Gaston Jacquet

Elegant French actor Gaston Jacquet (1883–1970) started his film career during the early silent film era. He played in many films of director Julien Duvivier during the 1920s and 1930s.


French postcard by Editions Cinématographiques Jacques Haïk, no. 4. Photo: Combier Mâcon. Gaston Jacquet as Le Chevalier Henri de Lagardère in Le Bossu/The Duke's Motto (Jean Kemm, 1925).


Austrian postcard by Iris Verlag, no. 5768. Photo: Verleih Ella Frischauer.


French postcard by Cinémagazine Edition, no. 95.


French postcard by Film français Aubert, Paris. Photo: publicity still for Le Tourbillon de Paris/The Maelstrom of Paris (Julien Duvivier, 1928) with Lil Dagover.

The Three Musketeers

Gaston Jacquet was born as Émile Marius Jacquet in Lanas, France in 1883. He started his film career with such silent films as Qui a tué?/Who killed? (Pierre Marodon, 1919) with Elmire Vautier, Le sang des immortelles/The blood of the immortals (André Liabel, 1919) with Marcel Vibert, and Celle qui n'a pas dit son nom/The one who did not say her name (Maurice de Marsan, 1919).

In the early 1920s, he played in dozens of films, such as Les femmes des autres/The Wives of Others (Pierre Marodon, 1920) starring Renée Sylvaire, as De Winter in Les trois mousquetaires/The Three Musketeers (Henri Diamant-Berger, 1921) with Aimé Simon-Girard as D’Artagnan, and L'ouragan sur la montagne/The Hurricane on the Mountain (1922), directed by the young Julien Duvivier. He also starred in Duvivier’s Le reflet de Claude Mercoeur/The Reflection of Claude Mercoeur (Julien Duvivier, 1923) starring Camille Beuve, Coeurs farouches/Wild hearts (Julien Duvivier, 1924) with Rolla Norman, and Credo ou la tragédie de Lourdes/Credo or The Tragedy of Lourdes (Julien Duvivier, 1924).

Their biggest success was the funny extravaganza Le mystère de la tour Eiffel/The Mystery of the Eiffel Tower (Julien Duvivier, 1927) with the boy Jimmy Gaillard, who would become an actor when he grew up. DB DuMonteil at IMDb about the sole remaining copy in the Dutch Eye Institute: “The best of what remains of the original work is the final scenes, on the Eiffel Tower, where Duvivier already showed he would be one of the greatest French directors of all time. He filmed the famous tower in a way that is almost frightening: the steel frames, the cables, everything creates a new world where men are like spiders on a giant web, while the crowd looks like ants on the Champ De Mars.”

The following year they worked again together at L'agonie de Jérusalem/The Agony of Jerusalem (Julien Duvivier, 1928) and Le tourbillon de Paris/The Maelstrom of Paris (Julien Duvivier, 1928) with German star Lil Dagover. Jacquet also played supporting parts in German silent films, such as the Anny Ondra comedies Der erste Kuß/The First Kiss (Carl Lamac, 1928) and Saxophon-Susi/Suzy Saxophone (Carl Lamac, 1928), and in Großstadtschmetterling/Pavement Butterfly (Richard Eichberg, 1929) starring Anna May Wong.

One of his last silent films was Prix de beauté/Beauty Prize (Augusto Genina, 1930) about which James Travers at Films de France writes: “Prix de beauté was one of the last silent masterpieces, directed by Augusto Genina and scripted by René Clair (himself a great director). Released at a time when sound films were becoming the norm, this film was largely overlooked and has only comparatively recently received the attention it deserves. The film stars Louise Brooks in the role of the eponymous tragic femme fatale, a part that suits the beautiful young actress perfectly.”


French postcard by Editions Jacques Haïk. Photo: Combier Mâcon. Publicity still for Le Bossu/The Duke's Motto (Jean Kemm, 1925).


French postcard by Editions Jacques Haïk, no. 5. Photo: Combier Mâcon. Publicity still for Le Bossu/The Duke's Motto (Jean Kemm, 1925). Caption: Lagardère and child.


French postcard by Editions Jacques Haïk, no. 13. Photo: Combier Mâcon. Publicity still for Le Bossu/The Duke's Motto (Jean Kemm, 1925). Caption: Jacques Haïk company made Le Bossu for you ... and Lagardère will make all heads turn.


French postcard by Editions Jacques Haïk, no. 120. Photo: Combier Mâcon. Publicity still for Le Bossu/The Duke's Motto (Jean Kemm, 1925).

Old Pal Duvivier

In the sound era, Gaston Jacquet continued to appear in international productions and reunited with Anny Ondra in the German comedy Das Mädel aus U.S.A/The Girl from the USA (Carl Lamac, 1930). 
In France, he had a supporting part in Le chemin du paradis/The Road To Paradise (Wilhelm Thiele, Max de Vaucorbeil, 1930) starring Lilian Harvey. The latter was the French version of the UFA box office hit Die Drei von der Tankstelle/Three from the Gasoline Station (Wilhelm Thiele, 1930).

Another French version of a popular UFA film was Le vainqueur/The Winner (Hans Hinrich, Paul Martin, 1932) with Jean Murat (the German version was Der Sieger/The Winner (Hans Hinrich, Paul Martin, 1932) with Hans Albers). Jacquet reunited with Julien Duvivier for the latter's first sound film, the drama David Golder (1931), and for the George Siménon adaptation La tête d'un homme/A Man's Neck (1933), both starring Harry Baur.

Other interesting films were the comedy Enlevez-moi/Abduct Me (Léonce Perret, 1932) with Arletty, and the fantasy film Le golem/The Golem (Julien Duvivier, 1936) starring Harry Baur. He also played a small part in Duvivier’s masterpiece La fin du jour/The End of the Day (Julien Duvivier, 1939), starring Victor Francen, Michel Simon and Louis Jouvet as three old and penniless actors living in a near-bankrupt retirement home.

DB DuMonteil at IMDb thinks it is “Probably Duvivier's pre-war peak. His pessimism reaches here such unbelievable heights that we're brooding all along the movie and long after having seen it.” From then on Jacquet’s film appearances became smaller and more incidental. He was seen in such films as Jeunes filles en détresse/Girls in Distress (Georg Wilhelm Pabst, 1939) with Micheline Presle in one of her first roles, and La neige sur les pas/The Snow on the Steps (André Berthomieu, 1942) starring Pierre Blanchar.

His final film appearance followed 15 years later. It was a small part in another film by his old pal Duvivier, Pot-bouille/Lovers of Paris (Julien Duvivier, 1957) starring Gérard Philipe. Gaston Jacquet died in 1970 in Thonex, Switzerland.


Belgian postcard by NV Cacao en Chocolade, Kivou, Vilvoorde, Belgium. Photo: Paramount. Publicity still for an early French sound film.


French postcard by Film français Aubert, Paris. Photo: publicity still for Le Tourbillon de Paris/The Maelstrom of Paris (Julien Duvivier, 1928) with Lil Dagover and Gaston Jacquet.


French postcard by Film français Aubert, Paris. Photo: publicity still for Le Tourbillon de Paris/The Maelstrom of Paris (Julien Duvivier, 1928) with Léon Bary, Lil Dagover and Gaston Jacquet.


Scene from Prix de beauté/Beauty Prize (1930). The original silent film was later dubbed. Source: msatch 1952 (YouTube).


Scene from La fin du jour/The End of the Day (1939). Source: Mr. David Cairns (YouTube).

Sources: James Travers (Films de France), Thomas Staedeli (Cyranos), DB DuMonteil (IMDb), AllMovie, Wikipedia (French) and IMDb.

This post was last updated on 13 November 2024.

Le Bossu (1925)

Today's film special is about Le Bossu/The Hunchback (1925), a French 'swashbuckler' directed by Jean Kemm. This silent film was the third of at least twelve screen adaptations of the popular novel Le Bossu by author Paul Féval.


Gaston Jacquet in Le Bossu (1925). French postcard by Films Jacques Haïk. Photo: Combier Mâcon.

Swashbuckler Novel

Paul Féval's historical adventure novel Le Bossu was first published in serial parts in Paris in 1858.

The novel is one of a number of works such as Alexandre Dumas’ The Three Musketeers (1844) which helped define the genre of ‘swashbuckler’ novel, known in French as a ‘roman de cape et d'épée’.

Féval’s son, Paul Féval Fils borrowed his father's hero Chevalier Henri de Lagardère for his own series of Lagardère novels. For the film, he also co-wrote the scenario.

The story deals with the wealthy aristocrat De Lagardère (played by Gaston Jacquet), who wants to avenge the death of his friend the Duc de Nevers (Jean Lorette).

The Duke was killed in a treacherous duel by the Prince of Gonzague (Marcel Vibert) many years ago. The Prince was jealous of the other man's riches, and after killing him, Gonzague also married de Nevers’ widow, Aurore (Claude France).

De Lagardère steals Irène, the child of Nevers and Aurore, and several years after, he returns pretending to be the deformed hunchback of the Rue Quincampoix. He unmasks Gonzague and holds Irène's (Nilda Duplessy) hand in return.


French postcard by Films Jacques Haïk. Photo: Combier Mâcon. Caption: 'Une fête au Palais-Royal'. (A party at the Royal Palace)


Gaston Jacquet as Lagardère and Nilda Duplessy as Irène de Nevers in Le Bossu (1925). French postcard by Films Jacques Haïk, no. 120. Photo: Combier Mâcon.


French postcard by Editions Cinématographiques Jacques Haïk, no. 1. Photo: publicity still for Le Bossu ou le Petit Parisien (Jean Kemm, 1925). Caption: "Une scène dans le salon du regent" (Scene in the Salon of the Regent).


French postcard by Editions Cinématographiques Jacques Haïk, no. 10. Photo: publicity still for Le Bossu ou le Petit Parisien (Jean Kemm, 1925). Caption: "The Rotisserie du Soleil d'Or" (The Grill of the Golden Sun).


French postcard by Films Jacques Haïk. Photo: Combier Mâcon. Publicity still for Le Bossu ou le Petit Parisien (Jean Kemm, 1925) with Jacques Arna aka Arna and Louis Pré fils as the comic sidekicks Cocardasse and Passepoil. Louis Pré fils (1884-1970) was a French actor, who acted mainly in supporting parts in French cinema, during the 1920s and 1930s. He peaked in the early 1920s in such films als Les trois mousquetaires/The Three Musketeers (Henri Diamant-Berger, 1921), Vingt ans après/Twenty Years Later (Henri Diamant-Berger, 1922) and Le Bossu (1925). Jacques Arna only acted in a handful of French silent films, including Vingt ans après/Twenty Years Later (Henri Diamant-Berger, 1922) , Le Bossu (1925) and La passion de Jeanne d'Arc/The Passion of Joan of Arc (Carl Theodor Dreyer, 1928). Arna was also an historian, a graphologist and an opera singer.

French Resistance

Le Bossu (1925) was probably the first production of French film pioneer Jacques Haïk (1883–1950).

Haïk had been an active French film distributor during the early sound era. He had introduced the Charlie Chaplin films in France and was the inventor of his French name Charlot.

He later created the famous Paris venue Olympia, and built film studios in the Paris suburbs of Courbevoie and La Garenne. He also opened several prestige cinemas in France, including Le Grand Rex (1932) in Paris, the biggest cinema of Europe.

The postcards that were produced to promote Le Bossu show that the film was presented in Haïk's Olympia ('in exclusivity'), but also in the Ciné Max Linder and the Mozart-Palace, both in Paris.

Ciné Max Linder opened in 1912 as Kosmorama. In 1914 actor-director Max Linder bought the cinema and renamed it after himself. Today, the cinema still exists, though it has been completely modernized.

The Mozart-Palace existed between 1913 and 1954. It is now a supermarket.
After Le Bossu, Jacques Haïk would continue to produce dozens of French films until the Second World War.

During the war, the Jewish and anti-Nazi Haïk joined the Forces Françaises Libres (French resistance) and became its representative in the Arab world. After the war he returned to France and tried to recover his property and films that had all been confiscated by the Germans. Five years later he died.


French postcard by Editions Cinématographiques Jacques Haïk, no. 5. Photo: publicity still for Le Bossu ou le Petit Parisien (Jean Kemm, 1925). Caption: "Lagardère {à L'Enfant" ((Young) Lagardère).


French postcard by Editions Cinématographiques Jacques Haïk, no. 6. Photo: publicity still of Marcel Vibert as the Prince de Gonzague. Caption: 'Gonzague a trahi de Nevers... Le Bossu ne trahira vos espérances'. (Gonzague has betrayed de Nevers, but Le Bossu will not betray your expectations.)


French postcard by Editions Cinématographiques Jacques Haïk, no. 8. Photo: publicity still of Marcel Vibert as the Prince de Gonzague and Hypolyte Paulet as de Peyrolles. Caption: 'Monsieur de Peyrolles est l'homme des mauvais conseils ne l'écoutez pas et ... un bon conseil: voyez Le Bossu'. (Mr. de Peyrolles is the man of bad advice. Don't listen to him and ... a good advice: see Le Bossu.)


French postcard by Editions Cinématographiques Jacques Haïkm no. 9. Le Bossu ou le Petit Parisien (Jean Kemm, 1925) with Maxime Desjardins as Le Régent. Caption: "Le luxe n'est rien sans le goût et la mesure. 'Le Bossu' est monté avec goût et la mesure: voici un film Français." (Luxury is nothing without the taste and measure. Le Bossu is mounted with taste and measurement: this is a French film.)


French postcard by Editions Cinématographiques Jacques Haïk, no. 13. Photo: publicity still of Lagardère (Gaston Jacquet). Caption: 'Les Etablissements Jacques Haïk ont fait tourner pour vous Le Bossu... et Lagardère fera tourner toutes les têtes.' (Les Etablissements Jacques Haïk will 'turn' (film) Le Bossu for you... and Lagardère will turn everybody's head.)

Film Versions

Le Bossu/The Hunchback (1925) was not the first screen adaptation of Féval’s adventure novel, and not the last. The novel was filmed more than 10 times.

The original film version was the silent short Le Bossu (André Heuzé, 1912) starring Henry Krauss and Yvette Andréyor.

Krauss repeated his interpretation in Le Bossu (1923) opposite Claude Mérelle and Edouard de Max. Ten years after the original silent version, René Sti made the first sound version Le Bossu (1935) with Robert Vidalin as Henri de Lagardère, Josseline Gaël as Aurore de Caylus and Samson Fainsilber as Monsieur de Peyrolles.

In 1943 followed a Mexican version El jorobado (Jaime Salvador, 1943) and a year later a new French version Le Bossu (Jean Delannoy, 1944) starring Pierre Blanchard as Henri de Lagardère.

In 1955 came another Latin-American version, the Argentine production El juramento de Lagardere (León Klimovsky, 1955).

Probably the best known version is Le Bossu (André Hunebelle, 1959) starring Jean Marais and Bourvil.

The mini-series Lagardère (Jean-Pierre Decourt, 1967) featured Jean Piat, Sacha Pitoëff and Jacques Dufilho.

Thirty years later Lagardère returned to the cinema in the lush Le Bossu/On Guard (1997, Philippe de Broca). Among the cast were such French stars as Daniel Auteuil as Lagardère, Fabrice Luchini as Gonzague, and Vincent Perez as De Nevers.

The most recent adaptation was the TV film Lagardère (Henri Helman, 2004) with Bruno Wolkowitch.


Trailer of Le Bossu ( Philippe de Broca, 1997). Source: Cinemaetcie (YouTube).

Sources: Les indépendants du premier siècle (French), Wikipedia and IMDb.