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Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Tuesday, August 3, 2010

Vault Exclusive! Interview with Estevan Vega, Author of Arson

If the path he's on is any indication, there may come a day when Estevan Vega is too big a deal to grant interviews to sites like this one. But at the moment, on his rise up the blood-soaked ladder of horror fiction success, I had a rare opportunity to sit down and speak with the young man, thanks to Vault contributor Marilyn Merlot, who first brought Vega to my attention and made this interview possible.

A fellow resident of the state of Connecticut, Vega has been writing since childhood, and in fact the work that would become his first published novel, Servant of the Realm, was begun at the age of 12. Since then, he has published the dark, psychological thriller The Sacred Sin, and the 21-year-old's third novel to date, Arson, published this past May. Find out more about Vega, Arson, and his other books at the author's official website.

What first inspired you to want to become a writer? Was horror always the genre you were interested in getting into?
My dad has been a huge inspiration for me. If it weren't for my father, Joe Vega, I wouldn't be a writer. He actually pulled me away from the television when I was in fifth grade and helped me write my first short story, which my teacher ended up giving me an A for. It was sick! I started to enjoy writing these stories, and the grades rocked. It was just awesome to have someone want to read something that I had written. So I decided to start writing a book. I thought, "Why not?" I have always flirted that line between horror and the supernatural. I really like doing that. When I go into a book or into a movie, I love that unsettled feeling right in your gut, so I try to emulate that in my writing. Am I horror? Hmmm... Am I real? Hmmm... Am I a writer who loves both and also gets stoked for the supernatural? Oh, yes!

What writers in particular did you look up to or enjoy reading and why?
Stephen King. He is kinda the guy to aim for as far as being a writer. I also really enjoyed stuff by Edgar Allen Poe and Ray Bradbury. I like Ted Dekker... he can write some eerie stuff sometimes. I try to get into a bunch of writers, because it allows me to get new concepts, try different perspectives and so on. Each writer has something to say, and it's cool to bounce around. But I always looked up to King. He's just accomplished so much in his lifetime. Oh, yeah...I'm jealous.

Talk about the genesis of your very first novel and how you got yourself published.
I started Servant of the Realm when I was 12. I had this crazy idea that I'd be famous by the time I hit prom. I was ridiculous. But I was set to change the world with my words. I ended up working on that, and a few drafts later had a book I wanted to actually see in print. So I just started submitting it places and published it with the first person to say they liked it. Maybe not the smartest choice, but you live and you learn, right? Since then it's been a crazy six years.

How useful has the internet been in growing a fan base and getting the word out?
Immensely important. The internet has helped me spread the word about myself using a website, Facebook, Twitter. I've also done interviews like this and with internet radio, and blog tours... none of that would be possible. It's allowed me to get people from around the country and around the world to hear about Arson and about me. It's been a sick tool in spreading the fire! Plus, email and the social networking sites allow me to connect directly with my readers in a way that just ten years ago might not have been possible.

What themes are important to you in your fiction?
Regret. Loss. Love. Fear. Redemption. All of my books deal with these in one way or another.

How would you say your latest book, Arson, is different from your previous work?
Very different but very similar. You can still tell it's me writing it, for those who've read either Servant of the Realm or The Sacred Sin. But the writing has just improved. I've learned a lot in the few years since my last book. I focused intensely on the characters in Arson, more so than I've ever done before. The people are far more important than the situations they face, though those situation do play a role in defining who they are. But I suppose where the three books stray from one another most would be the mood. It's a very slow burn kind of sensation that you'll get while reading Arson. One of those feelings that you're not sure why you're getting that way or where it's coming from, but it stays with you. It's real. I love that. Arson's also my first book to take place in Connecticut, which is cool.

What would you most compare it to? How would you describe it to someone who knew nothing about it?
It's been compared to Firestarter, Twilight, Jumper, Odd Thomas. A lot of people are really getting into it. If you haven't had a chance to check it out, you gotta. It's a cool story. Arson is basically a story about a boy who is trying to grow up. He's struggling with the pressures of maturity, but also coping with the fact that he can start fires with his mind. In some ways, it's a typical story about a boy who has a crush on the hot girl he can't get... but it goes so much deeper than that, it really does. It's got a bit for everybody: boy with superpowers, chick with a mask, psychotic grandmother, and a whole lot of family dysfunction.

Do you have any interest in your work being adapted into movies?
Are you serious? Of course. A few people have shown some interest, but I'm just waiting for the right deal. The book's only been out about 2 months, so I can wait for the phone to ring a bit more. But yeah, Arson would be a sick movie. I have always envisioned my books as movies.

What do you think of the state of horror fiction today?
I think it's a bit splintered. There are people still doing it and doing it well, but even King has broken off the beaten path some to explore other styles of writing, as Anne Rice has done, and I think that's great. Splintered is okay. I do think that horror can be experienced in many different ways, though. Something doesn't have to jump out and make you crap your pants in order to be horrifying, and that's the beauty of writing. You can literally horrify someone and not even be classified as a horror writer, but then you can spook someone only a little and everybody freaks out.

If you could give any advice to aspiring horror fiction writers, what would it be?
Just freakin' write. If you're passionate about something, it'll show. Study other writers. Know your competition and the market. Think about what terrifies you and see if you can make somebody else feel that same feeling. And... burn something.

Tuesday, June 8, 2010

Watch the Trailer for the New Scott Sigler Novel, Ancestor!

Novelist Scott Sigler has a new book in the works, and was kind enough to pass along the new trailer for it--which, impressively enough, he made himself. As Stacie Ponder pointed out in her own coverage, it's surreal enough that big novels actually get their own trailers these days. But for the author to make it himself? That's some gusto, right there. This kid's a real go-getter, and he's gonna go far.

Wait, what am I saying? He already has. Sigler, as many of you know, is the author of the highly successful Infected (2007), and its sequel Contagious (2008). Those two were originally published in 2007 as two of the world's first podcast-only novels, and then later reached print. Interestingly enough, Sigler's new novel, Ancestor, was first released in podcast form before either of those two. But on June 22, a hardcover edition will finally be available.

It's a tale of genetic engineering gone wrong, of scientists out to breed an animal ripe for organ harvesting, only to have the whole thing blow up in their faces when the creature they create doesn't turn out to be as controllable as they anticipated. Check out the aforementioned trailer for yourself:



Pretty nifty, no? And with a cameo by the author himself, no less. For more on Sigler and his fiction, jump to his website. Also, Scott has agreed to an interview right here in the Vault next week, so keep an eye out!

Monday, March 29, 2010

Bram Stoker Award Winners Announced!

I'd like to take some time out from the regularly scheduled programming here to recognize the winners of the illustrious Bram Stoker Awards, the premiere accolade in horror fiction the world over. True to the international spirit, the awards were presented yesterday outside North America for the very first time--at the World Horror Convention in Brighton, England, to be exact.

So, without further ado, here are the 2010 honorees:
  • Novel: Audrey’s Door by Sarah Langan
  • First Novel: Damnable by Hank Schwaeble
  • Long Fiction: The Lucid Dreaming by Lisa Morton
  • Short Fiction: “In the Porches of My Ears” by Norman Prentiss (Post-Scripts #18)
  • Collection: A Taste of Tenderloin by Gene O’Neill
  • Anthology: He is Legend edited by Christopher Conlon
  • Non-Fiction: Writers Workshop of Horror edited by Michael Knost
  • Poetry: Chimeric Machines by Lucy Snyder
Great to see Sarah Langan, a relative newcomer, snag another Stoker for her fourth novel. This is her second Stoker, as she previously won in 2007 for The Missing. She also contributed to last year's winner for Best Anthology, Unspeakable Horror--a volume put together by LoTT-D members Chad Helder and Vince Liaguno.

Speaking of anthologies, Christopher Conlon's winner is a tribute to the great Richard Matheson, containing original stories by some great writers like Joe Hill and others. And that Writer's Workshop of Horror is a fine little volume for those looking to break into horror fiction, worth checking out for sure.

The Bram Stoker Awards are presented every year since 1987 by the Horror Writers Association of America. And no, my first short story was not nominated... Oh well, gives me something to strive for with the next one!

* * * * * * * * * *

In other random developments, please be sure to check out my guest review of Dead Snow over at Day of the Woman! And I would be remiss if I did not give another plug for the Rondo Hatton Awards--voting ends Saturday night, so get those ballots in!

Friday, January 29, 2010

VAULTCAST: Conversations in the Dark... w/Katiebabs

Welcome to another episode of the Vaultcast, currently among the top 10 horror podcasts featured on PodOmatic.com! Tonight I bring you a special Zombie Edition of Conversations in the Dark, in which I'm joined by preeminent book blogger Katiebabs of Babbling About Books...and More. Listen in as we take a break from the zombie apocalypse to discuss all thing ghoulish. From the infamous slow vs. fast dilemma, to our real-life zombie nightmares, to the cutting edge of zombie fiction, we chat it up as the hordes of the undead fight to get inside...

Check it out in the player below, or on the Vaultcast page, or download the podcast directly right here.



Wednesday, November 18, 2009

Love Meets Lovecraft! My Debut Short Story Is Now Available!

The day is finally here. As you might recall, some months back I announced that my first piece of fiction had been accepted for publication--and now it's finally out there. Midnight Echo, the official publication of the Australian Horror Writers Association (AHWA), unleashed its third issue today--and my very own story, "Hell Hath No Fury", is among those you will find on the pages within.

A love story with a Lovecraftian twist, "Hell Hath No Fury" took me a good six months to complete, and I'm pretty psyched that it's now out there in the world for people to enjoy. If anyone is interested in picking up their very own copy of Midnight Echo #3 and checking out my story, the AHWA is selling digital PDF copies for a mere $3.50 American--not too shabby for a mag boasting 133 pages of content and containing 41 short stories. If you're old-school like me, print copies are also available. Nothing like holding it in your hands (and no, that is not what she said, unfortunately).

This is a day I've dreamt of since I was six years old. I'm proud of my twisted little tale, and I hope you check it out and enjoy it. Hopefully, it will be the first of many. But for right now, I have some laurel-resting and rose-smelling to do.

Tuesday, July 7, 2009

First the Blogosphere, Now Fiction! The VoH Revolution Continues

I don't usually make The Vault of Horror about me--but dammit, this is a red letter date in B-Sol history. That's because yours truly has had his very first horror short story accepted for publication in an honest-to-goodness magazine!

The mag is Midnight Echo, and its published by the Australian Horror Writers Association (AHWA). My story, "Hell Hath No Fury", will be included in Issue #3, which I believe will be out in the fall.


To say I'm excited would be the understatement of the century. This is the culmination of years of aspiration to be a published fiction writer, and many months of work on this story alone. The word "vindication" scarcely does it justice.

I want to heap loads of thanks on to Ms. Harker of Musings Across a Continuum for pointing me in the direction of Midnight Echo in the first place, and of course, to the one and only BJ-C of Day of the Woman, my amazing protege, for taking the time out to look the story over and provide some very valuable feedback.

Check out the Midnight Echo website here. I'll be letting everyone know about issue availability once I know more.

Made it, Ma! Top of the world!

Tuesday, June 30, 2009

The Vault of Horror's Summer Reading List!

You know, sometimes you have to shut the damn TV off and curl up with a good book. Checking out BJ-C's recent summer reading post at Day of the Woman, I was inspired to quit vegging out for just a moment and stretch those brain cells that once helped me attain a Master's in English Lit. so long ago. That's right, we're going to put the movies aside and talk about books tonight.

I've been taking more of an interest than ever in horror reading ever since I started this blog, presumably because I've been exposed to more of it. I was always about the science fiction, but never really strayed too far into horror on the printed page. But that's changed lately, as even the most perfunctory glance at my overloaded bookshelves would attest.

So, with an eye to the summer months ahead, here is a list of some of the books that I'm looking forward to getting to as I wile my hours away working on my George Hamilton-like suntan...

Infected
By Scott Sigler
Three Rivers Press

My dad lent me this one, about a strange disease turning thousands of Americans into rampaging murderers. And anything that's good enough for my own personal Obi-Wan Kenobi of horror is good enough for me. Besides, BJ-C also tells me it's good. But I'll probably check it out anyway.

The Physick Book of Deliverance Dane
By Katherine Howe
Voice

My sister picked me up this supernatural thriller for Father's Day. She works for Barnes & Noble (corporate--she ain't slingin' Seattle's Best, no offense), and apparently this brand-spankin' new novel about the Salem witch trials is currently one of B&N's "Main Selections".

Frankenstein: A Cultural History
By Susan Tyler Hitchcock
W.W. Norton & Co.

I discovered this one via Pierre Fournier's indispensible Frankensteinia blog a while back, and I've been itching to get to it ever since. A fascinating-looking study of the impact of Mary Shelley's novel throughout the past two centuries, as well as its countless incarnations, this looks like a crucial tome for any classic horror fan.

Gospel of the Living Dead
By Kim Paffenroth

Baylor University Press
Yes, Kim is indeed a fellow member of the League of Tana-Tea Drinkers, but I assure you that has nothing to do with my selection. Because I owned this book before I ever knew Kim, or was even a member of the league. This is a one-of-a-kind look at George Romero's Dead series from a religious perspective. Scholarly, spiritual and horrific all at the same time, from a guy who proves you can be religious and still love horror.

The Rising
By Brian Keene
Leisure Books

This one goes back a few years, but I've found Keene to be one of the most promising new horror novelists, and so I'm anxious to jump into what looks like it could be his best. He won the Bram Stoker Award for Best First Novel for this zombie uprising tale.

The Loch
By Steve Alten

Tor Books

Hot off the proverbial presses, this novel is all about Scotland's infamous Loch Ness--only it seems that the creature living in it is not the gentle, mysterious Monster of familiar lore, but rather a bloodthirsty beast consuming luckless Scotsmen by the fistful.

Deeper
By James A. Moore

Berkley

Another brand new novel, this one has been thus far one of the best reviewed of the year. A salty sea yarn set in New England and drawing heavily on Lovecraftian themes, it also looks like a breezy, easy little read at just 273 pages. A welcome break from typical doorstopper genre novels.

They Hunger
By Scott Nicholson
Pinnacle

This 2007 effort from the Bram Stoker-nominated Nicholson (a professed Vault Dweller, by the way) brings us subhuman, bat-like vampires hunting hapless white-water rafters and anti-abortion activists on the run from the FBI. How's that for original? Publisher's Weekly describes it as a "vampiric Deliverance". Nice!

Monday, January 19, 2009

Edgar Allen Poe: The Bicentennial


Much like the fabled "Poe Toaster", The Vault of Horror raises a glass of fine cognac to the memory of Edgar Allen Poe, father of the short story, founder of the mystery genre, and the greatest writer of horror literature in history.

Poe was born 200 years ago this day in Boston Massachusetts. In honor of this momentous occasion for literature and horror--two areas of great interest to me--I'd like to provide a bunch of very solid resources for looking further into the life and work of Edgar Allen Poe. There's no better way I can think of to while away this evening than wandering through Mr. Poe's gothic imagination...




Wednesday, November 5, 2008

Michael Crichton 1942-2008

Although his most notable work is best classified as sci-fi/action, Michael Crichton was a novelist and screenwriter who commonly incorporated strong horror elements in his fiction. He also pioneered the subgenre of medical/technological horror with such books and screenplays as The Andromeda Strain and Westworld, and later Jurassic Park, Prey and Next, among others.

Crichton was among genre fiction's most influential and high-profile authors, with the likes of Steven Spielberg, Robert Wise, Barry Levinson and Jan de Bont among the directors who have adapted some 13 of his novels to the screen. Crichton was also an accomplished director himself, helming several films based on his own novels, as well as the 1978 movie Coma, based on the novel of another medical horror luminary, Robin Cook.

A former medical student himself, Crichton was also the creator of the hospital TV drama ER, now in its 15th and final season, and once the highest-rated hour-long on television.

Crichton died yesterday at the age of 66, after a long, private struggle with cancer.

Friday, August 1, 2008

What the Heck Is This Twilight Thing, Anyway?

Typically, I pride myself on having my finger on the pulse of genre culture at all times. That's why I was caught pretty much off guard by a veritable phenomenon that seems to have taken form right under my very nose without my knowing it.

It all started when I walked into my local library to find a bizarre display. A mannequin dressed in gothic clothing, with an advertisement for a new book on the wall next to it. What was behind this gimmickry? Seems my library, joining forces with my local Borders just down the street, was organizing a special after-hours "release party" for the upcoming publication of Breaking Dawn, the latest volume in Stephenie Meyer's Twilight series.

Okay. Just two questions, I thought. Who the heck is Stephenie Meyer, and what in blue blazes is the Twilight series? Apparently, I quickly discovered, there had been three books published in this best-selling series of vampire novels. Oh, and a forthcoming movie adaptation of the first book, Twilight.

Next thing I know, these books and their author are everywhere. On TV talk shows, news segments, the web, everywhere I turned. This new book Breaking Dawn approaches with a level of marketing hype unrivaled by anything but, well, Harry Potter. And Meyer is being hailed as "the next J.K. Rowling".

Now, I'll admit a deep, dark secret. Horror is not my favorite type of genre fiction. Horror maven I may be, but when it comes to my reading material, I'll take a good science-fiction novel any day. It all goes back to an interesting theory I've developed over the years. When it comes to movies, horror tends to get a better shake than sci-fi. It has a higher profile and is better regarded by the masses, tends to be more successful (barring a few aberrant summer blockbusters here and there), and can boast more cinematic classics (an inflammatory statement, to be sure.) But in the realm of fiction, sci-fi wins it hands down, being much more respected in both mainstream and literary circles, and of generally better quality than horror (with the exception of a handful of truly talented writers.)

So whether its my own personal bias or not, I really must not be as sharp as I used to be, because I never heard of any of this Twilight stuff before a few weeks ago. So what's the deal? Is this all just the product of a powerful marketing machine, or have I been blind to a burgeoning phenom in horror fiction? Are these books really all they're cracked up to be? Are they strictly for kids? Are they just overrated tripe? Fill me in, people.

Saturday, July 12, 2008

A Plea to the Lovecraftians

OK, I have a bit of a dilemma going on. For a while now, H.P. Lovecraft had remained a great undiscovered country for me. While aware that he is the single most influential force in modern horror, I had only glimpsed bits and pieces of his actual writing--I had yet to really delve into it.

And now that I have, I've got a real problem to deal with. And that problem is the fact that H.P. Lovecraft was a passionate racist, white supremacist and anti-Semite, and his work readily reflects it.

My recent foray into HPL comes as a result of the essay submitted to The Vault of Horror some months ago by RayRay, a devout fan of the author since our days in high school together. And while I can't deny the raw and attractive power of his horror writing, I'm having a hard time with the aforementioned issue.

I plan to write a more deeply considered piece on the subject when I've read more of his work and can feel comfortable fully commenting on it. For now, I merely ask those who enjoy his work to help me out. Am I over-reacting?

See, my problem is complex. Yes, racism was more acceptable and rampant in Lovecraft's day, but his level of virulent hatred goes above and beyond even the acceptability such opinions enjoyed in a pre-Nazi world. Not only that, but it's all over the place in his fiction--you can't escape it. Richard Wagner may have been one of history's most famous Jew-haters, yet I can enjoy his music because he never wrote operas about it. But one need only browse through a handful of Lovecraft's pieces to come across his deep-seated hate for blacks, Jews, Asians and immigrants of all kinds. Don't even get me started on his private writings. Saying, "Well, that's how people thought back then," doesn't quite cover it.

So what do I do with this? I invite anyone with an opinion on the subject to leave a comment. Is it possible to enjoy Lovecraft in spite of his racism? Is it right to?

Wednesday, March 19, 2008

Howard Phillips Lovecraft – A Paean

For as long as this blog allows me to contribute, you will occasionally read statements by me extolling the virtues of H.P. Lovecraft. In fact, I will probably repeat myself many times on the subject. But for now, allow me to begin.

The importance of H.P. Lovecraft to the genres of horror and science fiction cannot be overstated. He is seminal. He is a pillar of all that came after. He was the first of many, and where he was not the first, he was most innovative.

His name – Lovecraft – innocuous sounding enough, is now synonym to both “macabre” and “lurking terror.” Without him there would be no King. No Barker. No Carpenter. No horror as we now know it. [Caveat: there has been a remarkable amount of scholarly writing about H. P. Lovecraft, of which only tidbits I have read. I do not proclaim to be an expert on the man, only that I have come to love his stories and have begun to understand his importance].

And the saddest thing about H.P. L. is that he was completely unappreciated in his lifetime. He was convinced he was a failure. He died penniless. He was forgotten. Yet the list of what was inspired by H.P. Lovecraft, even tangentially inspired, is simply vast. There are several board games, a role playing game, video games, and even two Metallica songs inspired by him.

My first exposure to Lovecraft was a paperback collection entitled “The Shadow Over Innsmouth,” which was an anthology of several of his stories. I found it while rummaging in the basement at the tender age of about 10, looking for some packed away Lionel train accessories. A basement, dark, musty and cluttered is a rather poignant place to find your first Lovecraft. On the cover was a man in a back tuxedo and cape, similar to what Bela Lugosi’s Dracula was fond of wearing, but with a face not unlike a cross between a Nosferatu and the Creature from the Black Lagoon. It scared the bejeezus out of me, and from that point on I associated “Lovecraft” with “scary.” [I was young, and didn’t use big words yet].

I tried to read it, as I liked trying to scare myself [I had already delved into Edgar Allen Poe, the direct precursor of Lovecraft, as well as Stephen King], but I couldn’t get around his dense, spiraling, verbose writing. It was too much vocabulary, too much atmosphere, and not enough action for my young sensibilities. So, “The Shadow Over Innsmouth” went back on the shelf.

Now, during the 80’s there were two movies I remember renting from Lynn TV, [the local video store], based on Lovecraft – “From Beyond” and the cult classic “Re-Animator.” I thought both of these movies were great; they were gory, violent, filled with nudity, and at least in the case of “From Beyond,” pretty freaking scary. The IMDB credits H.P. Lovecraft with some 71 films based, one way or another, on his writing. Yet none of these were in critical successes, and although a few were cult classics, most people, [myself included], have not seen them. One future project, “At the Mountains of Madness” is one that all horror fans should be looking forward to. [More on “ATMOM” below]. Therefore, these B movies would be my first official consumption of any H.P.L's material.

Years passed. I grew up, and went to the usual years of schooling. I read many books, and saw countless movies. I collected comics. I developed my tastes, which tend to the fantastical, at times weird, at times dark. I enjoyed visions of the future, both dystopian and utopian, far reaches of outer space, of Mars and Martians, of myths of Earth’s origins, of ancient times and creatures. I read King, Barker, Heinlein, Asimov, Bradbury, Herbert, Tolkien, and others. Then one day, in my late 20’s, I again came across “The Shadow Over Innsmouth” and began to read. It was fantastic. I loved it. The first story was “The Colour Out of Space,” a very creepy, yet simple story about what happens to the countryside when a meteorite falls from the sky, written in H.P.L’s anachronistic manner [notice the spelling of “Colour”]. I buried my nose in the book, next trying to get through “The Shadow Over Innsmouth,” about a desolate New England town peopled by worshippers of an ancient and malevolent sea god. In the middle I lost the book, and couldn’t find another copy of it in my local used bookstores nor the local Barnes & Noble. Then I got lucky when I found another H.P.L. anthology with “The Shadow Over Innsmouth” in it. I picked it right back up, and devoured the whole thing, and then consumed the rest of the book.

At this point I was ravenous for more. I searched on-line and I found sites with his complete works [I am presently looking for a printed one for my bookshelf]. After-hours at my old office I would print out stories for my ride home on the subway, and in no time I went through them all.

A casual reading of H.P.L. finds that his themes repeat – madness; darkness; lurking; moldering decay; especially dark shadows; backward and decrepit people living in decrepit towns and countryside; orders of ancient and otherworldly beings and gods whose “magic” is more like science we cannot understand. His settings often repeat as well, and are mostly the back country of New England, usually centering on a town called Arkham, the Miskatonic University, and the denizens thereof. This last theme, of otherworldly beings and their super-science, would eventually be named by others the “Cthulu Mythos,” encompassing a series of loosely connected stories about these beings and their worshippers and victims. In my opinion they are the best of H.P.L., and certainly his most influential works.

And in creating this Mythos [though many others contributed to the Mythos, notably Robert Howard - creator of Conan, Solomon Kane, and Kull - and some crossover can be seen in the Conan stories], H.P.L. laid the foundation for modern horror. Unfortunately for him he would not live to see his work find the success he so longed for, due to his untimely demise in 1937.

With the Mythos came the Elder Ones, the Elder Gods, the Outer Gods, the Deep Ones, Cthulu and his Children. We get horrific entities with names like Yog-Sothoth, Azathoth, Nyarlathotep, Dagon, Shub-Niggurath, Tsathoggua and creatures called shoggoths. We learn that the Elder Ones [another race of alien, interstellar primordial superbeings], Cthulu and his kind, and the Outer Gods vied for the Earth when it was young, and they are still lurking: some sleep below the sea in hidden cities; some dwell in hidden caves under the polar ice; some just beyond the gauzy fabric of this reality.

These things hailed from otherworldly parts known as Leng, R’lyeh, Ulthar, Skai, Kadeth, and Ib in the land of Mnar, and their deeds were memorialized in such volumes as the Necronomicon and the Pnapkotic Manuscripts, not to mention numerous horrific carvings, base reliefs, hieroglyphs, and totems. Pretty rich stuff from a writer making up canon on the fly, without ever working it out into a cohesive system.

Before H.P.L.’s influence took hold, horror was of the Victorian type: Dracula, Frankenstein, and the horror stories of old Europe: vampires, werewolves, and at the core of it, Satan. At times, instead of the devil being at the core, it was the acts of men: Jeckyl and Hyde, as well as the monster of Frankenstein – both examples of men trying to be God and the ramifications thereof. All in all, it was a very structured world, with God on one side, the Devil on the other, man in the middle, and in the end things would shake out. Man’s place in this order was assured.

It is after H.P.L. and the Cthulu Mythos took hold, when the madness and man’s uncertainty as to his place in the natural order, do we truly get modern horror as we know it. With this new paradigm, horror would eventually take new turns. We would encounter the backcountry cannibal families for the first time, waiting in their ramshackle farmhouses. We would experience stories that challenge our sensibilities as to our place in the universe. Killers were motivated [and would not die, or, stay dead] by forces that were wholly unexplained, and not attributable to either God or Satan, but rather unknown alien forces, or at times sheer, simple madness. Men would fall into fearful insanity at their powerlessness to act; at the realization of their insignificance; that the fate of man and the earth are already sealed and it is only a matter of time; that nothing can stop the inexorable march of evil to their doorstep. Man’s place in the universe was not only suspect, it was downright trivial when one became aware of the real forces at work. Some might say that his dreadful vision was influenced by the madness of the mindless slaughter of the First World War.

In my opinion H.P.L.’s magnum opus is the novella “At the Mountains of Madness,” which is probably his longest work. Simply, it’s about an Antarctic expedition [launched by the Miskatonic University] which goes horribly wrong, leading to death and insanity. It is the kind of story that grips you, steadily ratcheting up the tension until you cannot put the story down. It is credited for inspiring the novella “Who Goes There?” by John W. Campbell, which in turn inspired “The Thing.” In “At the Mountains of Madness” we hear of a tale which ties together much of the Mythos, but leaving more than enough unexplained to fuel further wonder. We find out that our ideas of Earth’s origin, and its ultimate fate, is not what we would expect, or anywhere close to what we hoped for. But no such admonition to “Watch the skies” will ameliorate our collective doom.

H.P.L. can be found everywhere in the horror genre. Movies as disparate as Ghostbusters, The Thing, The Shining, The Texas Chainsaw Massacre, Pet Semetary, Hellraiser, Hellboy, The Fog, and Event Horizon all owe H.P.L. a great debt for the groundwork he laid, the concepts he pioneered, and the atmospheres – the general creepiness – he was the master of. The same goes for horror literature, as well as comic books. Hell, Gotham City’s Arkham Asylum came from somewhere. Stephen King is practically his latter day protégé, another New Englander publishing the terrible goings-on in the unseen corners of Massachusetts and Maine.

H.P.L. is, with respect to the genre of horror, almost like Shakespeare to the English language – his influence is so wide, so diffused, so constant, you don’t even notice it. It’s like asking a fish to notice the water he is swimming in. But there it is – he is the dark, creepy, lurking atmosphere we all breathe.

I would like to give a special thanks to the Big AB of the Northern Wastes for his assistance in this endeavor.
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