During the series, Kowalski inhabited different bodies of those about to die, not necessarily of the same side or gender, sometimes not even the same time period (although set primarily during World War II, including both the European and Pacific theatres), and needed to change things for the better before he was killed. Death would summon him from the nether regions each story, and Kowalski wondered how many times he would have to do so as penance. The series was created by writers Tony Isabella, Roy Thomas, and Chris Claremont with an uncredited assist from Steve Gerber on issue #9 (acknowledged in the letter column of issue #12), and artists Dick Ayers and Frank Springer.
The series was canceled with issue #15, and we learned Claremont's intentions for Kowalski when he wrote volume 2 of Man-Thing and incorporated the character into its final two issues (#s 10 & 11). By this point (the early 1980s), Kowalski had become an aspect of Death. He made Bobbie Bannister (a recently-orphaned by murder rich girl introduced by Claremont in Man-Thing vol. 2 #5) another aspect of Death as they battled Sheriff John Daltry, who was possessed by the sword of Captain Fate. He caused the deaths of Doctor Strange, Man-Thing, Jennifer Kale, and Chris Claremont himself, although these deaths were undone by the end of the story, in order to battle Thog the Nether-Spawn, who was using Fate and Daltry as his pawns in another gambit to take over Earth-616.
Kowalski later appeared with Scarlet Witch in a story by Dennis Mallonee (writer) and John Ridgway (artist) in Solo Avengers #5.
more info...The series began as a reprint book, mostly from Atlas Comics-era war comics, adding Sgt. Fury for its last two issues before printing new material. The first six issues contained four stories an issue, each around five pages.
The Marvel Comics series ran 168 issues, cover-dated June 1951 to May 1968. It began as a horror anthology from the company's 1950s precursor, Atlas Comics. Initially modeled after the gory morality tales of the popular and groundbreaking EC line of comics, Strange Tales became less outré with the 1954 imposition of the Comics Code, which prohibited graphic horror, as well as vampires, zombies and other classical monsters.
The comic changed again with the return of industry legend Jack Kirby, the artist who had co-created Captain America for the company then worked elsewhere for 17 years. Starting with #68 (April 1959), Strange Tales was revamped to reflect the then-current trend of science fiction drive-in movie monsters. Virtually every issue would open with a Kirby monster story (generally inked by Christopher Rule initially, then later Dick Ayers), followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, with the whole thing capped by an often-surreal, sometimes self-reflexive Stan Lee-Steve Ditko short.
Some characters introduced here in standalone, anthological stories were later retconned into Marvel-universe continuity. These include the extraterrestrial dragon Fin Fang Foom, who first appeared in issue #89 (Oct. 1961), and the extraterrestrial would-be world conquerors Gorgolla, introduced in #74 (April 1960), and Orggo, introduced in #90 (Nov. 1961).
The anthology switched to superheroes during the Silver Age of Comic Books, retaining the sci-fi, suspense and monsters as backup features for a time. Strange Tales' first superhero, in 12- to 14-page stories, was the Fantastic Four's Human Torch, Johnny Storm, beginning in #101 (Oct. 1962). Here, Johnny still lived with his elder sister, Susan Storm, in fictional Glenview, Long Island, New York, where he continued to attend high school and, with youthful naivete, attempted to maintain his "secret identity" (later retconned to reveal that his friends and neighbors knew of his dual identity from Fantastic Four news reports, but simply played along). Supporting characters included Johnny's girlfriend, Doris Evans, usually seen only in consternation as Johnny cheerfully flew off to battle bad guys. Ayers took over the penciling after 10 issues, later followed by original Golden Age Human Torch creator Carl Burgos and others, with Superman co-creator Jerry Siegel scripting issues #112-113 (Sept.-Oct. 1963) under the pseudonym "Joe Carter". The Fantastic Four made occasional cameo appearances, and the Thing became a co-star with #123 (Aug. 1964).
The title became a "split book" with the introduction of sorcerer Doctor Strange, by Lee and artist Steve Ditko. This 9- to 10-page feature debuted in #110 (July 1963), and after an additional story and then skipping two issues returned permanently with #114. Ditko's surrealistic mystical landscapes and increasingly head-trippy visuals helped make the feature a favorite of college students, according to contemporaneous accounts.[citation needed] Eventually, as co-plotter and later sole plotter, in the "Marvel Method", Ditko would take Strange into ever-more-abstract realms, which yet remained well-grounded thanks to Lee's reliably humanistic, adventure/soap opera dialog.
Though Lee and Ditko themselves interacted less and less as each went their separate creative ways, the storyline culminated with what fans and historians consider one of modern comics' milestones: the introduction, in issue #138 (Oct. 1965), of Ditko's enduring conception of Eternity, the personification of the universe. Depicted as a majestic silhouette whose outlines are filled with the cosmos, Eternity soon becoming a cornerstone of the Marvel mythos. It was a groundbreaking creation long before such cosmic conceits were commonplace. Issue #146 (July 1966) marked Ditko's final bow on the series. Bill Everett succeeded him through #152 (Jan. 1967), followed by Marie Severin (self-inked for four issues before being inked by future Hulk signature artist Herb Trimpe in some of his earliest Marvel work), and Dan Adkins taking over from #161 (Oct. 1967) to the final issue, #168 (May 1968).
The Human Torch and Thing had already been replaced in #135 (Aug. 1965) by Nick Fury, a superspy in keeping with the concurrent James Bond/The Man from U.N.C.L.E. craze. The 12-page feature was initially by Lee and Kirby, with the latter supplying such inventive and enduring gadgets and hardware as the Helicarrier — an airborne aircraft carrier — as well as human-replicant LMDs (Life Model Decoys), and even automobile airbags. Marvel's all-purpose terrorist organization HYDRA was introduced here as well.
The feature "Nick Fury, Agent of S.H.I.E.L.D." soon became the province of writer-penciler-colorist Jim Steranko, under whom it became one of the creative zeniths of the Silver Age. Steranko introduced or popularized in comics such art movements of the day as psychedelia and op art, built on Kirby's longstanding work in photomontage, and created comics' first four-page spread — again inspired by Kirby, who in the Golden Age had pioneered the first full-page and double-page spreads. All the while, he spun plots of intense intrigue, barely hidden sensuality, and hi-fi hipness — and supplying his own version of Bond girls, essentially, in skintight leather, green hair with matching eyeshadow and accessory whip, pushing what was allowable under the Comics Code at the time.
"Nick Fury, Agent of S.H.I.E.L.D." became the first Strange Tales feature to receive its own cover logo below the main title, beginning with #135; it skipped an issue before returning permanently with #137. "Doctor Strange" received its own cover logo, designed by Sol Brodsky, with Strange Tales #150 (Nov. 1966).
Strange Tales temporarily ended with #168 (May 1968). The following month, Doctor Strange's adventures continued in the full-length Doctor Strange #169, with Nick Fury moving to the newly launched Nick Fury, Agent of S.H.I.E.L.D..
Doctor Strange was canceled with #183 (Nov. 1969). Four years later, Strange Tales resumed at its old numbering with #169 (Sept. 1973), which introduced the supernatural feature Brother Voodoo by writer Len Wein and artist Gene Colan. This lasted only to issue #173 (April 1974), with Brother Voodoo continuing briefly in the black-and-white Marvel horror-comics magazine Tales of the Zombie. This was followed by two different creative teams producing three stories of The Golem in four issues (#174-177), the second of these a fill-in monster-reprint issue.
The book had better luck with writer-artist-colorist Jim Starlin's take on Adam Warlock, picking up the character from the 1972-73 series Warlock (a.k.a. The Power of Warlock) and reviving him in Strange Tales #178 (Feb. 1975). Another creative high-water mark, this feverishly imaginative feature from Starlin, who had similarly reinvigorated Captain Marvel, introduced the Marvel characters Gamora, Ellie the Freak, Pip the Troll and The Magus, and helped establish the mythos Starlin would mine in his many "Infinity" sagas of the 1990s. After issue #181 (Aug. 1975), the story would continue in Warlock #9 (Oct. 1975), picking up from the old series' numbering. Strange Tales soldiered on with Doctor Strange reprints through issue #188 (Nov. 1976).
Colonel Nicholas Joseph "Nick" Fury is a fictional World War II army hero and present-day super-spy in the Marvel Comics universe. Created by artist Jack Kirby and writer Stan Lee, Fury first appeared in Sgt. Fury and his Howling Commandos #1 (May 1963), a World War II combat series that portrayed the cigar-chomping Fury as leader of an elite U.S. Army unit.
The modern-day Fury, initially a CIA agent, debuted a few months later in Fantastic Four #21 (Dec. 1963). In Strange Tales #135 (Aug. 1965) the character was transformed into a James Bond-like spy and leading agent of the fictional espionage agency S.H.I.E.L.D. The character makes frequent appearances in Marvel comic books as the head of S.H.I.E.L.D. and as an intermediary between the U.S. government or the United Nations and various superheroes. It is eventually revealed that Fury takes a special medication called the Infinity Formula that halted his aging and allows him to be active despite being nearly a century old.
The Nick Fury character appears in several Marvel comic series set in alternate universes, as well as multiple animated films, television shows, and video games based on the comics. The character is portrayed by David Hasselhoff in the 1998 television movie Nick Fury: Agent of S.H.I.E.L.D. and by Samuel L. Jackson in the 2008 films Iron Man and The Incredible Hulk. Jackson's appearance and screen persona were based on the Ultimate Marvel version of the character.Jackson is scheduled reprise his role in the sequel, Iron Man 2.
wiki info: The Leatherneck Raiders are a fictional World War II unit in comic books published by Marvel Comics. Created by Gary Friedrich and Dick Ayers, they were a specially trained tactical commando squad. ("Leatherneck" is a military slang term for a member of the United States Marine Corps.)
The Leathernecks were commanded by U.S. Navy submarine Captain Simon Savage, who modeled his squad after his one-time associate Nick Fury's Howling Commandos. Although the Leatherneck Raiders (also known as the "Leathernecks," and the "Battlefield Raiders") were an effective fighting force in World War II, they never achieved the recognition that the Howling Commandos received.