Leatherface Hanging Up the Chainsaw for Good?

After 35 years, a sequel, a prequel, and three different reboots, it could finally be the end of the road for the Texas Chainsaw Massacre franchise... at least for the foreseeable future.

Brad Fuller of Platinum Dunes (the company responsible for the last two TCM entries) told ShockTillYouDrop yesterday that there is no interest on either their part, or Warner Bros.' part, on making another one:

"I think the original rights owners now own those rights. I haven't heard anything for over a year now, but I think they want to go out and make their own Texas Chainsaw. While I used to always hope and pray that we could do another one, I don't feel that anymore."

Fuller and his partner Andrew Form go on to indicate that they want to distance themselves from the "torture porn" aspect of horror that TCM (at least their version of it) represents. With Friday the 13th hitting theaters next week, the Nightmare on Elm Street remake--set to start filming in 12 weeks--is next up for them.

Could this mean that the torture porn subgenre is finally petering out? In any event, we may have seen the last of everyone's favorite redneck cannibals. As for those "original rights owners" Fuller was referring to, I'm not sure if he's talking about Tobe Hooper, who formed the company Vortex Inc. in 1973 for the specific purpose of producing The Texas Chainsaw Massacre. A new TCM flick from Hooper himself would certainly be an item of interest.

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A heads-up to all you loyal Vault Dwellers: Look for my second Vaultcast tomorrow, when I plan to upload the phone interview I just conducted with Jim Krut, better known to you folks as Dawn of the Dead's "Helicopter Zombie"!

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Charles H. Schneer 1920-2009

The longest running collaborator of sci-fi/fantasy/horror legend Ray Harryhausen has passed away at the age of 88. Charles Schneer acted as producer on every one of Harryhausen's pictures from 1955's It Came from Beneath the Sea, all the way up to 1981's Clash of the Titans--both he and Harryhausen's last film.

In addition to the giant monster classic It Came from Beneath the Sea, Schneer produced Harryhausen's other horror gems Earth vs. The Flying Saucers (1956) and 20 Million Miles to Earth (1957). He considered the beloved mythological epic Jason and the Argonauts (1963) to be he and Harryhausen's finest hour, and many a fan (including this one) would agree.

Schneer started out producing under the watchful eye of horror schlock luminary Sam Katzman, but later struck out on his own, eventually taking on Harryhausen himself as a production partner. He was literally the man we can thank for allowing Harryhausen's amazing visions to become reality. He was even the guy who convinced the special effects master to switch to color with The 7th Voyage of Sinbad in 1957.

Trivia note: Schneer also produced Hellcats of the Navy (1957), the only movie in which Ronald Reagan ever appeared with his future wife, Nancy Davis.

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Rosemary's Baby Remake Dead! The Birds Remake in Question!

Platinum Dunes head honchos Brad Fuller and Andrew Form dropped a bombshell today that's sure to please those, like myself, firmly planted in the anti-remake camp. During the press conference for the upcoming Platinum Dunes production The Unborn, Fuller & Form indicated firmly that the previously touted redo of Roman Polanski's Rosemary's Baby is no longer happening. Here's what they said over at Collider.com:

"We went down that road and we even talked to the best writers in town and it feels like it might not be do-able. We couldn’t’ come up with something where it felt like it was relevant and we could add something to it other than what it was so we’re now not going to be doing that film."

Score one for reason. Huzzah!

Furthermore, here's what the boys had to say about another frequently poo-pooed remake they've been attached to, that of Alfred Hitchcock's The Birds:

"Martin [Campbell] has been working on the script and we’re expecting a script in the next 2-3 weeks, but... its not like Drew, Michael [Bay] and I think that we’re just going to crap all over Alfred Hitchcock’s movie. I mean, Alfred Hitchcock, in a company-wide opinion, is probably the greatest director of what we do, and other things too... Michael and I studied [him] in college, and there’s a reverence for him. So that’s not a movie that we’re just going to step up and just go have birds attacking people and trying to throw that into the box office. If we can’t make that movie unique or add something to it, I don’t think we’re going to make it."

Hmmm. Could it be that the glut of remakes is finally causing some to come to their senses and respect the sanctity of classics that shouldn't be remade? Well... let's not get carried away. But at least Rosemary's Baby is officially off. Spread the word.

Special thanks to fervent reader Gord for passing along this scoop!

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X-Files Producer Blames The Dark Knight

I feel bad for X-Files fans. I really do. Having never been a follower of the show, I can't say I was very emotionally invested when the sequel no one was asking for, The X-Files: I Want to Believe, pulled a Hindenberg at the box office last summer, raking in a meager $21 million domestic against a $30 million budget. In fact, I would've been surprised by any other outcome.

But this week, Chris Carter's co-producer and co-writer Frank Spotnitz added salt to the wound by going on a delusional rant in an interview with the Toronto Sun. See, it wasn't X-Files' fault that no one came out to see the flick. Whose fault was it? Why, Batman's, of course:

"Our theatrical performance this past summer notwithstanding, I think The X-Files is still a natural for theatrical release. We just opened the wrong week. The week after The Dark Knight, I think, was just not the right week for us.

"I think it was especially brutal to us because we weren't counter-programming. We weren't Mamma Mia! or Step Brothers. We were a little dark scary movie coming in the fumes, in the exhaust, of this mammoth machine that was The Dark Knight. And I don't think we had a chance!"

See, kids? It had nothing to do with the ill will generated among the fan base by a disastrous final season on television. Or with the ten year gap since the last X-Files movie, which made almost ten times as much. Or with the X-Files' almost complete disappearance from the popular consciousness since the series ended. Or with the decision not to make the film about the main storyline that the fans actually cared about. Or with the fact that The Dark Knight was one of the best-reviewed movies of the year, and I Want to Believe...wasn't.

No, they just picked the wrong weekend. I'm sure X-Files 3: The Search for an Audience will do much better.

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For those who may not yet be aware, the Vault is now firmly entrenched in both of those modern bastions of vain frivolity, MySpace and Facebook. So, should you be so inclined, feel free to stop by and feed my ravenous ego by adding the VoH as a close and personal friend. Take care now!

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Dexter Head Honcho Takes the Dirty Sexy Money

Variety announced a major shakeup Tuesday afternoon for Showtime's runaway hit series Dexter. The serial killer drama's executive producer and "showrunner" (read: dude in charge) Daniel Cerone has flown the coop, opting for a similar position on ABC's Dirty Sexy Money.

Cerone has been the top man on Dexter since the show's beginning in 2006, following a run as a writer-producer on Charmed. Despite Cerone's departure, Dexter is still on track to kick off it's third season on September 30. Assuming that the writers strike put a crimp in its development, it's safe to guess that the season is still being scripted. No word on what impact, if any, Cerone's absence will have on the creative direction.

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