carrott: vibraphone
Live In Warsaw June 27, 1999
I have identified 2 of the 6 tracks of the program, so if some of you can add the others tracks… They may comes from the columbia album that I don’t own. Records of Henry Threadgill available here: https://pirecordings.com/artists/henry-threadgill/
Henry Threadgill, alto saxophone, flute, bass flute
Mark Taylor, french horn
Brandon Ross, electric and acoustic guitar
Masujaa, electric and acoustic guitar
Edwin Rodriguez, tuba
Marcus Rojas, tuba
Larry Bright, drums, percussion
1. Next 9:04
2. Snakes Don't Do Suicide 7:39
3. I Love You With An Asterisk 5:40
4. Someplace 7:30
5. Dangerously Slippy 6:51
6. King Kong 6:09
7. Breach Of Protocol 8:50
Recorded on May 4, 1991 at Koncepts Cultural Gallery, Oakland, CA.
For the end of the year (and for closing this little ex-cursus about the 70s/80s Big Bands) i want to propose one of the rare recordings of the J.Hemphill B.B. : God Bless Julius! And Happy New Year To You All.
Rec. live at "The Public Theatre", NYC, on November 1980 (mics recording)
Julius Hemphill,reeds,composer,conductor Stan Strickland/John Purcell/Marty Ehrlich/Henry Threadgill,reeds Baikida Carroll/John Clarice/Charles Stephens/Erritt McDonald,brasses Ed Schuller,bass Warren Smith,marimba Pheeroan akLaff,drums
1. The Hard Blues (16:47) 2. For Billie (08:51) 3. Open Air (02:23) 4. Border Town (11:56) 5. All Harmony (15:07) 6. Unknown [inc.] (02:43)
This is (with the exception of George Lewis replacing
Anthony Braxton) the same lineup that recorded,
some months before, 1-OQA+19 for Black Saint.
From that album are taken the two long pieces here
performed as a suite.
A real "Dream Team"!
Rec. live in Laren, Holland, 1978
(radio broadcast)
Muhal Richard Abrams,piano Henry Threadgill,alto saxophone,flute George Lewis,trombone Leonard Jones,bass Steve McCall,drums
Here is (part?) of the most important and exciting concert of the 28th Saalfelden Jazz Festival in 2007. In this edition the Festival, really a musical marathon, consisted of five concerts a day in four days at the end of august(23-26) 2007.
The Threadgill project with the Zooids and the Young Salzburg Filarmonic String Orchestra, worldy premiered here, took place in the final day on the main stage of the Festival.
The composition was ” Dedicated to Jazzfestival Saalfelden and Thomas Stöwsand”.
I think this is one of the most important efforts in Threadgill’s last years compositions and has been. I think, a great bet and a risky piece of music. Two were perhaps the most risky musical facts; first the integration of jazz improvisationals methods with the writing in an almost classical contemporary way, on the other, no less important, hand the difficulty of playin’ Threadgill’s music for a Young Austrian String Orch. with probably few rehalsals and the total lack of previous ensemble playin’.
I must say that Mr Threadgill has win his bet and has totally overcome every possible obstacle. He managed to do this in the most simple, probably the only, possible level. He wrote a piece in which the string parts works sometimes as a counterpart, others had the first place and others too are a background and armonical-timbrical completion to his music. But in every moment he had clear that the SFSO isn’t the string section of the Dance Situation Band, and he had to use it another totally different way. The little rehearsal and the difficulty of playin such a music sometimes is little evident in SFSO but the scoring is excitin’ and the ZOOID ensemble and solos parts are among the best ever heard in the last years.
One thought came to my mind listening to this short (sic) recording. Threadgill as Ellington in his live Sacred Concerts and others should have felt the importance of the event so he, being a terrific musician and composer, and the whole ZOOID are here at their best.
Note: the term Zooid refers to an organism cellular able to independently stir inside another and points out the great flexibility of the formation, able to operate within an ample ghost of references, jazz and not.
Henry Threadgill’s ZOOID
& the String Orchestra of the Salzburg Young Philharmonic Orchestra
Recorded at the Main Stage of the 28thSaalfelden Jazz Festival
on Sunday 26 august 2007 at 2:30pm
Henry Threadgill conduction, alto saxophone, flute
Liberty Ellman guitar
Rubin Kodheli cello
Dana Leong cello, trombone
Jose Davilatuba, trombone
Elliot Kaveedrums
String orchestra of the Salzburg Young Philharmonic Orchestra
Elizabeth Fuchs conductor
Track 01 Radio Intro01.57 Track 02 Fly, Fliegen, Volar (Threadgill)27.47
The recording comes (trough Dimeadozen) from a
BBC Radio Broadcast “Jazz on 3, 27th June 2008” here the page link
Here’s another all too rare air concert. This is a collaboration with controversial radical African American nationalist poet Amiri Baraka formerly Leroi Jones , probably best known to jazz fans as the author of Black Dada Nihilisimus, performed on the New York Art quartets eponymous album on esp. Baraka was initially friends with the beats whom he had come to know after moving to Greenwich Village in the late 50’s. Baraka moved on, I think becoming increasingly disillusioned with their flabby romanticism and lack of specific political engagement.
I don’t know too much about Baraka ,other than a few basic facts, and of course some of the background to the explosive controversy that exploded in the headlines ( here in Australia) when Baraka lost his status as poet laureate of new jersey after publishing a poem titled “somebody blew up America’ about the events of sept 11 2001.
Anyhow this is a great concert, and Air are providing much more than mere support but are interacting fully with both Baraka and each other. A great one … many thanks to JeffMorris for taping and seeding this show.
Lineage: CD on trade ( FM, unknown gen ) -> Extracted & converted to FLAC using EAC -> DIME Disc 1
1. Zoodoo 04:29 2. Bad News 04:22 3. I Love Music 03:57 4. Against Bourgeois Art 06:04 5. Afro-American Lyric 05:43 6. Wailers 05:05 7. Am/Trak 10:37 8. Class Struggle In Music 12:01
Lineup:
Amiri Baraka - recitation Henry Threadgill - reeds Fred Hopkins - b Steve McCall - dr
ENJOY!!!
read Baraka's poems here http://www.english.uiuc.edu/maps/poets/a_f/baraka/onlinepoems.htm
This is somewhat of a curiosity. The 3 great altoists improvising together, without rhythm section. I know nothing about this concert apart from basic details:-
It is just a single piece of about 30 minutes. Thanks go to jazzrita for seeding. I'm not sure whether it is an FM broadcast or an audience boot, but the sound quality is very good. If anyone knows anything at all about this trio (was it a one-off gig ?) then I'd be pleased to hear from them. See if you can distinguish which player is which. I can make out Lyons's distinctive style, but can't tell between the other two.
I've put up an mp3 link. I have it in flac, which I'll upload if there is enough interest.
more, great live ..Air.. a stunning show in decent sound ( for an audience tape) for centrifuge, ghostrancedance neeroonoo1 and other air lovers.
Last track is a jimmy garrison dedication, which the great fredhopkins ...lord bless him takes solo.
AirSalzburg (Austria)Jazz im Theater – Elisabethbühne Henry Threadgill as, ts, fl, Fred Hopkins db Steve McCall dr 1) 08:50 Subtraction2) 11:29 R.B.3) 29:374) 09:235) 05:58
HERE'S, a stunning live album by one of the all time great free jazz groups, this the first album of theirs i ever bought, and Ive loved the collective sound of this group ever since.
threadgill has now like anthonybraxton transcended the idiom, and there are plenty of pointers to this (rampantly eclectic )future direction throughout this GLORIOUS slab .
this bands palette was as broad as it was subtle, almost everything can happen,a truly rich and rewarding listening experience.
i never tire of listening to this, one could spend a lifetime and find continual renewal.
who knows why the aeco became more acclaimed than AIR or the Revolutionary ensemble for me along with Leo smith and anthonybraxton'smammothoeuvre. the most joyous and satisfying listening experiences Ive ever had, contemporary free jazz is hugely mannered by comparison.
fredhopkins and stevemccall -are sadly no longer with us.
this is a very clean vinyl rip, and shame on bmg or whomever owns novus for not deeming air's albums worthy of full hansomely packaged reissue.
its almost criminal. many people are starving for this, and if they dont step in and fill the gap, we will continue to share it in the form of crackly vinyl rips!!
a pox on their stingy bottom line mentality, and bottomless profit mongering. as well as there ephemeral taste shaping on a mass toxic scale.