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Showing posts with label M. Night Shyamalan. Show all posts
Showing posts with label M. Night Shyamalan. Show all posts
Saturday, June 18, 2011
Thursday, July 29, 2010
VAULTCAST: Conversations in the Dark... w/BC
So take a listen to the embedded player below if you dare, or head on over to the new Vaultcast home page, where you can download this installment directly...
Horror-Movie-a-Day: http://horrormovieaday.com
Bloody Disgusting: http://bloody-disgusting.com
Twitter: http://twitter.com/BrianWCollins
Saturday, January 24, 2009
The Happening a Razzie Favorite
The baffling end-of-the-world flick was nominated for Worst Picture, and M. Night was nominated for both Worst Director and Worst Screenplay. Also, Mark Wahlberg's stultifying performance earned him a Worst Actor nomination. Personally, I thought he did a much better job talking to animals on Saturday Night Live.
In other horror-related Razzie news, Jessica Alba was nominated Worst Actress for her work in The Eye, and Paris Hitlon Worst Supporting Actresss for Repo! The Genetic Opera.
Saturday, June 14, 2008
"The Happening" Is Anything But
At one time I would've considered him the finest director in horror and/or sci-fi. The Sixth Sense was a revelation. Unbreakable was my favorite of all his films, the most true-to-life superhero film ever made. Signs was flawed, but still highly effective. And I even enjoyed the unfairly maligned The Village. Then came Lady in the Water, a movie so bad I couldn't even get through it. Surely, it had to be an aberration. I would give the man another chance. That chance was The Happening.
A terrific concept--an unexplainable epidemic of mass suicide--is pitifully squandered. The script is the kind of ham-fisted tripe that would get a first-time screenwriter booted from a producer's office, and the acting is laughably bad. This is especially true of female lead Zooey Deschanel, who gives one of the worst performances I can remember seeing in a major dramatic film. Even Mark Wahlberg, who is usually excellent, was painful to watch. I guess you can chalk it up to the crucial influence the right director can have on his actors.
And the big bombshell plot twist, the cause of the epidemic? Don't even get me started. The word "lame" doesn't even begin to do it justice.
I will not be running to the theater to see the next M. Night Shyamalan movie, you can be sure of that. I've learned my lesson. I'll wait for Netflix--if that. And I doubt I'm the only one. Something tells me there's going to be a mysterious mass epidemic of people ignoring Mr. Shyamalan's movies. However, this epidemic is far from unexplained.
Friday, May 16, 2008
M. Night Tries to Redeem Himself with The Happening
A new R-rated trailer for M. Night Shyamalan's first R-rated thriller, The Happening, has hit the internet. And it's pretty damn chilling:
I've been a big Shyamalan supporter/defender since day one, and although I have my problems with Signs, I always enjoyed his films very much. That is, until a little picture called Lady in the Water was excreted into the world last year, promptly taking its place on the same list as movies like Howard the Duck, Ishtar, Showgirls and Waterworld.
That last disaster was a film of nearly career-threatening proportions for the relatively new director. But now he has the chance to win back the faith of moviegoers with this new harder-edged tale of an epidemic of mass suicide. But there's a lot riding on it. If it's another filmic catastophe, it will certainly peg Shyamalan as a one-trick pony hack, rather than the truly great filmmaker he once seemed to have the potential to be.
I've been a big Shyamalan supporter/defender since day one, and although I have my problems with Signs, I always enjoyed his films very much. That is, until a little picture called Lady in the Water was excreted into the world last year, promptly taking its place on the same list as movies like Howard the Duck, Ishtar, Showgirls and Waterworld.
That last disaster was a film of nearly career-threatening proportions for the relatively new director. But now he has the chance to win back the faith of moviegoers with this new harder-edged tale of an epidemic of mass suicide. But there's a lot riding on it. If it's another filmic catastophe, it will certainly peg Shyamalan as a one-trick pony hack, rather than the truly great filmmaker he once seemed to have the potential to be.
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